Brazil Box Office for Wonder Woman 1984 (2020)

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Wonder Woman 1984
Theatrical Performance (US$)
Brazil Box Office $6,900,000Details
Worldwide Box Office $166,360,232Details
Home Market Performance
North America DVD Sales $16,232,559 Details
North America Blu-ray Sales $22,990,960 Details
Total North America Video Sales $39,223,519
Further financial details...

Synopsis

Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing two all-new foes: Max Lord and The Cheetah.

Metrics

Movie Details

Production Budget:$200,000,000
Brazil Releases: December 18th, 2020 (Wide)
Video Release: December 25th, 2020 by Max
MPAA Rating: PG-13 for sequences of action and violence.
(Rating bulletin 2626 (Cert #52443), 4/22/2020)
Running Time: 151 minutes
Franchise: Wonder Woman, DC Extended Universe
Keywords: 3-D, IMAX: DMR, Action Adventure, 1980s, Reincarnation
Source:Based on Comic/Graphic Novel
Genre:Action
Production Method:Live Action
Creative Type:Super Hero
Production/Financing Companies: Atlas Entertainment, Stone Quarry, Warner Bros., DC Films
Production Countries: United States
Languages: English

Weekend predictions: Raya and the road to recovery

March 5th, 2021

Raya and the Last Dragon

After an excellent opening for Tom and Jerry last weekend, all eyes turn to Raya and the Last Dragon. With theaters reopening in New York and San Francisco, the movie’s Disney Animation pedigree and 95% score on Rotten Tomatoes, and a stronger market for family films than other fare during the pandemic, this seems like a film that could continue the process of rebuilding momentum at the box office. A simultaneous release on Disney+ could put the brakes on though, and our model isn’t convinced it’s set for box office glory.

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Weekend estimates: Tom and Jerry shows the strength of family movies with a $13.7-million debut

February 28th, 2021

Tom and Jerry

Tom and Jerry is enjoying the best weekend of 2021 so far, and the third-best of the pandemic era, according to Warner Bros.’ projections released on Sunday mornings. Its $13.71 million opening is a far cry from the $40 million to $50 million it might have earned before the pandemic, but it confirms something we’ve suspected since the stronger-than-expected openings of The War with Grandpa and The Croods: A New Age: family movies are performing much better during the pandemic than other types of film… More...

Weekend predictions: $6 million is the benchmark for Tom and Jerry

February 26th, 2021

Tom and Jerry

Warner Bros. wraps up January with what should be the biggest release of the year so far. Under normal circumstances, Tom and Jerry would be looking for an opening weekend somewhere close to the $58 million enjoyed by Sonic the Hedgehog this time last year. Our model says $46 million would be par for the course for a film like this. But, even though there are some signs of improvement in the theatrical market, pandemic-related restrictions and the reluctance of audiences to return to theaters means the movie won’t see anything close to that level of business this weekend.

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Weekend estimates: a 3-way tie for number one

February 14th, 2021

The Croods: A New Age

The combination of a long weekend and a very tight race means it’s hard to say who’s winning at the box office this weekend. Universal is claiming bragging rights, with a $2.04 million three-day estimates for The Croods: A New Age. It is set to earn around $2.66 million including Monday’s holiday gross. Warner Bros. is projecting $2.0 million over three days and $2.4 million for the long weekend for both its new release Judas and the Black Messiah and the returning The Little Things. (The studio didn’t originally announce a three-day number for The Little Things, but just confirmed that $2.0 million figure with us.)

Outside of this minor intrigue at the top of the chart, this week’s estimates contain some promising news… More...

Weekend predictions: The Little Things should easily win the weekend

January 29th, 2021

The Little Things

This weekend’s release of The Little Things continues Warner Bros.’ strategy of launching major films simultaneously in theaters and on HBO Max, following the Christmastime launch of Wonder Woman 1984. The studio can argue that its experiment has paid off so far, with Wonder Woman posting a decent opening, given the state of the pandemic, and also driving new subscribers to the service. Little Things will be more of test though, since it’s not a major franchise release and isn’t high on the list of most-anticipated movies of the year.

It does, however, come with an impeccable pedigree, and our model is quite enthusiastic about its chances.

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Weekend estimates: Marksman stays top

January 24th, 2021

The Marksman

The Marksman will remain at the top of the box office chart this weekend with a decent 35% decline from its opening according to Open Road’s Sunday morning projection. The Croods: A New Age will fall just 9% from last weekend to finish second. Wonder Woman 1984 (which our model forecast would regain top spot) is set to fall 38% this weekend to $1.6 million for a total of $37.7 million to date. More...

Weekend predictions: Marksman and Wonder Woman do battle for top spot

January 22nd, 2021

The Marksman

The box office race is overshadowed this weekend by a barrage of release date changes precipitated by the continued terrible situation with the pandemic across North America and a growing acceptance that movie theaters won’t all be open and operating under normal conditions for quite a while. The first domino to fall was No Time to Die, which has moved from April 2 to October 8. Our release schedule changes page has the gory details of all the changes announced by studios in the aftermath. The consensus seems to be that major releases definitely won’t be viable as theatrical-only releases until late April or early May, and the big guns are mostly settling in to the October through December timeframe. It might be a while before we see a tentpole come to theaters that isn’t also being quickly or simultaneously released for the home market, either on a streaming platform or as a PVOD release.

All that adds up to long theatrical runs by default for the films currently at the top of the box office chart. Here’s what our model thinks of them this weekend.

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Weekend estimates: Marksman topples Wonder Woman

January 17th, 2021

The Marksman

The Marksman will win the battle at the top of the box office chart this weekend, according to studio estimates released on Sunday. The action thriller is projected to earn $3.225 million over the three-day part of the weekend, and Open Road expects it to add another $480,000 tomorrow for a four-day opening of $3,705,000. Its debut is comfortably ahead of our Friday prediction, but a little behind Honest Thief, which earned $3.6 million over its three-day opening weekend back in October. The decline is most likely a reflection of the worsening pandemic conditions over the past few months, but Open Road shared some interesting demographic details that shed more light on how the market is evolving at the moment. More...

Weekend predictions: Marksman and Wonder Woman in head-to-head battle

January 15th, 2021

The Marksman

MLK Weekend could have a close race at the box office as new release The Marksman goes head-to-head with Wonder Woman 1984. Our model thinks Wonder Woman has the edge, but it’s likely to be a close-run thing. Liam Neeson has an impeccable pedigree when it comes to action thrillers—this isn’t even his first outing in such a film during the pandemic—and Honest Thief beat expectations with a $3.6-million opening weekend back in October. Here’s what the model thinks about Marksman

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Weekend estimates: Wonder Woman stays top, but continues to decline steeply

January 10th, 2021

Wonder Woman 1984

Wonder Woman 1984 will easily top the box office chart again this weekend, according to studio estimates released on Sunday morning, but it will fall 45% from last weekend. That’s a significantly larger decline than the rest of the films in the top 12, and The Croods: A New Age will overtake it in a couple of weeks if this trend continues. Wonder Woman’s total will stand at $32.6 million after today, compared to Croods’ $36.9 million, so there’s a strong probability that the two films will end up roughly tied at the domestic box office. More...

Weekend predictions: Wonder Woman stands atop desolate box office

January 8th, 2021

Wonder Woman 1984

The theatrical market has everything working against it this weekend: a pandemic at its peak, a national constitutional crisis, and no new wide releases. All happening on what’s traditionally one of the slower weekends of the year. We’re not quite going to return to the lowest ebb in business since theaters started to reopen, according to our model, but it looks as though we might come close.

Here’s what our latest analysis run says about likely business this weekend.

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Weekend estimates: Wonder Woman stays top over New Year’s Weekend

January 3rd, 2021

Wonder Woman 1984

Wonder Woman 1984 will remain top at the box office this weekend, according to studio estimates released on Sunday morning, but it’ll do so in spite of a sharp fall from its opening weekend. Warner Bros. projects a $5.5-million weekend for the super hero pic, down 67% from last weekend. That’s not a huge fall for a film like this by historical standards, but it is a surprisingly-sharp decline for the New Year weekend, and considerably worse than any other film reporting, many of which increased their box office from Christmas weekend. More...

Weekend predictions: Wonder Woman to dominate Christmas weekend on screen and at home

December 24th, 2020

Wonder Woman 1984

Wonder Woman will take us back to the 1980s, and possibly forward to the mid-2020s this weekend with an unprecedented release wide in theaters and simultaneously on the HBO Max streaming platform. What that means for its box office is, honestly, a mystery. While its performance will be very closely watched, there are so many additional confounding factors—the Christmas weekend, rising cases of COVID-19 around the country, theater closures and seating restrictions—that it would be unwise to draw too many conclusions from its performance. This week’s run of our box office model at least gives us a baseline to work from.

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Weekend estimates: Monster Hunter tops domestic chart, Wonder Woman rules the rest of the world

December 20th, 2020

Wonder Woman 1984

As expected, Monster Hunter will top the domestic chart this weekend, but the big news is Wonder Woman 1984’s global launch to $38.5 million from 30,221 screens in 32 markets. More...

December preview: Wonder Woman heralds the end of the theatrical window (for now?)

December 1st, 2020

Wonder Woman 1984

The worst year for the movie theatrical industry in a century will end with a series of releases that might define the business for the next decade. Only three of the major studios are daring to release films in theaters during what is shaping up to be the height of the COVID-19 pandemic. Sony Pictures is going the traditional route with Monster Hunter getting an exclusive theatrical release on Christmas Day. Universal’s deals with AMC and Cinemark to allow shortened theatrical windows in return for sharing PVOD revenue have prompted it and its specialty division Focus Features to release four films this holiday season. But all eyes (or many of them, anyway) will be on Warner Bros.’ release of Wonder Woman 1984 simultaneously in theaters and on HBO Max.

When the studio announced this release strategy back on November 18 there was speculation that, if it worked out well, they might do the same thing with some of their other upcoming films. Today they threw caution to the wind and announced that all of the studio’s 2021 films will be released in theaters and on HBO Max at the same time (in territories where HBO Max is available). While we’re still digesting the news, here are three quick takes on the rationale for Warner Bros. to make this bold leap. More...

Wonder Woman 1984 Trailer 2

August 25th, 2020

Superhero action movie starring opens October 2 ... Full Movie Details. More...

Wonder Woman 1984 Trailer

December 9th, 2019

Superhero action movie starring opens June 5 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/12/18 - $1,700,000   1,881 $904   $1,700,000 1
2021/01/08 - $624,000   1,426 $438   $4,800,000 4
2021/01/15 - $387,000 -38% 1,263 $306   $5,400,000 5
2021/01/22 - $263,000 -32% 995 $264   $5,800,000 6
2021/01/29 - $143,000 -46% 829 $172   $6,000,000 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 12/26/2020 $4,000,000 312 805 3170 $19,204,043 10/20/2022
Brazil 12/18/2020 $1,700,000 1881 1881 6394 $6,900,000 10/19/2022
China 12/17/2020 $18,400,000 107970 107970 115899 $25,500,000 10/19/2022
Germany 12/23/2020 $0 0 0 0 $71,659 7/6/2021
Hong Kong 2/19/2021 $520,000 75 217 292 $877,000 10/19/2022
Italy 5/13/2021 $17,994 0 4 4 $38,160 10/20/2022
Japan 12/18/2020 $1,600,000 743 743 743 $5,300,000 10/19/2022
Lithuania 4/30/2021 $2,698 10 10 24 $6,314 10/20/2022
Mexico 12/17/2020 $1,381,292 0 0 0 $5,100,000 10/19/2022
Netherlands 3/5/2021 $0 0 1 3 $7,678 6/28/2021
New Zealand 12/26/2020 $631,196 111 114 818 $2,835,771 3/31/2021
North America 12/25/2020 $16,701,957 2,151 2,218 29,470 $46,801,036
Portugal 12/17/2020 $104,422 142 142 488 $437,292 5/12/2021
Russia (CIS) 1/8/2021 $0 0 1709 5172 $3,900,000 10/19/2022
Saudi Arabia 12/18/2020 $1,000,000 115 115 115 $3,400,000 10/19/2022
Singapore 12/18/2020 $1,400,000 132 132 132 $3,900,000 10/19/2022
Slovakia 12/18/2020 $30,458 57 57 57 $38,398 12/22/2020
South Korea 12/25/2020 $1,788,399 2260 2260 6458 $4,500,000 10/19/2022
Spain 12/18/2020 $1,100,000 813 813 2753 $4,319,800 4/8/2021
Taiwan 12/18/2020 $3,500,000 411 411 1037 $8,900,000 10/19/2022
Thailand 12/18/2020 $2,000,000 605 605 605 $3,200,000 10/19/2022
United Arab Emirates 12/18/2020 $1,100,000 277 277 277 $3,000,000 1/19/2021
United Kingdom 12/25/2020 $1,142,442 214 214 256 $2,236,189 6/16/2021
Vietnam 12/18/2020 $830,000 787 787 787 $830,000 12/21/2020
 
Rest of World $15,056,892
 
Worldwide Total$166,360,232 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Gal Gadot Diana Prince/Wonder Woman
Chris Pine Steve Trevor
Kristen Wiig Barbara Ann Miverva/Cheetah
Pedro Pascal Maxwell Lord

Supporting Cast

Robin Wright Antiope
Connie Nielsen Queen Hippolyta
Lilly Aspell Young Diana
Amr Waked Emir Said Bin Abydos
Kristoffer Polaha Handsome Man
Natasha Rothwell Carol (Co-Worker)
Ravi Patel Babajide
Oliver Cotton Simon Stagg
Lucian Perez Alistair
Gabriella Wilde Raquel
Kelvin Yu Jake
Stuart Milligan POTUS
Shane Attwooll Dangerous Drunk
David Al Fahmi Mr. Khalaji
Kevin Wallace Televangelist
Wai Wong Lai Zhong
Doutzen Kroes Venelia
Hari James Herald (Trigona)
Betty Adewole Amazon
Camilla Roholm Amazon
Jessie Graff Competitor
Bronte Lavine Competitor
Briony Scarlett Competitor
Jade Johnson Competitor
Miranda Chambers Competitor
Moe Sasegbon Competitor
Gwendolyn Smith Competitor
Hayley Warnes Aella
Said Taghmaoui Sameer (Photograph)
Ewen Bremner Charlie (Photograph)
Eugene Brave Rock Chief (Photograph)
Lucy Davis Etta (Photograph)
Lyon Beckwith Buzz Cut
Ryan Watson Bad Skin
James C. Burke Flat Top
Brandon Thane Wilson Scowler
Oakley Bull Kelly (Girl Hostage)
Andy Riddle Donkey Kong Geek (Mall)
Rey Rey Terry Courtney
Tina Edwards Courtney’s Mom
Bill DeBrason Mall Cop (Exterior)
Rick Kain Mall Cop (Exterior)
Vickie Warehime Mall Security Guard
Mike D. Anderson Mall Security Guard
Christopher Crutchfield Walker Mall Security Guard
Gina Grinkemeyer Panicked Shopper
Cassandra Newman Panicked Shopper
Valerie Leonard Jewelry Sales Associate
Susan Smythe Jewelry Sales Associate
Bob Cusack News Reporter (Aftermath)
John Bucy Camaro Driver
Patrick Gover Camaro Passenger
Tracy Tobin Jogger
Mitch Holson Preppy Guy (Dupont Circle)
Ashley Gladden Preppy Girl (Dupont Circle)
Spencer Trinwith Georgetown Cafe Waiter
Parker Damm Commander Salamander Manager
Caroline Coleman Shoplifter
Summer Snead Shoplifter
Tori Beverly Shoplifter
Raquel Merediz Eager Saleswoman (Clothes)
Vince Eisenson Guy Hailing Cab (Georgetown)
Asim Chaudhry Roger (Co-Worker)
Danny Morgan Co-Worker 2 (Spare Coffee)
Tessa Bonham Jones Lucy (Co-Worker)
Philip Philmar Janitor
Mensah Bediako Leon
Russell Barnett FBI Agent (Stagg’s Office)
Peter Brooke FBI Agent (FBI Office)
Jarren Dalmeda FBI Agent (Stagg’s Lobby)
Jasmine Clark Black Gold Receptionist
Jonathan Ajayi Black Gold Young Man - Emerson
Tomos Vaughan-Williams Black Gold Young Man
Avi Rothman Black Gold Hotshot Aide
Belinda Mayne Stagg’s Secretary
Orlando James Party Goer
Bruce MacKinnon Party Goer
Ed Birch White House Carl
Aykut Hilmi Cab Driver (Egypt)
Zaydun Khalaf Emir’s Aide
Nerea Palacios Egyption Child 1
Altahay Ramos Martin Egyption Child 2
Joanne Henry White House Staffer
Patrick Lyster CJCS (Oval Office)
Sam Sheridan US Army Tech
Paul Boyd US Army Tech
Vincent Jerome US Army Tech
Akie Kotabe Air Traffic Controller
Kenneth Jay Air Traffic Controller
Jasmine Hyde British News Reporter
Paul McQuaid American Reporter
Gabriel Constantin Silo Technician
Alex Delescu Silo Technician
Mish Boyko Silo Technician
Constantine Gregory Russian General
Michael Poole Old Russian Grandfather
Joe Palka Neighbor/Cow Man
Jean H. Miller Dog Walker
Mike Sengelow Head Technician (Inner Chamber)
Paul Connaughton Irishman (Tea Shop)
Wendy Albiston Nasty Woman (Tea Shop)
Rhonda Overby Passing Reporter
Lambro Demetriou Max (8 Years Old)
Jonny Barry Max (15 Years Old)
Luis Torrecilla Max’s Father
Sarah Barlondo Max’s Mother
Matt Costello Max’s Driver
Evan Bittner Photographer
Archie L. Harris, Jr. Penn Avenue Watergate Cop
Stephanie Waters Penn Avenue Mother
Thomas Clay Strickland Wild Gunman
Chi-Lin Nim Wang (Chinese Kitchen)
Michael Kaurene Punk in Subway
Michael Gabel Apocalyptic Preacher
Orlando Gonzalez Convoy Driver
Dan De Luca Convoy Driver
Ahmed Hussien Convoy Driver
Tony Zarouel Convoy Driver
Naithan Ariane Convoy Driver
Joel Morris Security Guard
Michael Salami Security Guard
Kosha Engler US National News Anchor
Asa Sheridan Jace Valentine
Alma Varsano Snowball Girl
Maya Varsano Carousel Girl
Jaron Varsano Carousel Father
Tilly Winford Christmas Player
Victoria Broom Grateful Parent
Hamza Siddique Militant
Colin Stinton Norad Colonel
Andy Cheung Resident
Katharine Pickering Amazon Athlete
Karis McCabe Amazon Athlete
Saskia Neville Amazon Athlete
Jenny Pacey Amazon Athlete
Mikayla-Jade Barber Amazon Athlete
Candice Carbine Amazon Athlete
Donna Forbes Amazon Athlete
Chantal Nell Amazon Athlete

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Patty Jenkins Director
Patty Jenkins Screenwriter
Geoff Johns Screenwriter
David Callaham Screenwriter
Patty Jenkins Story by
Geoff Johns Story by
Patty Jenkins Producer
Gal Gadot Producer
Stephen Jones Producer
Zack Snyder Producer
Deborah Snyder Producer
Charles Roven Producer
Rebecca Steel Roven Executive Producer
Richard Suckle Executive Producer
Marianne Jenkins Executive Producer
Geoff Johns Executive Producer
Walter Hamada Executive Producer
Chantal Nong Executive Producer
Wesley Coller Executive Producer
Aline Bonetto Production Designer
Richard Pearson Editor
Hans Zimmer Composer
Matthew Jensen Director of Photography
Lindy Hemming Costume Designer
Lucinda Syson Casting Director
Kristy Carlson Casting Director
John Moffatt Visual Effects Supervisor
Damian Anderson Unit Production Manager
Marianne Jenkins Unit Production Manager
Stephen Jones Unit Production Manager
Toby Hefferman First Assistant Director
Toby Hefferman Associate Producer
Andy Madden Key Second Assistant Director
Dan Bradley Second Unit Director
Dominic Sidoli Visual Effects Producer
Tim Grover Post-Production Supervisor
Elise Iglesias Associate Producer
Jason Crain Associate Producer
Anna Obropta Associate Producer
Peter Russell Supervising Sound Editor
Rod McLean Art Director
Simon Elsley Art Director
Georgia Warner Art Director
Richard Selway Art Director
Mark Scruton Art Director
Anita Gupta Art Director
Gavin Fitch Art Director
Arwel Evans Art Director
Darren Tubby Art Director
Peter J. Devlin Sound Mixer
Laura Miles Script Supervisor
Tom Harrison-Read Additional Editor
Richard King Supervising Sound Editor
Gary A. Rizzo Re-recording Mixer
Kevin Penney Sound Effects Editor
Rowan Watson Sound Effects Editor
Jeff Sawyer Sound Effects Editor
Iain Eyre Dialogue Editor
Dan Grace Costume Supervisor
Anna Lynch-Robinson Set Decorator
David Zealey Production Supervisor
Steve Mortimore Supervising Location Manager
Lynsey Cosford Location Manager
Mark Holt Special Effects Supervisor
Russell Lodge Production Manager
Sean Flanigan Hairstylist
Gary English Hairstylist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.