The Little Things (2021)

The Little Things
Theatrical Performance
Domestic Box Office $15,342,746Details
International Box Office $14,392,476Details
Worldwide Box Office $29,735,222
Home Market Performance
Est. Domestic DVD Sales $1,537,062 Details
Est. Domestic Blu-ray Sales $1,580,515 Details
Total Est. Domestic Video Sales $3,117,577
Further financial details...

Synopsis

Kern County Deputy Sheriff Joe “Deke” Deacon is sent to Los Angeles for what should have been a quick evidence-gathering assignment. Instead, he becomes embroiled in the search for a killer who is terrorizing the city. Leading the hunt, L.A. Sheriff Department Sergeant Jim Baxter, impressed with Deke’s cop instincts, unofficially engages his help. But as they track the killer, Baxter is unaware that the investigation is dredging up echoes of Deke’s past, uncovering disturbing secrets that could threaten more than his case.

Metrics

Opening Weekend:$4,705,527 (30.7% of total gross)
Legs:3.26 (domestic box office/biggest weekend)
Domestic Share:51.6% (domestic box office/worldwide)
Production Budget:$30,000,000 (worldwide box office is 1.0 times production budget)
Theater counts:2,171 opening theaters/2,206 max. theaters, 7.4 weeks average run per theater
Infl. Adj. Dom. BO $16,263,010

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu, Vudu
Netflix:Netflix

Movie Details

Domestic Releases: January 29th, 2021 (Wide) by Warner Bros.
International Releases: January 28th, 2021 (Wide) (Germany)
January 29th, 2021 (Wide) (Colombia)
January 29th, 2021 (Wide) (Croatia)
January 29th, 2021 (Wide) (Iceland)
January 29th, 2021 (Wide) (India)
... Show all releases
Video Release: January 29th, 2021 by Max
MPAA Rating: R for violent/disturbing images, language and full nudity.
(Rating bulletin 2643 (Cert #52861), 8/19/2020)
Running Time: 127 minutes
Comparisons: vs. Honest Thief
Create your own comparison chart…
Keywords: Serial Killer, Crime Thriller, Crime, LAPD, Film Noir, Development Hell, 1990s, Prologue
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Warner Bros., Gran Via
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Lowest No. 1 Domestic 26 $2,051,189 Feb 5, 2021 10

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 29, 2021 1 $4,705,527   2,171 $2,167   $4,705,527 1
Feb 5, 2021 1 $2,051,189 -56% 2,206 $930   $7,671,457 2
Feb 12, 2021 3 $1,990,547 -3% 2,090 $952   $10,190,795 3
Feb 19, 2021 2 $1,150,696 -42% 2,061 $558   $11,701,061 4
Feb 26, 2021 3 $930,108 -19% 1,853 $502   $12,910,185 5
Mar 5, 2021 6 $550,089 -41% 1,448 $380   $13,686,314 6
Mar 12, 2021 9 $400,895 -27% 1,303 $308   $14,231,922 7
Mar 19, 2021 10 $310,072 -23% 1,130 $274   $14,677,844 8
Mar 26, 2021 - $143,051 -54% 1,001 $143   $14,914,210 9
Apr 2, 2021 - $104,050 -27% 326 $319   $15,051,645 10
Apr 9, 2021 - $83,685 -20% 205 $408   $15,153,877 11
Apr 16, 2021 - $29,319 -65% 136 $216   $15,194,002 12
Apr 23, 2021 - $28,065 -4% 136 $206   $15,226,613 13
Apr 30, 2021 - $15,187 -46% 312 $49   $15,244,012 14

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 15, 2021 - $430,000     2,090 $206   $10,675,000 18

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 29, 2021 1 $5,620,268   2,171 $2,589   $5,620,268 1
Feb 5, 2021 1 $2,579,980 -54% 2,206 $1,170   $8,200,248 2
Feb 12, 2021 - $2,350,117 -9% 2,090 $1,124   $10,550,365 3
Feb 19, 2021 - $1,429,712 -39% 2,061 $694   $11,980,077 4
Feb 26, 2021 - $1,156,148 -19% 1,853 $624   $13,136,225 5
Mar 5, 2021 - $694,802 -40% 1,448 $480   $13,831,027 6
Mar 12, 2021 - $536,745 -23% 1,303 $412   $14,367,772 7
Mar 19, 2021 - $403,387 -25% 1,130 $357   $14,771,159 8
Mar 26, 2021 - $176,436 -56% 1,001 $176   $14,947,595 9
Apr 2, 2021 - $122,597 -31% 326 $376   $15,070,192 10
Apr 9, 2021 - $94,491 -23% 205 $461   $15,164,683 11
Apr 16, 2021 - $33,865 -64% 136 $249   $15,198,548 12
Apr 23, 2021 0 $30,277 -11% 136 $223   $15,228,825 13
Apr 30, 2021 - $16,332 -46% 300 $54   $15,245,157 14

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 2/18/2021 $1,074,058 276 277 1,595 $4,305,512 10/19/2022
Colombia 1/29/2021 $0 0 0 0 $190,000 10/19/2022
Croatia 1/29/2021 $0 0 0 0 $255,000 10/19/2022
Egypt 2/12/2021 $0 0 0 0 $60,000 2/16/2021
Germany 1/28/2021 $0000$0
Iceland 1/29/2021 $0 0 0 0 $58,000 2/16/2021
India 1/29/2021 $18,000 0 0 0 $18,000 10/19/2022
Italy 5/6/2021 $10,781 0 2 2 $34,800 10/20/2022
Kazakhstan 1/29/2021 $0 0 0 0 $137,000 3/8/2021
Mexico 3/11/2021 $33,749 0 0 0 $554,000 10/19/2022
New Zealand 2/19/2021 $95,692 79 84 423 $351,173 10/19/2022
Qatar 1/29/2021 $0 0 0 0 $144,000 3/22/2021
Russia (CIS) 1/29/2021 $1,015,829 655 661 2,321 $3,000,000 10/20/2022
Saudi Arabia 1/29/2021 $893,000 35 35 85 $2,000,000 10/19/2022
Serbia and Montenegro 1/29/2021 $0 0 0 0 $42,000 2/16/2021
Singapore 1/29/2021 $67,000 33 33 33 $119,000 10/19/2022
Spain 2/26/2021 $154,000 134 174 773 $669,000 10/20/2022
Taiwan 1/29/2021 $177,000 110 110 110 $383,000 10/19/2022
Ukraine 2/5/2021 $181,000 267 267 442 $411,000 10/19/2022
United Arab Emirates 1/29/2021 $322,000 103 103 208 $821,000 3/29/2021
United Kingdom 2/12/2021 $0000$0
 
Rest of World $839,991
 
International Total$14,392,476 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 9, 2021143,671 43,671$777,781$777,78115
May 16, 2021220,629-53% 64,300$367,402$1,145,18316
May 23, 2021167,601-63% 71,901$135,374$1,280,55717

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 9, 2021139,322 39,322$700,325$700,32515
May 16, 2021519,607-50% 58,929$349,201$1,049,52616
May 23, 2021146,551-67% 65,480$116,673$1,166,19917

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Denzel Washington Deke
Rami Malek Baxter
Jared Leto Albert Sparma

Supporting Cast

Natalie Morales Detective Jamie Estrada
Chris Bauer Sal Rizoli
Michael Hyatt Flo Dunigan
Terry Kinney Captain Farris
Isabel Arraiza Anna Baxter
Joris Jarsky Detective Rogers
Glenn Morshower Captain Henry Davis
Sofia Vassilieva Tina Salvatore
Jason James Richter Detective Dennis Williams
John Harlan Kim Officer Henderson
Frederick Koehler Stan Peters
Judith Scott Marsha
Maya Kazan Ronda Rathbun
Tiffany Gonzalez Julie Brock
Anna McKitrick Mary Roberts
Sheila Houlahan Paige Callahan
Ebony N. Mayo Tamara Ewing
Matthew Morrison Guy Jogger
Olivia Washington Amy Anders
Kiff VandenHeuvel Tow Truck Driver
J. Downing Flanders
Sean Spann Ghoul Squad
Sophia Castro Jennifer Baxter
Calliah Sophie Estrada Chloe Baxter
Thomas Crawford Burns
Eric Satterberg LASD Tech
Ian Gary LASD Tech
Linara Washington Waitress
Jeff Corbett Bill Rathbun
Stephanie Erb Phyllis Rathbun
Samantha Cormier Teenage Girl
Smalls Truck Driver
Lee Garlington Landlady
Dimiter D. Marinov St. Agnes Hotel Manager
Julia Vera ABC Appliance Owner
Jack Topalian AAA Appliance Owner
Charlie Saxton Felix
Justin Barnhill Grunge Kid
Emil Beheshti Lab Coat Tech
James Bradley LAPD
Ben Kliewer LAPD
Hank Northrop LAPD
Bob Golub Bum
Ben Sanders Delinquent Kid
Adam Harrington Greg Alberts
Neil Garcia Pike’s Bartender

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

John Lee Hancock Director
John Lee Hancock Screenwriter
Mark Johnson Producer
John Lee Hancock Producer
Mike Drake Executive Producer
Kevin McCormick Executive Producer
John Schwartzman Director of Photography
Michael Corenblith Production Designer
Robert Frazen Editor
Thomas Newman Composer
Daniel Orlandi Costume Designer
Denise Chamian Casting Director
Leigh Shanta Unit Production Manager
Donald L. Sparks First Assistant Director
Donald L. Sparks Co-Producer
Stephanie Tull Second Assistant Director
Lauren Polizzi Supervising Art Director
Samantha Avila Art Director
Lorrie Campbell Set Designer
Michael Budge Set Designer
Dawn Gilliam Script Supervisor
Erica Frauman Post-Production Supervisor
Chris Jackson First Assistant Editor
Susan Benjamin Set Decorator
Edward Hanley Costume Supervisor
Donald Mowat Make up
Ruth Haney Make up
Mark Nieman Special Make-up Effects
Michael White Hairstylist
Michael S. Ward Hairstylist
Jose Antonio Garcia Sound Mixer
Andrew Ullman Supervising Location Manager
Michael Dunitz Location Manager
Martin Allen Key Location Manager
Pierce Nudd Key Location Manager
Matthew Cassel Key Location Manager
Mark Hawker Special Effects Supervisor
Robert Malina Assistant Editor
Jon Johnson Supervising Sound Editor
Darren King ADR Supervisor/Dialogue Editor
Jessie Spence Dialogue Editor
Dan Gamache Sound Effects Editor
Yann Delpuech Sound Effects Editor
David E. Fluhr Re-recording Mixer
Gregory King Re-recording Mixer
Darrin Mann Foley Mixer
Shinnosuke Miyazawa Music Editor
Gabriel Sanchez Visual Effects Supervisor
Tim LeDoux Visual Effects Supervisor
Jason Sanford Visual Effects Producer
Andrew Kalicki Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend estimates: Nobody maintains market momentum

March 28th, 2021

Nobody

An excellent opening for Nobody is more than making up for sluggish results for returning films this weekend and keeps the market recovery on course. More or less. More...

Weekend predictions: Nobody’s business

March 26th, 2021

Nobody

Action thriller Nobody rounds out March with a rollout in 2,460 theaters and its sights firmly set on the top of the box office chart. If the domestic box office is recovering at the pace we hope, it should achieve that goal, but our model’s figures suggest its victory isn’t assured. More...

Weekend estimates: Raya stays top with good second-week hold

March 14th, 2021

Raya and the Last Dragon

A solid second-week performance will be enough to keep Raya and the Last Dragon at the top of the box office chart this weekend, according to studio estimates released on Sunday morning. Its strength contributed to unusually large declines for the movies competing with it for family audiences, but generally it looks as though this weekend will continue the modest growth trend in the theatrical market. More...

Weekend estimates: Raya tops the chart with $8.6 million

March 7th, 2021

Raya and the Last Dragon

Raya and the Last Dragon will top the box office chart on its debut weekend with about $8.6 million according to Disney’s Sunday morning projection. While that’s 13% below our model’s $9.87 million prediction, and well behind the $14.11 million earned by Tom and Jerry last weekend, it’s a decent performance for the pandemic era, and some of the other results this weekend point towards a market that’s inching back towards recovery. More...

Weekend predictions: Croods looking likeliest winner in a close race

February 19th, 2021

The Croods: A New Age

With no new releases this weekend, the race for number one at the box office comes down to which film among the top three last weekend has the best legs. The overwhelmingly likely answer to that question is The Croods: A New Age, which enters its lucky 13th week in release doing almost exactly the same business as it was two months ago. The only unknown is how well Judas and the Black Messiah will do in its second weekend. More...

Weekend estimates: a 3-way tie for number one

February 14th, 2021

The Croods: A New Age

The combination of a long weekend and a very tight race means it’s hard to say who’s winning at the box office this weekend. Universal is claiming bragging rights, with a $2.04 million three-day estimates for The Croods: A New Age. It is set to earn around $2.66 million including Monday’s holiday gross. Warner Bros. is projecting $2.0 million over three days and $2.4 million for the long weekend for both its new release Judas and the Black Messiah and the returning The Little Things. (The studio didn’t originally announce a three-day number for The Little Things, but just confirmed that $2.0 million figure with us.)

Outside of this minor intrigue at the top of the chart, this week’s estimates contain some promising news… More...

Weekend predictions: Judas and the Black Messiah should win the weekend

February 12th, 2021

The Little Things

The welcome arrival of two new wide releases and the combination of Valentine’s Day on Sunday and President’s Day on Monday should cause an uptick at the box office this weekend. Judas and the Black Messiah is the film most likely to top the chart, according to our model, while Land is set for a more modest result but should make it into the top six.

More...

Weekend estimates: The Little Things stays top on a sluggish weekend

February 7th, 2021

The Little Things

Today’s Super Bowl might be causing some caution among the studios as they compile their weekend projections, but whichever way you cut it, we’re looking at another slow weekend in theaters. The Little Things will come out on top with around $2.1 million, according to Warner Bros.. That’s down a steep 56% from its opening weekend, and 9% below our model’s prediction. In general, almost all films are falling a little shy of the model’s numbers, suggesting that we’re still not seeing real growth in the market. More...

Weekend predictions: The Little Things set to win Superbowl weekend

February 5th, 2021

The Little Things

With no new wide releases, there can really be only one winner at the box office this weekend. Last week’s champ, The Little Things earned more than twice as much as second-place The Croods: A New Age last weekend, and will stay top even with a steep drop.

The performance of The Croods, which is a bellweather for the strength of the theatrical market as a whole, is probably of more interest this weekend. More...

Weekend estimates: The Little Things launches with $4.8 million

January 31st, 2021

The Little Things

Although it will fall a little short of our weekend prediction, The Little Things will post a respectable-under-the-circumstances $4.8 million this weekend, according to Warner Bros.’ Sunday morning projection. If there wasn’t a pandemic going on, that would translate into something like a $21 million debut—in line with previous outings for Denzel Washington in action films and thrillers, such as Unstoppable ($22.7 million opening) and The Taking of Pelham 123 ($23.4 million opening), although behind the more recent The Equalizer, which started out with $34 million. It gives The Little Things bragging rights to the best opening of 2021, which everyone in the industry will be praying is a title it won’t hold for very long. More...

Weekend predictions: The Little Things should easily win the weekend

January 29th, 2021

The Little Things

This weekend’s release of The Little Things continues Warner Bros.’ strategy of launching major films simultaneously in theaters and on HBO Max, following the Christmastime launch of Wonder Woman 1984. The studio can argue that its experiment has paid off so far, with Wonder Woman posting a decent opening, given the state of the pandemic, and also driving new subscribers to the service. Little Things will be more of test though, since it’s not a major franchise release and isn’t high on the list of most-anticipated movies of the year.

It does, however, come with an impeccable pedigree, and our model is quite enthusiastic about its chances.

More...

Weekend estimates: Marksman stays top

January 24th, 2021

The Marksman

The Marksman will remain at the top of the box office chart this weekend with a decent 35% decline from its opening according to Open Road’s Sunday morning projection. The Croods: A New Age will fall just 9% from last weekend to finish second. Wonder Woman 1984 (which our model forecast would regain top spot) is set to fall 38% this weekend to $1.6 million for a total of $37.7 million to date. More...

January preview: 2021 starts with the quietest month since July

January 5th, 2021

The Little Things

There’s precious little good news in the theatrical market as we start 2021. Although Wonder Woman 1984 had a relatively good opening weekend after its launch on Christmas Day, it declined steeply at the box office last weekend, and the combined earnings for all films reporting is only a shade over $10 million right now. Unfortunately, there are only two films scheduled to open wide in the whole month of January, which means we won’t see much of an improvement in the market, and likely some back sliding, particularly given the growing COVID-19 case counts and the high likelihood of continued restrictions on public gatherings around North America.

The (slow) rollout of a vaccine is the one piece of good news, but it’s unlikely to have much of an effect on the things for several months. For now, here’s what’s in store for January… More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Kern County Deputy Sheriff Joe “Deke” Deacon is sent to Los Angeles for what should have been a quick evidence-gathering assignment. Instead, he becomes embroiled in the search for a killer who is terrorizing the city. Leading the hunt, L.A. Sheriff Department Sergeant Jim Baxter, impressed with Deke’s cop instincts, unofficially engages his help. But as they track the killer, Baxter is unaware that the investigation is dredging up echoes of Deke’s past, uncovering disturbing secrets that could threaten more than his case.

Metrics

Opening Weekend:$4,705,527 (30.7% of total gross)
Legs:3.26 (domestic box office/biggest weekend)
Domestic Share:51.6% (domestic box office/worldwide)
Production Budget:$30,000,000 (worldwide box office is 1.0 times production budget)
Theater counts:2,171 opening theaters/2,206 max. theaters, 7.4 weeks average run per theater
Infl. Adj. Dom. BO $16,263,010

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu, Vudu
Netflix:Netflix

Movie Details

Domestic Releases: January 29th, 2021 (Wide) by Warner Bros.
International Releases: January 28th, 2021 (Wide) (Germany)
January 29th, 2021 (Wide) (Colombia)
January 29th, 2021 (Wide) (Croatia)
January 29th, 2021 (Wide) (Iceland)
January 29th, 2021 (Wide) (India)
... Show all releases
Video Release: January 29th, 2021 by Max
MPAA Rating: R for violent/disturbing images, language and full nudity.
(Rating bulletin 2643 (Cert #52861), 8/19/2020)
Running Time: 127 minutes
Comparisons: vs. Honest Thief
Create your own comparison chart…
Keywords: Serial Killer, Crime Thriller, Crime, LAPD, Film Noir, Development Hell, 1990s, Prologue
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Warner Bros., Gran Via
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Lowest No. 1 Domestic 26 $2,051,189 Feb 5, 2021 10

Leading Cast

Denzel Washington Deke
Rami Malek Baxter
Jared Leto Albert Sparma

Supporting Cast

Natalie Morales Detective Jamie Estrada
Chris Bauer Sal Rizoli
Michael Hyatt Flo Dunigan
Terry Kinney Captain Farris
Isabel Arraiza Anna Baxter
Joris Jarsky Detective Rogers
Glenn Morshower Captain Henry Davis
Sofia Vassilieva Tina Salvatore
Jason James Richter Detective Dennis Williams
John Harlan Kim Officer Henderson
Frederick Koehler Stan Peters
Judith Scott Marsha
Maya Kazan Ronda Rathbun
Tiffany Gonzalez Julie Brock
Anna McKitrick Mary Roberts
Sheila Houlahan Paige Callahan
Ebony N. Mayo Tamara Ewing
Matthew Morrison Guy Jogger
Olivia Washington Amy Anders
Kiff VandenHeuvel Tow Truck Driver
J. Downing Flanders
Sean Spann Ghoul Squad
Sophia Castro Jennifer Baxter
Calliah Sophie Estrada Chloe Baxter
Thomas Crawford Burns
Eric Satterberg LASD Tech
Ian Gary LASD Tech
Linara Washington Waitress
Jeff Corbett Bill Rathbun
Stephanie Erb Phyllis Rathbun
Samantha Cormier Teenage Girl
Smalls Truck Driver
Lee Garlington Landlady
Dimiter D. Marinov St. Agnes Hotel Manager
Julia Vera ABC Appliance Owner
Jack Topalian AAA Appliance Owner
Charlie Saxton Felix
Justin Barnhill Grunge Kid
Emil Beheshti Lab Coat Tech
James Bradley LAPD
Ben Kliewer LAPD
Hank Northrop LAPD
Bob Golub Bum
Ben Sanders Delinquent Kid
Adam Harrington Greg Alberts
Neil Garcia Pike’s Bartender

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

John Lee Hancock Director
John Lee Hancock Screenwriter
Mark Johnson Producer
John Lee Hancock Producer
Mike Drake Executive Producer
Kevin McCormick Executive Producer
John Schwartzman Director of Photography
Michael Corenblith Production Designer
Robert Frazen Editor
Thomas Newman Composer
Daniel Orlandi Costume Designer
Denise Chamian Casting Director
Leigh Shanta Unit Production Manager
Donald L. Sparks First Assistant Director
Donald L. Sparks Co-Producer
Stephanie Tull Second Assistant Director
Lauren Polizzi Supervising Art Director
Samantha Avila Art Director
Lorrie Campbell Set Designer
Michael Budge Set Designer
Dawn Gilliam Script Supervisor
Erica Frauman Post-Production Supervisor
Chris Jackson First Assistant Editor
Susan Benjamin Set Decorator
Edward Hanley Costume Supervisor
Donald Mowat Make up
Ruth Haney Make up
Mark Nieman Special Make-up Effects
Michael White Hairstylist
Michael S. Ward Hairstylist
Jose Antonio Garcia Sound Mixer
Andrew Ullman Supervising Location Manager
Michael Dunitz Location Manager
Martin Allen Key Location Manager
Pierce Nudd Key Location Manager
Matthew Cassel Key Location Manager
Mark Hawker Special Effects Supervisor
Robert Malina Assistant Editor
Jon Johnson Supervising Sound Editor
Darren King ADR Supervisor/Dialogue Editor
Jessie Spence Dialogue Editor
Dan Gamache Sound Effects Editor
Yann Delpuech Sound Effects Editor
David E. Fluhr Re-recording Mixer
Gregory King Re-recording Mixer
Darrin Mann Foley Mixer
Shinnosuke Miyazawa Music Editor
Gabriel Sanchez Visual Effects Supervisor
Tim LeDoux Visual Effects Supervisor
Jason Sanford Visual Effects Producer
Andrew Kalicki Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend estimates: Nobody maintains market momentum

March 28th, 2021

Nobody

An excellent opening for Nobody is more than making up for sluggish results for returning films this weekend and keeps the market recovery on course. More or less. More...

Weekend predictions: Nobody’s business

March 26th, 2021

Nobody

Action thriller Nobody rounds out March with a rollout in 2,460 theaters and its sights firmly set on the top of the box office chart. If the domestic box office is recovering at the pace we hope, it should achieve that goal, but our model’s figures suggest its victory isn’t assured. More...

Weekend estimates: Raya stays top with good second-week hold

March 14th, 2021

Raya and the Last Dragon

A solid second-week performance will be enough to keep Raya and the Last Dragon at the top of the box office chart this weekend, according to studio estimates released on Sunday morning. Its strength contributed to unusually large declines for the movies competing with it for family audiences, but generally it looks as though this weekend will continue the modest growth trend in the theatrical market. More...

Weekend estimates: Raya tops the chart with $8.6 million

March 7th, 2021

Raya and the Last Dragon

Raya and the Last Dragon will top the box office chart on its debut weekend with about $8.6 million according to Disney’s Sunday morning projection. While that’s 13% below our model’s $9.87 million prediction, and well behind the $14.11 million earned by Tom and Jerry last weekend, it’s a decent performance for the pandemic era, and some of the other results this weekend point towards a market that’s inching back towards recovery. More...

Weekend predictions: Croods looking likeliest winner in a close race

February 19th, 2021

The Croods: A New Age

With no new releases this weekend, the race for number one at the box office comes down to which film among the top three last weekend has the best legs. The overwhelmingly likely answer to that question is The Croods: A New Age, which enters its lucky 13th week in release doing almost exactly the same business as it was two months ago. The only unknown is how well Judas and the Black Messiah will do in its second weekend. More...

Weekend estimates: a 3-way tie for number one

February 14th, 2021

The Croods: A New Age

The combination of a long weekend and a very tight race means it’s hard to say who’s winning at the box office this weekend. Universal is claiming bragging rights, with a $2.04 million three-day estimates for The Croods: A New Age. It is set to earn around $2.66 million including Monday’s holiday gross. Warner Bros. is projecting $2.0 million over three days and $2.4 million for the long weekend for both its new release Judas and the Black Messiah and the returning The Little Things. (The studio didn’t originally announce a three-day number for The Little Things, but just confirmed that $2.0 million figure with us.)

Outside of this minor intrigue at the top of the chart, this week’s estimates contain some promising news… More...

Weekend predictions: Judas and the Black Messiah should win the weekend

February 12th, 2021

The Little Things

The welcome arrival of two new wide releases and the combination of Valentine’s Day on Sunday and President’s Day on Monday should cause an uptick at the box office this weekend. Judas and the Black Messiah is the film most likely to top the chart, according to our model, while Land is set for a more modest result but should make it into the top six.

More...

Weekend estimates: The Little Things stays top on a sluggish weekend

February 7th, 2021

The Little Things

Today’s Super Bowl might be causing some caution among the studios as they compile their weekend projections, but whichever way you cut it, we’re looking at another slow weekend in theaters. The Little Things will come out on top with around $2.1 million, according to Warner Bros.. That’s down a steep 56% from its opening weekend, and 9% below our model’s prediction. In general, almost all films are falling a little shy of the model’s numbers, suggesting that we’re still not seeing real growth in the market. More...

Weekend predictions: The Little Things set to win Superbowl weekend

February 5th, 2021

The Little Things

With no new wide releases, there can really be only one winner at the box office this weekend. Last week’s champ, The Little Things earned more than twice as much as second-place The Croods: A New Age last weekend, and will stay top even with a steep drop.

The performance of The Croods, which is a bellweather for the strength of the theatrical market as a whole, is probably of more interest this weekend. More...

Weekend estimates: The Little Things launches with $4.8 million

January 31st, 2021

The Little Things

Although it will fall a little short of our weekend prediction, The Little Things will post a respectable-under-the-circumstances $4.8 million this weekend, according to Warner Bros.’ Sunday morning projection. If there wasn’t a pandemic going on, that would translate into something like a $21 million debut—in line with previous outings for Denzel Washington in action films and thrillers, such as Unstoppable ($22.7 million opening) and The Taking of Pelham 123 ($23.4 million opening), although behind the more recent The Equalizer, which started out with $34 million. It gives The Little Things bragging rights to the best opening of 2021, which everyone in the industry will be praying is a title it won’t hold for very long. More...

Weekend predictions: The Little Things should easily win the weekend

January 29th, 2021

The Little Things

This weekend’s release of The Little Things continues Warner Bros.’ strategy of launching major films simultaneously in theaters and on HBO Max, following the Christmastime launch of Wonder Woman 1984. The studio can argue that its experiment has paid off so far, with Wonder Woman posting a decent opening, given the state of the pandemic, and also driving new subscribers to the service. Little Things will be more of test though, since it’s not a major franchise release and isn’t high on the list of most-anticipated movies of the year.

It does, however, come with an impeccable pedigree, and our model is quite enthusiastic about its chances.

More...

Weekend estimates: Marksman stays top

January 24th, 2021

The Marksman

The Marksman will remain at the top of the box office chart this weekend with a decent 35% decline from its opening according to Open Road’s Sunday morning projection. The Croods: A New Age will fall just 9% from last weekend to finish second. Wonder Woman 1984 (which our model forecast would regain top spot) is set to fall 38% this weekend to $1.6 million for a total of $37.7 million to date. More...

January preview: 2021 starts with the quietest month since July

January 5th, 2021

The Little Things

There’s precious little good news in the theatrical market as we start 2021. Although Wonder Woman 1984 had a relatively good opening weekend after its launch on Christmas Day, it declined steeply at the box office last weekend, and the combined earnings for all films reporting is only a shade over $10 million right now. Unfortunately, there are only two films scheduled to open wide in the whole month of January, which means we won’t see much of an improvement in the market, and likely some back sliding, particularly given the growing COVID-19 case counts and the high likelihood of continued restrictions on public gatherings around North America.

The (slow) rollout of a vaccine is the one piece of good news, but it’s unlikely to have much of an effect on the things for several months. For now, here’s what’s in store for January… More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 29, 2021 1 $4,705,527   2,171 $2,167   $4,705,527 1
Feb 5, 2021 1 $2,051,189 -56% 2,206 $930   $7,671,457 2
Feb 12, 2021 3 $1,990,547 -3% 2,090 $952   $10,190,795 3
Feb 19, 2021 2 $1,150,696 -42% 2,061 $558   $11,701,061 4
Feb 26, 2021 3 $930,108 -19% 1,853 $502   $12,910,185 5
Mar 5, 2021 6 $550,089 -41% 1,448 $380   $13,686,314 6
Mar 12, 2021 9 $400,895 -27% 1,303 $308   $14,231,922 7
Mar 19, 2021 10 $310,072 -23% 1,130 $274   $14,677,844 8
Mar 26, 2021 - $143,051 -54% 1,001 $143   $14,914,210 9
Apr 2, 2021 - $104,050 -27% 326 $319   $15,051,645 10
Apr 9, 2021 - $83,685 -20% 205 $408   $15,153,877 11
Apr 16, 2021 - $29,319 -65% 136 $216   $15,194,002 12
Apr 23, 2021 - $28,065 -4% 136 $206   $15,226,613 13
Apr 30, 2021 - $15,187 -46% 312 $49   $15,244,012 14

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 15, 2021 - $430,000     2,090 $206   $10,675,000 18

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 29, 2021 1 $5,620,268   2,171 $2,589   $5,620,268 1
Feb 5, 2021 1 $2,579,980 -54% 2,206 $1,170   $8,200,248 2
Feb 12, 2021 - $2,350,117 -9% 2,090 $1,124   $10,550,365 3
Feb 19, 2021 - $1,429,712 -39% 2,061 $694   $11,980,077 4
Feb 26, 2021 - $1,156,148 -19% 1,853 $624   $13,136,225 5
Mar 5, 2021 - $694,802 -40% 1,448 $480   $13,831,027 6
Mar 12, 2021 - $536,745 -23% 1,303 $412   $14,367,772 7
Mar 19, 2021 - $403,387 -25% 1,130 $357   $14,771,159 8
Mar 26, 2021 - $176,436 -56% 1,001 $176   $14,947,595 9
Apr 2, 2021 - $122,597 -31% 326 $376   $15,070,192 10
Apr 9, 2021 - $94,491 -23% 205 $461   $15,164,683 11
Apr 16, 2021 - $33,865 -64% 136 $249   $15,198,548 12
Apr 23, 2021 0 $30,277 -11% 136 $223   $15,228,825 13
Apr 30, 2021 - $16,332 -46% 300 $54   $15,245,157 14

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 2/18/2021 $1,074,058 276 277 1,595 $4,305,512 10/19/2022
Colombia 1/29/2021 $0 0 0 0 $190,000 10/19/2022
Croatia 1/29/2021 $0 0 0 0 $255,000 10/19/2022
Egypt 2/12/2021 $0 0 0 0 $60,000 2/16/2021
Germany 1/28/2021 $0000$0
Iceland 1/29/2021 $0 0 0 0 $58,000 2/16/2021
India 1/29/2021 $18,000 0 0 0 $18,000 10/19/2022
Italy 5/6/2021 $10,781 0 2 2 $34,800 10/20/2022
Kazakhstan 1/29/2021 $0 0 0 0 $137,000 3/8/2021
Mexico 3/11/2021 $33,749 0 0 0 $554,000 10/19/2022
New Zealand 2/19/2021 $95,692 79 84 423 $351,173 10/19/2022
Qatar 1/29/2021 $0 0 0 0 $144,000 3/22/2021
Russia (CIS) 1/29/2021 $1,015,829 655 661 2,321 $3,000,000 10/20/2022
Saudi Arabia 1/29/2021 $893,000 35 35 85 $2,000,000 10/19/2022
Serbia and Montenegro 1/29/2021 $0 0 0 0 $42,000 2/16/2021
Singapore 1/29/2021 $67,000 33 33 33 $119,000 10/19/2022
Spain 2/26/2021 $154,000 134 174 773 $669,000 10/20/2022
Taiwan 1/29/2021 $177,000 110 110 110 $383,000 10/19/2022
Ukraine 2/5/2021 $181,000 267 267 442 $411,000 10/19/2022
United Arab Emirates 1/29/2021 $322,000 103 103 208 $821,000 3/29/2021
United Kingdom 2/12/2021 $0000$0
 
Rest of World $839,991
 
International Total$14,392,476 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 9, 2021143,671 43,671$777,781$777,78115
May 16, 2021220,629-53% 64,300$367,402$1,145,18316
May 23, 2021167,601-63% 71,901$135,374$1,280,55717

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 9, 2021139,322 39,322$700,325$700,32515
May 16, 2021519,607-50% 58,929$349,201$1,049,52616
May 23, 2021146,551-67% 65,480$116,673$1,166,19917

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.