Belgium Box Office for Men in Black: International (2019)
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| Theatrical Performance (US$) | ||
| Belgium Box Office | $747,313 | Details |
| Worldwide Box Office | $254,310,003 | Details |
| Home Market Performance | ||
| North America DVD Sales | $2,778,788 | Details |
| North America Blu-ray Sales | $10,115,185 | Details |
| Total North America Video Sales | $12,893,973 | |
| Further financial details... | ||
Synopsis
The Men in Black have always protected the Earth from the scum of the universe. In this new adventure, they tackle their biggest, most global threat to date: a mole in the Men in Black organization.
Metrics
Movie Details
| Production Budget: | $110,000,000 |
| Belgium Releases: | June 19th, 2019 (Wide) |
| Video Release: | August 20th, 2019 by Sony Pictures Home Entertainment October 21st, 2019 by Sony Pictures |
| MPAA Rating: | PG-13 for sci-fi action, some language and suggestive material. (Rating bulletin 2579 (Cert #52049), 5/22/2019) |
| Running Time: | 118 minutes |
| Franchise: | Men in Black |
| Keywords: | Alien Encounters, Friendly Alien on Earth, Secret Agent, Secret Identity, Undercover, Set in London, Delayed Sequel, Reboot, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Action Adventure |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Amblin Entertainment, Parkes+Macdonald Productions, Columbia Pictures, Tencent Pictures , Image Nation |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for September 3rd, 2019
September 4th, 2019
It’s another short week with not a lot to talk about. The biggest release of the week is Men in Black International, but it missed expectations by a significant margin. The best first-run release is Booksmart, which also missed expectations by a significant margin, but it is still good enough to be a Pick of the Week contender. In fact, it’s only competition is My Hero Academia: Season Three, Part Two. It came down to a literal coin toss and My Hero Academia won, but both deserve the title.
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Home Market Releases for August 20th, 2019
August 21st, 2019
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I don’t like awarding the Pick of the Week to films only coming out on Video on Demand, but John Wick: Chapter 3 — Parabellum is the best release of the week and it isn’t even particularly close.
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International Box Office: Toy Story Still has Stories to Tell
June 27th, 2019
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Toy Story 4 dominated the international chart with $120.0 million in 37 markets, representing 64% of the international marketplace. Interestingly, China wasn’t the film’s biggest market, as it had an absolute monster debut in Mexico taking top spot there with $23.82 million. The film also dominated the chart in the U.K. with $16.90 million, which isn’t as strong as its opening here, but still impressive. Likewise, the film managed $13.4 million in China, which is good for an animated film there. Good, but not great. The film broke the record for an opening by an animated film in Brazil with $9.6 million and did nearly as well in neighboring Argentina with $7.5 million. It was also impressive in South Korea with $7.47 million on 1,335 screens over the weekend for a total opening of $8.55 million.
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Weekend Wrap-Up: Toy Story Latest Film to Miss Expectations
June 25th, 2019
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I think 2019 is done. The year isn’t quite halfway done, but I think I’m ready to call the box office race with 2018 over. Toy Story 4 was the latest potential monster hit to miss expectations by a huge margin. Granted, it still opened in first place with $120.10 million and it will make a substantial profit, but this is still about 25% lower than a lot of people expected and the overall weekend is still a massive disappointment. It did rise 50% from last weekend hitting $204 million, but this was 25% lower than the same weekend last year and that’s a much more important figure. Year-to-date, 2019 is now behind 2018 by 8.9% or $510 million at $5.26 billion to $5.77 billion. If you want to stretch for some good news, then this isn’t the worst deficit we’ve seen this year.
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Weekend Estimates: Toy Story has the Best Opening in the Franchise, Still Disappoints
June 23rd, 2019
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Almost none of the films on this week’s list are living up to expectations, at least not according to the weekend estimates. Toy Story 4 is earning the best opening in the franchise with an estimated $118.0 million weekend. This is third-highest opening for an animated film, so there is reason to celebrate. However, it is also much lower than expected and a little more front-loaded than anticipated, so its future might be in doubt. The film is doing better internationally with an estimated opening weekend of $120.0 million in 37 markets. The film had the third biggest opening in Mexico with $23.4 million, putting it behind just the two most recent Avengers movies. It had the biggest opening for an animated film in Brazil with $9.6 million. The film was also a monster hit in the U.K. with $15.0 million. On the other hand, it struggled in China with a second-place $13.4 million opening there; however, most animated films struggle in China. Hopefully the film’s reviews and its A from CinemaScore translate into long legs, because 2019 really needs more success stories at the box office.
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Friday Estimates: Toy Story Doesn’t Have an Incredible Start
June 22nd, 2019
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Toy Story 4 is on pace to earn the third-best opening weekend for an animated film, but despite this, it will be seen as a disappointment, as many people were expecting a lot more. The film earned $47.39 million on Friday, putting it on pace for $123 million over the full weekend, which is behind Incredibles 2 and Finding Dory on the all-time opening chart for an animated film. It really needed to be higher up that list in order to help 2019 win in the year-over-year competition. At this pace, it won’t even match last year’s number one film, Jurassic World: Fallen Kingdom. On the positive side, the film is earning 97% positive reviews and managed an A from CinemaScore, so it should have long legs. It will be a hit for Pixar and Disney is not going to lose money on this movie. However, I’m getting tired of big films failing to live up to expectations and I don’t think 2019 is going to be able to turn things around.
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Weekend Predictions: Can Toy Story 4 Save June’s Box Office Run?
June 20th, 2019
June has not lived up to expectations and unless Toy Story 4 is a record-breaking hit, we are going to end the month with a loss. I don’t think it will break records, but it will easily be the biggest hit of the month. Also opening this week is Child’s Play, the reboot to the long-running horror franchise of the same name. Finally, Anna is the latest film from Luc Besson and many are comparing it to Lucy. It’s not going to do that well. It likely won’t reach the top five. This weekend last year, Jurassic World: Fallen Kingdom opened with $148.02 million. I really hope Toy Story 4 tops that; however, even if it does, nothing playing this weekend is going to compare with Incredibles 2’s run last year, so 2019 is going to lose in the year-over-year comparison.
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International Box Office: Men in Black: International Lives Up to Its Name
June 20th, 2019
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Men in Black: International did substantially better internationally with $68.22 million on 40,600 screens in 65 markets over the weekend for a total opening of $73.03 million. Its worldwide total was $103.06 million, which isn’t a bad start for a film that cost $110 million to make. It needs to have great legs and a strong home market run to break even any time soon, but this isn’t a number that should cause the studio to panic either. The film’s biggest single market was China where it earned first place with a total opening of $25.90 million, including $25.35 million on 21,000 screens over the weekend. It only managed third place in South Korea with $3.45 million on 1,055 screens over the weekend for a total opening of $4.88 million. Overall, the film is about 20% behind Men in Black 3’s opening in the same markets; however, this film also cost nearly 50% less to make, so financially, it is an improvement.
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Weekend Wrap-Up: Weekend Bests Estimates, Still Clobbered by Incredibles
June 18th, 2019
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There is some good news to report, as the weekend final numbers beat both the projections based on Friday estimates and Sunday’s estimates. There’s also some bad news. Even with this improvement, the weekend was really soft at the box office. Men in Black: International led the way with just $30.04 million during its opening weekend, while only two other films topped $10 million over the weekend. This left the overall box office down 18% from last weekend to just $135 million. This is 50% lower than the same weekend last year; a decline that we normally only see when there is a misalignment in a holiday. However, in this case, it was due to Incredibles 2, which earned more by itself than the total box office did this year. This has left 2019 further behind 2018 and it is now off last year’s pace by 7.0% or $370 million at $4.99 billion to $5.36 billion. Several weeks worth of gaining ground has gone in a single weekend.
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Weekend Estimates: Black Skies for MiB
June 16th, 2019
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According to weekend estimates, Men in Black: International is topping projections based on Friday estimates, but is still weaker than predicted with $28.5 million. This is a pleasant surprise, as the film’s reviews are terrible and its B from CinemaScore strongly suggested weaker legs. Maybe it will continue to surprise going forward. The film is doing much better internationally with $73.7 million on 41,400 screens in 56 markets. This includes $26.3 million in China, $5.1 million in Russia, $4.9 million in South Korea, and $3.9 million in Mexico. On the downside, the film has opened in most major markets, so it will be mostly coasting on holdovers at this point. It should still earn enough to cover its production budget worldwide, but that’s not enough to break even in any timely fashion.
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Friday Estimates: Toy Story 4 needs to be a Monster Hit
June 15th, 2019
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It is going to be a really bad weekend. All of the progress we made since Endgame came out could be erased in a week and if Toy Story 4 isn’t a monster hit, then 2019 will be in serious trouble, again. Men in Black: International led the way on Friday, but it only managed $10.4 million. Sony is projecting a $26.2 million opening weekend, which would be the studio’s biggest opening of the year so far. In fact, it would be the studio’s third biggest hit of the year after just three days. Yikes. The film’s reviews are terrible and it only managed a B from CinemaScore, so I don’t expect long legs. There are some rumors going around that the film didn’t cost as much as its official $110 million production budget, but even if those are true, this is still not a good start. Maybe it will thrive internationally.
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Thursday Night Previews: Men in Black Open Darker than Phoenix
June 14th, 2019
Men in Black: International only managed $3.1 million during its previews on Thursday, which is well below the previews earned by Dark Phoenix ($5.9 million) and Godzilla: King of Monsters ($6.3 million). All three films have similar reviews and all three are part of long running franchises, so sadly this means Men in Black: International will likely have similar legs. Sony is still projecting $30 million over the weekend, but I’m not so sure anymore.
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Weekend Predictions: Can Men in Black Open in the Black?
June 13th, 2019
It’s a busy weekend at the box office with the potential for four new entries in the top ten. Unfortunately, only one of those films, Late Night, is earning good reviews. The other films’ reviews range from mediocre reviews to depressing reviews. Likewise, the four film’s box office chances range from mediocre, with Men in Black: International expected to open south of $30 million, to depressing, with some suggesting Late Night and / or The Dead Never Die missing the Mendoza Line. This weekend last year, Incredibles 2 opened with $182.69 million. That’s more than the entire box office will make this weekend. 2019 is going to get crushed in the year-over-year comparison.
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2019 Preview: June
June 1st, 2019
While the final weekend in May isn’t over yet, we can safely say the month was merely okay. It managed to keep pace with last May, but I was really hoping to cut into 2019’s deficit by a significant margin. June is not looking any better, at least not compared to 2018. There are two potential monster hits, The Secret Life of Pets 2 and Toy Story 4, as well as a trio of $100 million hits, Dark Phoenix, Men in Black: International, and Annabelle Comes Home. On the surface, this looks excellent; however, last June was even better on top with Incredibles 2 and Jurassic World: Fallen Kingdom earning a combined $1 billion domestically. Granted, the only other $100 million hit was Oceans 8, so this year should have a lot better depth. I don’t think it will be enough to gain any ground in the year-over-year comparison, which is the only way to really judge how a month is doing at this point.
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Men in Black: International Trailer 2
April 25th, 2019
Sci-fi action movie starring Chris Hemsworth and Tessa Thompson opens June 14 ... Full Movie Details.
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Men in Black: International Trailer
December 21st, 2018
Sci-fi adventure starring Chris Hemsworth and Tessa Thompson opens June 14 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/06/21 | - | $229,647 | 153 | $1,501 | $229,647 | 1 | |
| 2019/06/28 | - | $142,444 | -38% | 145 | $982 | $429,650 | 2 |
| 2019/07/05 | - | $84,292 | -41% | 117 | $720 | $560,272 | 3 |
| 2019/07/12 | - | $72,877 | -14% | 89 | $819 | $663,058 | 4 |
| 2019/07/19 | - | $23,352 | -68% | 52 | $449 | $708,938 | 5 |
| 2019/07/26 | - | $18,751 | -20% | 22 | $852 | $735,168 | 6 |
| 2019/08/02 | - | $6,728 | -64% | 11 | $612 | $747,313 | 7 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 6/13/2019 | $330,081 | 336 | 336 | 495 | $791,022 | 7/29/2019 |
| Aruba | 6/13/2019 | $11,315 | 9 | 9 | 18 | $33,537 | 7/10/2019 |
| Australia | 6/14/2019 | $2,671,672 | 504 | 504 | 1794 | $6,953,346 | 8/28/2019 |
| Austria | 6/14/2019 | $160,067 | 133 | 133 | 556 | $791,131 | 8/20/2019 |
| Bahrain | 6/20/2019 | $149,873 | 17 | 17 | 40 | $362,618 | 7/29/2019 |
| Belgium | 6/19/2019 | $229,647 | 153 | 153 | 589 | $747,313 | 8/11/2019 |
| Bolivia | 6/13/2019 | $64,831 | 40 | 40 | 84 | $195,909 | 7/10/2019 |
| Brazil | 6/13/2019 | $1,760,054 | 1031 | 1031 | 2086 | $4,256,976 | 9/4/2019 |
| Bulgaria | 6/21/2019 | $49,756 | 0 | 21 | 21 | $235,002 | 8/22/2019 |
| Cambodia | 6/13/2019 | $63,885 | 116 | 116 | 249 | $162,813 | 7/16/2019 |
| Central America | 6/13/2019 | $598,106 | 279 | 279 | 499 | $1,233,110 | 7/17/2019 |
| Chile | 6/13/2019 | $293,287 | 150 | 150 | 261 | $556,622 | 7/29/2019 |
| China | 6/13/2019 | $25,510,000 | 126053 | 126053 | 171824 | $44,474,756 | 7/22/2019 |
| Colombia | 6/13/2019 | $554,326 | 422 | 422 | 675 | $1,372,005 | 7/29/2019 |
| Croatia | 6/13/2019 | $44,360 | 85 | 85 | 234 | $164,747 | 7/22/2019 |
| Curacao | 6/13/2019 | $10,319 | 9 | 9 | 28 | $37,882 | 7/16/2019 |
| Czech Republic | 6/14/2019 | $192,089 | 138 | 138 | 374 | $608,263 | 10/19/2022 |
| Denmark | 6/13/2019 | $142,305 | 87 | 88 | 323 | $489,773 | 9/4/2019 |
| Dominican Republic | 6/13/2019 | $49,147 | 29 | 29 | 82 | $135,425 | 7/29/2019 |
| East Africa | 6/21/2019 | $7,139 | 5 | 5 | 20 | $31,367 | 7/29/2019 |
| Ecuador | 6/14/2019 | $206,501 | 99 | 99 | 235 | $547,460 | 7/22/2019 |
| Egypt | 6/19/2019 | $74,497 | 22 | 22 | 58 | $233,987 | 7/29/2019 |
| Estonia | 6/14/2019 | $38,346 | 30 | 30 | 114 | $173,874 | 7/31/2019 |
| Finland | 6/14/2019 | $134,249 | 151 | 151 | 486 | $524,140 | 9/11/2019 |
| France | 6/12/2019 | $2,269,151 | 727 | 727 | 3314 | $7,265,094 | 8/11/2019 |
| Germany | 6/13/2019 | $1,280,455 | 1314 | 1314 | 5186 | $4,444,900 | 8/28/2019 |
| Ghana | 6/14/2019 | $5,929 | 4 | 4 | 11 | $20,696 | 7/22/2019 |
| Greece | 6/13/2019 | $0 | 0 | 69 | 125 | $265,867 | 7/24/2019 |
| Hong Kong | 6/13/2019 | $1,332,851 | 138 | 163 | 523 | $3,281,153 | 7/24/2019 |
| Hungary | 6/13/2019 | $186,360 | 68 | 74 | 259 | $585,322 | 10/19/2022 |
| Iceland | 6/12/2019 | $25,484 | 11 | 11 | 37 | $122,321 | 8/14/2019 |
| India | 6/14/2019 | $1,844,142 | 1672 | 1672 | 2178 | $2,997,124 | 7/3/2019 |
| Indonesia | 6/19/2019 | $2,994,927 | 874 | 874 | 1492 | $4,845,358 | 7/29/2019 |
| Iraq | 6/20/2019 | $21,497 | 13 | 13 | 29 | $59,707 | 7/16/2019 |
| Israel | 6/13/2019 | $257,149 | 50 | 50 | 163 | $792,102 | 10/19/2022 |
| Italy | 7/25/2019 | $1,226,291 | 0 | 6 | 7 | $3,177,851 | 10/19/2022 |
| Jamaica | 6/12/2019 | $27,742 | 5 | 5 | 9 | $76,669 | 7/31/2019 |
| Japan | 6/14/2019 | $2,537,240 | 455 | 455 | 2057 | $9,373,712 | 8/11/2019 |
| Jordan | 6/20/2019 | $40,449 | 18 | 18 | 29 | $108,338 | 7/16/2019 |
| Kenya | 6/14/2019 | $32,039 | 24 | 24 | 92 | $105,115 | 8/20/2019 |
| Kuwait | 6/20/2019 | $395,232 | 27 | 27 | 49 | $825,208 | 7/16/2019 |
| Latvia | 6/14/2019 | $23,281 | 9 | 11 | 59 | $155,102 | 9/4/2019 |
| Lebanon | 6/20/2019 | $58,587 | 26 | 26 | 66 | $197,280 | 8/5/2019 |
| Lithuania | 6/14/2019 | $38,809 | 143 | 143 | 455 | $179,623 | 8/7/2019 |
| Malaysia | 6/13/2019 | $1,585,742 | 518 | 518 | 1406 | $3,310,037 | 7/31/2019 |
| Mexico | 6/13/2019 | $4,004,182 | 0 | 35 | 54 | $9,058,541 | 10/19/2022 |
| Middle East Region | 6/20/2019 | $428,056 | 15 | 15 | 26 | $910,902 | 7/22/2019 |
| Mongolia | 6/14/2019 | $23,298 | 8 | 8 | 31 | $61,960 | 7/22/2019 |
| Netherlands | 6/20/2019 | $468,585 | 108 | 108 | 573 | $1,723,308 | 8/28/2019 |
| New Zealand | 6/13/2019 | $393,292 | 99 | 99 | 406 | $1,063,012 | 8/17/2020 |
| Nigeria | 6/14/2019 | $41,155 | 42 | 42 | 218 | $164,913 | 8/5/2019 |
| North America | 6/14/2019 | $30,035,838 | 4,224 | 4,224 | 18,294 | $80,001,807 | 5/4/2023 |
| Norway | 6/14/2019 | $180,373 | 190 | 190 | 445 | $611,510 | 8/20/2019 |
| Oman | 6/20/2019 | $106,492 | 37 | 37 | 68 | $203,486 | 7/10/2019 |
| Pakistan | 6/21/2019 | $45,649 | 64 | 64 | 79 | $77,037 | 7/16/2019 |
| Paraguay | 6/13/2019 | $25,874 | 25 | 25 | 48 | $95,076 | 7/10/2019 |
| Peru | 6/13/2019 | $388,286 | 171 | 171 | 306 | $936,349 | 7/17/2019 |
| Philippines | 6/12/2019 | $1,503,692 | 283 | 283 | 691 | $2,728,579 | 7/16/2019 |
| Poland | 6/14/2019 | $178,661 | 171 | 171 | 535 | $603,137 | 7/10/2019 |
| Portugal | 6/14/2019 | $138,768 | 68 | 68 | 250 | $570,360 | 7/23/2019 |
| Qatar | 6/20/2019 | $230,573 | 28 | 28 | 54 | $501,315 | 7/22/2019 |
| Romania | 6/21/2019 | $176,211 | 100 | 100 | 348 | $637,966 | 8/14/2019 |
| Russia (CIS) | 6/13/2019 | $3,744,053 | 1446 | 1531 | 5562 | $10,246,336 | 10/19/2022 |
| Serbia and Montenegro | 6/13/2019 | $15,381 | 48 | 48 | 150 | $58,461 | 7/22/2019 |
| Singapore | 6/13/2019 | $998,235 | 107 | 107 | 309 | $2,299,471 | 10/8/2019 |
| Slovakia | 6/14/2019 | $67,996 | 72 | 72 | 174 | $194,672 | 7/24/2019 |
| Slovenia | 6/13/2019 | $12,614 | 22 | 22 | 67 | $56,530 | 7/24/2019 |
| South Africa | 6/14/2019 | $0 | 0 | 138 | 535 | $1,211,141 | 9/4/2019 |
| South Korea | 6/12/2019 | $3,415,932 | 1055 | 1055 | 1726 | $6,188,830 | 10/2/2019 |
| Spain | 6/14/2019 | $975,591 | 384 | 384 | 1720 | $3,210,651 | 9/17/2019 |
| Suriname | 6/13/2019 | $2,048 | 2 | 2 | 7 | $6,341 | 7/10/2019 |
| Sweden | 6/14/2019 | $201,396 | 169 | 169 | 545 | $847,534 | 10/17/2019 |
| Switzerland | 6/13/2019 | $284,749 | 169 | 169 | 415 | $882,717 | 9/11/2019 |
| Syria | 6/20/2019 | $6,480 | 2 | 2 | 3 | $13,331 | 7/10/2019 |
| Taiwan | 6/12/2019 | $1,170,875 | 300 | 300 | 672 | $2,995,353 | 7/24/2019 |
| Thailand | 6/12/2019 | $965,560 | 281 | 281 | 540 | $3,114,741 | 10/19/2022 |
| Trinidad | 6/12/2019 | $91,211 | 30 | 30 | 121 | $320,300 | 7/29/2019 |
| Turkey | 6/14/2019 | $156,164 | 323 | 323 | 912 | $466,962 | 7/17/2019 |
| Ukraine | 6/13/2019 | $645,487 | 385 | 385 | 1201 | $1,833,152 | 8/5/2019 |
| United Arab Emirates | 6/20/2019 | $1,006,249 | 120 | 120 | 238 | $2,196,836 | 8/14/2019 |
| United Kingdom | 6/14/2019 | $3,557,355 | 607 | 607 | 2454 | $8,140,638 | 8/21/2019 |
| Uruguay | 6/13/2019 | $36,203 | 35 | 35 | 77 | $133,927 | 7/22/2019 |
| Venezuela | 6/14/2019 | $21,170 | 69 | 69 | 221 | $105,850 | 8/11/2019 |
| Vietnam | 6/14/2019 | $567,316 | 399 | 399 | 717 | $1,240,609 | 7/10/2019 |
| Rest of World | $1,294,705 | ||||||
| Worldwide Total | $254,310,003 | 5/4/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Chris Hemsworth | Agent H |
| Tessa Thompson | Agent M |
| Liam Neeson | High T |
Supporting Cast
| Kumail Nanjiani | Pawny |
| Emma Thompson | Agent O |
| Rafe Spall | Agent C |
| Rebecca Ferguson | Riza |
| Kayvan Novak | Vungus/Nasr/Bassam |
| Spencer Wilding | Luca Brasi |
| Marcy Harriell | Molly’s Mom |
| Inny Clemons | Molly’s Dad |
| Aaron Serotsky | Men in Black #1 |
| Mandeiya Flory | Young Molly |
| Matthew Bates | FBI HR Guy |
| Sartaj Garewal | CIA Recruiter |
| Stephen Wight | Ethan |
| Brian Silliman | Cabbie |
| John Sousa | Jimmy the Alien |
| Jeff Kim | Lead MIB Agent |
| Michael Adams | M.I.B. Lead Interrogator |
| Mike Capozzola | Veteran MIB Agent |
| Annie Burkin | Nerlene |
| Andrew Greenough | Freddie the Alien |
| Natasha Culzac | Nightclub Waitress |
| David Hartley | MIB Forensics Agent |
| Paul Brennan | Alien Boss |
| Stefan Kalipha | Antique Shopkeeper |
| Daniel Scott Smith | Nightclub Bartender |
| Vincent Pirillo | MIB Security Guard |
| Kaya Brown-Hallam | Nightclub Patron |
| Beau Fowler | Nightclub Patron |
| Lukas DiSparrow | Nightclub Patron |
| Andy Beckwith | Viper Room Player |
| Romanos Blanco | Couple at Eiffel Tower |
| Aiste Dirziute | Couple at Eiffel Tower |
| Anatole Taubman | French Salesman |
| Sorel Johnson | Nervious Forensic Tech |
| Paul Smith | Proprietor (Charlie) |
| Ania Sowinski | Alien Woman/Boss’ Wife |
| Tim Blaney | Frank the Pug |
| Thom Fountain | Worm Guy |
| Andrew Massey | Worm Guy |
Cameos
| Laurent Bourgeois | Alien Twin |
| Larry Bourgeois | Alien Twin |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| F. Gary Gray | Director |
| Matt Holloway | Screenwriter |
| Art Marcum | Screenwriter |
| Lowell Cunningham | Story by |
| Walter F. Parkes | Producer |
| Laurie MacDonald | Producer |
| Steven Spielberg | Executive Producer |
| E. Bennett Walsh | Executive Producer |
| Barry Sonnenfeld | Executive Producer |
| Riyoko Tanaka | Executive Producer |
| David Beaubaire | Executive Producer |
| Edward Cheng | Executive Producer |
| Howard Chen | Executive Producer |
| Stuart Dryburgh | Director of Photography |
| Charles Wood | Production Designer |
| Christian Wagner | Editor |
| Zene Baker | Editor |
| Matt Willard | Editor |
| David Rubin | Casting Director |
| Reg Poerscout-Edgerton | Casting Director |
| Danny Elfman | Composer |
| Chris Bacon | Composer |
| Penny Rose | Costume Designer |
| Jerome Chen | Visual Effects Supervisor |
| Daniel Kramer | Visual Effects Supervisor |
| Lowell Cunningham | Character Creator |
| Wade Eastwood | Stunt Coordinator |
| Wade Eastwood | Second Unit Director |
| Michael Sharp | Unit Production Manager |
| E. Bennett Walsh | Unit Production Manager |
| Lisa Satriano | First Assistant Director |
| David Keadell | Second Assistant Director |
| Deven R. LeTendre | Co-Producer |
| Michael Sharp | Co-Producer |
| Tom Brown | Supervising Art Director |
| John Bush | Set Decorator |
| Lisa Vick | Script Supervisor |
| Hannah Walter | Costume Supervisor |
| Peter Lindsay | Sound Mixer |
| Paul Corbould | Special Effects Supervisor |
| Jamie Lengyel | Supervising Location Manager |
| Stephen Parker | Location Manager |
| Lindsey Powell | Location Manager |
| Pamela Joyce | Production Supervisor |
| Julian Ashby | Art Director |
| David Doran | Art Director |
| Crissy Howes | Art Director |
| Mark Swain | Art Director |
| Susan Whitaker | Art Director |
| Steve Wong | Art Director |
| Karim Debbagh | Line Producer |
| Richard Conkling | Additional Editor |
| Michael A. Webber | Additional Editor |
| Jonathan Silver | Additional Editor |
| Scott A. Jacobs | Assistant Editor |
| Isabel Zippert | Assistant Editor |
| Andrew McGivney | Assistant Editor |
| Paul N. J. Ottosson | Re-recording Mixer |
| Julian Slater | Re-recording Mixer |
| Paul N. J. Ottosson | Supervising Sound Editor |
| Paul N. J. Ottosson | Sound Designer |
| Hamilton Sterling | Sound Designer |
| Greg ten Bosch | Sound Effects Editor |
| Robert Troy | Dialogue Editor |
| Bill Abbott | Music Editor |
| Robbie Boyd | Music Editor |
| Dennis Sands | Score Recordist |
| Noah Snyder | Score Mixer |
| T.J. Lindgren | Additional Music |
| Deven R. LeTendre | Visual Effects Producer |
| Christopher Waegner | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.