Ron Bartlett
Best known as a Re-recording Mixer based on credits in that role in 50 films, with $9,651,855,944 worldwide aggregate box office (rank #17) |
Best-known technical roles: Dune: Part Two (Re-recording Mixer), X-Men: Days of Future Past (Re-recording Mixer), The Hangover Part II (Re-recording Mixer), Us (Re-recording Mixer), Sherlock Holmes (Re-recording Mixer) |
Most productive collaborators: D.M. Hemphill, Robert Downey, Jr., Mark Strong, Susan Downey, Joel Silver |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Re-recording Mixer | 50 | $4,037,722,883 | $5,614,133,061 | $9,651,855,944 |
Additional Sound Re-recording Mixer | 2 | $131,206,496 | $138,233,226 | $269,439,722 | |
Sound Editor | 2 | $27,832,631 | $0 | $27,832,631 | |
Special Effects Supervisor | 1 | $132,556,852 | $283,900,000 | $416,456,852 | |
Sound Effects Editor | 1 | $130,531,208 | $227,968,792 | $358,500,000 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Re-recording Mixer at the Domestic Box Office | 20 | $4,037,201,324 |
Top Grossing Sound Editor at the Domestic Box Office (Rank 501-600) | 558 | $27,832,631 |
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 301-400) | 378 | $130,531,208 |
Top Grossing Re-recording Mixer at the International Box Office | 18 | $5,614,133,061 |
Top Grossing Sound Effects Editor at the International Box Office (Rank 201-300) | 265 | $227,968,792 |
Top Grossing Re-recording Mixer at the Worldwide Box Office | 17 | $9,651,334,385 |
Top Grossing Sound Editor at the Worldwide Box Office (Rank 501-600) | 600 | $27,832,631 |
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 301-400) | 306 | $358,500,000 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Mar 1, 2024 | Dune: Part Two | Re-recording Mixer | $278,282,968 | $420,000,000 | $698,282,968 |
Nov 19, 2021 | King Richard | Re-recording Mixer | $15,138,334 | $22,856,532 | $37,994,866 |
Jul 30, 2021 | Jungle Cruise | Re-recording Mixer | $116,987,516 | $93,482,287 | $210,469,803 |
May 28, 2021 | Cruella | Re-recording Mixer | $86,103,234 | $139,706,829 | $225,810,063 |
Mar 5, 2021 | Chaos Walking | Re-recording Mixer | $13,287,908 | $13,784,261 | $27,072,169 |
Mar 22, 2019 | Us | Re-recording Mixer | $175,084,580 | $80,938,127 | $256,022,707 |
Nov 21, 2018 | Robin Hood | Re-recording Mixer | $30,824,628 | $54,385,384 | $85,210,012 |
Aug 29, 2018 | Operation Finale | Re-recording Mixer | $17,612,099 | $17,612,099 | |
Aug 10, 2018 | The Meg | Re-recording Mixer | $145,443,742 | $381,824,086 | $527,267,828 |
Nov 17, 2017 | Wonder | Re-recording Mixer | $132,422,809 | $178,401,787 | $310,824,596 |
Oct 6, 2017 | Blade Runner 2049 | Re-recording Mixer | $92,054,159 | $165,754,600 | $257,808,759 |
Apr 7, 2017 | Going in Style | Re-recording Mixer | $45,018,541 | $35,793,883 | $80,812,424 |
Nov 11, 2016 | Billy Lynn’s Long Halftime … | Re-recording Mixer | $1,738,477 | $28,491,925 | $30,230,402 |
Sep 30, 2016 | Deepwater Horizon | Additional Sound Re-recording Mixer | $61,433,527 | $60,925,782 | $122,359,309 |
Apr 8, 2016 | The Boss | Re-recording Mixer | $63,077,560 | $15,574,647 | $78,652,207 |
Sep 18, 2015 | Black Mass | Re-recording Mixer | $62,575,678 | $36,262,194 | $98,837,872 |
Sep 18, 2015 | Maze Runner: The Scorch Trials | Re-recording Mixer | $81,697,192 | $228,868,970 | $310,566,162 |
May 8, 2015 | Hot Pursuit | Re-recording Mixer | $34,580,201 | $16,152,271 | $50,732,472 |
Dec 10, 2014 | The Gambler | Re-recording Mixer | $33,680,992 | $5,037,039 | $38,718,031 |
Sep 19, 2014 | The Maze Runner | Re-recording Mixer | $102,427,862 | $245,891,999 | $348,319,861 |
May 23, 2014 | X-Men: Days of Future Past | Re-recording Mixer | $233,921,534 | $513,941,241 | $747,862,775 |
Nov 1, 2013 | Ender’s Game | Re-recording Mixer | $61,737,191 | $66,246,092 | $127,983,283 |
Aug 7, 2013 | Percy Jackson: Sea of Monsters | Re-recording Mixer | $68,559,554 | $132,300,000 | $200,859,554 |
Jul 26, 2013 | The Wolverine | Special Effects Supervisor | $132,556,852 | $283,900,000 | $416,456,852 |
Jun 7, 2013 | The Internship | Re-recording Mixer | $44,672,764 | $49,000,000 | $93,672,764 |
Feb 14, 2013 | A Good Day to Die Hard | Re-recording Mixer | $67,349,198 | $236,900,000 | $304,249,198 |
Jun 8, 2012 | Prometheus | Re-recording Mixer | $126,477,084 | $275,971,181 | $402,448,265 |
Apr 13, 2012 | The Cabin in the Woods | Re-recording Mixer | $42,073,277 | $28,609,857 | $70,683,134 |
Dec 23, 2011 | We Bought a Zoo | Re-recording Mixer | $75,624,550 | $43,104,523 | $118,729,073 |
Jun 17, 2011 | Mr. Poppers's Penguins | Re-recording Mixer | $68,224,452 | $121,400,000 | $189,624,452 |
May 26, 2011 | The Hangover Part II | Re-recording Mixer | $254,464,305 | $332,300,000 | $586,764,305 |
Dec 17, 2010 | Yogi Bear | Re-recording Mixer | $100,246,011 | $104,528,679 | $204,774,690 |
Nov 5, 2010 | Due Date | Re-recording Mixer | $100,539,043 | $111,200,000 | $211,739,043 |
Feb 12, 2010 | Valentine's Day | Re-recording Mixer | $110,485,654 | $107,083,674 | $217,569,328 |
Dec 25, 2009 | Sherlock Holmes | Re-recording Mixer | $209,028,679 | $289,409,533 | $498,438,212 |
Jun 26, 2009 | My Sister’s Keeper | Re-recording Mixer | $49,200,230 | $47,472,772 | $96,673,002 |
Aug 13, 2008 | Tropic Thunder | Re-recording Mixer | $110,515,313 | $80,629,943 | $191,145,256 |
Sep 21, 2007 | The Assassination of Jesse … | Re-recording Mixer | $3,909,149 | $11,404,482 | $15,313,631 |
Aug 17, 2007 | 11th Hour | Re-recording Mixer | $703,464 | $345,428 | $1,048,892 |
Jul 20, 2007 | Hairspray | Re-recording Mixer | $118,871,849 | $83,951,012 | $202,822,861 |
Jun 15, 2007 | Nancy Drew | Re-recording Mixer | $25,584,685 | $5,119,160 | $30,703,845 |
Jun 16, 2006 | The Lake House | Re-recording Mixer | $52,330,111 | $62,500,000 | $114,830,111 |
Mar 31, 2006 | ATL | Re-recording Mixer | $21,170,563 | $21,170,563 | |
Nov 21, 2003 | Gothika | Re-recording Mixer | $59,588,068 | $81,896,744 | $141,484,812 |
Jun 8, 2001 | Swordfish | Additional Sound Re-recording Mixer | $69,772,969 | $77,307,444 | $147,080,413 |
Nov 13, 1998 | Meet Joe Black | Re-recording Mixer | $44,650,003 | $44,650,003 | |
Apr 3, 1998 | Lost In Space | Re-recording Mixer | $69,117,629 | $66,929,688 | $136,047,317 |
Dec 24, 1997 | As Good as it Gets | Re-recording Mixer | $148,478,011 | $165,633,912 | $314,111,923 |
Nov 14, 1997 | The Jackal | Re-recording Mixer | $54,956,941 | $104,400,000 | $159,356,941 |
May 9, 1997 | The Fifth Element | Re-recording Mixer | $63,570,862 | $200,321,958 | $263,892,820 |
Dec 13, 1996 | The Preacher’s Wife | Re-recording Mixer | $48,102,795 | $8,329,851 | $56,432,646 |
Dec 15, 1995 | Heat | Re-recording Mixer | $67,436,818 | $119,996,510 | $187,433,328 |
Aug 19, 1994 | Fresh | Re-recording Mixer Sound Editor |
$8,094,616 | $8,094,616 | |
May 27, 1994 | The Flintstones | Sound Effects Editor | $130,531,208 | $227,968,792 | $358,500,000 |
Oct 27, 1989 | Dad | Sound Editor | $19,738,015 | $19,738,015 | |
Averages | $80,941,008 | $125,284,702 | $194,836,192 | ||
Totals | 55 | $4,451,755,454 | $6,264,235,079 | $10,715,990,533 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Re-recording Mixer at the Domestic Box Office | 20 | $4,037,201,324 |
Top Grossing Sound Editor at the Domestic Box Office (Rank 501-600) | 558 | $27,832,631 |
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 301-400) | 378 | $130,531,208 |
Top Grossing Re-recording Mixer at the International Box Office | 18 | $5,614,133,061 |
Top Grossing Sound Effects Editor at the International Box Office (Rank 201-300) | 265 | $227,968,792 |
Top Grossing Re-recording Mixer at the Worldwide Box Office | 17 | $9,651,334,385 |
Top Grossing Sound Editor at the Worldwide Box Office (Rank 501-600) | 600 | $27,832,631 |
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 301-400) | 306 | $358,500,000 |