The Possession of Hannah Grace (2018)

The Possession of Hannah Grace
Theatrical Performance
Domestic Box Office $14,836,174Details
International Box Office $28,037,556Details
Worldwide Box Office $42,873,730
Home Market Performance
Est. Domestic DVD Sales $928,224 Details
Est. Domestic Blu-ray Sales $508,098 Details
Total Est. Domestic Video Sales $1,436,322
Further financial details...

Synopsis

A shocking exorcism spirals out of control, claiming the life of a young woman. Months later, Megan Reed is working the graveyard shift in the morgue when she takes delivery of a disfigured cadaver. Locked alone inside the basement corridors, Megan begins to experience horrifying visions and starts to suspect that the body may be possessed by a ruthless demonic force.

Metrics

Opening Weekend:$6,401,744 (43.1% of total gross)
Legs:2.32 (domestic box office/biggest weekend)
Domestic Share:34.6% (domestic box office/worldwide)
Production Budget:$6,000,000 (worldwide box office is 7.1 times production budget)
Theater counts:2,065 opening theaters/2,298 max. theaters, 2.6 weeks average run per theater
Infl. Adj. Dom. BO $17,554,863

Latest Ranking on Cumulative Box Office Lists


Watch Now On

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iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: November 30th, 2018 (Wide) by Sony Pictures
International Releases: November 28th, 2018 (Wide) (Jamaica)
November 28th, 2018 (Wide) (Trinidad)
November 29th, 2018 (Wide) (Aruba)
November 29th, 2018 (Wide) (Bolivia)
November 29th, 2018 (Wide) (Brazil)
... Show all releases
Video Release: February 19th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: R for gruesome images and terror throughout.
(Rating bulletin 2549 (Cert #50779), 10/17/2018)
Running Time: 85 minutes
Comparisons: vs. En kongelig affære
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Keywords: Supernatural, Security Guard, Possessed, Rehab / Former Addict, Supernatural Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Broken Road, Screen Gems
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 30, 2018 7 $6,401,744   2,065 $3,100   $6,401,744 1
Dec 7, 2018 9 $3,170,546 -50% 2,298 $1,380   $11,502,095 2
Dec 14, 2018 15 $1,184,814 -63% 1,307 $907   $13,909,719 3
Dec 21, 2018 31 $55,236 -95% 88 $628   $14,521,279 4
Dec 28, 2018 35 $56,206 +2% 79 $711   $14,617,002 5
Jan 4, 2019 41 $28,372 -50% 48 $591   $14,682,696 6
Jan 11, 2019 47 $13,594 -52% 23 $591   $14,704,487 7
Jan 18, 2019 40 $31,557 +132% 59 $535   $14,740,077 8
Jan 25, 2019 48 $20,305 -36% 43 $472   $14,773,996 9
Feb 1, 2019 40 $28,920 +42% 38 $761   $14,809,833 10
Feb 8, 2019 54 $11,676 -60% 25 $467   $14,825,392 11
Feb 15, 2019 64 $5,588 -52% 14 $399   $14,835,219 12

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 29, 2018 P $625,000     1,866 $335   $625,000  
Nov 30, 2018 5 $2,570,384     2,065 $1,245   $2,570,384 1
Dec 1, 2018 7 $2,348,621 -9%   2,065 $1,137   $4,919,005 2
Dec 2, 2018 7 $1,482,739 -37%   2,065 $718   $6,401,744 3
Dec 3, 2018 7 $442,383 -70%   2,065 $214   $6,844,127 4
Dec 4, 2018 9 $669,094 +51%   2,065 $324   $7,513,221 5
Dec 5, 2018 10 $424,189 -37%   2,065 $205   $7,937,410 6
Dec 6, 2018 10 $394,139 -7%   2,065 $191   $8,331,549 7
Dec 7, 2018 9 $941,364 +139% -63% 2,298 $410   $9,272,913 8
Dec 8, 2018 10 $1,377,896 +46% -41% 2,298 $600   $10,650,809 9
Dec 9, 2018 9 $851,286 -38% -43% 2,298 $370   $11,502,095 10
Dec 10, 2018 10 $290,562 -66% -34% 2,298 $126   $11,792,657 11
Dec 11, 2018 10 $415,743 +43% -38% 2,298 $181   $12,208,400 12
Dec 12, 2018 12 $275,396 -34% -35% 2,298 $120   $12,483,796 13
Dec 13, 2018 10 $241,109 -12% -39% 2,298 $105   $12,724,905 14
Dec 14, 2018 14 $361,560 +50% -62% 1,307 $277   $13,086,465 15
Dec 15, 2018 15 $491,575 +36% -64% 1,307 $376   $13,578,040 16
Dec 16, 2018 15 $331,679 -33% -61% 1,307 $254   $13,909,719 17
Dec 17, 2018 14 $154,202 -54% -47% 1,307 $118   $14,063,921 18
Dec 18, 2018 15 $208,681 +35% -50% 1,307 $160   $14,272,602 19
Dec 19, 2018 14 $129,971 -38% -53% 1,307 $99   $14,402,573 20
Dec 20, 2018 - $63,470 -51% -74% 1,307 $49   $14,466,043 21
Dec 21, 2018 - $18,163 -71% -95% 88 $206   $14,484,206 22
Dec 22, 2018 - $20,513 +13% -96% 88 $233   $14,504,719 23
Dec 23, 2018 - $16,560 -19% -95% 88 $188   $14,521,279 24
Dec 24, 2018 - $4,388 -74% -97% 88 $50   $14,525,667 25
Dec 25, 2018 - $12,475 +184% -94% 88 $142   $14,538,142 26
Dec 26, 2018 - $11,423 -8% -91% 88 $130   $14,549,565 27
Dec 27, 2018 - $11,231 -2% -82% 88 $128   $14,560,796 28
Dec 28, 2018 - $17,071 +52% -6% 79 $216   $14,577,867 29
Dec 29, 2018 - $21,643 +27% +6% 79 $274   $14,599,510 30
Dec 30, 2018 - $17,492 -19% +6% 79 $221   $14,617,002 31
Dec 31, 2018 - $5,208 -70% +19% 79 $66   $14,622,210 32
Jan 1, 2019 - $14,652 +181% +17% 79 $185   $14,636,862 33
Jan 2, 2019 - $9,893 -32% -13% 79 $125   $14,646,755 34
Jan 3, 2019 - $7,569 -23% -33% 79 $96   $14,654,324 35
Jan 4, 2019 - $9,333 +23% -45% 48 $194   $14,663,657 36
Jan 5, 2019 - $12,165 +30% -44% 48 $253   $14,675,822 37
Jan 6, 2019 - $6,874 -43% -61% 48 $143   $14,682,696 38
Jan 7, 2019 - $2,025 -71% -61% 48 $42   $14,684,721 39
Jan 8, 2019 - $2,631 +30% -82% 48 $55   $14,687,352 40
Jan 9, 2019 - $2,054 -22% -79% 48 $43   $14,689,406 41
Jan 10, 2019 - $1,487 -28% -80% 48 $31   $14,690,893 42
Jan 11, 2019 - $5,498 +270% -41% 23 $239   $14,696,391 43
Jan 12, 2019 - $5,037 -8% -59% 23 $219   $14,701,428 44
Jan 13, 2019 - $3,059 -39% -55% 23 $133   $14,704,487 45
Jan 14, 2019 - $949 -69% -53% 23 $41   $14,705,436 46
Jan 15, 2019 - $1,103 +16% -58% 23 $48   $14,706,539 47
Jan 16, 2019 - $1,001 -9% -51% 23 $44   $14,707,540 48
Jan 17, 2019 - $980 -2% -34% 23 $43   $14,708,520 49
Jan 18, 2019 - $7,914 +708% +44% 59 $134   $14,716,434 50
Jan 19, 2019 - $12,866 +63% +155% 59 $218   $14,729,300 51
Jan 20, 2019 - $10,777 -16% +252% 59 $183   $14,740,077 52
Jan 21, 2019 - $5,696 -47% +500% 59 $97   $14,745,773 53
Jan 22, 2019 - $2,859 -50% +159% 59 $48   $14,748,632 54
Jan 23, 2019 - $2,441 -15% +144% 59 $41   $14,751,073 55
Jan 24, 2019 - $2,618 +7% +167% 59 $44   $14,753,691 56
Jan 25, 2019 - $5,024 +92% -37% 43 $117   $14,758,715 57
Jan 26, 2019 - $9,473 +89% -26% 43 $220   $14,768,188 58
Jan 27, 2019 - $5,808 -39% -46% 43 $135   $14,773,996 59
Jan 28, 2019 - $1,401 -76% -75% 43 $33   $14,775,397 60
Jan 29, 2019 - $1,694 +21% -41% 43 $39   $14,777,091 61
Jan 30, 2019 - $1,689 n/c -31% 43 $39   $14,778,780 62
Jan 31, 2019 - $2,133 +26% -19% 43 $50   $14,780,913 63
Feb 1, 2019 - $6,692 +214% +33% 38 $176   $14,787,605 64
Feb 2, 2019 - $10,650 +59% +12% 38 $280   $14,798,255 65
Feb 3, 2019 - $4,661 -56% -20% 38 $123   $14,802,916 66
Feb 4, 2019 - $2,226 -52% +59% 38 $59   $14,805,142 67
Feb 5, 2019 - $2,490 +12% +47% 38 $66   $14,807,632 68
Feb 6, 2019 - $2,845 +14% +68% 38 $75   $14,810,477 69
Feb 7, 2019 - $3,239 +14% +52% 38 $85   $14,813,716 70
Feb 8, 2019 - $2,618 -19% -61% 25 $105   $14,816,334 71
Feb 9, 2019 - $4,803 +83% -55% 25 $192   $14,821,137 72
Feb 10, 2019 - $4,255 -11% -9% 25 $170   $14,825,392 73
Feb 11, 2019 - $837 -80% -62% 25 $33   $14,826,229 74
Feb 12, 2019 - $884 +6% -64% 25 $35   $14,827,113 75
Feb 13, 2019 - $748 -15% -74% 25 $30   $14,827,861 76
Feb 14, 2019 - $1,770 +137% -45% 25 $71   $14,829,631 77
Feb 15, 2019 - $1,156 -35% -56% 14 $83   $14,830,787 78
Feb 16, 2019 - $2,075 +79% -57% 14 $148   $14,832,862 79
Feb 17, 2019 - $2,357 +14% -45% 14 $168   $14,835,219 80
Feb 18, 2019 - $955 -59% +14% 14 $68   $14,836,174 81

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 30, 2018 7 $8,331,549   2,065 $4,035   $8,331,549 1
Dec 7, 2018 10 $4,393,356 -47% 2,298 $1,912   $12,724,905 2
Dec 14, 2018 15 $1,741,138 -60% 1,307 $1,332   $14,466,043 3
Dec 21, 2018 37 $94,753 -95% 88 $1,077   $14,560,796 4
Dec 28, 2018 35 $93,528 -1% 79 $1,184   $14,654,324 5
Jan 4, 2019 44 $36,569 -61% 48 $762   $14,690,893 6
Jan 11, 2019 50 $17,627 -52% 23 $766   $14,708,520 7
Jan 18, 2019 42 $45,171 +156% 59 $766   $14,753,691 8
Jan 25, 2019 50 $27,222 -40% 43 $633   $14,780,913 9
Feb 1, 2019 45 $32,803 +21% 38 $863   $14,813,716 10
Feb 8, 2019 60 $15,915 -51% 25 $637   $14,829,631 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/6/2018 $180,888 134 134 459 $678,728 3/26/2019
Aruba 11/29/2018 $994 1 2 3 $5,888 12/12/2018
Bahrain 12/6/2018 $30,313 9 9 16 $86,109 1/10/2019
Belgium 1/2/2019 $223,547 26 26 168 $561,554 2/26/2019
Bolivia 11/29/2018 $30,114 17 17 45 $114,025 1/3/2019
Brazil 11/29/2018 $583,773 404 417 1,157 $1,550,824 1/23/2019
Bulgaria 12/7/2018 $18,727 0 14 24 $80,168 3/19/2019
Cambodia 12/17/2018 $22,366 65 65 129 $81,148 1/15/2019
Central America 11/29/2018 $210,340 126 128 334 $615,670 1/3/2019
Chile 12/6/2018 $107,547 52 52 107 $243,805 1/10/2019
Colombia 11/29/2018 $218,267 142 142 419 $740,391 12/27/2018
Curacao 11/29/2018 $2,014 2 2 5 $5,316 12/27/2018
Czech Republic 12/7/2018 $88,465 73 73 213 $248,103 1/23/2019
Dominican Republic 12/6/2018 $0 0 1 4 $21,613 2/8/2019
Ecuador 12/7/2018 $68,629 32 32 112 $240,860 1/10/2019
Egypt 12/5/2018 $51,602 25 25 141 $341,556 2/26/2019
Estonia 12/7/2018 $8,312 10 10 16 $23,053 1/3/2019
France 12/5/2018 $513,546 124 126 512 $1,498,895 1/16/2019
Germany 1/31/2019 $534,300 205 228 1,277 $1,528,018 4/16/2019
Greece 11/29/2018 $105,215 74 74 133 $279,519 12/27/2018
India 12/7/2018 $207,509 441 441 450 $318,188 12/27/2018
Indonesia 11/30/2018 $870,440 493 493 1,236 $2,713,536 1/3/2019
Iraq 12/6/2018 $18,696 9 9 37 $84,071 1/23/2019
Israel 11/29/2018 $72,338 14 14 74 $281,096 2/5/2019
Italy 1/31/2019 $792,959 0 20 43 $1,505,256 3/19/2019
Jamaica 11/28/2018 $3,521 3 3 4 $6,698 12/12/2018
Jordan 12/6/2018 $15,635 5 5 24 $73,632 1/23/2019
Kenya 11/30/2018 $1,365 9 9 15 $3,651 12/27/2018
Latvia 12/7/2018 $6,373 5 5 12 $22,432 1/3/2019
Lebanon 12/6/2018 $24,220 15 15 26 $41,307 1/10/2019
Lithuania 12/7/2018 $35,821 69 69 171 $118,146 1/3/2019
Malaysia 11/29/2018 $247,772 220 220 551 $607,118 12/27/2018
Mexico 11/30/2018 $896,169 0 65 153 $2,811,881 1/29/2019
Netherlands 11/29/2018 $234,758 66 67 314 $827,729 2/20/2019
Norway 12/14/2018 $1,267 1 1 1 $1,268 12/27/2018
Oman 12/6/2018 $18,175 8 8 8 $18,176 12/11/2018
Pakistan 11/30/2018 $27,525 31 31 42 $81,427 12/27/2018
Paraguay 12/20/2018 $13,810 16 16 46 $49,383 2/12/2019
Peru 12/6/2018 $144,587 65 65 106 $292,484 1/10/2019
Philippines 1/23/2019 $440,948 212 212 519 $1,077,436 3/5/2019
Poland 12/7/2018 $223,585 93 93 266 $642,666 1/23/2019
Portugal 2/7/2019 $85,039 29 29 103 $290,007 3/26/2019
Qatar 12/6/2018 $33,374 6 6 8 $48,322 12/27/2018
Romania 11/30/2018 $99,847 71 71 225 $293,564 2/12/2019
Russia (CIS) 2/28/2019 $487,894 726 726 1,598 $963,870 4/2/2019
Singapore 12/27/2018 $121,797 24 24 77 $313,764 2/6/2019
South Africa 2/1/2019 $30,180 26 27 87 $95,308 3/26/2019
Spain 11/30/2018 $657,034 264 264 1,222 $2,330,549 3/19/2019
Suriname 11/29/2018 $1,683 1 1 4 $4,876 12/27/2018
Switzerland 12/5/2018 $28,216 7 22 132 $268,000 4/16/2019
Syria 12/6/2018 $9,229 2 2 7 $22,639 1/3/2019
Thailand 3/21/2019 $181,017 126 126 194 $461,055 4/10/2019
Trinidad 11/28/2018 $17,436 11 11 22 $38,054 12/27/2018
Turkey 3/15/2019 $91,993 172 172 425 $241,828 4/12/2019
Ukraine 12/6/2018 $71,598 155 155 258 $131,163 1/3/2019
United Arab Emirates 12/6/2018 $133,151 41 41 64 $258,624 2/8/2019
United Kingdom 11/30/2018 $145,003 154 154 427 $448,282 2/6/2019
Uruguay 11/29/2018 $17,988 14 16 79 $92,533 3/19/2019
Venezuela 1/4/2019 $97,891 36 36 113 $660,265 3/24/2019
Vietnam 12/21/2018 $185,723 170 170 315 $463,686 1/15/2019
 
Rest of World $88,343
 
International Total$28,037,556 4/16/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 3, 20191619,624 19,624$368,539$368,5392

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 3, 20191315,227 15,227$304,384$304,3842

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Shay Mitchell Megan Reed
Kirby Johnson Hannah Grace

Supporting Cast

Grey Damon Andrew Kurtz
Nick Thune Randy
Louis Herthum Man/Killer/Grainger
Stana Katic Lisa Roberts
Max McNamara Dave
Jacob Ming-Trent Ernie Gainor
James A. Watson Jr Dr. Henry Lewis
Marianne Bayard Female Ambulance Driver
Adrian Mompoint Other Ambulance Driver
Matt Mings Megan’s Police Partner
Gijs Scholten van Aschat Father Marcato
Guy Clemens Father Cunningham
Sean Burns Junkie
Andrea Lyman Boston Pedestrian
George Vezina Background Doctor
Melissa McMeekin Meeting Host
Robert M. Armstrong AA Meeting Member
Steven Charette AA Meeting Member
Je-Kori A. Salmon AA Meeting Member
Anthony Soohoo AA Meeting Member
Stephen Spewock AA Meeting Member
David Pridemore AA Meeting Member
Jeff Bellin Morgue Employee
Francine Bouska Morgue Employee
Edward P. Byrnes Morgue Employee
Monica Farrington Morgue Employee
James T. Leeber Morgue Employee
Robert B. Neville Morgue Employee
Sarah E. Olson Morgue Employee
Steven Weisz Morgue Employee
Robert La Tremouille Corpse
Kevin Butler Police Officer
Christina M. Calvao-Medeiros Police Officer
Edward Mattingly Sr Police Officer
John E. Meaney Police Officer
James J. Robinson Police Officer
Jeffrey Paul Valenti Police Officer
Shawn Fogarty Police Officer
Alan Francis Police Officer
Andrew Perillo Doctor
Colin Allen Technician on Phone
Manny Famolare Paramedic

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Diederik Van Rooijen Director
Brian Sieve Screenwriter
Todd Garner Producer
Sean Robins Producer
Glenn S. Gainor Executive Producer
Lennert Hillege Director of Photography
Paula Loos Production Designer
Stanley Kolk Editor
Jake York Editor
John Frizzell Composer
Deborah Newhall Costume Designer
Andrea Ajemian Co-Producer
Nancy Nayor Casting Director
Paul Marini Stunt Coordinator
Glenn S. Gainor Unit Production Manager
Adam Druxman First Assistant Director
Kenneth R. Donaldson* Second Assistant Director
Billy Bonifield Production Supervisor
Kim Leoleis Set Decorator
Anthony Raymond Set Designer
Kelly Cronin Script Supervisor
Debbie Holbrook Costume Supervisor
Julie LeShane Make up
Adrien Morot Hannah Grace Character Designer and Creator
Ben Bornstein Special Make-up Effects
Shayna Passaretti Hairstylist
Kevin Parker Sound Mixer
John Ruggieri Special Effects Supervisor
Jamie Merz Location Manager
Todd E. Miller Additional Editor
Patrick Gallagher Assistant Editor
Josh Sgarlata Assistant Editor
Marc Fishman Re-recording Mixer
Steven Ticknor Re-recording Mixer
Steven Ticknor Supervising Sound Editor
Steven Ticknor Sound Designer
Claude Letessier Sound Designer
Joe Iemola Sound Effects Editor
Bruce Tanis Sound Effects Editor
Robert C. Jackson Supervising Dialogue/ADR Editor
Robert Troy Dialogue Editor
Shawn Kennelly Foley Mixer
Grant Conway Music Editor
Kevin Crehan Music Editor
Nick Cimity Score Mixer
Phill Driscoll Score Mixer
Raoul Yorke Bolognini Visual Effects Producer
Grant Miller Visual Effects Supervisor
David Lebensfeld Visual Effects Supervisor
Kieley Culbertson Visual Effects Producer
Jumanah Shaheen Visual Effects Producer
Culley Bunker Visual Effects Supervisor
Kimberly Church Visual Effects Producer
Thaumar Rep Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 26th, 2019

February 26th, 2019

Ralph Breaks the Internet

This week’s list includes a number of releases that are worth picking up, mostly of the smaller variety. There’s a foreign-language import, Border; a mostly forgotten comedy from the 1980s, Used Cars; a good movie that is busted Oscar-bait, Mary Queen of Scots; and an Anime slice of life, Love Live! Sunshine!!: Season Two. However, for most people, it’s the two biggest releases that are also the best: The Little Mermaid and Ralph Breaks the Internet. For me, Ralph Breaks the Internet on Blu-ray or 4K Ultra HD is the clear Pick of the Week. More...

Home Market Releases for February 19th, 2019

February 20th, 2019

Can You Ever Forgive Me?

The fall smash hits and the Oscar contenders are starting to come out in full force, making it a great time on the home market. This week, we have one of the biggest hits of the fall, A Star is Born; one of the best movies of the year, Can You Ever Forgive Me?; and the Anime that arguably solidified Moe as powerhouse genre, K-ON: Complete Collection Premium Box Set. Of the three, I like K-ON the most, but I admit that price will scare away a lot of people, so Can You Ever Forgive Me? is the better choice for Pick of the Week. More...

Weekend Wrap-Up: The Calm before the Winter Storm

December 11th, 2018

Ralph Breaks the Internet

There were no new releases / expansions / re-releases in the top five over the weekend. In fact, there were no such films in the top ten. Not a single film in the top five even switched positions, so there’s almost nothing to talk about. Ralph Breaks the Internet held on a tiny bit better than predicted, but that didn’t stop the overall box office falling 27% from last weekend to $84 million. This is still ahead of the same weekend last year, but by a tiny 1.5% margin. Year-to-date, 2018’s margin over 2017 barely changed and currently sits at 10.7% or $1.04 billion at $10.82 billion to $9.77 billion. More...

Weekend Wrap-Up: Ralph Wins, Most Holdovers Hold Strong

December 4th, 2018

Ralph Breaks the Internet

The post-holiday weekend matched expectations, more or less. Ralph Breaks the Internet led the way with $25.57 million over the weekend. The Possession of Hannah Grace opened better than expected and earned more than it cost to make, so if it can find an audience on the home market, it could break even. Overall, the box office fell almost exactly $100 million from last weekend, but it is a post holiday weekend, so this 47% drop-off is not unexpected. More importantly, this is 9.5% above the same weekend last year, which continues 2018’s winning streak. 2018’s lead over 2017 is basically within a rounding error of where it was last week at $10.8 million / $1.05 billion at $10.70 billion to $9.65 billion. More...

Weekend Estimates: Ralph Slips, Still Strong, Hannah Tops Expectations, Still Soft

December 2nd, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet will retain top spot on the weekend box office chart with an estimated $25.8 million for a two-week total of $119.3 million. Granted, this is lower than we predicted, but not so much lower than anyone at Disney should be panicking. Internationally, the film added an estimated $33.7 million in 27 markets, lifting its international total to $87.7 million after two weeks of release. Its only major market opening of the weekend was the U.K. where it reportedly earned $5.2 million. This is less than Wreck-It Ralph opened with, but that film debuted during the school holidays, so it got a boost. Ralph Breaks the Internet should have longer than average legs thanks to Christmas, but I don’t think it will match its predecessor in this market. More...

Friday Estimates: Ralph has a mostly Graceful Decline

December 1st, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet remained in top spot on the box office chart on Friday earning $5.74 million. This is 74% lower than its opening Friday; granted, that was a holiday, so a sharp decline was practically guranteed, but this is still sharper than anticipated. Look for $25 million over the weekend, which is weaker than our prediction and puts $200 million in jeopardy. It will need help over the Christmas break to get there. More...

Thursday Night Previews: Grace has a Lively Debut

November 30th, 2018

The Possession of Hannah Grace

The Possession of Hannah Grace started its box office run with $625,000 during its previews. This isn’t a huge amount, but it is nearly double what I was expecting. Granted, its reviews are not going to help its legs, but it could compete for a spot in the top five with $7 million over the full weekend. That would be a great start for a film that is rumored to cost just $20 million to make and advertise. More...

Weekend Predictions: New Releases don’t look Very Graceful

November 29th, 2018

The Possession of Hannah Grace

It’s the weekend after Thanksgiving long weekend, which is one of the worst weekends for a wide release. This weekend, The Possession of Hannah Grace is the only new release and it is only opening in 1,700 theaters. This means Ralph Breaks the Internet will have no trouble remaining in first place. In fact, the top five from last weekend will remain nearly the same. A couple might switch places, but that’s it. This weekend last year, Coco remained in top spot with just under $28 million, while there were no new releases / semi-wide expansions that managed to grab a spot in the top five. Its holdovers vs. holdovers, which gives 2018 a small advantage. More...

2018 Preview: November

November 1st, 2018

Ralph Breaks the Internet

October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office. More...

The Possession of Hannah Grace Trailer

October 16th, 2018

Horror movie starring Kirby Johnson and Shay Mitchell opens November 30 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A shocking exorcism spirals out of control, claiming the life of a young woman. Months later, Megan Reed is working the graveyard shift in the morgue when she takes delivery of a disfigured cadaver. Locked alone inside the basement corridors, Megan begins to experience horrifying visions and starts to suspect that the body may be possessed by a ruthless demonic force.

Metrics

Opening Weekend:$6,401,744 (43.1% of total gross)
Legs:2.32 (domestic box office/biggest weekend)
Domestic Share:34.6% (domestic box office/worldwide)
Production Budget:$6,000,000 (worldwide box office is 7.1 times production budget)
Theater counts:2,065 opening theaters/2,298 max. theaters, 2.6 weeks average run per theater
Infl. Adj. Dom. BO $17,554,863

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: November 30th, 2018 (Wide) by Sony Pictures
International Releases: November 28th, 2018 (Wide) (Jamaica)
November 28th, 2018 (Wide) (Trinidad)
November 29th, 2018 (Wide) (Aruba)
November 29th, 2018 (Wide) (Bolivia)
November 29th, 2018 (Wide) (Brazil)
... Show all releases
Video Release: February 19th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: R for gruesome images and terror throughout.
(Rating bulletin 2549 (Cert #50779), 10/17/2018)
Running Time: 85 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Supernatural, Security Guard, Possessed, Rehab / Former Addict, Supernatural Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Broken Road, Screen Gems
Production Countries: United States
Languages: English

Leading Cast

Shay Mitchell Megan Reed
Kirby Johnson Hannah Grace

Supporting Cast

Grey Damon Andrew Kurtz
Nick Thune Randy
Louis Herthum Man/Killer/Grainger
Stana Katic Lisa Roberts
Max McNamara Dave
Jacob Ming-Trent Ernie Gainor
James A. Watson Jr Dr. Henry Lewis
Marianne Bayard Female Ambulance Driver
Adrian Mompoint Other Ambulance Driver
Matt Mings Megan’s Police Partner
Gijs Scholten van Aschat Father Marcato
Guy Clemens Father Cunningham
Sean Burns Junkie
Andrea Lyman Boston Pedestrian
George Vezina Background Doctor
Melissa McMeekin Meeting Host
Robert M. Armstrong AA Meeting Member
Steven Charette AA Meeting Member
Je-Kori A. Salmon AA Meeting Member
Anthony Soohoo AA Meeting Member
Stephen Spewock AA Meeting Member
David Pridemore AA Meeting Member
Jeff Bellin Morgue Employee
Francine Bouska Morgue Employee
Edward P. Byrnes Morgue Employee
Monica Farrington Morgue Employee
James T. Leeber Morgue Employee
Robert B. Neville Morgue Employee
Sarah E. Olson Morgue Employee
Steven Weisz Morgue Employee
Robert La Tremouille Corpse
Kevin Butler Police Officer
Christina M. Calvao-Medeiros Police Officer
Edward Mattingly Sr Police Officer
John E. Meaney Police Officer
James J. Robinson Police Officer
Jeffrey Paul Valenti Police Officer
Shawn Fogarty Police Officer
Alan Francis Police Officer
Andrew Perillo Doctor
Colin Allen Technician on Phone
Manny Famolare Paramedic

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Diederik Van Rooijen Director
Brian Sieve Screenwriter
Todd Garner Producer
Sean Robins Producer
Glenn S. Gainor Executive Producer
Lennert Hillege Director of Photography
Paula Loos Production Designer
Stanley Kolk Editor
Jake York Editor
John Frizzell Composer
Deborah Newhall Costume Designer
Andrea Ajemian Co-Producer
Nancy Nayor Casting Director
Paul Marini Stunt Coordinator
Glenn S. Gainor Unit Production Manager
Adam Druxman First Assistant Director
Kenneth R. Donaldson* Second Assistant Director
Billy Bonifield Production Supervisor
Kim Leoleis Set Decorator
Anthony Raymond Set Designer
Kelly Cronin Script Supervisor
Debbie Holbrook Costume Supervisor
Julie LeShane Make up
Adrien Morot Hannah Grace Character Designer and Creator
Ben Bornstein Special Make-up Effects
Shayna Passaretti Hairstylist
Kevin Parker Sound Mixer
John Ruggieri Special Effects Supervisor
Jamie Merz Location Manager
Todd E. Miller Additional Editor
Patrick Gallagher Assistant Editor
Josh Sgarlata Assistant Editor
Marc Fishman Re-recording Mixer
Steven Ticknor Re-recording Mixer
Steven Ticknor Supervising Sound Editor
Steven Ticknor Sound Designer
Claude Letessier Sound Designer
Joe Iemola Sound Effects Editor
Bruce Tanis Sound Effects Editor
Robert C. Jackson Supervising Dialogue/ADR Editor
Robert Troy Dialogue Editor
Shawn Kennelly Foley Mixer
Grant Conway Music Editor
Kevin Crehan Music Editor
Nick Cimity Score Mixer
Phill Driscoll Score Mixer
Raoul Yorke Bolognini Visual Effects Producer
Grant Miller Visual Effects Supervisor
David Lebensfeld Visual Effects Supervisor
Kieley Culbertson Visual Effects Producer
Jumanah Shaheen Visual Effects Producer
Culley Bunker Visual Effects Supervisor
Kimberly Church Visual Effects Producer
Thaumar Rep Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 26th, 2019

February 26th, 2019

Ralph Breaks the Internet

This week’s list includes a number of releases that are worth picking up, mostly of the smaller variety. There’s a foreign-language import, Border; a mostly forgotten comedy from the 1980s, Used Cars; a good movie that is busted Oscar-bait, Mary Queen of Scots; and an Anime slice of life, Love Live! Sunshine!!: Season Two. However, for most people, it’s the two biggest releases that are also the best: The Little Mermaid and Ralph Breaks the Internet. For me, Ralph Breaks the Internet on Blu-ray or 4K Ultra HD is the clear Pick of the Week. More...

Home Market Releases for February 19th, 2019

February 20th, 2019

Can You Ever Forgive Me?

The fall smash hits and the Oscar contenders are starting to come out in full force, making it a great time on the home market. This week, we have one of the biggest hits of the fall, A Star is Born; one of the best movies of the year, Can You Ever Forgive Me?; and the Anime that arguably solidified Moe as powerhouse genre, K-ON: Complete Collection Premium Box Set. Of the three, I like K-ON the most, but I admit that price will scare away a lot of people, so Can You Ever Forgive Me? is the better choice for Pick of the Week. More...

Weekend Wrap-Up: The Calm before the Winter Storm

December 11th, 2018

Ralph Breaks the Internet

There were no new releases / expansions / re-releases in the top five over the weekend. In fact, there were no such films in the top ten. Not a single film in the top five even switched positions, so there’s almost nothing to talk about. Ralph Breaks the Internet held on a tiny bit better than predicted, but that didn’t stop the overall box office falling 27% from last weekend to $84 million. This is still ahead of the same weekend last year, but by a tiny 1.5% margin. Year-to-date, 2018’s margin over 2017 barely changed and currently sits at 10.7% or $1.04 billion at $10.82 billion to $9.77 billion. More...

Weekend Wrap-Up: Ralph Wins, Most Holdovers Hold Strong

December 4th, 2018

Ralph Breaks the Internet

The post-holiday weekend matched expectations, more or less. Ralph Breaks the Internet led the way with $25.57 million over the weekend. The Possession of Hannah Grace opened better than expected and earned more than it cost to make, so if it can find an audience on the home market, it could break even. Overall, the box office fell almost exactly $100 million from last weekend, but it is a post holiday weekend, so this 47% drop-off is not unexpected. More importantly, this is 9.5% above the same weekend last year, which continues 2018’s winning streak. 2018’s lead over 2017 is basically within a rounding error of where it was last week at $10.8 million / $1.05 billion at $10.70 billion to $9.65 billion. More...

Weekend Estimates: Ralph Slips, Still Strong, Hannah Tops Expectations, Still Soft

December 2nd, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet will retain top spot on the weekend box office chart with an estimated $25.8 million for a two-week total of $119.3 million. Granted, this is lower than we predicted, but not so much lower than anyone at Disney should be panicking. Internationally, the film added an estimated $33.7 million in 27 markets, lifting its international total to $87.7 million after two weeks of release. Its only major market opening of the weekend was the U.K. where it reportedly earned $5.2 million. This is less than Wreck-It Ralph opened with, but that film debuted during the school holidays, so it got a boost. Ralph Breaks the Internet should have longer than average legs thanks to Christmas, but I don’t think it will match its predecessor in this market. More...

Friday Estimates: Ralph has a mostly Graceful Decline

December 1st, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet remained in top spot on the box office chart on Friday earning $5.74 million. This is 74% lower than its opening Friday; granted, that was a holiday, so a sharp decline was practically guranteed, but this is still sharper than anticipated. Look for $25 million over the weekend, which is weaker than our prediction and puts $200 million in jeopardy. It will need help over the Christmas break to get there. More...

Thursday Night Previews: Grace has a Lively Debut

November 30th, 2018

The Possession of Hannah Grace

The Possession of Hannah Grace started its box office run with $625,000 during its previews. This isn’t a huge amount, but it is nearly double what I was expecting. Granted, its reviews are not going to help its legs, but it could compete for a spot in the top five with $7 million over the full weekend. That would be a great start for a film that is rumored to cost just $20 million to make and advertise. More...

Weekend Predictions: New Releases don’t look Very Graceful

November 29th, 2018

The Possession of Hannah Grace

It’s the weekend after Thanksgiving long weekend, which is one of the worst weekends for a wide release. This weekend, The Possession of Hannah Grace is the only new release and it is only opening in 1,700 theaters. This means Ralph Breaks the Internet will have no trouble remaining in first place. In fact, the top five from last weekend will remain nearly the same. A couple might switch places, but that’s it. This weekend last year, Coco remained in top spot with just under $28 million, while there were no new releases / semi-wide expansions that managed to grab a spot in the top five. Its holdovers vs. holdovers, which gives 2018 a small advantage. More...

2018 Preview: November

November 1st, 2018

Ralph Breaks the Internet

October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office. More...

The Possession of Hannah Grace Trailer

October 16th, 2018

Horror movie starring Kirby Johnson and Shay Mitchell opens November 30 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 30, 2018 7 $6,401,744   2,065 $3,100   $6,401,744 1
Dec 7, 2018 9 $3,170,546 -50% 2,298 $1,380   $11,502,095 2
Dec 14, 2018 15 $1,184,814 -63% 1,307 $907   $13,909,719 3
Dec 21, 2018 31 $55,236 -95% 88 $628   $14,521,279 4
Dec 28, 2018 35 $56,206 +2% 79 $711   $14,617,002 5
Jan 4, 2019 41 $28,372 -50% 48 $591   $14,682,696 6
Jan 11, 2019 47 $13,594 -52% 23 $591   $14,704,487 7
Jan 18, 2019 40 $31,557 +132% 59 $535   $14,740,077 8
Jan 25, 2019 48 $20,305 -36% 43 $472   $14,773,996 9
Feb 1, 2019 40 $28,920 +42% 38 $761   $14,809,833 10
Feb 8, 2019 54 $11,676 -60% 25 $467   $14,825,392 11
Feb 15, 2019 64 $5,588 -52% 14 $399   $14,835,219 12

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 29, 2018 P $625,000     1,866 $335   $625,000  
Nov 30, 2018 5 $2,570,384     2,065 $1,245   $2,570,384 1
Dec 1, 2018 7 $2,348,621 -9%   2,065 $1,137   $4,919,005 2
Dec 2, 2018 7 $1,482,739 -37%   2,065 $718   $6,401,744 3
Dec 3, 2018 7 $442,383 -70%   2,065 $214   $6,844,127 4
Dec 4, 2018 9 $669,094 +51%   2,065 $324   $7,513,221 5
Dec 5, 2018 10 $424,189 -37%   2,065 $205   $7,937,410 6
Dec 6, 2018 10 $394,139 -7%   2,065 $191   $8,331,549 7
Dec 7, 2018 9 $941,364 +139% -63% 2,298 $410   $9,272,913 8
Dec 8, 2018 10 $1,377,896 +46% -41% 2,298 $600   $10,650,809 9
Dec 9, 2018 9 $851,286 -38% -43% 2,298 $370   $11,502,095 10
Dec 10, 2018 10 $290,562 -66% -34% 2,298 $126   $11,792,657 11
Dec 11, 2018 10 $415,743 +43% -38% 2,298 $181   $12,208,400 12
Dec 12, 2018 12 $275,396 -34% -35% 2,298 $120   $12,483,796 13
Dec 13, 2018 10 $241,109 -12% -39% 2,298 $105   $12,724,905 14
Dec 14, 2018 14 $361,560 +50% -62% 1,307 $277   $13,086,465 15
Dec 15, 2018 15 $491,575 +36% -64% 1,307 $376   $13,578,040 16
Dec 16, 2018 15 $331,679 -33% -61% 1,307 $254   $13,909,719 17
Dec 17, 2018 14 $154,202 -54% -47% 1,307 $118   $14,063,921 18
Dec 18, 2018 15 $208,681 +35% -50% 1,307 $160   $14,272,602 19
Dec 19, 2018 14 $129,971 -38% -53% 1,307 $99   $14,402,573 20
Dec 20, 2018 - $63,470 -51% -74% 1,307 $49   $14,466,043 21
Dec 21, 2018 - $18,163 -71% -95% 88 $206   $14,484,206 22
Dec 22, 2018 - $20,513 +13% -96% 88 $233   $14,504,719 23
Dec 23, 2018 - $16,560 -19% -95% 88 $188   $14,521,279 24
Dec 24, 2018 - $4,388 -74% -97% 88 $50   $14,525,667 25
Dec 25, 2018 - $12,475 +184% -94% 88 $142   $14,538,142 26
Dec 26, 2018 - $11,423 -8% -91% 88 $130   $14,549,565 27
Dec 27, 2018 - $11,231 -2% -82% 88 $128   $14,560,796 28
Dec 28, 2018 - $17,071 +52% -6% 79 $216   $14,577,867 29
Dec 29, 2018 - $21,643 +27% +6% 79 $274   $14,599,510 30
Dec 30, 2018 - $17,492 -19% +6% 79 $221   $14,617,002 31
Dec 31, 2018 - $5,208 -70% +19% 79 $66   $14,622,210 32
Jan 1, 2019 - $14,652 +181% +17% 79 $185   $14,636,862 33
Jan 2, 2019 - $9,893 -32% -13% 79 $125   $14,646,755 34
Jan 3, 2019 - $7,569 -23% -33% 79 $96   $14,654,324 35
Jan 4, 2019 - $9,333 +23% -45% 48 $194   $14,663,657 36
Jan 5, 2019 - $12,165 +30% -44% 48 $253   $14,675,822 37
Jan 6, 2019 - $6,874 -43% -61% 48 $143   $14,682,696 38
Jan 7, 2019 - $2,025 -71% -61% 48 $42   $14,684,721 39
Jan 8, 2019 - $2,631 +30% -82% 48 $55   $14,687,352 40
Jan 9, 2019 - $2,054 -22% -79% 48 $43   $14,689,406 41
Jan 10, 2019 - $1,487 -28% -80% 48 $31   $14,690,893 42
Jan 11, 2019 - $5,498 +270% -41% 23 $239   $14,696,391 43
Jan 12, 2019 - $5,037 -8% -59% 23 $219   $14,701,428 44
Jan 13, 2019 - $3,059 -39% -55% 23 $133   $14,704,487 45
Jan 14, 2019 - $949 -69% -53% 23 $41   $14,705,436 46
Jan 15, 2019 - $1,103 +16% -58% 23 $48   $14,706,539 47
Jan 16, 2019 - $1,001 -9% -51% 23 $44   $14,707,540 48
Jan 17, 2019 - $980 -2% -34% 23 $43   $14,708,520 49
Jan 18, 2019 - $7,914 +708% +44% 59 $134   $14,716,434 50
Jan 19, 2019 - $12,866 +63% +155% 59 $218   $14,729,300 51
Jan 20, 2019 - $10,777 -16% +252% 59 $183   $14,740,077 52
Jan 21, 2019 - $5,696 -47% +500% 59 $97   $14,745,773 53
Jan 22, 2019 - $2,859 -50% +159% 59 $48   $14,748,632 54
Jan 23, 2019 - $2,441 -15% +144% 59 $41   $14,751,073 55
Jan 24, 2019 - $2,618 +7% +167% 59 $44   $14,753,691 56
Jan 25, 2019 - $5,024 +92% -37% 43 $117   $14,758,715 57
Jan 26, 2019 - $9,473 +89% -26% 43 $220   $14,768,188 58
Jan 27, 2019 - $5,808 -39% -46% 43 $135   $14,773,996 59
Jan 28, 2019 - $1,401 -76% -75% 43 $33   $14,775,397 60
Jan 29, 2019 - $1,694 +21% -41% 43 $39   $14,777,091 61
Jan 30, 2019 - $1,689 n/c -31% 43 $39   $14,778,780 62
Jan 31, 2019 - $2,133 +26% -19% 43 $50   $14,780,913 63
Feb 1, 2019 - $6,692 +214% +33% 38 $176   $14,787,605 64
Feb 2, 2019 - $10,650 +59% +12% 38 $280   $14,798,255 65
Feb 3, 2019 - $4,661 -56% -20% 38 $123   $14,802,916 66
Feb 4, 2019 - $2,226 -52% +59% 38 $59   $14,805,142 67
Feb 5, 2019 - $2,490 +12% +47% 38 $66   $14,807,632 68
Feb 6, 2019 - $2,845 +14% +68% 38 $75   $14,810,477 69
Feb 7, 2019 - $3,239 +14% +52% 38 $85   $14,813,716 70
Feb 8, 2019 - $2,618 -19% -61% 25 $105   $14,816,334 71
Feb 9, 2019 - $4,803 +83% -55% 25 $192   $14,821,137 72
Feb 10, 2019 - $4,255 -11% -9% 25 $170   $14,825,392 73
Feb 11, 2019 - $837 -80% -62% 25 $33   $14,826,229 74
Feb 12, 2019 - $884 +6% -64% 25 $35   $14,827,113 75
Feb 13, 2019 - $748 -15% -74% 25 $30   $14,827,861 76
Feb 14, 2019 - $1,770 +137% -45% 25 $71   $14,829,631 77
Feb 15, 2019 - $1,156 -35% -56% 14 $83   $14,830,787 78
Feb 16, 2019 - $2,075 +79% -57% 14 $148   $14,832,862 79
Feb 17, 2019 - $2,357 +14% -45% 14 $168   $14,835,219 80
Feb 18, 2019 - $955 -59% +14% 14 $68   $14,836,174 81

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 30, 2018 7 $8,331,549   2,065 $4,035   $8,331,549 1
Dec 7, 2018 10 $4,393,356 -47% 2,298 $1,912   $12,724,905 2
Dec 14, 2018 15 $1,741,138 -60% 1,307 $1,332   $14,466,043 3
Dec 21, 2018 37 $94,753 -95% 88 $1,077   $14,560,796 4
Dec 28, 2018 35 $93,528 -1% 79 $1,184   $14,654,324 5
Jan 4, 2019 44 $36,569 -61% 48 $762   $14,690,893 6
Jan 11, 2019 50 $17,627 -52% 23 $766   $14,708,520 7
Jan 18, 2019 42 $45,171 +156% 59 $766   $14,753,691 8
Jan 25, 2019 50 $27,222 -40% 43 $633   $14,780,913 9
Feb 1, 2019 45 $32,803 +21% 38 $863   $14,813,716 10
Feb 8, 2019 60 $15,915 -51% 25 $637   $14,829,631 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/6/2018 $180,888 134 134 459 $678,728 3/26/2019
Aruba 11/29/2018 $994 1 2 3 $5,888 12/12/2018
Bahrain 12/6/2018 $30,313 9 9 16 $86,109 1/10/2019
Belgium 1/2/2019 $223,547 26 26 168 $561,554 2/26/2019
Bolivia 11/29/2018 $30,114 17 17 45 $114,025 1/3/2019
Brazil 11/29/2018 $583,773 404 417 1,157 $1,550,824 1/23/2019
Bulgaria 12/7/2018 $18,727 0 14 24 $80,168 3/19/2019
Cambodia 12/17/2018 $22,366 65 65 129 $81,148 1/15/2019
Central America 11/29/2018 $210,340 126 128 334 $615,670 1/3/2019
Chile 12/6/2018 $107,547 52 52 107 $243,805 1/10/2019
Colombia 11/29/2018 $218,267 142 142 419 $740,391 12/27/2018
Curacao 11/29/2018 $2,014 2 2 5 $5,316 12/27/2018
Czech Republic 12/7/2018 $88,465 73 73 213 $248,103 1/23/2019
Dominican Republic 12/6/2018 $0 0 1 4 $21,613 2/8/2019
Ecuador 12/7/2018 $68,629 32 32 112 $240,860 1/10/2019
Egypt 12/5/2018 $51,602 25 25 141 $341,556 2/26/2019
Estonia 12/7/2018 $8,312 10 10 16 $23,053 1/3/2019
France 12/5/2018 $513,546 124 126 512 $1,498,895 1/16/2019
Germany 1/31/2019 $534,300 205 228 1,277 $1,528,018 4/16/2019
Greece 11/29/2018 $105,215 74 74 133 $279,519 12/27/2018
India 12/7/2018 $207,509 441 441 450 $318,188 12/27/2018
Indonesia 11/30/2018 $870,440 493 493 1,236 $2,713,536 1/3/2019
Iraq 12/6/2018 $18,696 9 9 37 $84,071 1/23/2019
Israel 11/29/2018 $72,338 14 14 74 $281,096 2/5/2019
Italy 1/31/2019 $792,959 0 20 43 $1,505,256 3/19/2019
Jamaica 11/28/2018 $3,521 3 3 4 $6,698 12/12/2018
Jordan 12/6/2018 $15,635 5 5 24 $73,632 1/23/2019
Kenya 11/30/2018 $1,365 9 9 15 $3,651 12/27/2018
Latvia 12/7/2018 $6,373 5 5 12 $22,432 1/3/2019
Lebanon 12/6/2018 $24,220 15 15 26 $41,307 1/10/2019
Lithuania 12/7/2018 $35,821 69 69 171 $118,146 1/3/2019
Malaysia 11/29/2018 $247,772 220 220 551 $607,118 12/27/2018
Mexico 11/30/2018 $896,169 0 65 153 $2,811,881 1/29/2019
Netherlands 11/29/2018 $234,758 66 67 314 $827,729 2/20/2019
Norway 12/14/2018 $1,267 1 1 1 $1,268 12/27/2018
Oman 12/6/2018 $18,175 8 8 8 $18,176 12/11/2018
Pakistan 11/30/2018 $27,525 31 31 42 $81,427 12/27/2018
Paraguay 12/20/2018 $13,810 16 16 46 $49,383 2/12/2019
Peru 12/6/2018 $144,587 65 65 106 $292,484 1/10/2019
Philippines 1/23/2019 $440,948 212 212 519 $1,077,436 3/5/2019
Poland 12/7/2018 $223,585 93 93 266 $642,666 1/23/2019
Portugal 2/7/2019 $85,039 29 29 103 $290,007 3/26/2019
Qatar 12/6/2018 $33,374 6 6 8 $48,322 12/27/2018
Romania 11/30/2018 $99,847 71 71 225 $293,564 2/12/2019
Russia (CIS) 2/28/2019 $487,894 726 726 1,598 $963,870 4/2/2019
Singapore 12/27/2018 $121,797 24 24 77 $313,764 2/6/2019
South Africa 2/1/2019 $30,180 26 27 87 $95,308 3/26/2019
Spain 11/30/2018 $657,034 264 264 1,222 $2,330,549 3/19/2019
Suriname 11/29/2018 $1,683 1 1 4 $4,876 12/27/2018
Switzerland 12/5/2018 $28,216 7 22 132 $268,000 4/16/2019
Syria 12/6/2018 $9,229 2 2 7 $22,639 1/3/2019
Thailand 3/21/2019 $181,017 126 126 194 $461,055 4/10/2019
Trinidad 11/28/2018 $17,436 11 11 22 $38,054 12/27/2018
Turkey 3/15/2019 $91,993 172 172 425 $241,828 4/12/2019
Ukraine 12/6/2018 $71,598 155 155 258 $131,163 1/3/2019
United Arab Emirates 12/6/2018 $133,151 41 41 64 $258,624 2/8/2019
United Kingdom 11/30/2018 $145,003 154 154 427 $448,282 2/6/2019
Uruguay 11/29/2018 $17,988 14 16 79 $92,533 3/19/2019
Venezuela 1/4/2019 $97,891 36 36 113 $660,265 3/24/2019
Vietnam 12/21/2018 $185,723 170 170 315 $463,686 1/15/2019
 
Rest of World $88,343
 
International Total$28,037,556 4/16/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 3, 20191619,624 19,624$368,539$368,5392

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Mar 3, 20191315,227 15,227$304,384$304,3842

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.