Japan Box Office for Wonder Woman 1984 (2020)
Theatrical Performance (US$) | ||
Japan Box Office | $5,300,000 | Details |
Worldwide Box Office | $166,360,232 | Details |
Home Market Performance | ||
North America DVD Sales | $16,232,559 | Details |
North America Blu-ray Sales | $22,990,960 | Details |
Total North America Video Sales | $39,223,519 | |
Further financial details... |
Synopsis
Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing two all-new foes: Max Lord and The Cheetah.
Metrics
Movie Details
Production Budget: | $200,000,000 |
Japan Releases: | December 18th, 2020 (Wide) |
Video Release: | December 25th, 2020 by Max |
MPAA Rating: | PG-13 for sequences of action and violence. (Rating bulletin 2626 (Cert #52443), 4/22/2020) |
Running Time: | 151 minutes |
Franchise: | Wonder Woman, DC Extended Universe |
Keywords: | 3-D, IMAX: DMR, Action Adventure, 1980s, Reincarnation |
Source: | Based on Comic/Graphic Novel |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Super Hero |
Production/Financing Companies: | Atlas Entertainment, Stone Quarry, Warner Bros., DC Films |
Production Countries: | United States |
Languages: | English |
Weekend predictions: Raya and the road to recovery
March 5th, 2021
After an excellent opening for Tom and Jerry last weekend, all eyes turn to Raya and the Last Dragon. With theaters reopening in New York and San Francisco, the movie’s Disney Animation pedigree and 95% score on Rotten Tomatoes, and a stronger market for family films than other fare during the pandemic, this seems like a film that could continue the process of rebuilding momentum at the box office. A simultaneous release on Disney+ could put the brakes on though, and our model isn’t convinced it’s set for box office glory.
Weekend estimates: Tom and Jerry shows the strength of family movies with a $13.7-million debut
February 28th, 2021
Tom and Jerry is enjoying the best weekend of 2021 so far, and the third-best of the pandemic era, according to Warner Bros.’ projections released on Sunday mornings. Its $13.71 million opening is a far cry from the $40 million to $50 million it might have earned before the pandemic, but it confirms something we’ve suspected since the stronger-than-expected openings of The War with Grandpa and The Croods: A New Age: family movies are performing much better during the pandemic than other types of film…
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Weekend predictions: $6 million is the benchmark for Tom and Jerry
February 26th, 2021
Warner Bros. wraps up January with what should be the biggest release of the year so far. Under normal circumstances, Tom and Jerry would be looking for an opening weekend somewhere close to the $58 million enjoyed by Sonic the Hedgehog this time last year. Our model says $46 million would be par for the course for a film like this. But, even though there are some signs of improvement in the theatrical market, pandemic-related restrictions and the reluctance of audiences to return to theaters means the movie won’t see anything close to that level of business this weekend.
Weekend estimates: a 3-way tie for number one
February 14th, 2021
The combination of a long weekend and a very tight race means it’s hard to say who’s winning at the box office this weekend. Universal is claiming bragging rights, with a $2.04 million three-day estimates for The Croods: A New Age. It is set to earn around $2.66 million including Monday’s holiday gross. Warner Bros. is projecting $2.0 million over three days and $2.4 million for the long weekend for both its new release Judas and the Black Messiah and the returning The Little Things. (The studio didn’t originally announce a three-day number for The Little Things, but just confirmed that $2.0 million figure with us.)
Outside of this minor intrigue at the top of the chart, this week’s estimates contain some promising news…
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Weekend predictions: The Little Things should easily win the weekend
January 29th, 2021
This weekend’s release of The Little Things continues Warner Bros.’ strategy of launching major films simultaneously in theaters and on HBO Max, following the Christmastime launch of Wonder Woman 1984. The studio can argue that its experiment has paid off so far, with Wonder Woman posting a decent opening, given the state of the pandemic, and also driving new subscribers to the service. Little Things will be more of test though, since it’s not a major franchise release and isn’t high on the list of most-anticipated movies of the year.
It does, however, come with an impeccable pedigree, and our model is quite enthusiastic about its chances.
Weekend estimates: Marksman stays top
January 24th, 2021
The Marksman will remain at the top of the box office chart this weekend with a decent 35% decline from its opening according to Open Road’s Sunday morning projection. The Croods: A New Age will fall just 9% from last weekend to finish second. Wonder Woman 1984 (which our model forecast would regain top spot) is set to fall 38% this weekend to $1.6 million for a total of $37.7 million to date.
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Weekend predictions: Marksman and Wonder Woman do battle for top spot
January 22nd, 2021
The box office race is overshadowed this weekend by a barrage of release date changes precipitated by the continued terrible situation with the pandemic across North America and a growing acceptance that movie theaters won’t all be open and operating under normal conditions for quite a while. The first domino to fall was No Time to Die, which has moved from April 2 to October 8. Our release schedule changes page has the gory details of all the changes announced by studios in the aftermath. The consensus seems to be that major releases definitely won’t be viable as theatrical-only releases until late April or early May, and the big guns are mostly settling in to the October through December timeframe. It might be a while before we see a tentpole come to theaters that isn’t also being quickly or simultaneously released for the home market, either on a streaming platform or as a PVOD release.
All that adds up to long theatrical runs by default for the films currently at the top of the box office chart. Here’s what our model thinks of them this weekend.
Weekend estimates: Marksman topples Wonder Woman
January 17th, 2021
The Marksman will win the battle at the top of the box office chart this weekend, according to studio estimates released on Sunday. The action thriller is projected to earn $3.225 million over the three-day part of the weekend, and Open Road expects it to add another $480,000 tomorrow for a four-day opening of $3,705,000. Its debut is comfortably ahead of our Friday prediction, but a little behind Honest Thief, which earned $3.6 million over its three-day opening weekend back in October. The decline is most likely a reflection of the worsening pandemic conditions over the past few months, but Open Road shared some interesting demographic details that shed more light on how the market is evolving at the moment.
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Weekend predictions: Marksman and Wonder Woman in head-to-head battle
January 15th, 2021
MLK Weekend could have a close race at the box office as new release The Marksman goes head-to-head with Wonder Woman 1984. Our model thinks Wonder Woman has the edge, but it’s likely to be a close-run thing. Liam Neeson has an impeccable pedigree when it comes to action thrillers—this isn’t even his first outing in such a film during the pandemic—and Honest Thief beat expectations with a $3.6-million opening weekend back in October. Here’s what the model thinks about Marksman…
Weekend estimates: Wonder Woman stays top, but continues to decline steeply
January 10th, 2021
Wonder Woman 1984 will easily top the box office chart again this weekend, according to studio estimates released on Sunday morning, but it will fall 45% from last weekend. That’s a significantly larger decline than the rest of the films in the top 12, and The Croods: A New Age will overtake it in a couple of weeks if this trend continues. Wonder Woman’s total will stand at $32.6 million after today, compared to Croods’ $36.9 million, so there’s a strong probability that the two films will end up roughly tied at the domestic box office.
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Weekend predictions: Wonder Woman stands atop desolate box office
January 8th, 2021
The theatrical market has everything working against it this weekend: a pandemic at its peak, a national constitutional crisis, and no new wide releases. All happening on what’s traditionally one of the slower weekends of the year. We’re not quite going to return to the lowest ebb in business since theaters started to reopen, according to our model, but it looks as though we might come close.
Here’s what our latest analysis run says about likely business this weekend.
Weekend estimates: Wonder Woman stays top over New Year’s Weekend
January 3rd, 2021
Wonder Woman 1984 will remain top at the box office this weekend, according to studio estimates released on Sunday morning, but it’ll do so in spite of a sharp fall from its opening weekend. Warner Bros. projects a $5.5-million weekend for the super hero pic, down 67% from last weekend. That’s not a huge fall for a film like this by historical standards, but it is a surprisingly-sharp decline for the New Year weekend, and considerably worse than any other film reporting, many of which increased their box office from Christmas weekend.
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Weekend predictions: Wonder Woman to dominate Christmas weekend on screen and at home
December 24th, 2020
Wonder Woman will take us back to the 1980s, and possibly forward to the mid-2020s this weekend with an unprecedented release wide in theaters and simultaneously on the HBO Max streaming platform. What that means for its box office is, honestly, a mystery. While its performance will be very closely watched, there are so many additional confounding factors—the Christmas weekend, rising cases of COVID-19 around the country, theater closures and seating restrictions—that it would be unwise to draw too many conclusions from its performance. This week’s run of our box office model at least gives us a baseline to work from.
Weekend estimates: Monster Hunter tops domestic chart, Wonder Woman rules the rest of the world
December 20th, 2020
As expected, Monster Hunter will top the domestic chart this weekend, but the big news is Wonder Woman 1984’s global launch to $38.5 million from 30,221 screens in 32 markets.
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December preview: Wonder Woman heralds the end of the theatrical window (for now?)
December 1st, 2020
The worst year for the movie theatrical industry in a century will end with a series of releases that might define the business for the next decade. Only three of the major studios are daring to release films in theaters during what is shaping up to be the height of the COVID-19 pandemic. Sony Pictures is going the traditional route with Monster Hunter getting an exclusive theatrical release on Christmas Day. Universal’s deals with AMC and Cinemark to allow shortened theatrical windows in return for sharing PVOD revenue have prompted it and its specialty division Focus Features to release four films this holiday season. But all eyes (or many of them, anyway) will be on Warner Bros.’ release of Wonder Woman 1984 simultaneously in theaters and on HBO Max.
When the studio announced this release strategy back on November 18 there was speculation that, if it worked out well, they might do the same thing with some of their other upcoming films. Today they threw caution to the wind and announced that all of the studio’s 2021 films will be released in theaters and on HBO Max at the same time (in territories where HBO Max is available). While we’re still digesting the news, here are three quick takes on the rationale for Warner Bros. to make this bold leap.
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Wonder Woman 1984 Trailer 2
August 25th, 2020
Superhero action movie starring opens October 2 ... Full Movie Details.
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Wonder Woman 1984 Trailer
December 9th, 2019
Superhero action movie starring opens June 5 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/12/18 | - | $1,600,000 | 743 | $2,153 | $1,600,000 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 12/26/2020 | $4,000,000 | 312 | 805 | 3170 | $19,204,043 | 10/20/2022 |
Brazil | 12/18/2020 | $1,700,000 | 1881 | 1881 | 6394 | $6,900,000 | 10/19/2022 |
China | 12/17/2020 | $18,400,000 | 107970 | 107970 | 115899 | $25,500,000 | 10/19/2022 |
Germany | 12/23/2020 | $0 | 0 | 0 | 0 | $71,659 | 7/6/2021 |
Hong Kong | 2/19/2021 | $520,000 | 75 | 217 | 292 | $877,000 | 10/19/2022 |
Italy | 5/13/2021 | $17,994 | 0 | 4 | 4 | $38,160 | 10/20/2022 |
Japan | 12/18/2020 | $1,600,000 | 743 | 743 | 743 | $5,300,000 | 10/19/2022 |
Lithuania | 4/30/2021 | $2,698 | 10 | 10 | 24 | $6,314 | 10/20/2022 |
Mexico | 12/17/2020 | $1,381,292 | 0 | 0 | 0 | $5,100,000 | 10/19/2022 |
Netherlands | 3/5/2021 | $0 | 0 | 1 | 3 | $7,678 | 6/28/2021 |
New Zealand | 12/26/2020 | $631,196 | 111 | 114 | 818 | $2,835,771 | 3/31/2021 |
North America | 12/25/2020 | $16,701,957 | 2,151 | 2,218 | 29,470 | $46,801,036 | |
Portugal | 12/17/2020 | $104,422 | 142 | 142 | 488 | $437,292 | 5/12/2021 |
Russia (CIS) | 1/8/2021 | $0 | 0 | 1709 | 5172 | $3,900,000 | 10/19/2022 |
Saudi Arabia | 12/18/2020 | $1,000,000 | 115 | 115 | 115 | $3,400,000 | 10/19/2022 |
Singapore | 12/18/2020 | $1,400,000 | 132 | 132 | 132 | $3,900,000 | 10/19/2022 |
Slovakia | 12/18/2020 | $30,458 | 57 | 57 | 57 | $38,398 | 12/22/2020 |
South Korea | 12/25/2020 | $1,788,399 | 2260 | 2260 | 6458 | $4,500,000 | 10/19/2022 |
Spain | 12/18/2020 | $1,100,000 | 813 | 813 | 2753 | $4,319,800 | 4/8/2021 |
Taiwan | 12/18/2020 | $3,500,000 | 411 | 411 | 1037 | $8,900,000 | 10/19/2022 |
Thailand | 12/18/2020 | $2,000,000 | 605 | 605 | 605 | $3,200,000 | 10/19/2022 |
United Arab Emirates | 12/18/2020 | $1,100,000 | 277 | 277 | 277 | $3,000,000 | 1/19/2021 |
United Kingdom | 12/25/2020 | $1,142,442 | 214 | 214 | 256 | $2,236,189 | 6/16/2021 |
Vietnam | 12/18/2020 | $830,000 | 787 | 787 | 787 | $830,000 | 12/21/2020 |
Rest of World | $15,056,892 | ||||||
Worldwide Total | $166,360,232 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Gal Gadot | Diana Prince/Wonder Woman |
Chris Pine | Steve Trevor |
Kristen Wiig | Barbara Ann Miverva/Cheetah |
Pedro Pascal | Maxwell Lord |
Supporting Cast
Robin Wright | Antiope |
Connie Nielsen | Queen Hippolyta |
Lilly Aspell | Young Diana |
Amr Waked | Emir Said Bin Abydos |
Kristoffer Polaha | Handsome Man |
Natasha Rothwell | Carol (Co-Worker) |
Ravi Patel | Babajide |
Oliver Cotton | Simon Stagg |
Lucian Perez | Alistair |
Gabriella Wilde | Raquel |
Kelvin Yu | Jake |
Stuart Milligan | POTUS |
Shane Attwooll | Dangerous Drunk |
David Al Fahmi | Mr. Khalaji |
Kevin Wallace | Televangelist |
Wai Wong | Lai Zhong |
Doutzen Kroes | Venelia |
Hari James | Herald (Trigona) |
Betty Adewole | Amazon |
Camilla Roholm | Amazon |
Jessie Graff | Competitor |
Bronte Lavine | Competitor |
Briony Scarlett | Competitor |
Jade Johnson | Competitor |
Miranda Chambers | Competitor |
Moe Sasegbon | Competitor |
Gwendolyn Smith | Competitor |
Hayley Warnes | Aella |
Said Taghmaoui | Sameer (Photograph) |
Ewen Bremner | Charlie (Photograph) |
Eugene Brave Rock | Chief (Photograph) |
Lucy Davis | Etta (Photograph) |
Lyon Beckwith | Buzz Cut |
Ryan Watson | Bad Skin |
James C. Burke | Flat Top |
Brandon Thane Wilson | Scowler |
Oakley Bull | Kelly (Girl Hostage) |
Andy Riddle | Donkey Kong Geek (Mall) |
Rey Rey Terry | Courtney |
Tina Edwards | Courtney’s Mom |
Bill DeBrason | Mall Cop (Exterior) |
Rick Kain | Mall Cop (Exterior) |
Vickie Warehime | Mall Security Guard |
Mike D. Anderson | Mall Security Guard |
Christopher Crutchfield Walker | Mall Security Guard |
Gina Grinkemeyer | Panicked Shopper |
Cassandra Newman | Panicked Shopper |
Valerie Leonard | Jewelry Sales Associate |
Susan Smythe | Jewelry Sales Associate |
Bob Cusack | News Reporter (Aftermath) |
John Bucy | Camaro Driver |
Patrick Gover | Camaro Passenger |
Tracy Tobin | Jogger |
Mitch Holson | Preppy Guy (Dupont Circle) |
Ashley Gladden | Preppy Girl (Dupont Circle) |
Spencer Trinwith | Georgetown Cafe Waiter |
Parker Damm | Commander Salamander Manager |
Caroline Coleman | Shoplifter |
Summer Snead | Shoplifter |
Tori Beverly | Shoplifter |
Raquel Merediz | Eager Saleswoman (Clothes) |
Vince Eisenson | Guy Hailing Cab (Georgetown) |
Asim Chaudhry | Roger (Co-Worker) |
Danny Morgan | Co-Worker 2 (Spare Coffee) |
Tessa Bonham Jones | Lucy (Co-Worker) |
Philip Philmar | Janitor |
Mensah Bediako | Leon |
Russell Barnett | FBI Agent (Stagg’s Office) |
Peter Brooke | FBI Agent (FBI Office) |
Jarren Dalmeda | FBI Agent (Stagg’s Lobby) |
Jasmine Clark | Black Gold Receptionist |
Jonathan Ajayi | Black Gold Young Man - Emerson |
Tomos Vaughan-Williams | Black Gold Young Man |
Avi Rothman | Black Gold Hotshot Aide |
Belinda Mayne | Stagg’s Secretary |
Orlando James | Party Goer |
Bruce MacKinnon | Party Goer |
Ed Birch | White House Carl |
Aykut Hilmi | Cab Driver (Egypt) |
Zaydun Khalaf | Emir’s Aide |
Nerea Palacios | Egyption Child 1 |
Altahay Ramos Martin | Egyption Child 2 |
Joanne Henry | White House Staffer |
Patrick Lyster | CJCS (Oval Office) |
Sam Sheridan | US Army Tech |
Paul Boyd | US Army Tech |
Vincent Jerome | US Army Tech |
Akie Kotabe | Air Traffic Controller |
Kenneth Jay | Air Traffic Controller |
Jasmine Hyde | British News Reporter |
Paul McQuaid | American Reporter |
Gabriel Constantin | Silo Technician |
Alex Delescu | Silo Technician |
Mish Boyko | Silo Technician |
Constantine Gregory | Russian General |
Michael Poole | Old Russian Grandfather |
Joe Palka | Neighbor/Cow Man |
Jean H. Miller | Dog Walker |
Mike Sengelow | Head Technician (Inner Chamber) |
Paul Connaughton | Irishman (Tea Shop) |
Wendy Albiston | Nasty Woman (Tea Shop) |
Rhonda Overby | Passing Reporter |
Lambro Demetriou | Max (8 Years Old) |
Jonny Barry | Max (15 Years Old) |
Luis Torrecilla | Max’s Father |
Sarah Barlondo | Max’s Mother |
Matt Costello | Max’s Driver |
Evan Bittner | Photographer |
Archie L. Harris, Jr. | Penn Avenue Watergate Cop |
Stephanie Waters | Penn Avenue Mother |
Thomas Clay Strickland | Wild Gunman |
Chi-Lin Nim | Wang (Chinese Kitchen) |
Michael Kaurene | Punk in Subway |
Michael Gabel | Apocalyptic Preacher |
Orlando Gonzalez | Convoy Driver |
Dan De Luca | Convoy Driver |
Ahmed Hussien | Convoy Driver |
Tony Zarouel | Convoy Driver |
Naithan Ariane | Convoy Driver |
Joel Morris | Security Guard |
Michael Salami | Security Guard |
Kosha Engler | US National News Anchor |
Asa Sheridan | Jace Valentine |
Alma Varsano | Snowball Girl |
Maya Varsano | Carousel Girl |
Jaron Varsano | Carousel Father |
Tilly Winford | Christmas Player |
Victoria Broom | Grateful Parent |
Hamza Siddique | Militant |
Colin Stinton | Norad Colonel |
Andy Cheung | Resident |
Katharine Pickering | Amazon Athlete |
Karis McCabe | Amazon Athlete |
Saskia Neville | Amazon Athlete |
Jenny Pacey | Amazon Athlete |
Mikayla-Jade Barber | Amazon Athlete |
Candice Carbine | Amazon Athlete |
Donna Forbes | Amazon Athlete |
Chantal Nell | Amazon Athlete |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Patty Jenkins | Director |
Patty Jenkins | Screenwriter |
Geoff Johns | Screenwriter |
David Callaham | Screenwriter |
Patty Jenkins | Story by |
Geoff Johns | Story by |
Patty Jenkins | Producer |
Gal Gadot | Producer |
Stephen Jones | Producer |
Zack Snyder | Producer |
Deborah Snyder | Producer |
Charles Roven | Producer |
Rebecca Steel Roven | Executive Producer |
Richard Suckle | Executive Producer |
Marianne Jenkins | Executive Producer |
Geoff Johns | Executive Producer |
Walter Hamada | Executive Producer |
Chantal Nong | Executive Producer |
Wesley Coller | Executive Producer |
Aline Bonetto | Production Designer |
Richard Pearson | Editor |
Hans Zimmer | Composer |
Matthew Jensen | Director of Photography |
Lindy Hemming | Costume Designer |
Lucinda Syson | Casting Director |
Kristy Carlson | Casting Director |
John Moffatt | Visual Effects Supervisor |
Damian Anderson | Unit Production Manager |
Marianne Jenkins | Unit Production Manager |
Stephen Jones | Unit Production Manager |
Toby Hefferman | First Assistant Director |
Toby Hefferman | Associate Producer |
Andy Madden | Key Second Assistant Director |
Dan Bradley | Second Unit Director |
Dominic Sidoli | Visual Effects Producer |
Tim Grover | Post-Production Supervisor |
Elise Iglesias | Associate Producer |
Jason Crain | Associate Producer |
Anna Obropta | Associate Producer |
Peter Russell | Supervising Sound Editor |
Rod McLean | Art Director |
Simon Elsley | Art Director |
Georgia Warner | Art Director |
Richard Selway | Art Director |
Mark Scruton | Art Director |
Anita Gupta | Art Director |
Gavin Fitch | Art Director |
Arwel Evans | Art Director |
Darren Tubby | Art Director |
Peter J. Devlin | Sound Mixer |
Laura Miles | Script Supervisor |
Tom Harrison-Read | Additional Editor |
Richard King | Supervising Sound Editor |
Gary A. Rizzo | Re-recording Mixer |
Kevin Penney | Sound Effects Editor |
Rowan Watson | Sound Effects Editor |
Jeff Sawyer | Sound Effects Editor |
Iain Eyre | Dialogue Editor |
Dan Grace | Costume Supervisor |
Anna Lynch-Robinson | Set Decorator |
David Zealey | Production Supervisor |
Steve Mortimore | Supervising Location Manager |
Lynsey Cosford | Location Manager |
Mark Holt | Special Effects Supervisor |
Russell Lodge | Production Manager |
Sean Flanigan | Hairstylist |
Gary English | Hairstylist |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.