Portugal Box Office for Cruella (2021)
Theatrical Performance (US$) | ||
Portugal Box Office | $496,743 | Details |
Worldwide Box Office | $225,810,063 | Details |
Home Market Performance | ||
North America DVD Sales | $3,158,189 | Details |
North America Blu-ray Sales | $4,318,068 | Details |
Total North America Video Sales | $7,476,257 | |
Further financial details... |
Synopsis
In 1970s London, young fashion designer Estella de Vil becomes obsessed with dogs’ skins, especially Dalmatians, until she eventually becomes a ruthless and terrifying legend known as Cruella.
Metrics
Movie Details
Portugal Releases: | May 28th, 2021 (Wide) |
Video Release: | May 28th, 2021 by Disney+ |
MPAA Rating: | PG-13 for some violence and thematic elements. (Rating bulletin 2672 (cert #53057), 3/17/2021) |
Running Time: | 134 minutes |
Keywords: | Crime Caper, Crime Comedy, Fashion, Prequel, Origin Story |
Source: | Spin-Off |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Walt Disney Pictures, Gunnfilms, Marc Platt Productions |
Production Countries: | United States |
Languages: | English |
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Cruella trailer
February 18th, 2021
Crime caper starring Emma Stone is scheduled to open in theaters on May 28. Full movie details…
In 1970s London, young fashion designer Estella de Vil becomes obsessed with dogs’ skins, especially Dalmatians, until she eventually becomes a ruthless and terrifying legend known as Cruella.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2021/05/28 | 2 | $54,106 | 95 | $570 | $54,106 | 1 | |
2021/06/04 | 2 | $82,167 | +52% | 86 | $955 | $170,209 | 2 |
2021/06/11 | 2 | $63,259 | -23% | 86 | $736 | $253,729 | 3 |
2021/06/18 | 3 | $57,078 | -10% | 88 | $649 | $335,230 | 4 |
2021/06/25 | 4 | $35,619 | -38% | 67 | $532 | $396,804 | 5 |
2021/07/02 | 4 | $33,868 | -5% | 54 | $627 | $449,879 | 6 |
2021/07/09 | 6 | $10,904 | -68% | 29 | $376 | $479,701 | 7 |
2021/07/16 | 9 | $4,913 | -55% | 13 | $378 | $493,959 | 8 |
2021/07/23 | 12 | $3,241 | -34% | 8 | $405 | $499,011 | 9 |
2021/07/30 | 13 | $1,619 | -50% | 8 | $202 | $506,321 | 10 |
2021/08/06 | 23 | $572 | -65% | 3 | $191 | $505,365 | 11 |
2021/11/12 | - | $137 | 1 | $137 | $496,743 | 25 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/27/2021 | $7,294 | 0 | 0 | 0 | $489,752 | 10/20/2022 |
Australia | 5/27/2021 | $1,135,671 | 452 | 452 | 2515 | $6,161,275 | 9/18/2023 |
Brazil | 5/28/2021 | $324,589 | 0 | 0 | 0 | $2,115,182 | 9/17/2021 |
China | 6/6/2021 | $1,680,000 | 42172 | 42172 | 69825 | $24,100,000 | 10/20/2022 |
Czech Republic | 6/11/2021 | $34,377 | 40 | 96 | 243 | $149,801 | 10/20/2022 |
France | 6/9/2021 | $8,218 | 0 | 680 | 1489 | $11,711,720 | 9/17/2021 |
Germany | 5/27/2021 | $11,112 | 0 | 0 | 0 | $498,431 | 9/17/2021 |
Hong Kong | 5/27/2021 | $665,251 | 0 | 0 | 0 | $2,765,152 | 9/17/2021 |
Indonesia | 5/26/2021 | $396,620 | 0 | 0 | 0 | $922,397 | 10/20/2022 |
Italy | 5/26/2021 | $549,739 | 0 | 36 | 36 | $2,878,387 | 9/17/2021 |
Japan | 5/28/2021 | $530,403 | 0 | 0 | 0 | $4,804,646 | 9/17/2021 |
Lithuania | 5/28/2021 | $6,798 | 14 | 14 | 48 | $30,229 | 7/28/2021 |
Mexico | 5/28/2021 | $2,563,974 | 0 | 0 | 0 | $11,667,964 | 8/20/2021 |
Netherlands | 6/4/2021 | $50,644 | 43 | 49 | 289 | $593,272 | 8/30/2021 |
New Zealand | 5/27/2021 | $283,885 | 94 | 102 | 800 | $1,451,173 | 10/20/2022 |
North America | 5/28/2021 | $21,496,997 | 3,892 | 3,922 | 23,694 | $86,103,234 | |
Poland | 5/28/2021 | $207,673 | 0 | 289 | 289 | $2,051,025 | 10/20/2022 |
Portugal | 5/28/2021 | $54,106 | 95 | 95 | 538 | $496,743 | 10/19/2022 |
Romania | 6/4/2021 | $101,609 | 69 | 69 | 311 | $385,993 | 10/20/2022 |
Russia (CIS) | 6/3/2021 | $2,452,111 | 1936 | 1936 | 9268 | $11,024,938 | 10/20/2022 |
Saudi Arabia | 6/11/2021 | $0 | 0 | 0 | 0 | $8,200,000 | 10/20/2022 |
Slovakia | 6/4/2021 | $13,026 | 36 | 36 | 99 | $67,082 | 7/13/2021 |
South Korea | 5/28/2021 | $1,995,174 | 1184 | 1186 | 7400 | $15,596,433 | 3/16/2022 |
Spain | 5/28/2021 | $812,394 | 368 | 368 | 2544 | $5,547,335 | 9/17/2021 |
Switzerland | 5/26/2021 | $0 | 0 | 0 | 0 | $0 | |
Turkey | 7/2/2021 | $27,901 | 107 | 107 | 216 | $144,337 | 10/20/2022 |
United Arab Emirates | 6/11/2021 | $0 | 0 | 0 | 0 | $2,400,000 | 6/16/2021 |
United Kingdom | 5/28/2021 | $2,062,479 | 522 | 583 | 4709 | $12,892,816 | 1/12/2022 |
Rest of World | $10,560,746 | ||||||
Worldwide Total | $225,810,063 | 9/18/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Emma Stone | Estella “Cruella” de Vil |
Supporting Cast
Emma Thompson | The Baroness |
Joel Fry | Jasper |
Paul Walter Hauser | Horace |
Emily Beecham | Catherine/Maid |
Kirby Howell-Baptiste | Anita Darling |
Mark Strong | John the Valet |
Jamie Demetriou | Gerald |
John McCrea | Artie |
Kayvan Novak | Roger |
Niamh Lynch | Liberty Shop Girl |
Andrew Leung | Jeffrey |
Ed Birch | Baroness Head of Security |
Dylan Lowe | Mean Ginger |
Paul Bazely | Police Commissioner |
Abraham Popoola | George |
Leo Bill | Headmaster |
Ninette Finch | Lady |
Sarah Crowden | Beehive Lady |
Harrison Willmott | Mean Kid |
Jack Barry | Restaurant Valet |
Asmara Gabrielle | Teacher |
Tom Turner | The Baron |
Thomas Padden | Viking Gala Security Guard |
Carl Rice | Viking Gala Security Guard |
Chris Ryman | Viking Gala Security Guard |
Javone Prince | Ipswich Manor Security Guard |
Hannah Stokely | Rich Woman |
Haruka Abe | Liberty Woman |
Steve Edge | Steven the Jewelry Shop Assistant |
Richard David Caine | Dog Groomer |
Waleed Akhtar | Policeman |
Janet Henfrey | Society Maven |
Elizabeth Mortlock | Society Maven |
Camilla Roholm | Society Maven |
Joseph Akubeze | French Speaking Ipswich Manor Guard |
Linette Beaumont | Posh Guest 2 |
Conor Moloney | Rich Man |
Robert Cawsey | Swanky Bar Waiter |
Ed Kear | Interviewer |
Sid Sagar | Mark |
Jaqueline Chan | Jewellery Shop Assistant |
Hermione Gulliford | Posh Guest |
Surinder Duhra | Lawyer |
Peter Singh | Country Constable |
Geoff Burton | Elderly Man |
Helena Dowling | Fashion Reporter |
Paul Chowdhry | Restaurant Owner |
Tim Steed | Frederick |
John MacKay | House of Baroness Men |
Nathan Amzi | House of Baroness Men |
Trevor Laird | Asthma Man |
Joshua Hill | Viking Gala Guard |
Michelle Greenidge | Viking Gala Guard |
Jane How | Society Maven |
Angela Sims | Society Maven |
Geraldine Fitzgerald | Society Maven |
Tipper Seifert-Cleveland | Estella (12 yrs) |
Maeve Chadwick | Estella (Toddler) |
Nell Chadwick | Estella (Toddler) |
Billie Gadson | Estella (5 yrs) |
Ziggy Gardner | Jasper (12 yrs) |
Joseph MacDonald | Horace (12 yrs) |
Florisa Kamara | Anita (12 yrs) |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Craig Gillespie | Director |
Dodie Smith | Story based upon the novel “The One Hundred and One Dalmatians” by |
Aline Brosh McKenna | Story by |
Kelly Marcel | Story by |
Steve Zissis | Story by |
Dana Fox | Screenwriter |
Tony McNamara | Screenwriter |
Andrew Gunn | Producer |
Marc Platt | Producer |
Kristin Burr | Producer |
Emma Stone | Executive Producer |
Michelle Wright | Executive Producer |
Jared LeBoff | Executive Producer |
Glenn Close | Executive Producer |
Nicolas Karakatsanis | Director of Photography |
Fiona Crombie | Production Designer |
Tatiana S. Riegel | Editor |
Jenny Beavan | Costume Designer |
Nicholas Britell | Composer |
Susan Jacobs | Music Supervisor |
Max Wood | Visual Effects Supervisor |
Mary Vernieu | Casting Director |
Lucy Bevan | Casting Director |
Mark Mostyn | Unit Production Manager |
Mark Mostyn | Co-Producer |
Alexander Oakley | First Assistant Director |
Nick Laurence | Key Second Assistant Director |
Lori Korngiebel | Associate Producer |
Sarah Tulloch | Visual Effects Producer |
Jason Hunjan | Stunt Coordinator |
Vincent Wang | Fight Choreographer |
Vicky Bishop | Production Supervisor |
Martin Foley | Supervising Art Director |
Lydia Fry | Art Director |
Kevin Timon Hill | Art Director |
Alice Walker | Art Director |
Luke Whitelock | Art Director |
Georgia Warner | Art Director |
Alice Felton | Set Decorator |
Clare Spragge | Costume Supervisor |
Carolyn Cousins | Make-up and Hair Designer |
Lisa Vick | Script Supervisor |
Ali James | Supervising Location Manager |
Sarah Kate Lewis | Location Manager |
David Powell | Location Manager |
Eleanor Downey | Location Manager |
Ben Bailey | Location Manager |
Amie Tridgell | Location Manager |
Dan Boccoli | First Assistant Editor |
Philip Tallman | Music Editor |
Ron Bartlett | Re-recording Mixer |
Martyn Zub | Re-recording Mixer |
Mark P. Stoeckinger | Supervising Sound Editor |
Paul Timothy Carden* | Supervising Dialogue Editor |
Alan Rankin | Sound Designer |
Ann Scibelli | Sound Designer |
Martyn Zub | Sound Designer |
David Cohen | Dialogue Editor |
Ron Eng | Dialogue Editor |
Olivia Xia’ou Zhang | Foley Editor |
Tavish Grade | Foley Mixer |
Jack Cucci | Foley Mixer |
Steve Warner | Special Effects Supervisor |
Nicholas Britell | Score Producer |
Todd Kasow | Music Editor |
John Finklea | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.