Tony McNamara
Best known as a Screenwriter based on credits in that role in 4 films, with $433,759,440 worldwide aggregate box office (rank #669) |
Best-known technical roles: Cruella (Screenwriter), Poor Things (Screenwriter), The Favourite (Screenwriter), The Favourite (Executive Producer), Ashby (Director) |
Most productive collaborators: Emma Stone, Craig Gillespie, Emma Thompson, Dodie Smith, Aline Brosh McKenna |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 4 | $155,027,873 | $278,731,567 | $433,759,440 |
Executive Producer | 1 | $34,366,783 | $61,462,676 | $95,829,459 | |
Director | 1 | $4,631 | $113,593 | $118,224 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 7,201-7,300) | 7,243 | $4,631 |
Top Grossing Executive Producer at the Domestic Box Office (Rank 2,601-2,700) | 2,663 | $34,366,783 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 801-900) | 825 | $155,027,873 |
Top Grossing Director at the International Box Office (Rank 8,901-9,000) | 8,962 | $113,593 |
Top Grossing Executive Producer at the International Box Office (Rank 2,001-2,100) | 2,039 | $61,462,676 |
Top Grossing Screenwriter at the International Box Office (Rank 501-600) | 583 | $278,731,567 |
Top Grossing Director at the Worldwide Box Office (Rank 10,701-10,800) | 10,717 | $118,224 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 2,301-2,400) | 2,301 | $95,829,459 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 601-700) | 669 | $433,759,440 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture
February 24th, 2019
It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes.
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2018 Awards Season: Oscars Nominations: Final Look
February 24th, 2019
It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning.
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2018 Awards Season: Oscar Highlight: Best Original Screenplay
February 19th, 2019
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two Screenwriting Categories, ending with with Best Original Screenplay. This category is actually competitive with three films I can see winning.
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2018 - Awards Season: BAFTA - Winners
February 11th, 2019
The BAFTA winners were announced and The Favorite led the way with 7 wins. Like I mentioned before, understandably, the BAFTAs tend to favor British films and this can lessen their ability to predict Oscar winners and The Favorite is such a British Film that they managed to spell the word correctly. That doesn’t mean there are no lessons we can learn from these results.
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2018 Awards Season: Oscar Nominations
January 23rd, 2019
The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each.
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2018 - Awards Season: BAFTA - Nominations
January 12th, 2019
The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here.
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2018 - Awards Season: Golden Globes - Nominations
December 6th, 2018
The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced.
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Dec 8, 2023 | Poor Things | Screenwriter | $34,553,225 | $77,448,469 | $112,001,694 |
May 28, 2021 | Cruella | Screenwriter | $86,103,234 | $139,706,829 | $225,810,063 |
Nov 23, 2018 | The Favourite | Screenwriter Executive Producer |
$34,366,783 | $61,462,676 | $95,829,459 |
Sep 25, 2015 | Ashby | Director Screenwriter |
$4,631 | $113,593 | $118,224 |
Averages | $38,756,968 | $69,682,892 | $108,439,860 | ||
Totals | 4 | $155,027,873 | $278,731,567 | $433,759,440 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Sep 25, 2015 | Ashby | $4,631 | 15 | $4,631 | $118,224 | 3.9% |
Averages | $4,631 | 15 | $4,631 | $118,224 | 3.9% | |
Totals | 1 | $4,631 | $118,224 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Dec 8, 2023 | Poor Things | $661,230 | 2,300 | $34,553,225 | $112,001,694 | 30.9% |
May 28, 2021 | Cruella | $21,496,997 | 3,922 | $86,103,234 | $225,810,063 | 38.1% |
Nov 23, 2018 | The Favourite | $422,410 | 1,554 | $34,366,783 | $95,829,459 | 35.9% |
Sep 25, 2015 | Ashby | $4,631 | 15 | $4,631 | $118,224 | 3.9% |
Averages | $5,646,317 | 1,948 | $38,756,968 | $108,439,860 | 27.2% | |
Totals | 4 | $155,027,873 | $433,759,440 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 7,201-7,300) | 7,243 | $4,631 |
Top Grossing Executive Producer at the Domestic Box Office (Rank 2,601-2,700) | 2,663 | $34,366,783 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 801-900) | 825 | $155,027,873 |
Top Grossing Director at the International Box Office (Rank 8,901-9,000) | 8,962 | $113,593 |
Top Grossing Executive Producer at the International Box Office (Rank 2,001-2,100) | 2,039 | $61,462,676 |
Top Grossing Screenwriter at the International Box Office (Rank 501-600) | 583 | $278,731,567 |
Top Grossing Director at the Worldwide Box Office (Rank 10,701-10,800) | 10,717 | $118,224 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 2,301-2,400) | 2,301 | $95,829,459 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 601-700) | 669 | $433,759,440 |