Smallfoot (2018)

Smallfoot
Theatrical Performance
Domestic Box Office $83,240,103Details
International Box Office $131,004,092Details
Worldwide Box Office $214,244,195
Home Market Performance
Est. Domestic DVD Sales $11,073,183 Details
Est. Domestic Blu-ray Sales $10,877,318 Details
Total Est. Domestic Video Sales $21,950,501
Further financial details...

Synopsis

A Young yeti finds something he thought didn’t exist—a human. News of this “smallfoot” throws the simple yeti community into an uproar over what else might be out there in the big world beyond their snowy village, in an all new story about friendship, courage and the joy of discovery.

Metrics

Opening Weekend:$23,045,635 (27.7% of total gross)
Legs:3.61 (domestic box office/biggest weekend)
Domestic Share:38.9% (domestic box office/worldwide)
Production Budget:$80,000,000 (worldwide box office is 2.7 times production budget)
Theater counts:4,131 opening theaters/4,131 max. theaters, 5.6 weeks average run per theater
Infl. Adj. Dom. BO $98,497,561

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,001-1,100) 1,034 $83,240,103
All Time International Box Office (Rank 801-900) 837 $131,004,092
All Time Worldwide Box Office (Rank 801-900) 857 $214,244,195
All Time Domestic Box Office for Digital Animation Movies (Rank 101-200) 120 $83,240,103
All Time International Box Office for Digital Animation Movies (Rank 101-200) 126 $131,004,092
All Time Worldwide Box Office for Digital Animation Movies (Rank 101-200) 124 $214,244,195

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: September 28th, 2018 (Wide) by Warner Bros.
International Releases: September 21st, 2018 (Wide) (Australia)
September 21st, 2018 (Wide), released as Yeti: Ledové dobrodružství (Czech Republic)
September 21st, 2018 (Wide), released as Piadinôžka (Slovakia)
September 27th, 2018 (Wide), released as Pie Pequeño (Chile)
September 28th, 2018 (Wide) (Argentina)
... Show all releases
Video Release: December 4th, 2018 by Warner Home Video
MPAA Rating: PG for some action, rude humor, and thematic elements.
(Rating bulletin 2537 (Cert #51715), 7/25/2018)
Running Time: 96 minutes
Comparisons: vs. Storks
Create your own comparison chart…
Keywords: Bigfoot, Mountain Climbing, Humans as Monsters, Falsely Accused, 3-D, 3-D - Shot in 3-D, Family Adventure
Source:Based on Fiction Book/Short Story
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Zaftig Films, RatPac Entertainment, Warner Bros., Warner Animation Group
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Halloween (All Movies, 3-Day, Inflation Adjusted) 276 $5,577,007 Oct 26, 2018 31
Columbus Day (All Movies, 3-Day) 46 $14,402,559 Oct 5, 2018 10
Columbus Day (All Movies, 3-Day, Inflation Adjusted) 102 $16,874,628 Oct 5, 2018 10
Columbus Day (All Movies, 4-Day, Fri-Mon) 40 $17,454,743 Oct 5, 2018 10
Columbus Day (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 71 $20,450,698 Oct 5, 2018 10
Biggest Domestic September Weekend 52 $23,045,635 Sep 28, 2018 3
Biggest Domestic September Day 87 $9,875,229 Sep 29, 2018 2

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Animated Box Office (Rank 101-200) 150 $83,240,103
All Time Domestic Box Office (Rank 1,001-1,100) 1,034 $83,240,103
All Time Domestic Inflation Adjusted Box Office (Rank 1,701-1,800) 1,741 $98,497,561
All Time Domestic Non-Sequel Box Office (Rank 701-800) 730 $83,240,103
Top 2018 Movies at the Domestic Box Office 38 $83,240,103
All Time Domestic Box Office for Based on Fiction Book/Short Story Movies (Rank 201-300) 220 $83,240,103
All Time Domestic Box Office for Digital Animation Movies (Rank 101-200) 120 $83,240,103
All Time Domestic Box Office for Kids Fiction Movies (Rank 101-200) 168 $83,240,103
All Time Domestic Box Office for Adventure Movies (Rank 201-300) 293 $83,240,103
All Time Domestic Box Office for PG Movies (Rank 201-300) 275 $83,240,103
All Time Domestic Box Office for Warner Bros. Movies (Rank 101-200) 177 $83,240,103

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 28, 2018 2 $23,045,635   4,131 $5,579   $23,045,635 1
Oct 5, 2018 3 $14,402,559 -38% 4,131 $3,486   $42,263,504 2
Oct 12, 2018 5 $9,066,837 -37% 3,606 $2,514   $57,375,058 3
Oct 19, 2018 7 $6,576,876 -27% 3,032 $2,169   $66,327,911 4
Oct 26, 2018 8 $4,761,614 -28% 2,662 $1,789   $72,602,664 5
Nov 2, 2018 7 $3,861,672 -19% 2,002 $1,929   $77,540,973 6
Nov 9, 2018 11 $1,508,102 -61% 1,318 $1,144   $80,309,655 7
Nov 16, 2018 19 $423,604 -72% 493 $859   $81,356,772 8
Nov 23, 2018 20 $367,580 -13% 301 $1,221   $81,935,912 9
Nov 30, 2018 21 $207,610 -44% 265 $783   $82,200,536 10
Dec 7, 2018 26 $172,519 -17% 238 $725   $82,420,471 11
Dec 14, 2018 28 $118,930 -31% 218 $546   $82,579,684 12
Dec 21, 2018 29 $78,890 -34% 184 $429   $82,703,609 13
Dec 28, 2018 28 $133,178 +69% 184 $724   $82,949,889 14
Jan 4, 2019 32 $89,694 -33% 160 $561   $83,152,717 15
Jan 11, 2019 37 $52,060 -42% 137 $380   $83,226,347 16

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 27, 2018 P $850,000     0     $850,000  
Sep 28, 2018 2 $6,433,241     4,131 $1,557   $6,433,241 1
Sep 29, 2018 2 $9,875,229 +54%   4,131 $2,391   $16,308,470 2
Sep 30, 2018 1 $6,737,165 -32%   4,131 $1,631   $23,045,635 3
Oct 1, 2018 2 $1,057,158 -84%   4,131 $256   $24,102,793 4
Oct 2, 2018 2 $1,874,409 +77%   4,131 $454   $25,977,202 5
Oct 3, 2018 2 $951,333 -49%   4,131 $230   $26,928,535 6
Oct 4, 2018 2 $932,410 -2%   4,131 $226   $27,860,945 7
Oct 5, 2018 4 $3,457,357 +271% -46% 4,131 $837   $31,318,302 8
Oct 6, 2018 3 $6,238,106 +80% -37% 4,131 $1,510   $37,556,408 9
Oct 7, 2018 3 $4,707,096 -25% -30% 4,131 $1,139   $42,263,504 10
Oct 8, 2018 3 $3,052,184 -35% +189% 4,131 $739   $45,315,688 11
Oct 9, 2018 4 $1,349,404 -56% -28% 4,131 $327   $46,665,092 12
Oct 10, 2018 4 $796,056 -41% -16% 4,131 $193   $47,461,148 13
Oct 11, 2018 3 $847,073 +6% -9% 4,131 $205   $48,308,221 14
Oct 12, 2018 6 $2,268,281 +168% -34% 3,606 $629   $50,576,502 15
Oct 13, 2018 5 $4,203,032 +85% -33% 3,606 $1,166   $54,779,534 16
Oct 14, 2018 5 $2,595,524 -38% -45% 3,606 $720   $57,375,058 17
Oct 15, 2018 6 $625,364 -76% -80% 3,606 $173   $58,000,422 18
Oct 16, 2018 7 $711,480 +14% -47% 3,606 $197   $58,711,902 19
Oct 17, 2018 7 $466,902 -34% -41% 3,606 $129   $59,178,804 20
Oct 18, 2018 5 $572,231 +23% -32% 3,606 $159   $59,751,035 21
Oct 19, 2018 7 $1,684,742 +194% -26% 3,032 $556   $61,435,777 22
Oct 20, 2018 7 $2,962,038 +76% -30% 3,032 $977   $64,397,815 23
Oct 21, 2018 7 $1,930,096 -35% -26% 3,032 $637   $66,327,911 24
Oct 22, 2018 8 $388,489 -80% -38% 3,032 $128   $66,716,400 25
Oct 23, 2018 8 $476,278 +23% -33% 3,032 $157   $67,192,678 26
Oct 24, 2018 9 $290,680 -39% -38% 3,032 $96   $67,483,358 27
Oct 25, 2018 8 $357,692 +23% -37% 3,032 $118   $67,841,050 28
Oct 26, 2018 9 $1,131,166 +216% -33% 2,662 $425   $68,972,216 29
Oct 27, 2018 7 $2,206,681 +95% -26% 2,662 $829   $71,178,897 30
Oct 28, 2018 6 $1,423,767 -35% -26% 2,662 $535   $72,602,664 31
Oct 29, 2018 9 $235,258 -83% -39% 2,662 $88   $72,837,922 32
Oct 30, 2018 11 $286,406 +22% -40% 2,662 $108   $73,124,328 33
Oct 31, 2018 9 $288,482 +1% -1% 2,662 $108   $73,412,810 34
Nov 1, 2018 8 $266,491 -8% -25% 2,662 $100   $73,679,301 35
Nov 2, 2018 10 $736,201 +176% -35% 2,002 $368   $74,415,502 36
Nov 3, 2018 7 $1,853,547 +152% -16% 2,002 $926   $76,269,049 37
Nov 4, 2018 7 $1,271,924 -31% -11% 2,002 $635   $77,540,973 38
Nov 5, 2018 9 $254,333 -80% +8% 2,002 $127   $77,795,306 39
Nov 6, 2018 7 $660,738 +160% +131% 2,002 $330   $78,456,044 40
Nov 7, 2018 10 $187,296 -72% -35% 2,002 $94   $78,643,340 41
Nov 8, 2018 10 $158,213 -16% -41% 2,002 $79   $78,801,553 42
Nov 9, 2018 14 $318,064 +101% -57% 1,318 $241   $79,119,617 43
Nov 10, 2018 11 $687,097 +116% -63% 1,318 $521   $79,806,714 44
Nov 11, 2018 11 $502,941 -27% -60% 1,318 $382   $80,309,655 45
Nov 12, 2018 10 $396,208 -21% +56% 1,318 $301   $80,705,863 46
Nov 13, 2018 15 $97,171 -75% -85% 1,318 $74   $80,803,034 47
Nov 14, 2018 - $68,105 -30% -64% 1,318 $52   $80,871,139 48
Nov 15, 2018 14 $62,029 -9% -61% 1,318 $47   $80,933,168 49
Nov 16, 2018 - $94,380 +52% -70% 493 $191   $81,027,548 50
Nov 17, 2018 - $192,292 +104% -72% 493 $390   $81,219,840 51
Nov 18, 2018 - $136,932 -29% -73% 493 $278   $81,356,772 52
Nov 19, 2018 - $57,191 -58% -86% 493 $116   $81,413,963 53
Nov 20, 2018 - $58,953 +3% -39% 493 $120   $81,472,916 54
Nov 21, 2018 - $62,308 +6% -9% 301 $207   $81,535,224 55
Nov 22, 2018 - $33,108 -47% -47% 109 $304   $81,568,332 56
Nov 23, 2018 - $136,948 +314% +45% 301 $455   $81,705,280 57
Nov 24, 2018 - $146,648 +7% -24% 301 $487   $81,851,928 58
Nov 25, 2018 - $83,984 -43% -39% 301 $279   $81,935,912 59
Nov 26, 2018 - $14,522 -83% -75% 301 $48   $81,950,434 60
Nov 27, 2018 - $14,683 +1% -75% 301 $49   $81,965,117 61
Nov 28, 2018 - $13,183 -10% -79% 301 $44   $81,978,300 62
Nov 29, 2018 - $14,626 +11% -56% 301 $49   $81,992,926 63
Nov 30, 2018 - $45,881 +214% -66% 265 $173   $82,038,807 64
Dec 1, 2018 - $97,431 +112% -34% 265 $368   $82,136,238 65
Dec 2, 2018 - $64,298 -34% -23% 265 $243   $82,200,536 66
Dec 3, 2018 - $9,865 -85% -32% 265 $37   $82,210,401 67
Dec 4, 2018 - $12,891 +31% -12% 265 $49   $82,223,292 68
Dec 5, 2018 - $12,937 n/c -2% 265 $49   $82,236,229 69
Dec 6, 2018 - $11,723 -9% -20% 265 $44   $82,247,952 70
Dec 7, 2018 - $36,139 +208% -21% 238 $152   $82,284,091 71
Dec 8, 2018 - $82,103 +127% -16% 238 $345   $82,366,194 72
Dec 9, 2018 - $54,277 -34% -16% 238 $228   $82,420,471 73
Dec 10, 2018 - $8,384 -85% -15% 238 $35   $82,428,855 74
Dec 11, 2018 - $10,821 +29% -16% 238 $45   $82,439,676 75
Dec 12, 2018 - $9,263 -14% -28% 238 $39   $82,448,939 76
Dec 13, 2018 - $11,815 +28% +1% 238 $50   $82,460,754 77
Dec 14, 2018 - $27,115 +129% -25% 218 $124   $82,487,869 78
Dec 15, 2018 - $55,278 +104% -33% 218 $254   $82,543,147 79
Dec 16, 2018 - $36,537 -34% -33% 218 $168   $82,579,684 80
Dec 17, 2018 - $8,134 -78% -3% 218 $37   $82,587,818 81
Dec 18, 2018 - $11,011 +35% +2% 218 $51   $82,598,829 82
Dec 19, 2018 - $11,217 +2% +21% 218 $51   $82,610,046 83
Dec 20, 2018 - $14,673 +31% +24% 218 $67   $82,624,719 84
Dec 21, 2018 - $23,122 +58% -15% 184 $126   $82,647,841 85
Dec 22, 2018 - $31,002 +34% -44% 184 $168   $82,678,843 86
Dec 23, 2018 - $24,766 -20% -32% 184 $135   $82,703,609 87
Dec 24, 2018 - $16,203 -35% +99% 184 $88   $82,719,812 88
Dec 25, 2018 - $20,300 +25% +84% 184 $110   $82,740,112 89
Dec 26, 2018 - $33,488 +65% +199% 184 $182   $82,773,600 90
Dec 27, 2018 - $43,111 +29% +194% 184 $234   $82,816,711 91
Dec 28, 2018 - $47,715 +11% +106% 184 $259   $82,864,426 92
Dec 29, 2018 - $48,064 +1% +55% 184 $261   $82,912,490 93
Dec 30, 2018 - $37,399 -22% +51% 184 $203   $82,949,889 94
Dec 31, 2018 - $26,732 -29% +65% 184 $145   $82,976,621 95
Jan 1, 2019 - $38,215 +43% +88% 184 $208   $83,014,836 96
Jan 2, 2019 - $24,423 -36% -27% 184 $133   $83,039,259 97
Jan 3, 2019 - $23,764 -3% -45% 184 $129   $83,063,023 98
Jan 4, 2019 - $30,289 +27% -37% 160 $189   $83,093,312 99
Jan 5, 2019 - $37,008 +22% -23% 160 $231   $83,130,320 100
Jan 6, 2019 - $22,397 -39% -40% 160 $140   $83,152,717 101
Jan 7, 2019 - $7,300 -67% -73% 160 $46   $83,160,017 102
Jan 8, 2019 - $5,462 -25% -86% 160 $34   $83,165,479 103
Jan 9, 2019 - $4,398 -19% -82% 160 $27   $83,169,877 104
Jan 10, 2019 - $4,410 n/c -81% 160 $28   $83,174,287 105
Jan 11, 2019 - $9,836 +123% -68% 137 $72   $83,184,123 106
Jan 12, 2019 - $25,361 +158% -31% 137 $185   $83,209,484 107
Jan 13, 2019 - $16,863 -34% -25% 137 $123   $83,226,347 108
Jan 14, 2019 - $2,870 -83% -61% 137 $21   $83,229,217 109
Jan 15, 2019 - $3,987 +39% -27% 137 $29   $83,233,204 110
Jan 16, 2019 - $3,497 -12% -20% 137 $26   $83,236,701 111
Jan 17, 2019 - $3,402 -3% -23% 137 $25   $83,240,103 112

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 28, 2018 2 $27,860,945   4,131 $6,744   $27,860,945 1
Oct 5, 2018 3 $20,447,276 -27% 4,131 $4,950   $48,308,221 2
Oct 12, 2018 5 $11,442,814 -44% 3,606 $3,173   $59,751,035 3
Oct 19, 2018 7 $8,090,015 -29% 3,032 $2,668   $67,841,050 4
Oct 26, 2018 8 $5,838,251 -28% 2,662 $2,193   $73,679,301 5
Nov 2, 2018 7 $5,122,252 -12% 2,002 $2,559   $78,801,553 6
Nov 9, 2018 11 $2,131,615 -58% 1,318 $1,617   $80,933,168 7
Nov 16, 2018 23 $635,164 -70% 109 $5,827   $81,568,332 8
Nov 23, 2018 22 $424,594 -33% 301 $1,411   $81,992,926 9
Nov 30, 2018 24 $255,026 -40% 265 $962   $82,247,952 10
Dec 7, 2018 26 $212,802 -17% 238 $894   $82,460,754 11
Dec 14, 2018 31 $163,965 -23% 218 $752   $82,624,719 12
Dec 21, 2018 31 $191,992 +17% 184 $1,043   $82,816,711 13
Dec 28, 2018 28 $246,312 +28% 184 $1,339   $83,063,023 14
Jan 4, 2019 34 $111,264 -55% 160 $695   $83,174,287 15
Jan 11, 2019 42 $65,816 -41% 137 $480   $83,240,103 16

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 9/28/2018 $374,542 0 161 616 $1,327,540 1/14/2019
Australia 9/21/2018 $719,130 276 306 1,860 $9,210,719 1/8/2019
Brazil 9/28/2018 $1,300,000 917 917 3,171 $5,300,000 8/7/2020
Bulgaria 9/28/2018 $97,294 0 0 0 $393,941 2/26/2019
Chile 9/27/2018 $0 0 0 0 $2,300,000 12/4/2018
China 10/19/2018 $3,890,000 28,979 28,979 55,537 $10,800,000 12/4/2018
Colombia 10/4/2018 $0 0 0 0 $3,500,000 12/4/2018
Czech Republic 9/21/2018 $60,531 31 150 652 $902,551 1/1/2019
France 10/19/2018 $1,500,000 544 617 4,073 $14,644,717 12/23/2018
Germany 10/11/2018 $775,000 968 968 3,559 $4,800,000 12/4/2018
Italy 10/4/2018 $963,674 0 428 527 $1,790,038 1/15/2019
Lithuania 10/19/2018 $82,063 178 178 643 $334,877 12/10/2019
Mexico 9/28/2018 $3,475,541 2,551 2,551 3,523 $9,300,000 12/4/2018
Netherlands 10/12/2018 $212,381 132 134 1,162 $4,914,125 1/3/2019
Poland 9/28/2018 $806,000 263 263 789 $2,100,000 1/1/2019
Portugal 10/5/2018 $185,442 69 79 535 $762,722 6/4/2019
Russia (CIS) 10/18/2018 $1,001,977 916 1,593 6,770 $9,629,912 1/1/2019
Slovakia 9/21/2018 $32,165 16 75 388 $572,899 1/10/2019
Spain 10/12/2018 $1,516,203 309 327 2,323 $5,373,440 12/14/2018
Turkey 9/28/2018 $133,269 326 326 1,144 $545,919 2/26/2019
United Kingdom 10/12/2018 $3,057,339 554 639 4,170 $14,286,486 1/2/2019
 
Rest of World $28,214,206
 
International Total$131,004,092 8/7/2020

International Cumulative Box Office Records

RecordRankRevenue
All Time International Animated Box Office (Rank 101-200) 145 $131,004,092
All Time International Box Office (Rank 801-900) 837 $131,004,092
All Time International Non-Sequel Box Office (Rank 501-600) 536 $131,004,092
Top 2018 Movies at the International Box Office 45 $131,004,092
All Time International Box Office for Based on Fiction Book/Short Story Movies (Rank 101-200) 182 $131,004,092
All Time International Box Office for Digital Animation Movies (Rank 101-200) 126 $131,004,092
All Time International Box Office for Kids Fiction Movies (Rank 101-200) 140 $131,004,092
All Time International Box Office for Adventure Movies (Rank 201-300) 285 $131,004,092
All Time International Box Office for PG Movies (Rank 201-300) 203 $131,004,092
All Time International Box Office for Warner Bros. Movies (Rank 101-200) 130 $131,004,092

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Animated Box Office (Rank 101-200) 143 $214,244,195
All Time Worldwide Box Office (Rank 801-900) 857 $214,244,195
All Time Worldwide Non-Sequel Box Office (Rank 501-600) 561 $214,244,195
Top 2018 Movies at the Worldwide Box Office 41 $214,244,195
All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies (Rank 101-200) 182 $214,244,195
All Time Worldwide Box Office for Digital Animation Movies (Rank 101-200) 124 $214,244,195
All Time Worldwide Box Office for Kids Fiction Movies (Rank 101-200) 143 $214,244,195
All Time Worldwide Box Office for Adventure Movies (Rank 201-300) 283 $214,244,195
All Time Worldwide Box Office for PG Movies (Rank 201-300) 211 $214,244,195
All Time Worldwide Box Office for Warner Bros. Movies (Rank 101-200) 142 $214,244,195

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Dec 16, 20181193,711 193,711$3,163,301$3,163,3012
Dec 23, 20183144,914-25% 338,625$2,317,175$5,480,4763
Dec 30, 2018567,616-53% 406,241$1,081,180$6,561,6564
Jan 6, 2019637,394-45% 443,635$597,930$7,159,5865
Jan 13, 20191126,912-28% 470,547$418,751$7,578,3376
Jan 20, 20191121,526-20% 492,073$270,582$7,848,9197
Jan 27, 2019923,500+9% 515,573$242,990$8,091,9098
Feb 3, 20192113,459-43% 529,032$215,209$8,307,1189
Feb 10, 20192410,429-23% 539,461$166,655$8,473,77310
Mar 10, 20192616,765 585,280$267,569$9,205,82314
Jun 9, 2019254,401 649,904$63,903$10,102,44727

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Dec 16, 20182157,591 157,591$3,635,634$3,635,6342
Dec 23, 20185140,926-11% 298,517$3,235,657$6,871,2913
Dec 30, 2018665,457-54% 363,974$1,504,866$8,376,1574
Jan 6, 2019825,955-60% 389,929$596,457$8,972,6145
Jan 13, 20191115,009-42% 404,938$344,912$9,317,5266
Jan 20, 2019822,783+52% 427,721$345,615$9,663,1417
Jan 27, 2019535,242+55% 462,963$374,626$10,037,7678

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Channing Tatum Migo
James Corden Percy
Zendaya Meechee
Common Stonekeeper
LeBron James Gwangi
Danny DeVito Dorgle
Gina Rodriguez Kolka
Jimmy Tatro Thorp

Supporting Cast

Yara Shahidi Brenda
Ely Henry Flem
Anna Faris Liv
Patricia Heaton Mama Bear
Justin Roiland Garry
Jack Quaid Pilot
Sarah Baker Soozie’s Mom
Kelly Holden Bashar Additional Voice
Jonathan Mangum Additional Voice
Clare Sera Additional Voice
Rick Zieff Additional Voice
Peter Ettinger Additional Voice
Joel McCrary Additional Voice
Luke Smith Additional Voice
Jonathan Kite Additional Voice
Vanessa Ragland Additional Voice
Jessica Tuck Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Karey Kirkpatrick Director
Karey Kirkpatrick Screenwriter
Claire Sera Screenwriter
John Requa Screen Story by
Glenn Ficarra Screen Story by
Karey Kirkpatrick Screen Story by
Sergio Pablos Story By
Bonne Radford Producer
Glenn Ficarra Producer
John Requa Producer
Christopher Miller Executive Producer
Nicholas Stoller Executive Producer
Phil Lord Executive Producer
Jared Stern Executive Producer
Karey Kirkpatrick Executive Producer
Sergio Pablos Executive Producer
Courtenay Valenti Executive Producer
Allison Abbate Executive Producer
Ron Kurniawan Production Designer
Peter Ettinger Editor
Heitor Pereira Composer
Jason Resig Co-Director
Devin Crane Art Director
Wayne Kirkpatrick Song Writer
Karey Kirkpatrick Song Writer
Ruth Lambert Casting Director
Karl Edward Herbst Visual Effects Supervisor
Skye Lyons Associate Producer
Kevin Webb Animation Supervisor
Henrik Karlsson Character Effects Supervisor
Bertrand Bry-Marfaing Character CG Supervisor
Jason Greenblum Character CG Supervisor
Nicola Lavender Character CG Supervisor
Jim McLean Character CG Supervisor
Michael Muir Character CG Supervisor
Steven Gizicki Music Supervisor
Katrina Beshears Production Manager
Michael Babcock Supervising Sound Editor
Michael Babcock Sound Designer
Gabriel Lin Story Artist
Ken Morrissey Story Artist
Delia Gosman Story Artist
Ethan Hegge Story Artist
Luther McLaurin Story Artist
Vadim Bazhanov Story Artist
Rafael Zentil Story Artist
Carrie Liao Story Artist
Max Lang Story Artist
Nassos Vakalis Story Artist
Kaitlyn Ritter Story Artist
Scott Santoro Story Artist
Andrew Gaskill* Story Artist
Tom Parkinson Story Artist
Chuck Klein Story Artist
Devin Crane Character Designer
Maria Yi Character Designer
Anton Capaldo-Smith Associate Editor
Roderick Finney Additional Editor
Jessica Ambinder-Rojas Additional Editor
Wyatt Jones Additional Editor
Ryan Folsey Additional Editor
Vanara Taing Additional Editor
Steven Liu Additional Editor
Will Erokan First Assistant Editor
Daniel Ortiz Assistant Editor
Mathias Hilger Assistant Editor
Ben Murphy Assistant Editor
Gina Zappala Assistant Editor
Noel Brydebell Assistant Editor
Barbara Gerety Assistant Editor
Earl Brawley Supervising Animator
Julius Kwan Supervising Animator
Robert Lehman Supervising Animator
Paul Pammesberger Supervising Animator
Daniel Pozo Supervising Animator
Burke Roane Supervising Animator
Sigurdur Orri Thorhannesson Supervising Animator
Peter Nash Supervising Animator
John Vassallo Supervising Animator
Randall James Bol Post-Production Supervisor
David E. Fluhr Re-recording Mixer
Michael Babcock Re-recording Mixer
Jeff Sawyer Sound Effects Editor
Chris Diebold Sound Effects Editor
Darrin Mann Foley Mixer
Slamm Andrews Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for December 11th, 2018

December 11th, 2018

Collette

There isn’t a huge number of releases on this week’s list home market release report. The Equalizer 2 is the biggest, but it is far from the best. As for the best, there are some Pick of the Week contenders, including Colette, My Neighbor Totoro and A Simple Favor. My Neighbor Totoro is worth owning, but it is a triple-dip at this point, maybe more. A Simple Favor is coming out on VOD this week. This leaves Colette’s DVD or Blu-ray Combo Pack as the Pick of the Week. More...

Home Market Releases for December 4th, 2018

December 4th, 2018

The Handmaid’s Tale

It’s not a bad week when it comes to the home market. The biggest release is Mission: Impossible—Fallout and while I didn’t like it as much as most critics, the Blu-ray / 4K Ultra HD Combo Packs are still worth picking up. There were also a trio of releases that were contenders for Pick of the Week, all of which were TV on DVD release: The Handmaid’s Tale: Season Two, Love, Chunibyo & Other Delusions: Take On Me, and Westworld: Season Two: The Door. In the end, it came down to a roll of the dice, with The Handmaid’s Tale coming out on top. More...

Thursday Night Previews: Grinch Grabs $2.2 million on Thursday Night

November 9th, 2018

The Grinch

Dr Seuss’ The Grinch started its box office run with previews in 3,200 theaters earning $2.2 million. By comparison, Smallfoot, the most recent computer animated film, earned $850,000 during its previews. If The Grinch has the same legs, then it would make $60 million during its opening weekend, which is a little lower than our prediction, but still a great start for a film that cost $75 million to make. On the other hand, this film’s reviews are not as good as Smallfoot’s reviews are, which could lead to weaker word-of-mouth. Additionally, it is based on a well-known book, so that could front-load the film’s box office numbers. Hopefully this won’t be an issue and the film will top $60 million with ease. We will know more by this time tomorrow when the Friday Estimates show up. More...

International Box Office: Halloween Rises from the Dead and into First Place

October 31st, 2018

Halloween

Halloween rose from fifth to first with $26.0 million in 62 markets for a two-week total of $46.0 million. The film’s biggest new market was Germany, where it earned first place with $3.41 million on 513 screens. On the other hand, it only managed fifth place in France with $2.37 million on 316 screens. Its Australian debut was in-between those two results at second place and $1.99 million on 264 screens. It’s best holdover was in Mexico, where it earned first place with $2.34 million over the weekend for a two-week total of $9.39 million. Like I mentioned last week, this film isn’t doing as well internationally as it is domestically, but it has done so well domestically that it will break even before taking its international numbers into consideration. More...

International Box Office: Venom Claws Closer to Half a Billion Dollars

October 25th, 2018

Venom

Venom earned its fourth first place finish on the international chart with $33.17 million on 14,966 screens in 83 markets for totals of $291.61 million internationally and $462.68 million worldwide. The film had no major market openings this past weekend, but it has yet to open in Japan and China, so it has a shot at $400 million internationally and $600 million worldwide, which would be more than enough to become Sony’s biggest hit released in 2018. More...

International Box Office: Venom Secures Win, Closes in on Summer Vacation

October 17th, 2018

Venom

Venom remained the top draw internationally earning $70.89 million on 20,248 screens in 83 markets for totals of $236.49 million internationally and $378.60 million worldwide. The film’s biggest new market was France, where it opened in first place with $6.65 million on 703 screens over the weekend for a total opening of $7.04 million. It also opened in first place in Thailand with $2.14 million on 365 screens and in Vietnam with $1.05 million on 501 screens over the weekend for a total opening of $2.22 million. Its biggest market overall is South Korea, where it has amassed $25.41 million, including $4.38 million on 1,011 screens this past weekend. At this pace, the film will soon overtake Hotel Transylvania 3: Summer Vacation, becoming Sony’s biggest hit released in 2018. More...

Weekend Wrap-Up: Venom Beats Up Expectations, and New Releases

October 16th, 2018

Venom

Last weekend, Venom and A Star is Born opened better than predicted by a large margin and they even held on better than expected this weekend. Unfortunately, none of the new releases matched predictions and that hurt the overall box office. The total box office was down 25% from last weekend at $136 million. More importantly, this is 36% higher than the same weekend last year. Year-to-date, 2018 is ahead of 2017 at $9.18 billion to $8.31 billion, which is a $880 million or 10.5% lead. A double-digit lead at this point of the year is stunning and while it very likely won’t last, it would take an complete collapse for the lead to evaporate by the end of the year. More...

Weekend Estimates: Venom Flexes it Muscles and Keeps the Competition Down

October 14th, 2018

Venom

Last weekend, the new releases topped expectations by a significant degree. It appears I got caught up in that enthusiasm, because the three wide releases this weekend all missed expectations. Fortunately, the holdovers helped compensate. Venom is projected to fall just 56% to $35.6 million over the weekend for a two-week total of $142.6 million. This is a stunningly strong hold, given its reviews, its B plus from CinemaScore, and historical averages for comic book films. Internationally, it pulled in $69.7 million and globally it already has $378.1 million. The film cost $100 million or $116 million, depending on how you look at things. It’s $116 million on the screen, but it cost Sony $100 million after tax breaks. Depending on how much the film cost to advertise and how much Sony’s share of the box office is, the film might have already broken even. It will certainly break even by this time next week. More...

Friday Estimates: New Releases Won’t Finish First, Man

October 13th, 2018

First Man

All of the new releases missed expectations on Friday. This combined with better than expected holds for the holdovers meant there won’t be any new challengers for first place. That said, there will be a relatively close race for first place between Venom and A Star is Born. Venom fell 70% compared to its opening Friday earning $9.79 million. This is enough to put it on pace for $32 million during its sophomore stint, which is on the very high end of expectations. More...

Weekend Predictions: Will First Man Live Up to Its Name?

October 11th, 2018

First Man

There are three wide releases coming out this week. First Man is the biggest release and has the best reviews with 90% positive reviews. Goosebumps 2: Haunted Halloween’s reviews are much, much worse, but it should still do relatively well at the box office. It is a horror movie for kids opening just before Halloween. The final wide release of the week is Bad Times at the El Royale, which is earning really good reviews, but the buzz is rather quiet. These films will have to compete with Venom and A Star is Born, both of which are expected to do big business during their second weekend of release. This weekend last year, Happy Death Day opened with $26.04 million; however, it was the only film that earned more than $20 million over the weekend. This year, we could have as many as four films earn more than $20 million. More...

Weekend Wrap-Up: Venom Invades Record Books with $80.26 million

October 9th, 2018

Venom

Venom topped the high end of expectations over the weekend with $80.26 million, breaking several October records. A Star is Born also topped expectations with $44.26 million during its opening weekend and should have very long legs. Overall, the box office pulled in $177 million, which is 68% more than last weekend and this weekend last year. That’s a strange coincidence. Year-to-date, 2018 was able to stretch its lead over 2017, which now sits at 9.9% or $810 billion at $8.98 billion to $8.16 billion. I was worried we might be down to a $500 million lead at this point, but 2018 continues to impress. More...

Weekend Estimates: Venom Punches its Way to the Top with $80 million

October 7th, 2018

Venom

If studio estimates are correct, then Venom has crushed expectations over the weekend earning $80.03 million. This easily destroys the October weekend record, previously held by Gravity. The film is also projected to pull in $125.2 million on 20,800 screens in 58 markets. On the other hand, the film earned 32% positive reviews and a B plus from CinemaScore, so I don’t expect good legs going forward. That said, Sony’s share of the film’s global debut is likely very close to the film’s $100 million production budget, so unless the advertising budget was unreasonable, even really short legs won’t prevent the movie from earning a profit. More...

Friday Estimates: Venom Shines on Opening Day

October 6th, 2018

Venom

Despite earning terrible reviews, Venom was able to destroy the record for biggest October day with $32.75 million on Friday, topping the previous record holder Paranormal Activity 3 by a significant margin. Not only will the film blow past $70 million over the weekend, it could come close to $80 million. On the down side, as previously mentioned, its reviews are terrible, while it only managed a B plus from CinemaScore, so it won’t have good legs going forward. That said, the film reportedly cost $100 million to make ($116 million on the screen, $100 million after tax breaks) so even tragically short legs won’t stop the film from breaking even. More...

Weekend Predictions: Can Venom Take Down October’s Record?

October 4th, 2018

Venom

The first weekend of October could see records fall, as most have Venom opening with between $60 million and $70 million. The movie with the line “Turd in the wind” in its trailer is expected to open better than Gravity did. On the other hand, A Star is Born is expected to open in second place, but have much, much longer legs and I believe it will be the bigger hit in the end. Both Night School and Smallfoot will earn more than $10 million over the weekend, which will help the overall box office performance. This weekend last year, Blade Runner 2049 opened with $32.75 million, while only one other film earned more than $10 million. Even on the low end, Venom will earn more than those two films combined. On the high end, it could match last year’s top five by itself. More...

International Box Office: Can None stop The Nun?

October 2nd, 2018

The Nun

For the fourth weekend in a row, The Nun earned first place on the international chart. This past weekend, the film earned $16.4 million on 9,490 screens in 80 markets for totals of $220.2 million internationally and $329.2 million worldwide. There were no new markets this weekend, which explains the sharp decline from last week’s haul. That said, it remained in first place in France with $2.4 million on 367 screens for a two-week total of $7.6 million. The film is now the biggest hit in the franchise, both internationally and worldwide. More...

Weekend Wrap-Up: Wishing September Good Night

October 2nd, 2018

Night School

Overall, the weekend matched our predictions almost perfectly. All three new releases came within a rounding error of our prediction, if not better. This includes Night School, which led the way with $27.26 million during its opening weekend, while Smallfoot wasn’t too far behind with $23.05 million. Overall, the box office was 14% higher than last weekend at $105 million. This is also 16% higher than the same weekend last year. 2018’s lead over 2017 remained nearly identical this week at 9.0% / $720 million with $8.77 billion compared to $8.04 billion. More...

Weekend Estimates: Night School earns a Passing Grade with $28 million

September 30th, 2018

Night School

The weekend box office lived up to expectations, for the most part. Night School is projected to earn $28 million over the weekend, which almost matches its $29 million production budget. It would take tiny legs to fail to cover its production budget, which is unlikely. Granted, its reviews are only 31% positive, but it earned an A minus from CinemaScore, so its target audience liked it a whole lot more than the critics did. Its international start wasn’t great at $5.5 million in 19 markets, but within expectations. It earned second place in the U.K. with $2.02 million in 452 theaters, as well as third place in Australia with $1.20 million on 198. More...

Estimates: Friday’s Numbers are a little on the Small(foot) Size

September 29th, 2018

Smallfoot

New releases did well during previews, but returned to the levels we were predicting on Friday. Night School earned $9.5 million during its opening day, which isn’t enough to get to $30 million over the weekend, but it could be enough to match our $27 million prediction, or at least come within a rounding error of that figure. Audiences liked the movie more than critics did, as it earned an A minus from CinemaScore. Meanwhile, the film reportedly cost $29 million to make, so Universal should be happy with this result. More...

Thursday Night Previews: Night School gets off to an Intelligent Start

September 28th, 2018

Night School

Night School earned $1.35 million during its previews last night. In order to match our $27 million prediction, the film needed about $1.2 million during its previews, so this start makes opening above $30 million a lot more likely. Granted, its reviews are not going to help, but the film still has an excellent shot at topping its production budget during its opening weekend. It would take a combination of tragic legs, zero international demand, and irresponsibly high advertising costs for this film to not break even after this start. More...

Weekend Prediction: Smallfoot Looking for Big Box Office

September 26th, 2018

Night School

The final weekend of September is home to three wide releases. Two of these, Night School and Smallfoot could be solid hits. And since they are aimed at vastly different audiences, they shouldn’t cannibalize each other at the box office. On the other hand, Hell Fest is a low-budget horror movie that should earn more during its opening weekend than its $5.5 million production budget. Meanwhile, last week’s number one film, The House with a Clock in its Walls, should still have a solid weekend haul, giving the box office reasonable depth. This weekend last year, no film earned more than $20 million, while this year we should have two above that mark. Last year did have better depth, but I think 2018 will end its mini-losing streak in the year-over-year comparison. More...

2018 Preview: September

September 1st, 2018

The Predator

Overall, August was a little better than expected. Granted, there were no monster hits, but Warner Bros. had two $100 million hits in The Meg and Crazy Rich Asians. Meanwhile, Christopher Robin will come close enough to that milestone to be a hit. This allowed 2018 to stretch its lead over 2017 by over $700 million. Will that lead grow in September? Nope. Not even close. There are three major problems that will hurt September’s box office. Firstly, there are a lot of films that may or may not open wide. Secondly, there are no films opening this month that have a better than 50/50 chance of hitting $100 million. Finally... It. It destroyed records last September, earning more during its opening weekend than any film opening this month will earn in total. Fortunately, 2018 has such an enormous lead that even with It, 2018 should remain ahead of 2107 by $500 million at the end of the month. More...

Smallfoot Trailer

November 28th, 2017

Animated adventure with the voices of Channing Tatum, James Corden, Zendaya, and Common, opens September 28, 2018 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A Young yeti finds something he thought didn’t exist—a human. News of this “smallfoot” throws the simple yeti community into an uproar over what else might be out there in the big world beyond their snowy village, in an all new story about friendship, courage and the joy of discovery.

Metrics

Opening Weekend:$23,045,635 (27.7% of total gross)
Legs:3.61 (domestic box office/biggest weekend)
Domestic Share:38.9% (domestic box office/worldwide)
Production Budget:$80,000,000 (worldwide box office is 2.7 times production budget)
Theater counts:4,131 opening theaters/4,131 max. theaters, 5.6 weeks average run per theater
Infl. Adj. Dom. BO $98,497,561

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,001-1,100) 1,034 $83,240,103
All Time International Box Office (Rank 801-900) 837 $131,004,092
All Time Worldwide Box Office (Rank 801-900) 857 $214,244,195
All Time Domestic Box Office for Digital Animation Movies (Rank 101-200) 120 $83,240,103
All Time International Box Office for Digital Animation Movies (Rank 101-200) 126 $131,004,092
All Time Worldwide Box Office for Digital Animation Movies (Rank 101-200) 124 $214,244,195

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: September 28th, 2018 (Wide) by Warner Bros.
International Releases: September 21st, 2018 (Wide) (Australia)
September 21st, 2018 (Wide), released as Yeti: Ledové dobrodružství (Czech Republic)
September 21st, 2018 (Wide), released as Piadinôžka (Slovakia)
September 27th, 2018 (Wide), released as Pie Pequeño (Chile)
September 28th, 2018 (Wide) (Argentina)
... Show all releases
Video Release: December 4th, 2018 by Warner Home Video
MPAA Rating: PG for some action, rude humor, and thematic elements.
(Rating bulletin 2537 (Cert #51715), 7/25/2018)
Running Time: 96 minutes
Comparisons: vs. Storks
Create your own comparison chart…
Keywords: Bigfoot, Mountain Climbing, Humans as Monsters, Falsely Accused, 3-D, 3-D - Shot in 3-D, Family Adventure
Source:Based on Fiction Book/Short Story
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Zaftig Films, RatPac Entertainment, Warner Bros., Warner Animation Group
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Halloween (All Movies, 3-Day, Inflation Adjusted) 276 $5,577,007 Oct 26, 2018 31
Columbus Day (All Movies, 3-Day) 46 $14,402,559 Oct 5, 2018 10
Columbus Day (All Movies, 3-Day, Inflation Adjusted) 102 $16,874,628 Oct 5, 2018 10
Columbus Day (All Movies, 4-Day, Fri-Mon) 40 $17,454,743 Oct 5, 2018 10
Columbus Day (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 71 $20,450,698 Oct 5, 2018 10
Biggest Domestic September Weekend 52 $23,045,635 Sep 28, 2018 3
Biggest Domestic September Day 87 $9,875,229 Sep 29, 2018 2

Lead Ensemble Members

Channing Tatum Migo
James Corden Percy
Zendaya Meechee
Common Stonekeeper
LeBron James Gwangi
Danny DeVito Dorgle
Gina Rodriguez Kolka
Jimmy Tatro Thorp

Supporting Cast

Yara Shahidi Brenda
Ely Henry Flem
Anna Faris Liv
Patricia Heaton Mama Bear
Justin Roiland Garry
Jack Quaid Pilot
Sarah Baker Soozie’s Mom
Kelly Holden Bashar Additional Voice
Jonathan Mangum Additional Voice
Clare Sera Additional Voice
Rick Zieff Additional Voice
Peter Ettinger Additional Voice
Joel McCrary Additional Voice
Luke Smith Additional Voice
Jonathan Kite Additional Voice
Vanessa Ragland Additional Voice
Jessica Tuck Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Karey Kirkpatrick Director
Karey Kirkpatrick Screenwriter
Claire Sera Screenwriter
John Requa Screen Story by
Glenn Ficarra Screen Story by
Karey Kirkpatrick Screen Story by
Sergio Pablos Story By
Bonne Radford Producer
Glenn Ficarra Producer
John Requa Producer
Christopher Miller Executive Producer
Nicholas Stoller Executive Producer
Phil Lord Executive Producer
Jared Stern Executive Producer
Karey Kirkpatrick Executive Producer
Sergio Pablos Executive Producer
Courtenay Valenti Executive Producer
Allison Abbate Executive Producer
Ron Kurniawan Production Designer
Peter Ettinger Editor
Heitor Pereira Composer
Jason Resig Co-Director
Devin Crane Art Director
Wayne Kirkpatrick Song Writer
Karey Kirkpatrick Song Writer
Ruth Lambert Casting Director
Karl Edward Herbst Visual Effects Supervisor
Skye Lyons Associate Producer
Kevin Webb Animation Supervisor
Henrik Karlsson Character Effects Supervisor
Bertrand Bry-Marfaing Character CG Supervisor
Jason Greenblum Character CG Supervisor
Nicola Lavender Character CG Supervisor
Jim McLean Character CG Supervisor
Michael Muir Character CG Supervisor
Steven Gizicki Music Supervisor
Katrina Beshears Production Manager
Michael Babcock Supervising Sound Editor
Michael Babcock Sound Designer
Gabriel Lin Story Artist
Ken Morrissey Story Artist
Delia Gosman Story Artist
Ethan Hegge Story Artist
Luther McLaurin Story Artist
Vadim Bazhanov Story Artist
Rafael Zentil Story Artist
Carrie Liao Story Artist
Max Lang Story Artist
Nassos Vakalis Story Artist
Kaitlyn Ritter Story Artist
Scott Santoro Story Artist
Andrew Gaskill* Story Artist
Tom Parkinson Story Artist
Chuck Klein Story Artist
Devin Crane Character Designer
Maria Yi Character Designer
Anton Capaldo-Smith Associate Editor
Roderick Finney Additional Editor
Jessica Ambinder-Rojas Additional Editor
Wyatt Jones Additional Editor
Ryan Folsey Additional Editor
Vanara Taing Additional Editor
Steven Liu Additional Editor
Will Erokan First Assistant Editor
Daniel Ortiz Assistant Editor
Mathias Hilger Assistant Editor
Ben Murphy Assistant Editor
Gina Zappala Assistant Editor
Noel Brydebell Assistant Editor
Barbara Gerety Assistant Editor
Earl Brawley Supervising Animator
Julius Kwan Supervising Animator
Robert Lehman Supervising Animator
Paul Pammesberger Supervising Animator
Daniel Pozo Supervising Animator
Burke Roane Supervising Animator
Sigurdur Orri Thorhannesson Supervising Animator
Peter Nash Supervising Animator
John Vassallo Supervising Animator
Randall James Bol Post-Production Supervisor
David E. Fluhr Re-recording Mixer
Michael Babcock Re-recording Mixer
Jeff Sawyer Sound Effects Editor
Chris Diebold Sound Effects Editor
Darrin Mann Foley Mixer
Slamm Andrews Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for December 11th, 2018

December 11th, 2018

Collette

There isn’t a huge number of releases on this week’s list home market release report. The Equalizer 2 is the biggest, but it is far from the best. As for the best, there are some Pick of the Week contenders, including Colette, My Neighbor Totoro and A Simple Favor. My Neighbor Totoro is worth owning, but it is a triple-dip at this point, maybe more. A Simple Favor is coming out on VOD this week. This leaves Colette’s DVD or Blu-ray Combo Pack as the Pick of the Week. More...

Home Market Releases for December 4th, 2018

December 4th, 2018

The Handmaid’s Tale

It’s not a bad week when it comes to the home market. The biggest release is Mission: Impossible—Fallout and while I didn’t like it as much as most critics, the Blu-ray / 4K Ultra HD Combo Packs are still worth picking up. There were also a trio of releases that were contenders for Pick of the Week, all of which were TV on DVD release: The Handmaid’s Tale: Season Two, Love, Chunibyo & Other Delusions: Take On Me, and Westworld: Season Two: The Door. In the end, it came down to a roll of the dice, with The Handmaid’s Tale coming out on top. More...

Thursday Night Previews: Grinch Grabs $2.2 million on Thursday Night

November 9th, 2018

The Grinch

Dr Seuss’ The Grinch started its box office run with previews in 3,200 theaters earning $2.2 million. By comparison, Smallfoot, the most recent computer animated film, earned $850,000 during its previews. If The Grinch has the same legs, then it would make $60 million during its opening weekend, which is a little lower than our prediction, but still a great start for a film that cost $75 million to make. On the other hand, this film’s reviews are not as good as Smallfoot’s reviews are, which could lead to weaker word-of-mouth. Additionally, it is based on a well-known book, so that could front-load the film’s box office numbers. Hopefully this won’t be an issue and the film will top $60 million with ease. We will know more by this time tomorrow when the Friday Estimates show up. More...

International Box Office: Halloween Rises from the Dead and into First Place

October 31st, 2018

Halloween

Halloween rose from fifth to first with $26.0 million in 62 markets for a two-week total of $46.0 million. The film’s biggest new market was Germany, where it earned first place with $3.41 million on 513 screens. On the other hand, it only managed fifth place in France with $2.37 million on 316 screens. Its Australian debut was in-between those two results at second place and $1.99 million on 264 screens. It’s best holdover was in Mexico, where it earned first place with $2.34 million over the weekend for a two-week total of $9.39 million. Like I mentioned last week, this film isn’t doing as well internationally as it is domestically, but it has done so well domestically that it will break even before taking its international numbers into consideration. More...

International Box Office: Venom Claws Closer to Half a Billion Dollars

October 25th, 2018

Venom

Venom earned its fourth first place finish on the international chart with $33.17 million on 14,966 screens in 83 markets for totals of $291.61 million internationally and $462.68 million worldwide. The film had no major market openings this past weekend, but it has yet to open in Japan and China, so it has a shot at $400 million internationally and $600 million worldwide, which would be more than enough to become Sony’s biggest hit released in 2018. More...

International Box Office: Venom Secures Win, Closes in on Summer Vacation

October 17th, 2018

Venom

Venom remained the top draw internationally earning $70.89 million on 20,248 screens in 83 markets for totals of $236.49 million internationally and $378.60 million worldwide. The film’s biggest new market was France, where it opened in first place with $6.65 million on 703 screens over the weekend for a total opening of $7.04 million. It also opened in first place in Thailand with $2.14 million on 365 screens and in Vietnam with $1.05 million on 501 screens over the weekend for a total opening of $2.22 million. Its biggest market overall is South Korea, where it has amassed $25.41 million, including $4.38 million on 1,011 screens this past weekend. At this pace, the film will soon overtake Hotel Transylvania 3: Summer Vacation, becoming Sony’s biggest hit released in 2018. More...

Weekend Wrap-Up: Venom Beats Up Expectations, and New Releases

October 16th, 2018

Venom

Last weekend, Venom and A Star is Born opened better than predicted by a large margin and they even held on better than expected this weekend. Unfortunately, none of the new releases matched predictions and that hurt the overall box office. The total box office was down 25% from last weekend at $136 million. More importantly, this is 36% higher than the same weekend last year. Year-to-date, 2018 is ahead of 2017 at $9.18 billion to $8.31 billion, which is a $880 million or 10.5% lead. A double-digit lead at this point of the year is stunning and while it very likely won’t last, it would take an complete collapse for the lead to evaporate by the end of the year. More...

Weekend Estimates: Venom Flexes it Muscles and Keeps the Competition Down

October 14th, 2018

Venom

Last weekend, the new releases topped expectations by a significant degree. It appears I got caught up in that enthusiasm, because the three wide releases this weekend all missed expectations. Fortunately, the holdovers helped compensate. Venom is projected to fall just 56% to $35.6 million over the weekend for a two-week total of $142.6 million. This is a stunningly strong hold, given its reviews, its B plus from CinemaScore, and historical averages for comic book films. Internationally, it pulled in $69.7 million and globally it already has $378.1 million. The film cost $100 million or $116 million, depending on how you look at things. It’s $116 million on the screen, but it cost Sony $100 million after tax breaks. Depending on how much the film cost to advertise and how much Sony’s share of the box office is, the film might have already broken even. It will certainly break even by this time next week. More...

Friday Estimates: New Releases Won’t Finish First, Man

October 13th, 2018

First Man

All of the new releases missed expectations on Friday. This combined with better than expected holds for the holdovers meant there won’t be any new challengers for first place. That said, there will be a relatively close race for first place between Venom and A Star is Born. Venom fell 70% compared to its opening Friday earning $9.79 million. This is enough to put it on pace for $32 million during its sophomore stint, which is on the very high end of expectations. More...

Weekend Predictions: Will First Man Live Up to Its Name?

October 11th, 2018

First Man

There are three wide releases coming out this week. First Man is the biggest release and has the best reviews with 90% positive reviews. Goosebumps 2: Haunted Halloween’s reviews are much, much worse, but it should still do relatively well at the box office. It is a horror movie for kids opening just before Halloween. The final wide release of the week is Bad Times at the El Royale, which is earning really good reviews, but the buzz is rather quiet. These films will have to compete with Venom and A Star is Born, both of which are expected to do big business during their second weekend of release. This weekend last year, Happy Death Day opened with $26.04 million; however, it was the only film that earned more than $20 million over the weekend. This year, we could have as many as four films earn more than $20 million. More...

Weekend Wrap-Up: Venom Invades Record Books with $80.26 million

October 9th, 2018

Venom

Venom topped the high end of expectations over the weekend with $80.26 million, breaking several October records. A Star is Born also topped expectations with $44.26 million during its opening weekend and should have very long legs. Overall, the box office pulled in $177 million, which is 68% more than last weekend and this weekend last year. That’s a strange coincidence. Year-to-date, 2018 was able to stretch its lead over 2017, which now sits at 9.9% or $810 billion at $8.98 billion to $8.16 billion. I was worried we might be down to a $500 million lead at this point, but 2018 continues to impress. More...

Weekend Estimates: Venom Punches its Way to the Top with $80 million

October 7th, 2018

Venom

If studio estimates are correct, then Venom has crushed expectations over the weekend earning $80.03 million. This easily destroys the October weekend record, previously held by Gravity. The film is also projected to pull in $125.2 million on 20,800 screens in 58 markets. On the other hand, the film earned 32% positive reviews and a B plus from CinemaScore, so I don’t expect good legs going forward. That said, Sony’s share of the film’s global debut is likely very close to the film’s $100 million production budget, so unless the advertising budget was unreasonable, even really short legs won’t prevent the movie from earning a profit. More...

Friday Estimates: Venom Shines on Opening Day

October 6th, 2018

Venom

Despite earning terrible reviews, Venom was able to destroy the record for biggest October day with $32.75 million on Friday, topping the previous record holder Paranormal Activity 3 by a significant margin. Not only will the film blow past $70 million over the weekend, it could come close to $80 million. On the down side, as previously mentioned, its reviews are terrible, while it only managed a B plus from CinemaScore, so it won’t have good legs going forward. That said, the film reportedly cost $100 million to make ($116 million on the screen, $100 million after tax breaks) so even tragically short legs won’t stop the film from breaking even. More...

Weekend Predictions: Can Venom Take Down October’s Record?

October 4th, 2018

Venom

The first weekend of October could see records fall, as most have Venom opening with between $60 million and $70 million. The movie with the line “Turd in the wind” in its trailer is expected to open better than Gravity did. On the other hand, A Star is Born is expected to open in second place, but have much, much longer legs and I believe it will be the bigger hit in the end. Both Night School and Smallfoot will earn more than $10 million over the weekend, which will help the overall box office performance. This weekend last year, Blade Runner 2049 opened with $32.75 million, while only one other film earned more than $10 million. Even on the low end, Venom will earn more than those two films combined. On the high end, it could match last year’s top five by itself. More...

International Box Office: Can None stop The Nun?

October 2nd, 2018

The Nun

For the fourth weekend in a row, The Nun earned first place on the international chart. This past weekend, the film earned $16.4 million on 9,490 screens in 80 markets for totals of $220.2 million internationally and $329.2 million worldwide. There were no new markets this weekend, which explains the sharp decline from last week’s haul. That said, it remained in first place in France with $2.4 million on 367 screens for a two-week total of $7.6 million. The film is now the biggest hit in the franchise, both internationally and worldwide. More...

Weekend Wrap-Up: Wishing September Good Night

October 2nd, 2018

Night School

Overall, the weekend matched our predictions almost perfectly. All three new releases came within a rounding error of our prediction, if not better. This includes Night School, which led the way with $27.26 million during its opening weekend, while Smallfoot wasn’t too far behind with $23.05 million. Overall, the box office was 14% higher than last weekend at $105 million. This is also 16% higher than the same weekend last year. 2018’s lead over 2017 remained nearly identical this week at 9.0% / $720 million with $8.77 billion compared to $8.04 billion. More...

Weekend Estimates: Night School earns a Passing Grade with $28 million

September 30th, 2018

Night School

The weekend box office lived up to expectations, for the most part. Night School is projected to earn $28 million over the weekend, which almost matches its $29 million production budget. It would take tiny legs to fail to cover its production budget, which is unlikely. Granted, its reviews are only 31% positive, but it earned an A minus from CinemaScore, so its target audience liked it a whole lot more than the critics did. Its international start wasn’t great at $5.5 million in 19 markets, but within expectations. It earned second place in the U.K. with $2.02 million in 452 theaters, as well as third place in Australia with $1.20 million on 198. More...

Estimates: Friday’s Numbers are a little on the Small(foot) Size

September 29th, 2018

Smallfoot

New releases did well during previews, but returned to the levels we were predicting on Friday. Night School earned $9.5 million during its opening day, which isn’t enough to get to $30 million over the weekend, but it could be enough to match our $27 million prediction, or at least come within a rounding error of that figure. Audiences liked the movie more than critics did, as it earned an A minus from CinemaScore. Meanwhile, the film reportedly cost $29 million to make, so Universal should be happy with this result. More...

Thursday Night Previews: Night School gets off to an Intelligent Start

September 28th, 2018

Night School

Night School earned $1.35 million during its previews last night. In order to match our $27 million prediction, the film needed about $1.2 million during its previews, so this start makes opening above $30 million a lot more likely. Granted, its reviews are not going to help, but the film still has an excellent shot at topping its production budget during its opening weekend. It would take a combination of tragic legs, zero international demand, and irresponsibly high advertising costs for this film to not break even after this start. More...

Weekend Prediction: Smallfoot Looking for Big Box Office

September 26th, 2018

Night School

The final weekend of September is home to three wide releases. Two of these, Night School and Smallfoot could be solid hits. And since they are aimed at vastly different audiences, they shouldn’t cannibalize each other at the box office. On the other hand, Hell Fest is a low-budget horror movie that should earn more during its opening weekend than its $5.5 million production budget. Meanwhile, last week’s number one film, The House with a Clock in its Walls, should still have a solid weekend haul, giving the box office reasonable depth. This weekend last year, no film earned more than $20 million, while this year we should have two above that mark. Last year did have better depth, but I think 2018 will end its mini-losing streak in the year-over-year comparison. More...

2018 Preview: September

September 1st, 2018

The Predator

Overall, August was a little better than expected. Granted, there were no monster hits, but Warner Bros. had two $100 million hits in The Meg and Crazy Rich Asians. Meanwhile, Christopher Robin will come close enough to that milestone to be a hit. This allowed 2018 to stretch its lead over 2017 by over $700 million. Will that lead grow in September? Nope. Not even close. There are three major problems that will hurt September’s box office. Firstly, there are a lot of films that may or may not open wide. Secondly, there are no films opening this month that have a better than 50/50 chance of hitting $100 million. Finally... It. It destroyed records last September, earning more during its opening weekend than any film opening this month will earn in total. Fortunately, 2018 has such an enormous lead that even with It, 2018 should remain ahead of 2107 by $500 million at the end of the month. More...

Smallfoot Trailer

November 28th, 2017

Animated adventure with the voices of Channing Tatum, James Corden, Zendaya, and Common, opens September 28, 2018 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Animated Box Office (Rank 101-200) 150 $83,240,103
All Time Domestic Box Office (Rank 1,001-1,100) 1,034 $83,240,103
All Time Domestic Inflation Adjusted Box Office (Rank 1,701-1,800) 1,741 $98,497,561
All Time Domestic Non-Sequel Box Office (Rank 701-800) 730 $83,240,103
Top 2018 Movies at the Domestic Box Office 38 $83,240,103
All Time Domestic Box Office for Based on Fiction Book/Short Story Movies (Rank 201-300) 220 $83,240,103
All Time Domestic Box Office for Digital Animation Movies (Rank 101-200) 120 $83,240,103
All Time Domestic Box Office for Kids Fiction Movies (Rank 101-200) 168 $83,240,103
All Time Domestic Box Office for Adventure Movies (Rank 201-300) 293 $83,240,103
All Time Domestic Box Office for PG Movies (Rank 201-300) 275 $83,240,103
All Time Domestic Box Office for Warner Bros. Movies (Rank 101-200) 177 $83,240,103

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 28, 2018 2 $23,045,635   4,131 $5,579   $23,045,635 1
Oct 5, 2018 3 $14,402,559 -38% 4,131 $3,486   $42,263,504 2
Oct 12, 2018 5 $9,066,837 -37% 3,606 $2,514   $57,375,058 3
Oct 19, 2018 7 $6,576,876 -27% 3,032 $2,169   $66,327,911 4
Oct 26, 2018 8 $4,761,614 -28% 2,662 $1,789   $72,602,664 5
Nov 2, 2018 7 $3,861,672 -19% 2,002 $1,929   $77,540,973 6
Nov 9, 2018 11 $1,508,102 -61% 1,318 $1,144   $80,309,655 7
Nov 16, 2018 19 $423,604 -72% 493 $859   $81,356,772 8
Nov 23, 2018 20 $367,580 -13% 301 $1,221   $81,935,912 9
Nov 30, 2018 21 $207,610 -44% 265 $783   $82,200,536 10
Dec 7, 2018 26 $172,519 -17% 238 $725   $82,420,471 11
Dec 14, 2018 28 $118,930 -31% 218 $546   $82,579,684 12
Dec 21, 2018 29 $78,890 -34% 184 $429   $82,703,609 13
Dec 28, 2018 28 $133,178 +69% 184 $724   $82,949,889 14
Jan 4, 2019 32 $89,694 -33% 160 $561   $83,152,717 15
Jan 11, 2019 37 $52,060 -42% 137 $380   $83,226,347 16

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 27, 2018 P $850,000     0     $850,000  
Sep 28, 2018 2 $6,433,241     4,131 $1,557   $6,433,241 1
Sep 29, 2018 2 $9,875,229 +54%   4,131 $2,391   $16,308,470 2
Sep 30, 2018 1 $6,737,165 -32%   4,131 $1,631   $23,045,635 3
Oct 1, 2018 2 $1,057,158 -84%   4,131 $256   $24,102,793 4
Oct 2, 2018 2 $1,874,409 +77%   4,131 $454   $25,977,202 5
Oct 3, 2018 2 $951,333 -49%   4,131 $230   $26,928,535 6
Oct 4, 2018 2 $932,410 -2%   4,131 $226   $27,860,945 7
Oct 5, 2018 4 $3,457,357 +271% -46% 4,131 $837   $31,318,302 8
Oct 6, 2018 3 $6,238,106 +80% -37% 4,131 $1,510   $37,556,408 9
Oct 7, 2018 3 $4,707,096 -25% -30% 4,131 $1,139   $42,263,504 10
Oct 8, 2018 3 $3,052,184 -35% +189% 4,131 $739   $45,315,688 11
Oct 9, 2018 4 $1,349,404 -56% -28% 4,131 $327   $46,665,092 12
Oct 10, 2018 4 $796,056 -41% -16% 4,131 $193   $47,461,148 13
Oct 11, 2018 3 $847,073 +6% -9% 4,131 $205   $48,308,221 14
Oct 12, 2018 6 $2,268,281 +168% -34% 3,606 $629   $50,576,502 15
Oct 13, 2018 5 $4,203,032 +85% -33% 3,606 $1,166   $54,779,534 16
Oct 14, 2018 5 $2,595,524 -38% -45% 3,606 $720   $57,375,058 17
Oct 15, 2018 6 $625,364 -76% -80% 3,606 $173   $58,000,422 18
Oct 16, 2018 7 $711,480 +14% -47% 3,606 $197   $58,711,902 19
Oct 17, 2018 7 $466,902 -34% -41% 3,606 $129   $59,178,804 20
Oct 18, 2018 5 $572,231 +23% -32% 3,606 $159   $59,751,035 21
Oct 19, 2018 7 $1,684,742 +194% -26% 3,032 $556   $61,435,777 22
Oct 20, 2018 7 $2,962,038 +76% -30% 3,032 $977   $64,397,815 23
Oct 21, 2018 7 $1,930,096 -35% -26% 3,032 $637   $66,327,911 24
Oct 22, 2018 8 $388,489 -80% -38% 3,032 $128   $66,716,400 25
Oct 23, 2018 8 $476,278 +23% -33% 3,032 $157   $67,192,678 26
Oct 24, 2018 9 $290,680 -39% -38% 3,032 $96   $67,483,358 27
Oct 25, 2018 8 $357,692 +23% -37% 3,032 $118   $67,841,050 28
Oct 26, 2018 9 $1,131,166 +216% -33% 2,662 $425   $68,972,216 29
Oct 27, 2018 7 $2,206,681 +95% -26% 2,662 $829   $71,178,897 30
Oct 28, 2018 6 $1,423,767 -35% -26% 2,662 $535   $72,602,664 31
Oct 29, 2018 9 $235,258 -83% -39% 2,662 $88   $72,837,922 32
Oct 30, 2018 11 $286,406 +22% -40% 2,662 $108   $73,124,328 33
Oct 31, 2018 9 $288,482 +1% -1% 2,662 $108   $73,412,810 34
Nov 1, 2018 8 $266,491 -8% -25% 2,662 $100   $73,679,301 35
Nov 2, 2018 10 $736,201 +176% -35% 2,002 $368   $74,415,502 36
Nov 3, 2018 7 $1,853,547 +152% -16% 2,002 $926   $76,269,049 37
Nov 4, 2018 7 $1,271,924 -31% -11% 2,002 $635   $77,540,973 38
Nov 5, 2018 9 $254,333 -80% +8% 2,002 $127   $77,795,306 39
Nov 6, 2018 7 $660,738 +160% +131% 2,002 $330   $78,456,044 40
Nov 7, 2018 10 $187,296 -72% -35% 2,002 $94   $78,643,340 41
Nov 8, 2018 10 $158,213 -16% -41% 2,002 $79   $78,801,553 42
Nov 9, 2018 14 $318,064 +101% -57% 1,318 $241   $79,119,617 43
Nov 10, 2018 11 $687,097 +116% -63% 1,318 $521   $79,806,714 44
Nov 11, 2018 11 $502,941 -27% -60% 1,318 $382   $80,309,655 45
Nov 12, 2018 10 $396,208 -21% +56% 1,318 $301   $80,705,863 46
Nov 13, 2018 15 $97,171 -75% -85% 1,318 $74   $80,803,034 47
Nov 14, 2018 - $68,105 -30% -64% 1,318 $52   $80,871,139 48
Nov 15, 2018 14 $62,029 -9% -61% 1,318 $47   $80,933,168 49
Nov 16, 2018 - $94,380 +52% -70% 493 $191   $81,027,548 50
Nov 17, 2018 - $192,292 +104% -72% 493 $390   $81,219,840 51
Nov 18, 2018 - $136,932 -29% -73% 493 $278   $81,356,772 52
Nov 19, 2018 - $57,191 -58% -86% 493 $116   $81,413,963 53
Nov 20, 2018 - $58,953 +3% -39% 493 $120   $81,472,916 54
Nov 21, 2018 - $62,308 +6% -9% 301 $207   $81,535,224 55
Nov 22, 2018 - $33,108 -47% -47% 109 $304   $81,568,332 56
Nov 23, 2018 - $136,948 +314% +45% 301 $455   $81,705,280 57
Nov 24, 2018 - $146,648 +7% -24% 301 $487   $81,851,928 58
Nov 25, 2018 - $83,984 -43% -39% 301 $279   $81,935,912 59
Nov 26, 2018 - $14,522 -83% -75% 301 $48   $81,950,434 60
Nov 27, 2018 - $14,683 +1% -75% 301 $49   $81,965,117 61
Nov 28, 2018 - $13,183 -10% -79% 301 $44   $81,978,300 62
Nov 29, 2018 - $14,626 +11% -56% 301 $49   $81,992,926 63
Nov 30, 2018 - $45,881 +214% -66% 265 $173   $82,038,807 64
Dec 1, 2018 - $97,431 +112% -34% 265 $368   $82,136,238 65
Dec 2, 2018 - $64,298 -34% -23% 265 $243   $82,200,536 66
Dec 3, 2018 - $9,865 -85% -32% 265 $37   $82,210,401 67
Dec 4, 2018 - $12,891 +31% -12% 265 $49   $82,223,292 68
Dec 5, 2018 - $12,937 n/c -2% 265 $49   $82,236,229 69
Dec 6, 2018 - $11,723 -9% -20% 265 $44   $82,247,952 70
Dec 7, 2018 - $36,139 +208% -21% 238 $152   $82,284,091 71
Dec 8, 2018 - $82,103 +127% -16% 238 $345   $82,366,194 72
Dec 9, 2018 - $54,277 -34% -16% 238 $228   $82,420,471 73
Dec 10, 2018 - $8,384 -85% -15% 238 $35   $82,428,855 74
Dec 11, 2018 - $10,821 +29% -16% 238 $45   $82,439,676 75
Dec 12, 2018 - $9,263 -14% -28% 238 $39   $82,448,939 76
Dec 13, 2018 - $11,815 +28% +1% 238 $50   $82,460,754 77
Dec 14, 2018 - $27,115 +129% -25% 218 $124   $82,487,869 78
Dec 15, 2018 - $55,278 +104% -33% 218 $254   $82,543,147 79
Dec 16, 2018 - $36,537 -34% -33% 218 $168   $82,579,684 80
Dec 17, 2018 - $8,134 -78% -3% 218 $37   $82,587,818 81
Dec 18, 2018 - $11,011 +35% +2% 218 $51   $82,598,829 82
Dec 19, 2018 - $11,217 +2% +21% 218 $51   $82,610,046 83
Dec 20, 2018 - $14,673 +31% +24% 218 $67   $82,624,719 84
Dec 21, 2018 - $23,122 +58% -15% 184 $126   $82,647,841 85
Dec 22, 2018 - $31,002 +34% -44% 184 $168   $82,678,843 86
Dec 23, 2018 - $24,766 -20% -32% 184 $135   $82,703,609 87
Dec 24, 2018 - $16,203 -35% +99% 184 $88   $82,719,812 88
Dec 25, 2018 - $20,300 +25% +84% 184 $110   $82,740,112 89
Dec 26, 2018 - $33,488 +65% +199% 184 $182   $82,773,600 90
Dec 27, 2018 - $43,111 +29% +194% 184 $234   $82,816,711 91
Dec 28, 2018 - $47,715 +11% +106% 184 $259   $82,864,426 92
Dec 29, 2018 - $48,064 +1% +55% 184 $261   $82,912,490 93
Dec 30, 2018 - $37,399 -22% +51% 184 $203   $82,949,889 94
Dec 31, 2018 - $26,732 -29% +65% 184 $145   $82,976,621 95
Jan 1, 2019 - $38,215 +43% +88% 184 $208   $83,014,836 96
Jan 2, 2019 - $24,423 -36% -27% 184 $133   $83,039,259 97
Jan 3, 2019 - $23,764 -3% -45% 184 $129   $83,063,023 98
Jan 4, 2019 - $30,289 +27% -37% 160 $189   $83,093,312 99
Jan 5, 2019 - $37,008 +22% -23% 160 $231   $83,130,320 100
Jan 6, 2019 - $22,397 -39% -40% 160 $140   $83,152,717 101
Jan 7, 2019 - $7,300 -67% -73% 160 $46   $83,160,017 102
Jan 8, 2019 - $5,462 -25% -86% 160 $34   $83,165,479 103
Jan 9, 2019 - $4,398 -19% -82% 160 $27   $83,169,877 104
Jan 10, 2019 - $4,410 n/c -81% 160 $28   $83,174,287 105
Jan 11, 2019 - $9,836 +123% -68% 137 $72   $83,184,123 106
Jan 12, 2019 - $25,361 +158% -31% 137 $185   $83,209,484 107
Jan 13, 2019 - $16,863 -34% -25% 137 $123   $83,226,347 108
Jan 14, 2019 - $2,870 -83% -61% 137 $21   $83,229,217 109
Jan 15, 2019 - $3,987 +39% -27% 137 $29   $83,233,204 110
Jan 16, 2019 - $3,497 -12% -20% 137 $26   $83,236,701 111
Jan 17, 2019 - $3,402 -3% -23% 137 $25   $83,240,103 112

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 28, 2018 2 $27,860,945   4,131 $6,744   $27,860,945 1
Oct 5, 2018 3 $20,447,276 -27% 4,131 $4,950   $48,308,221 2
Oct 12, 2018 5 $11,442,814 -44% 3,606 $3,173   $59,751,035 3
Oct 19, 2018 7 $8,090,015 -29% 3,032 $2,668   $67,841,050 4
Oct 26, 2018 8 $5,838,251 -28% 2,662 $2,193   $73,679,301 5
Nov 2, 2018 7 $5,122,252 -12% 2,002 $2,559   $78,801,553 6
Nov 9, 2018 11 $2,131,615 -58% 1,318 $1,617   $80,933,168 7
Nov 16, 2018 23 $635,164 -70% 109 $5,827   $81,568,332 8
Nov 23, 2018 22 $424,594 -33% 301 $1,411   $81,992,926 9
Nov 30, 2018 24 $255,026 -40% 265 $962   $82,247,952 10
Dec 7, 2018 26 $212,802 -17% 238 $894   $82,460,754 11
Dec 14, 2018 31 $163,965 -23% 218 $752   $82,624,719 12
Dec 21, 2018 31 $191,992 +17% 184 $1,043   $82,816,711 13
Dec 28, 2018 28 $246,312 +28% 184 $1,339   $83,063,023 14
Jan 4, 2019 34 $111,264 -55% 160 $695   $83,174,287 15
Jan 11, 2019 42 $65,816 -41% 137 $480   $83,240,103 16

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 9/28/2018 $374,542 0 161 616 $1,327,540 1/14/2019
Australia 9/21/2018 $719,130 276 306 1,860 $9,210,719 1/8/2019
Brazil 9/28/2018 $1,300,000 917 917 3,171 $5,300,000 8/7/2020
Bulgaria 9/28/2018 $97,294 0 0 0 $393,941 2/26/2019
Chile 9/27/2018 $0 0 0 0 $2,300,000 12/4/2018
China 10/19/2018 $3,890,000 28,979 28,979 55,537 $10,800,000 12/4/2018
Colombia 10/4/2018 $0 0 0 0 $3,500,000 12/4/2018
Czech Republic 9/21/2018 $60,531 31 150 652 $902,551 1/1/2019
France 10/19/2018 $1,500,000 544 617 4,073 $14,644,717 12/23/2018
Germany 10/11/2018 $775,000 968 968 3,559 $4,800,000 12/4/2018
Italy 10/4/2018 $963,674 0 428 527 $1,790,038 1/15/2019
Lithuania 10/19/2018 $82,063 178 178 643 $334,877 12/10/2019
Mexico 9/28/2018 $3,475,541 2,551 2,551 3,523 $9,300,000 12/4/2018
Netherlands 10/12/2018 $212,381 132 134 1,162 $4,914,125 1/3/2019
Poland 9/28/2018 $806,000 263 263 789 $2,100,000 1/1/2019
Portugal 10/5/2018 $185,442 69 79 535 $762,722 6/4/2019
Russia (CIS) 10/18/2018 $1,001,977 916 1,593 6,770 $9,629,912 1/1/2019
Slovakia 9/21/2018 $32,165 16 75 388 $572,899 1/10/2019
Spain 10/12/2018 $1,516,203 309 327 2,323 $5,373,440 12/14/2018
Turkey 9/28/2018 $133,269 326 326 1,144 $545,919 2/26/2019
United Kingdom 10/12/2018 $3,057,339 554 639 4,170 $14,286,486 1/2/2019
 
Rest of World $28,214,206
 
International Total$131,004,092 8/7/2020

International Cumulative Box Office Records

RecordRankRevenue
All Time International Animated Box Office (Rank 101-200) 145 $131,004,092
All Time International Box Office (Rank 801-900) 837 $131,004,092
All Time International Non-Sequel Box Office (Rank 501-600) 536 $131,004,092
Top 2018 Movies at the International Box Office 45 $131,004,092
All Time International Box Office for Based on Fiction Book/Short Story Movies (Rank 101-200) 182 $131,004,092
All Time International Box Office for Digital Animation Movies (Rank 101-200) 126 $131,004,092
All Time International Box Office for Kids Fiction Movies (Rank 101-200) 140 $131,004,092
All Time International Box Office for Adventure Movies (Rank 201-300) 285 $131,004,092
All Time International Box Office for PG Movies (Rank 201-300) 203 $131,004,092
All Time International Box Office for Warner Bros. Movies (Rank 101-200) 130 $131,004,092

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Animated Box Office (Rank 101-200) 143 $214,244,195
All Time Worldwide Box Office (Rank 801-900) 857 $214,244,195
All Time Worldwide Non-Sequel Box Office (Rank 501-600) 561 $214,244,195
Top 2018 Movies at the Worldwide Box Office 41 $214,244,195
All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies (Rank 101-200) 182 $214,244,195
All Time Worldwide Box Office for Digital Animation Movies (Rank 101-200) 124 $214,244,195
All Time Worldwide Box Office for Kids Fiction Movies (Rank 101-200) 143 $214,244,195
All Time Worldwide Box Office for Adventure Movies (Rank 201-300) 283 $214,244,195
All Time Worldwide Box Office for PG Movies (Rank 201-300) 211 $214,244,195
All Time Worldwide Box Office for Warner Bros. Movies (Rank 101-200) 142 $214,244,195

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Dec 16, 20181193,711 193,711$3,163,301$3,163,3012
Dec 23, 20183144,914-25% 338,625$2,317,175$5,480,4763
Dec 30, 2018567,616-53% 406,241$1,081,180$6,561,6564
Jan 6, 2019637,394-45% 443,635$597,930$7,159,5865
Jan 13, 20191126,912-28% 470,547$418,751$7,578,3376
Jan 20, 20191121,526-20% 492,073$270,582$7,848,9197
Jan 27, 2019923,500+9% 515,573$242,990$8,091,9098
Feb 3, 20192113,459-43% 529,032$215,209$8,307,1189
Feb 10, 20192410,429-23% 539,461$166,655$8,473,77310
Mar 10, 20192616,765 585,280$267,569$9,205,82314
Jun 9, 2019254,401 649,904$63,903$10,102,44727

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Dec 16, 20182157,591 157,591$3,635,634$3,635,6342
Dec 23, 20185140,926-11% 298,517$3,235,657$6,871,2913
Dec 30, 2018665,457-54% 363,974$1,504,866$8,376,1574
Jan 6, 2019825,955-60% 389,929$596,457$8,972,6145
Jan 13, 20191115,009-42% 404,938$344,912$9,317,5266
Jan 20, 2019822,783+52% 427,721$345,615$9,663,1417
Jan 27, 2019535,242+55% 462,963$374,626$10,037,7678

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.