South Korea Box Office for The Grinch (2018)
Theatrical Performance (US$) | ||
South Korea Box Office | $3,741,347 | Details |
Worldwide Box Office | $514,873,747 | Details |
Home Market Performance | ||
North America DVD Sales | $33,557,812 | Details |
North America Blu-ray Sales | $29,048,076 | Details |
Total North America Video Sales | $62,605,888 | |
Further financial details... |
Synopsis
Each year at Christmas they disrupt his tranquil solitude with their increasingly bigger, brighter and louder celebrations. When the Whos declare they are going to make Christmas three times bigger this year, the Grinch realizes there is only one way for him to gain some peace and quiet: he must steal Christmas. To do so, he decides he will pose as Santa Claus on Christmas Eve, even going so far as to trap a lackadaisical misfit reindeer to pull his sleigh. Meanwhile, down in Who-ville, Cindy-Lou Who-a young girl overflowing with holiday cheer-plots with her gang of friends to trap Santa Claus as he makes his Christmas Eve rounds so that she can thank him for help for her overworked single mother. As Christmas approaches, however, her good-natured scheme threatens to collide with the Grinch's more nefarious one. Will Cindy-Lou achieve her goal of finally meeting Santa Claus? Will the Grinch succeed in silencing the Whos’ holiday cheer once and for all?
Metrics
Movie Details
Production Budget: | $75,000,000 |
South Korea Releases: | December 19th, 2018 (Wide), released as The Grinch |
Video Release: | January 22nd, 2019 by Universal Home Entertainment |
MPAA Rating: | PG for brief rude humor. (Rating bulletin 2537 (Cert #51723), 7/25/2018) |
Running Time: | 86 minutes |
Keywords: | Christmas, Christmas in November, Single Parent, Animal Lead, Widow/Widower, Young Child Dealing with the Death of a Parent, 3-D, Voiceover/Narration, 3-D - Shot in 3-D, IMAX: DMR, Family Adventure |
Source: | Based on Fiction Book/Short Story |
Genre: | Adventure |
Production Method: | Digital Animation |
Creative Type: | Kids Fiction |
Production/Financing Companies: | Universal Pictures, Illumination Entertainment, Chris Meledandri |
Production Countries: | United States |
Languages: | English |
Home Market Releases for February 5th, 2019
February 5th, 2019
We are finally getting to the massive fall hits on the home market, as Dr. Seuss’ The Grinch hits the home market this week. It is the biggest release, but not the best. The Pick of the Week was a coin toss between Maquia: When The Promised Flower Blooms and Widows. In the end, the latter won, but both are worth buying.
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Home Market Releases for January 22nd, 2019
January 24th, 2019
We’re getting close to the monster hits from fall finally coming out on the home market. Closer, but we are not quite there yet. This week’s biggest release is First Man, but it is not the best. The race for Pick of the Week came down to three contenders: Dirty Rotten Scoundrels, The Hate U Give, and JoJo’s Bizarre Adventure: Set Three. It was a close race, but in the end The Hate U Give won out.
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2018 - Awards Season: PGA - Nominations
January 4th, 2019
The Producers Guild of America announced their nominations in the theatrical categories today and there are some trends building. However, there are also some questions generated after these nominations were announced.
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International Box Office: Aquaman Surfs to $400 million Internationally
December 27th, 2018
Aquaman had another significant expansion helping it keep first place with $95.2 million on 31,900 screens in 70 markets for totals of $415.5 million internationally and, including updated Domestic tallies, the global take is $488.2 million worldwide. It is ahead of every other film in the D.C.E.U. on the international chart, which is impressive. Its biggest new market was South Korea, where it earned first place with $7.94 million on 1,272 screens for a total opening of $10.08 million. It also opened in first place in France with $6.6 million on 607 screens, as well as in Germany with $4.9 million 805. The film’s biggest market overall was China, where it slipped to second with $23.41 million on 12,000 screens for a three-week total of $233.59 million.
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Christmas Predictions: Can Sherlock Solve the Case?
December 24th, 2018
Tomorrow is Christmas Day, which is a surprisingly good day to release a movie, and two new films are hoping to take advantage of this. Holmes and Watson is by far the bigger of the two releases, but despite the comedic talent in the movie, its reviews are, well, practically non-existent. There’s only one review and it is negative. Not that long ago, I thought the film would still open with $10 million for the day, as Will Ferrell and John C. Reilly do have box office drawing power. However, the lack of reviews hurts and the buzz isn’t loud enough to compensate. I think $8 million is more likely.
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International Box Office: Aquaman Tops Competition by $100 million
December 19th, 2018
Aquaman expanded worldwide at the weekend, earning $131.3 million on 44,134 screens in 43 markets for a two-week total of $266.4 million on the international market. It debuted in over 40 markets, but China was still the dominant force, as it pulled in $54.24 million on 24,528 screens there over the weekend for a two-week total of $189.30 million. A 42% drop-off is amazing for China, which is know for sharp sophomore declines, and the film is already the fourth-biggest super hero film in that market. On the other hand, the film’s biggest opening came in Mexico, where it earned $6.62 million over the weekend for a total opening of $8.00 million there. This is significantly below the openings of both Wonder Woman and Justice League. Overall, Aquaman beat those films more often then not, sometimes by rather large margins. For example, it earned $7.8 million on 3,110 screens in Russia, which was more than double Wonder Woman’s opening in that market. However, at this point, we can safely say China will contribute a disproportionate share of its international box office.
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Weekend Wrap-Up: Spider-Man Starts Strong as Christmas Holidays Begin
December 18th, 2018
The weekend went according to predictions, more or less. Spider-Man: Into The Spider-Verse was the biggest surprise and it beat our prediction by barely more than $1 million at $35.36 million. The Mule was a distant second place with $17.51 million, but this is still a good result for its production budget / target demographic. On the other hand, Mortal Engines bombed. There’s no polite way to describe this result. The overall box office rose by 37% from last weekend, hitting $115 million. Unfortunately, this weekend last year, Star Wars: The Last Jedi opened with nearly double that by itself. 2018 was off by 58% when compared to last year. That would be a terrible result, even if there were a misalignment in holidays. Fortunately, 2018 still has a huge lead over 2017, up by 9.3% or $930 million at $10.96 billion to $10.03 billion and even if 2018 loses by this amount for the next two weeks, it will still end the year with a massive lead over 2018.
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Weekend Estimates: Spider-Man is too much for just one Universe
December 16th, 2018
Sony’s estimates have Spider-Man: Into The Spider-Verse earning $35.4 million over the weekend. Its reviews and its A plus from CinemaScore should both helps its legs, as will the upcoming holidays. On the other hand, it does have direct competition next weekend, more or less. Aquaman will attack it from the super hero side of things, while Mary Poppins Returns will take from its family film side. That said, with a start like this, $100 million domestically is practically guaranteed, while $150 million is a solid goal to aim for.
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Friday Estimates: Spidey Starts Miles Ahead of the Competition
December 15th, 2018
Spider-Man: Into The Spider-Verse debuted with $12.6 million on Friday, putting it on pace for $35.5 million over the full weekend, at least according to Sony. It will get a tiny boost on Sunday, because about 5% of school kids start their winter holidays on Monday. It will get a larger boost from its reviews, which remain Oscar-worthy. And this is not a case of the critics loving it and the audiences being more ambivalent, as the film earned an A plus from CinemaScore and a five-star rating from PostTrak. If the film does match Sony’s estimates, then it will be a little better than our prediction. More importantly, if its word-of-mouth boosts its legs, it could earn more than $200 million domestically. That’s asking a lot, but it is a possibility. It is certainly something to keep our eyes on.
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Weekend Predictions: Will Spider-man Swing into First Place?
December 13th, 2018
After two weeks with no new releases in the top five, we have three new films vying for a position there. This includes Spider-Man: Into The Spider-Verse, which is all but guaranteed a spot in the top five. The Mule was thought to be an Awards Season contender, but its reviews are disappointing, given those high hopes. Finally there’s Mortal Engines, a film that cost $100 million to make and will likely barely earn a spot in the top five. This weekend last year, Star Wars: The Last Jedi opened with $220.01 million. That’s more than the entire box office will earn this year. This could be more than all three wide releases earn in total. Fortunately, 2018 has a $1 billion lead over 2017, so three weeks of bad losses won’t change that.
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International Box Office: Aquaman Floods China
December 12th, 2018
Aquaman debuted in China dominating the market with $92.98 million over the weekend for a total opening of $94.28 million. This is roughly as much as the rest of the top five made combined. It is also certainly more than it will open with domestically.
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Weekend Wrap-Up: The Calm before the Winter Storm
December 11th, 2018
There were no new releases / expansions / re-releases in the top five over the weekend. In fact, there were no such films in the top ten. Not a single film in the top five even switched positions, so there’s almost nothing to talk about. Ralph Breaks the Internet held on a tiny bit better than predicted, but that didn’t stop the overall box office falling 27% from last weekend to $84 million. This is still ahead of the same weekend last year, but by a tiny 1.5% margin. Year-to-date, 2018’s margin over 2017 barely changed and currently sits at 10.7% or $1.04 billion at $10.82 billion to $9.77 billion.
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Weekend Estimates: Christmas Comes Early for Animation
December 9th, 2018
Both animated films are doing great at the box office with Ralph Breaks the Internet matching our prediction nearly perfectly with a studio estimate of $16.1 million over the weekend, which would give it a running tally of $140.9 million. Internationally, the film has barely opened in half the world earning $18.0 million over the weekend for a total of $117.3 million. This includes a first place debut in Spain with $4.6 million over the five-day weekend. Its next major market isn’t until December 21st when it opens in Japan, while it is a Boxing Day release in Australia.
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Friday Estimates: Box Office Sinks a Little Deeper
December 8th, 2018
It looks like it will be another soft weekend at the box office. The lack of new releases is not helping holdovers too much, but most of the top five is on pace to match expectations, more or less. For example, Ralph Breaks the Internet pulled in $3.52 million on Friday, putting it on pace for $15 million over the weekend. This is within a rounding error of our prediction and nothing to panic about. Granted, the film is falling behind Coco’s pace, while $200 million domestically is becoming a more difficult goal, but Disney could give it a push over the top if it wants to.
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Weekend Predictions: Short List of New Releases
December 6th, 2018
The first weekend of December is usually a terrible weekend to release a new film. However, that’s because it is usually the first weekend after Thanksgiving long weekend. This year this is not the case, but there are still no wide releases to talk about. The closest to a new release is Schindler’s List, which is getting a semi-wide release. It has a slim chance at reaching the top ten, but I wouldn’t bet on it. This means the top five this week will be identical the top five from last weekend with Ralph Breaks the Internet leading the way. This weekend last year, Coco remained in top spot with $18.45 million, while the only wide release was Just Getting Started, which missed the Mendoza Line. I think 2018 will win in the year-over-year competition, but not by a lot.
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International Box Office: Bohemian Rhapsody Challenges Grindelwald for Top Spot
December 5th, 2018
Fantastic Beasts: The Crimes of Grindelwald remained in first place on the international chart with $40.8 million on 18,922 screens in 80 markets for totals of $386.9 million internationally and $521.4 million worldwide. Its biggest market of the weekend was Japan, where it added $7.5 million to its running tally, which now sits at $25.6 million. Its biggest market overall is China, where it has $56.65 million, including $2.37 million this past weekend, followed by the U.K. with $33.8 million, including $3.5 million this past weekend.
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Weekend Wrap-Up: Ralph Wins, Most Holdovers Hold Strong
December 4th, 2018
The post-holiday weekend matched expectations, more or less. Ralph Breaks the Internet led the way with $25.57 million over the weekend. The Possession of Hannah Grace opened better than expected and earned more than it cost to make, so if it can find an audience on the home market, it could break even. Overall, the box office fell almost exactly $100 million from last weekend, but it is a post holiday weekend, so this 47% drop-off is not unexpected. More importantly, this is 9.5% above the same weekend last year, which continues 2018’s winning streak. 2018’s lead over 2017 is basically within a rounding error of where it was last week at $10.8 million / $1.05 billion at $10.70 billion to $9.65 billion.
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Weekend Estimates: Ralph Slips, Still Strong, Hannah Tops Expectations, Still Soft
December 2nd, 2018
Ralph Breaks the Internet will retain top spot on the weekend box office chart with an estimated $25.8 million for a two-week total of $119.3 million. Granted, this is lower than we predicted, but not so much lower than anyone at Disney should be panicking. Internationally, the film added an estimated $33.7 million in 27 markets, lifting its international total to $87.7 million after two weeks of release. Its only major market opening of the weekend was the U.K. where it reportedly earned $5.2 million. This is less than Wreck-It Ralph opened with, but that film debuted during the school holidays, so it got a boost. Ralph Breaks the Internet should have longer than average legs thanks to Christmas, but I don’t think it will match its predecessor in this market.
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Friday Estimates: Ralph has a mostly Graceful Decline
December 1st, 2018
Ralph Breaks the Internet remained in top spot on the box office chart on Friday earning $5.74 million. This is 74% lower than its opening Friday; granted, that was a holiday, so a sharp decline was practically guranteed, but this is still sharper than anticipated. Look for $25 million over the weekend, which is weaker than our prediction and puts $200 million in jeopardy. It will need help over the Christmas break to get there.
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Weekend Predictions: New Releases don’t look Very Graceful
November 29th, 2018
It’s the weekend after Thanksgiving long weekend, which is one of the worst weekends for a wide release. This weekend, The Possession of Hannah Grace is the only new release and it is only opening in 1,700 theaters. This means Ralph Breaks the Internet will have no trouble remaining in first place. In fact, the top five from last weekend will remain nearly the same. A couple might switch places, but that’s it. This weekend last year, Coco remained in top spot with just under $28 million, while there were no new releases / semi-wide expansions that managed to grab a spot in the top five. Its holdovers vs. holdovers, which gives 2018 a small advantage.
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Weekend Wrap-Up: Ralph, Creed Lead Box Office, Break Records
November 27th, 2018
The weekend box office was more lucrative than predicted with both Ralph Breaks the Internet and Creed II breaking records. Depending on how technical you want to be. Ralph Breaks the Internet led the way with $55.67 million over the three-day weekend and $84.47 million over five. This is technically the record for biggest Thanksgiving opening, as Frozen had a prestige opening the weekend before and only expanded wide on Thanksgiving. Nearly every other film on this week’s list also topped predictions helping this weekend to rise 26% from last weekend hitting $216 million over the three-day period. This was also 15% higher than the same weekend last year, which is a more important result. I was really expecting 2018’s lead over 2017 to be down significantly from its peak; however, instead it has stretched its lead to $1.04 billion or 11% at $10.53 billion to $9.49 billion.
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Weekend Estimates: Ralph Wrecks Predictions, Technically Sets Record
November 25th, 2018
While Thanksgiving long weekend wasn’t as lucrative as earlier figures suggested, estimates are still better than our predictions. For example, Ralph Breaks the Internet should open with $55.67 million over the three-day weekend for a five-day opening of $84.47 million. This is technically the record for biggest Thanksgiving opening, as Frozen had a prestige opening the weekend before and only expanded wide on Thanksgiving. Internationally, the film reportedly made $41.5 million during its opening weekend. This doesn’t sound like a lot, but it is only playing in about a third of international markets, and only three major markets. It opened with an estimated $19.5 million in China, while it was also dominant in Mexico ($6.3 million) and Russia ($5.7 million). Overall, the film nearly tripled Wreck-it Ralph’s openings in the same markets. The film won’t have the same legs, as sequels almost never do, but this is still an amazing start and it is clearly on pace for $600 million worldwide.
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Friday Estimates: Ralph Slips Below Moana’s Pace, Still a Monster Hit
November 24th, 2018
Ralph Breaks the Internet again led the way on Friday with $21.74 million for a three-day total $50.54 million. Good news: It is still on pace to top our prediction; in fact, depending on when you read this on Saturday, it might have already done so. At this point, a five-day opening of $85 million seems like a safe bet. Bad news: it has fallen behind Moana’s daily pace, despite a much faster start, so it will definitely have weaker legs. It should still have no problem getting to $200 million domestically and still is in a race with Dr Seuss’ The Grinch for biggest hit of November. It’s just no longer a record-setting opening.
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Daily Box Office: Ralph Slips, but is still Thankful
November 23rd, 2018
Yesterday was Thanksgiving and some studios were closed for the day, but we have a full list of box office numbers today. Ralph Breaks the Internet continued to lead the way at the box office with $10.3 million on Thursday for a two-day total of $28.8 million. The film is still well above Coco and Moana’s two-day pace, but it fell 44% from its Wednesday debut, which is a sharper decline than either of those two films suffered. It is on pace to dominate the five-day weekend with $85 million, which is below yesterday’s pace and below Frozen’s record-setting wide expansion, but I can’t imagine there are many people at Disney that are disappointed with this result. The film’s reviews and its A minus from CinemaScore, plus its family friendly target audience should help it last in theaters till the new year and it should be profitable enough that the studio will want to turn the franchise into a trilogy.
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Daily Box Office: Ralph is Breaking Record Books
November 22nd, 2018
It’s Thanksgiving long weekend, which means many studios are closed and are not reporting official numbers. However, one of the studios that is reporting numbers is Disney and they are reporting record-breaking numbers. Ralph Breaks the Internet earned $18.5 million on Wednesday, which is significantly more than either Coco or Moana managed the previous two years. In fact, this is more than Frozen managed during its record-breaking wide expansion back in 2013. This film’s reviews are great and it earned an A minus from CinemaScore, so it should have good legs and could top Frozen’s $93.59 million five-day opening. In fact, some studios think it has a real chance of $100 million during its five-day opening. I’m not that bullish, but even if it only earns $90 million over five-days, it will still be a monster hit and way more than we predicted.
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Weekend Prediction: Will Ralph Wreck the Competition?
November 21st, 2018
It’s Thanksgiving long weekend, which means it is officially the start of the holiday blockbuster season. This year, three films are opening wide hoping to become hits. One of them, Ralph Breaks the Internet, could become the biggest hit of the month. Creed II is expected to top its predecessor during its five-day opening. Robin Hood is just hoping not to bomb in theaters. Both Green Book and The Front Runner were scheduled to expand wide, but neither will. In fact, The Front Runner isn’t even expanding semi-wide. This weekend last year, Coco opened with nearly $73 million during its five day weekend. Ralph Breaks the Internet likely won’t earn that much over the weekend, but it should come close. Additionally, Justice League earned $60 million during the five-day frame, which is very likely better than Creed II will perform. However, after that point, 2018’s depth becomes stronger than 2017’s depth and we should earn the small win in the year-over-year competition.
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International Box Office: Grindelwald Has Quarter Billion Dollar Global Debut
November 20th, 2018
Fantastic Beasts: The Crimes of Grindelwald started its international run with $191.5 million on 50,865 screens in 79 markets for a worldwide debut of $253.7 million. Its largest opening was in China, but it had to settle for second place there with $36.68 million on 22,008 screens over the weekend for a total opening of $37.53 million. It had more impressive debuts in the U.K. ($16.3 million on 1,823 screens) and in Russia ($12.36 million on 1,623). The film had the best opening in the Harry Potter franchise in 21 markets, but overall, it was only 3% ahead of Fantastic Beasts and Where to Find Them in the same markets. Its much weaker reviews will likely lead to shorter legs, but even so, it should still have no problem getting to $600 million worldwide and becoming Warner Bros.’ biggest hit of the year. If the next installment in the franchise falls just as much, then the studio will have reason to be concerned.
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Weekend Wrap-Up: Grindelwald Debuts on Top, but Pales Compared to Harry Potter
November 19th, 2018
As expected, Fantastic Beasts: The Crimes of Grindelwald topped the weekend box office chart; however, it failed to meet expectations by about 10%. Additionally, neither Instant Family nor Widows matched expectations and this hurt the overall box office, which fell 2.9% from last weekend to $172 million. More importantly, this is 14% lower than the same weekend last year. Year-to-date, 2018 has reached $10 billion and now has a running tally of $10.18 billion. This is 11% or $1.01 billion ahead of last year’s pace.
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Weekend Estimates: Grindelwald Fails to Match Expectations, at least Domestically
November 18th, 2018
As expected, Fantastic Beasts: The Crimes of Grindelwald topped the chart over the weekend. However, the opening is weaker than expected with an estimated $62.2 million. Additionally, it has weaker reviews (40% vs. 74%) compared to Fantastic Beasts and Where to Find Them; a worse CinemaScore (B plus vs. A); and a lower internal multiplier (2.43 vs. 2.51), so this film's legs will likely be much shorter and getting to $200 million might be asking too much. On the other hand, the film has an estimated $191 million internationally, so there’s no reason to worry for Warner Bros., as this movie will be fantastically profitable in the end.
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Friday Estimates: Grindelwald Comes in First, but Doesn’t have a Fantastic Friday
November 17th, 2018
Fantastic Beasts: The Crimes of Grindelwald opened in first place with $25.7 million on Friday. The film actually had better previews than Fantastic Beasts and Where to Find Them, but its Friday was 13% below its predecessor. This is a bad sign for its legs. Additionally, its reviews fell to just 40% positive, while it only managed a B plus from CinemaScore. On the positive side, the film is doing much better internationally and the film already has $74.3 million in just two days of international release. It will break even on just its international numbers, but the film’s poor reception with critics and moviegoers could hurt the rest of the installments in the Fantastic Beasts franchise.
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Weekend Prediction: Is Grindelwald Committing Crimes against the Harry Potter Franchise?
November 15th, 2018
Fantastic Beasts: The Crimes of Grindelwald is the latest installment in the Harry Potter franchise, but sadly, its reviews are, by far, the worst in the franchise. It should still have no trouble earning first place and will very likely break even just on its international numbers, but this is still troubling for its future. The second biggest release of the week is Instant Family and its reviews are good, but not great. They are certainly fine for a family comedy. Widows is the best-reviewed new release, but its buzz is quiet enough that it will barely finish in the top five. Meanwhile, A Private War is expanding nationwide and that could help it earn a spot in the top ten, but I wouldn’t bet on it. This weekend last year, Justice League opened with $93.84 million, while Wonder debuted in second place with $27.55 million. Add in The Star’s $9.81 million opening and the three wide releases pulled in $130 million. There’s no way the new releases this year will match that and 2018 will likely lose in the year-over-year comparison.
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Theater Averages: Chef is in Like Flynn
November 14th, 2018
Chef Flynn debuted on top spot on the theater average chart with $29,869 in one theater. The overall box office chart leader, Dr. Seuss’ The Grinch, was next with an average of $16,318. The Front Runner followed with an average of $12,886 over the weekend. The film opened on Tuesday, which obviously had some negative effect of its weekend number, but even the full six-day result of $71,742 / $17,936 average isn’t enough to warrant a full wide expansion. El Angel was the final film in the $10,000 club with an average of $11,674 in two theaters.
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International Box Office: Venom Sinks its Teeth into China
November 14th, 2018
Venom roared into first place with $117.30 million on 44,833 screens in 85 markets for totals of $467.71 million internationally and $674.01 million worldwide. Nearly all of the film’s weekend haul came from China, where it made $107.85 million in 40,000 theaters over the weekend for a total opening of $110.40 million. Whoever made the decision to recut the movie to a PG-13 rating feels like a genius after this result.
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Weekend Wrap-Up: Grinch Matches Expectations, Incredibles’ Record Safe for Now
November 12th, 2018
The weekend box office had a few success stories and a couple of misses. Dr Seuss’ The Grinch was one of the success stories with $67.57 million, which matches predictions perfectly. The other two new wide releases were less successful. Overlord did okay, but it will need a lot of help to break even any time soon. On the other hand, The Girl in the Spider’s Web likely won’t break even. The overall box office rose 15% from last weekend hitting $167 million. This is 11% more from the same weekend last year. I really wasn’t expecting 2018’s losing streak to end after just one weekend. This is great news. 2018’s lead over 2017 is practically the same as it was last weekend at $1.01 billion or 11% at $9.95 billion to $8.94 billion.
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Weekend Estimates: Grinch Grabs First Place, Bohemian Sings a Long Note
November 11th, 2018
The Weekend box office is on par with expectations, for the most part. Dr Seuss’ The Grinch is dominating the box office chart with an estimated $66.0 million debut. This isn’t the record for biggest November weekend for an animated film, but it is reasonably close. Its reviews and its A minus from CinemaScore suggest reasonably long legs at the box office. In fact, with the holidays coming up, it has an outside chance at $200 million. Internationally, its start is a little more muted at $12.7 million in 23 markets, including $6.53 in 559 theaters in the U.K. That’s equivalent to a $35 million opening here, given the relative size of the two markets.
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Friday Estimates: Grinch Steals Top Spot, but Doesn’t have Incredible Start
November 10th, 2018
Dr Seuss’ The Grinch debuted in first place on Friday with $18.67 million. This is not quite as good as we were originally expecting, but better than its previews would indicate. This is good news for the film’s long term chances. Its reviews having fallen below the overall positive level. It did earn an A minus from CinemaScore, which is good for a family film, but not great. Universal expects the film to earn $67 million over the weekend, which is close enough to our $68 million prediction to be a success. It is also very close to its $75 million production budget.
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Thursday Night Previews: Grinch Grabs $2.2 million on Thursday Night
November 9th, 2018
Dr Seuss’ The Grinch started its box office run with previews in 3,200 theaters earning $2.2 million. By comparison, Smallfoot, the most recent computer animated film, earned $850,000 during its previews. If The Grinch has the same legs, then it would make $60 million during its opening weekend, which is a little lower than our prediction, but still a great start for a film that cost $75 million to make. On the other hand, this film’s reviews are not as good as Smallfoot’s reviews are, which could lead to weaker word-of-mouth. Additionally, it is based on a well-known book, so that could front-load the film’s box office numbers. Hopefully this won’t be an issue and the film will top $60 million with ease. We will know more by this time tomorrow when the Friday Estimates show up.
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Weekend Prediction: Will Grinch Spread the Holiday Cheer?
November 8th, 2018
Dr Seuss’ The Grinch could be the biggest hit of the month, if it gets off to a fast start this weekend. There is some good news, as it could break The Incredibles’ record for November weekend for an animated film. This weekend, The Girl in the Spider’s Web and Overlord are both aiming to become midlevel hits. I’m not sure either will get there. Their buzz hasn’t grown as their release date has neared, which is troubling. This does mean Bohemian Rhapsody will very likely earn a solid second place, while The Nutcracker and the Four Realms has a shot at third. This weekend last year, Thor: Ragnarok earned more than $57 million during its second weekend of release, while the combined openings of Daddy’s Home 2 and Murder on the Orient Express were even better. 2018 should be better on top, but it won’t have the same depth leading to a loss in the year-over-year comparison.
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2018 Preview: November
November 1st, 2018
October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office.
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The Grinch Trailer
June 14th, 2018
Animated adventure from Illumination Entertainment, starring Benedict Cumberbatch, opens November 9 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/12/21 | 5 | $1,126,193 | 724 | $1,556 | $1,339,904 | 1 | |
2018/12/28 | 8 | $555,803 | -51% | 506 | $1,098 | $3,098,115 | 2 |
2019/01/04 | 13 | $78,723 | -86% | 189 | $417 | $3,667,143 | 3 |
2019/01/11 | 23 | $7,553 | -90% | 16 | $472 | $3,713,875 | 4 |
2019/01/18 | - | $1,555 | -79% | 3 | $518 | $3,689,699 | 5 |
2019/01/25 | - | $1,065 | -32% | 1 | $1,065 | $3,741,347 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Albania | 11/22/2018 | $12,627 | 3 | 4 | 30 | $72,598 | 2/17/2019 |
Argentina | 11/22/2018 | $318,266 | 209 | 209 | 1187 | $1,823,199 | 5/18/2019 |
Australia | 11/30/2018 | $2,016,035 | 375 | 424 | 2309 | $12,409,308 | 12/27/2023 |
Austria | 11/30/2018 | $115,837 | 75 | 90 | 647 | $3,491,503 | 12/27/2023 |
Belgium | 11/28/2018 | $823,812 | 157 | 157 | 1024 | $3,746,548 | 3/1/2019 |
Bolivia | 11/29/2018 | $192,275 | 21 | 21 | 114 | $888,008 | 1/23/2019 |
Brazil | 11/9/2018 | $1,312,033 | 546 | 564 | 2976 | $5,854,260 | 1/16/2019 |
Bulgaria | 11/23/2018 | $159,563 | 0 | 40 | 47 | $779,851 | 2/11/2019 |
Central America | 11/29/2018 | $793,844 | 131 | 131 | 502 | $3,108,325 | 1/23/2019 |
Chile | 12/6/2018 | $328,577 | 70 | 70 | 375 | $1,371,511 | 1/30/2019 |
China | 12/14/2018 | $2,830,000 | 23231 | 23231 | 23231 | $3,826,200 | 1/16/2019 |
Colombia | 11/29/2018 | $196,290 | 193 | 201 | 714 | $2,222,180 | 2/6/2019 |
Croatia | 11/8/2018 | $125,147 | 52 | 52 | 359 | $686,817 | 12/27/2023 |
Cyprus | 11/8/2018 | $50,287 | 12 | 12 | 102 | $253,181 | 1/23/2019 |
Czech Republic | 11/9/2018 | $447,564 | 142 | 142 | 795 | $1,872,137 | 2/5/2019 |
Denmark | 11/29/2018 | $515,627 | 83 | 88 | 495 | $2,196,925 | 2/20/2019 |
Ecuador | 12/7/2018 | $568,386 | 46 | 46 | 148 | $1,730,104 | 1/30/2019 |
Egypt | 11/7/2018 | $21,285 | 16 | 16 | 94 | $120,981 | 1/23/2019 |
Estonia | 11/30/2018 | $155,057 | 22 | 22 | 154 | $604,018 | 12/24/2020 |
Finland | 11/9/2018 | $276,440 | 200 | 200 | 937 | $1,487,141 | 1/30/2019 |
France | 11/28/2018 | $3,883,488 | 642 | 718 | 4526 | $16,851,108 | 2/6/2019 |
Germany | 11/29/2018 | $3,847,895 | 655 | 735 | 4831 | $20,147,270 | 2/20/2019 |
Greece | 12/6/2018 | $233,673 | 120 | 120 | 517 | $1,504,313 | 2/17/2019 |
Hong Kong | 12/27/2018 | $496,435 | 44 | 44 | 162 | $838,801 | 1/30/2019 |
Hungary | 12/6/2018 | $465,092 | 83 | 83 | 404 | $1,835,692 | 2/20/2019 |
Iceland | 11/9/2018 | $91,016 | 14 | 14 | 77 | $342,831 | 1/6/2021 |
India | 11/9/2018 | $236,751 | 272 | 272 | 449 | $490,219 | 2/6/2019 |
Indonesia | 11/9/2018 | $338,364 | 190 | 190 | 233 | $461,605 | 11/28/2018 |
Israel | 11/29/2018 | $228,866 | 35 | 35 | 429 | $2,161,632 | 4/10/2019 |
Italy | 11/29/2018 | $2,044,659 | 0 | 20 | 29 | $6,636,105 | 2/16/2019 |
Japan | 12/14/2018 | $2,247,440 | 366 | 366 | 2085 | $11,853,493 | 2/16/2019 |
Latvia | 12/7/2018 | $28,632 | 8 | 14 | 81 | $587,759 | 3/1/2019 |
Lebanon | 11/8/2018 | $60,363 | 16 | 16 | 96 | $362,312 | 1/23/2019 |
Lithuania | 11/30/2018 | $160,378 | 202 | 202 | 1061 | $830,008 | 12/25/2019 |
Macedonia | 11/22/2018 | $6,542 | 3 | 3 | 20 | $47,910 | 2/17/2019 |
Malaysia | 11/9/2018 | $241,101 | 121 | 121 | 411 | $543,758 | 12/28/2018 |
Mexico | 12/7/2018 | $5,398,077 | 0 | 392 | 825 | $17,688,475 | 2/6/2019 |
Middle East Region | 11/9/2018 | $360,379 | 64 | 64 | 235 | $1,084,254 | 2/20/2019 |
Mongolia | 11/9/2018 | $79,074 | 8 | 8 | 59 | $202,783 | 1/16/2019 |
Netherlands | 11/30/2018 | $591,381 | 142 | 306 | 1415 | $5,581,451 | 3/1/2019 |
New Zealand | 11/29/2018 | $564,001 | 97 | 101 | 463 | $1,660,103 | 12/29/2022 |
North America | 11/9/2018 | $67,572,855 | 4,141 | 4,141 | 32,061 | $272,699,130 | |
Norway | 11/9/2018 | $788,409 | 146 | 146 | 719 | $3,355,407 | 2/6/2019 |
Pakistan | 11/9/2018 | $7,553 | 15 | 15 | 35 | $24,023 | 12/13/2018 |
Paraguay | 11/22/2018 | $0 | 0 | 15 | 54 | $171,576 | 1/10/2019 |
Peru | 12/6/2018 | $389,179 | 101 | 101 | 146 | $1,196,456 | 1/16/2019 |
Philippines | 11/28/2018 | $276,685 | 177 | 177 | 226 | $346,109 | 12/13/2018 |
Poland | 11/30/2018 | $1,072,013 | 215 | 225 | 1114 | $5,955,017 | 2/16/2019 |
Portugal | 11/23/2018 | $265,160 | 111 | 182 | 729 | $1,711,526 | 1/29/2019 |
Romania | 11/23/2018 | $314,730 | 78 | 78 | 486 | $1,177,996 | 10/20/2022 |
Russia (CIS) | 12/13/2018 | $1,592,233 | 782 | 1742 | 8931 | $16,253,876 | 3/15/2019 |
Serbia and Montenegro | 11/22/2018 | $138,107 | 79 | 79 | 513 | $831,276 | 3/3/2021 |
Singapore | 11/29/2018 | $224,061 | 32 | 32 | 137 | $698,258 | 1/30/2019 |
Slovakia | 11/9/2018 | $202,776 | 67 | 67 | 487 | $946,897 | 2/12/2019 |
Slovenia | 11/22/2018 | $119,521 | 23 | 23 | 174 | $620,190 | 3/8/2019 |
South Africa | 12/7/2018 | $253,151 | 135 | 135 | 472 | $1,740,664 | 3/20/2019 |
South Korea | 12/19/2018 | $4,838 | 0 | 724 | 1458 | $3,741,347 | 1/30/2019 |
Spain | 11/30/2018 | $2,078,544 | 339 | 339 | 2453 | $8,501,289 | 4/5/2019 |
Sweden | 11/9/2018 | $720,203 | 191 | 191 | 1226 | $4,076,892 | 3/20/2019 |
Switzerland | 11/28/2018 | $859,774 | 114 | 126 | 812 | $4,243,845 | 2/17/2019 |
Taiwan | 11/9/2018 | $240,220 | 154 | 154 | 401 | $538,996 | 1/2/2019 |
Thailand | 11/9/2018 | $177,091 | 99 | 99 | 241 | $341,248 | 12/5/2018 |
Trinidad | 11/9/2018 | $79,025 | 18 | 18 | 113 | $395,178 | 1/23/2019 |
Turkey | 11/23/2018 | $272,782 | 277 | 277 | 1092 | $958,762 | 1/25/2019 |
Ukraine | 12/20/2018 | $532,788 | 178 | 180 | 966 | $2,709,247 | 3/8/2019 |
United Arab Emirates | 11/9/2018 | $292,072 | 50 | 50 | 207 | $1,189,513 | 1/6/2021 |
United Kingdom | 11/9/2018 | $6,514,831 | 559 | 646 | 6525 | $37,909,223 | 12/2/2021 |
Uruguay | 11/22/2018 | $31,797 | 27 | 27 | 162 | $229,029 | 2/20/2019 |
Venezuela | 12/7/2018 | $240,073 | 0 | 0 | 0 | $1,341,211 | 2/20/2019 |
Vietnam | 11/9/2018 | $383,083 | 163 | 164 | 422 | $712,889 | 12/13/2018 |
Worldwide Total | $514,873,747 | 12/27/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Benedict Cumberbatch | Grinch |
Supporting Cast
Cameron Seely | Cindy-Lou Who |
Rashida Jones | Donna Who |
Tristan O’Hare | Groopert |
Kenan Thompson | Mr. Bricklebaum |
Sam Lavagnino | Ozzy |
Ramone Hamilton | Axl |
Angela Lansbury | Mayor McGerkle |
Michael Beattie | Store Clerk |
Lori Alan | Additional Voice |
Carter Hastings | Additional Voice |
Carlos Alazraqui | Additional Voice |
John Kassir | Additional Voice |
Doug Burch | Additional Voice |
Evan Kishiyama | Additional Voice |
Catherine Cavadini | Additional Voice |
Danny Mann | Additional Voice |
Tucker Chandler | Additional Voice |
Jeremy Maxwell | Additional Voice |
Townsend Coleman | Additional Voice |
Scott Mosier | Additional Voice |
Meilee Condron | Additional Voice |
Laraine Newman | Additional Voice |
Abby Craden | Additional Voice |
Dashiell Priestley | Additional Voice |
Brian T. Delaney | Additional Voice |
Alex Puccinelli | Additional Voice |
John DeMita | Additional Voice |
Emma Elizabeth Shannon | Additional Voice |
Bill Farmer | Additional Voice |
Joel Swetow | Additional Voice |
Aaron Fors | Additional Voice |
Mindy Sterling | Additional Voice |
Willow Geer | Additional Voice |
Tara Strong | Additional Voice |
Jess Harnell | Additional Voice |
Regina Taufen | Additional Voice |
Barbara Harris | Additional Voice |
Jim Ward | Additional Voice |
Narrator(s)
Pharrell Williams | Narrator |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Scott Mosier | Director |
Yarrow Cheney | Director |
Michael LeSieur | Screenwriter |
Tommy Swerdlow | Screenwriter |
Dr Seuss | Story based on the Book “How the Grinch Stole Christmas by” |
Christopher Meledandri | Producer |
Janet Healy | Producer |
Chris Renaud | Executive Producer |
Latifa Ouaou | Executive Producer |
Audrey Geisel | Executive Producer |
Chris Cartagena | Editor |
Danny Elfman | Music By |
Colin Stimpson | Art Director |
Yarrow Cheney | Character Designer |
Eric Guillon | Character Designer |
Colin Stimpson | Character Designer |
Robert Taylor | Associate Producer |
Delphine Le Roch | Production Supervisor |
Pierre Leduc | Animation Director |
Christophe Delisle | Animation Director |
Jonathan Del Val | Animation Director |
Hichem Arfaoui | Supervising Animator |
Pierre Avon | Supervising Animator |
Brecht Debaene | Supervising Animator |
Pierre-Francois Duhamel | Supervising Animator |
Aymeric Palermo | Supervising Animator |
Ludovic Savonniere | Supervising Animator |
Emmanuel Vergne | Supervising Animator |
Jean-Philippe Martins | Technical Animation Supervisor |
Mark O'Hare | Head of Story |
Etienne Pecheux | Supervising Technical Director |
Jeannine Berger | Post-Production Supervisor |
Ken Schretzmann | Editor |
John Carnochan | Editor |
Kelly Lake | Script Supervisor |
Frédéric Simonot | Production Manager |
Nicolas Stretta | Associate Editor |
Gilad Carmel | Associate Editor |
Fanny Bensussan | First Assistant Editor |
James D. Kirkpatrick | First Assistant Editor |
Nicole Bou-Samra | First Assistant Editor |
Paul Neal | First Assistant Editor |
Joseph Butler | First Assistant Editor |
Noelleen Westcombe | First Assistant Editor |
Guy Bar’ely | Story Artist |
Habib Louati | Story Artist |
Jed Diffenderfer | Story Artist |
Christophe Lourdelet | Story Artist |
Miguel Jiron | Story Artist |
Chris Martin | Story Artist |
Mark Koetsier | Story Artist |
C. Raggio IV | Story Artist |
Loic Rastout | Set Designer |
Vincent Massy De La Chesneraye | Set Designer |
Anael Bouin | Set Designer |
Brett Nystul | Set Designer |
Matthieu Gosselin | Set Designer |
Edwin Rhemrev | Set Designer |
Paul Mager | Set Designer |
Benoit Tranchet | Set Designer |
Aymeric Seydoux | Set Designer |
Dennis Leonard | Supervising Sound Editor |
David Acord | Supervising Sound Editor |
David Acord | Sound Designer |
Gary A. Rizzo | Re-recording Mixer |
Juan Peralta | Re-recording Mixer |
Jonathan Greber | Dialogue/ADR Editor |
Bonnie Wild | Sound Effects Editor |
Pascal Garneau | Sound Effects Editor |
James Likowski | Foley Editor |
Blake Collins | Foley Mixer |
Bill Abbott | Music Editor |
Danny Elfman | Score Producer |
Noah Snyder | Score Recordist |
Noah Snyder | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.