Mark P. Stoeckinger
| Best known as a Supervising Sound Editor based on credits in that role in 29 films, with $6,625,886,084 worldwide aggregate box office (rank #13) |
| Best-known technical roles: Iron Man 3 (Supervising Sound Editor), John Wick: Chapter 3 — Parabellum (Supervising Sound Editor), Straight Outta Compton (Supervising Sound Editor), The Day After Tomorrow (Supervising Sound Editor), Prometheus (Supervising Sound Editor) |
| Most productive collaborators: Alan Rankin, Ridley Scott, Guy Pearce, Charlize Theron, Michael Costigan |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Supervising Sound Editor | 29 | $2,775,735,009 | $3,850,151,075 | $6,625,886,084 |
| Sound Editor | 2 | $98,649,473 | $21,683,203 | $120,332,676 | |
| Sound Effects Editor | 1 | $67,436,818 | $119,996,510 | $187,433,328 | |
| Sound Designer | 1 | $78,120,196 | $36,538,066 | $114,658,262 | |
| Sound Supervisor | 1 | $51,573,925 | $46,771,498 | $98,345,423 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| May 28, 2021 | Cruella | Supervising Sound Editor | $86,103,234 | $139,706,829 | $225,810,063 |
| Mar 26, 2021 | Nobody | Supervising Sound Editor | $27,568,035 | $29,944,435 | $57,512,470 |
| May 17, 2019 | John Wick: Chapter 3 — Para… | Supervising Sound Editor | $171,016,727 | $155,668,652 | $326,685,379 |
| Jul 28, 2017 | Atomic Blonde | Sound Supervisor | $51,573,925 | $46,771,498 | $98,345,423 |
| Feb 10, 2017 | John Wick: Chapter Two | Supervising Sound Editor | $92,029,184 | $79,510,703 | $171,539,887 |
| Mar 16, 2016 | Miracles from Heaven | Supervising Sound Editor | $61,705,123 | $12,068,194 | $73,773,317 |
| Jan 29, 2016 | The Finest Hours | Sound Editor | $27,569,558 | $21,683,203 | $49,252,761 |
| Nov 13, 2015 | The 33 | Supervising Sound Editor | $12,227,722 | $16,059,767 | $28,287,489 |
| Aug 14, 2015 | Straight Outta Compton | Supervising Sound Editor | $161,197,785 | $40,985,196 | $202,182,981 |
| May 16, 2014 | Million Dollar Arm | Supervising Sound Editor | $36,447,959 | $2,769,953 | $39,217,912 |
| May 3, 2013 | Iron Man 3 | Supervising Sound Editor | $408,992,272 | $805,638,684 | $1,214,630,956 |
| Dec 21, 2012 | Jack Reacher | Supervising Sound Editor | $80,070,736 | $137,300,000 | $217,370,736 |
| Jun 8, 2012 | Prometheus | Supervising Sound Editor | $126,477,084 | $275,971,181 | $402,448,265 |
| Nov 12, 2010 | Unstoppable | Supervising Sound Editor | $81,562,942 | $84,157,979 | $165,720,921 |
| May 14, 2010 | Robin Hood | Supervising Sound Editor | $105,487,148 | $216,971,858 | $322,459,006 |
| Oct 16, 2009 | Law Abiding Citizen | Supervising Sound Editor | $73,357,727 | $57,802,054 | $131,159,781 |
| Feb 29, 2008 | Semi-Pro | Supervising Sound Editor | $33,479,698 | $10,500,665 | $43,980,363 |
| Dec 21, 2007 | P.S. I Love You | Supervising Sound Editor | $53,695,808 | $102,073,870 | $155,769,678 |
| Oct 19, 2007 | Gone Baby Gone | Supervising Sound Editor | $20,300,218 | $14,058,812 | $34,359,030 |
| May 5, 2006 | Mission: Impossible III | Supervising Sound Editor | $133,501,348 | $265,886,397 | $399,387,745 |
| Sep 9, 2005 | The Man | Supervising Sound Editor | $8,330,720 | $2,062,976 | $10,393,696 |
| May 28, 2004 | The Day After Tomorrow | Supervising Sound Editor | $186,740,799 | $369,099,318 | $555,840,117 |
| Dec 25, 2003 | Paycheck | Supervising Sound Editor | $53,789,313 | $45,030,476 | $98,819,789 |
| Dec 5, 2003 | The Last Samurai | Supervising Sound Editor | $111,110,575 | $345,700,000 | $456,810,575 |
| May 30, 2003 | The Italian Job | Supervising Sound Editor | $106,126,012 | $70,136,827 | $176,262,839 |
| Jun 14, 2002 | Windtalkers | Supervising Sound Editor | $40,914,068 | $36,714,197 | $77,628,265 |
| Mar 1, 2002 | We Were Soldiers | Supervising Sound Ed… Sound Designer |
$78,120,196 | $36,538,066 | $114,658,262 |
| Apr 6, 2001 | Blow | Supervising Sound Editor | $52,990,775 | $30,291,521 | $83,282,296 |
| May 24, 2000 | Mission: Impossible 2 | Supervising Sound Editor | $215,409,889 | $334,178,627 | $549,588,516 |
| Jul 29, 1998 | The Negotiator | Supervising Sound Editor | $44,705,766 | $4,400,000 | $49,105,766 |
| Jun 27, 1997 | Face/Off | Supervising Sound Editor | $112,276,146 | $128,923,838 | $241,199,984 |
| Dec 15, 1995 | Heat | Sound Effects Editor | $67,436,818 | $119,996,510 | $187,433,328 |
| Jul 28, 1989 | Turner & Hooch | Sound Editor | $71,079,915 | $71,079,915 | |
| Averages | $90,708,946 | $126,206,321 | $213,090,834 | ||
| Totals | 33 | $2,993,395,225 | $4,038,602,286 | $7,031,997,511 | |