Mexico Box Office for Hacksaw Ridge (2016)
Theatrical Performance (US$) | ||
Mexico Box Office | $1,955,598 | Details |
Worldwide Box Office | $168,423,249 | Details |
Home Market Performance | ||
North America DVD Sales | $14,700,420 | Details |
North America Blu-ray Sales | $14,588,028 | Details |
Total North America Video Sales | $29,288,448 | |
Further financial details... |
Synopsis
The true story of Desmond Doss who, in Okinawa during the bloodiest battle of WWII, saved 75 men without firing or carrying a gun. He was the only American soldier in WWII to fight on the front lines without a weapon, as he believed that while the war was justified, killing was nevertheless wrong. As an army medic, he single-handedly evacuated the wounded from behind enemy lines, braved fire while tending to soldiers and was wounded by a grenade and hit by snipers. Doss was the first conscientious objector to ever earn the Congressional Medal of Honor.
Metrics
Movie Details
Production Budget: | $40,000,000 |
Mexico Releases: | December 29th, 2016 (Wide) |
Video Release: | February 7th, 2017 by Lionsgate Home Entertainment |
MPAA Rating: | R for intense prolonged realistically graphic sequences of war violence including grisly bloody images. (Rating bulletin 2445 (Cert #50531), 10/5/2016) |
Running Time: | 138 minutes |
Keywords: | World War II, Anti-war, Conscientious Objector, Pacifism, 1940s, 2017 Oscars Best Picture Nominee, Faith-Based Film, War Drama |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Cross Creek Pictures, Pandemonium, Permut Presentations, Demarest Films, Summit Entertainment, Argent Pictures, Vendian Entertainment |
Production Countries: | United States |
Languages: | English |
2016 Awards Season: A Final Look at the Oscars
February 27th, 2017
Oscar night turned out to be... interesting at the end. “Interesting” as in “May you live in interesting times.” The big winner of the night was chaos, as there was a mistake with the Best Picture category. (On a side note, I really hope this ends the conspiracy theory that Marisa Tomei didn’t earn her Oscar. Some think her name was announced by accident and they didn’t bother to correct the mistake. They would have obviously corrected the mistake.) On a serious note, Moonlight’s win is amazing. It has likely the lowest budget of the nine Best Picture Nominees and at the moment the lowest box office. That could change with its three wins last night. Additionally, all three wins came from high prestige categories, compared to just two for La La Land. However, La La Land won six Oscars overall, two high prestige, both music categories, and two technical awards, so it too could be seen as the big winner of the night.
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2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!
February 26th, 2017
It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night.
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2016 - Awards Season: Oscars - Nominations - Final Look
February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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2016 Awards Season: Oscar Highlight: Best Picture
February 24th, 2017
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the final category: Best Picture. It is not a competitive category with an overwhelming favorite, a long shot with a shot, and then rest have maybe a combined 2% chance of winning.
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2016 Awards Season: Oscar Highlight: Best Director
February 23rd, 2017
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Director. It is not a particularly competitive category with a favorite, a long shot with a shot, and then everyone else.
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Home Market Releases for February 21st, 2017
February 21st, 2017
Did you know Oscars are being handed out next week? If you didn’t already know that, you would be able to figure that out, as there are five major Oscar nominees on this week’s list. Two of those, Jackie and Moana, are VOD releases, so that limits the choices for Pick of the Week. In fact, only Manchester by the Sea was a contender for Pick of the Week. Unfortunately for that film, I got to the review for Doctor Strange a week early and I’m awarding it the Pick of the Week this week. It is out on VOD right now, but I would wait a week for the Blu-ray Combo Pack.
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2016 Awards Season: Oscar Highlight: Best Leading Actor
February 16th, 2017
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Leading Actor, which is a three-way race this year. This makes it one of the most competitive categories we will be talking about.
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2016 - Awards Season: BAFTA - Winners - La La Lands on Top, Again
February 12th, 2017
The BAFTA winners were announced on Sunday and there were very few surprises to talk about. La La Land again won the most awards with five, while only two other films, Lion and Manchester by the Sea, earned more than one award. They each won two.
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Home Market Releases for February 07th, 2017
February 7th, 2017
The winter releases are starting to come out on the home market. Trolls is the biggest such release, but it isn’t the best. It isn’t bad either, but it’s for kids and not adult fans of animation. As for the best, there are a quartet of contenders for Pick of the Week; Loving, The Eagle Huntress, Little Sister, and Two Lovers and a Bear. All four are must haves, while Loving’s Blu-ray Combo Pack is the Pick of the Week. Meanwhile, Two Lovers and a Bear’s DVD is the Puck of the Week for Best Canadian Release.
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2016 - Awards Season: SAG - Winners
January 29th, 2017
The Screen Actors Guild were handed out tonight and there were a couple of surprises to talk about. There was no one big winner. Hidden Figures won the most prestigious category, but Fences was the only film with multiple wins.
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2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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2016 - Awards Season: PGA - Nominations
January 11th, 2017
The Producers Guild of America finally finished announcing their nominations. (They spread out their announcements for reasons I’ve never quite understood.) Most of the films on this list have already earned more than a few previous nominations. We appear to be settling into a predictable Awards Season.
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2016 - Awards Season: BAFTA - Nominations
January 11th, 2017
The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece.
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International Box Office: Beasts have a Fantastic Month
December 14th, 2016
For the fourth and final time, Fantastic Beasts and Where to Find Them earned first place on the international chart, this time earning $33.1 million in 67 markets. It now has totals of $480.7 million internationally and $679.6 million worldwide. This will be the last weekend the film will spend in first place, but it should last long enough to overtake Suicide Squad on the 2016 Worldwide chart.
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2016 - Awards Season: SAG - Nominations
December 14th, 2016
The Screen Actors Guild were the third group to announce their nominations for this awards season. So far there have been three different films earning the most nominations. This could mean the Oscar race will be a lot closer than in past years. This time around Manchester by the Sea led the way with four nominations.
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2016 - Awards Season: Golden Globes - Nominations
December 12th, 2016
The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season.
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Weekend Wrap-Up: The Holiday Box Office Season has Arrived
November 15th, 2016
The weekend box office was better than anticipated, thanks mostly to Remembrance Day. Doctor Strange fell less than 50%, which is stunning for a big blockbuster like this. Trolls held on even better and Arrival had a surprisingly strong opening weekend. Granted, the overall box office still dropped by 18% to $158 million, but some drop-off is unavoidable the weekend after a blockbuster release. This was 46% higher than the same weekend last year and that is a lot more important. Year-to-date, 2016 has earned $9.49 billion, putting it 5.7% or $510 million ahead of last year’s pace.
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Weekend Predictions: Will Any New Release Arrive on Top?
November 10th, 2016
There are a trio of new releases coming out this week, but none of them are expected to challenge for top spot. Arrival is earning stellar reviews, but it is also being released by Paramount and they’ve had a terrible year. Almost Christmas is a Christmas movie aimed at African-Americans. It should do well enough to become a financial success, but it won’t be a major player at the box office. Then there’s Shut In, which is barely opening wide and will very likely miss the top five. It might miss the Mendoza Line. This will leave Doctor Strange with an easy first place, while Trolls should remain in second. This weekend last year, the new releases were pitiful. The best earned less than $10 million. If 2016 doesn’t win in the year-over-year comparison, then we are in serious trouble.
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Weekend Wrap-Up: Nothing Strange about the Doctor’s $85.06 million Opening Weekend
November 7th, 2016
Doctor Strange’s opening weekend was off by 0.069% when compared to our prediction. I think that gives us reason to brag. Both Trolls and Hacksaw Ridge beat expectations by a relatively significant margin. Overall, the weekend box office rose 115% from last weekend to $191 million. That’s 18% more than the same weekend last year. Year-to-date, 2016’s lead over 2015 increased to 5.6% or $490 million at $9.28 billion to $8.79 billion. If 2016 can maintain this lead until Rogue One comes out, then 2016 will win in the end.
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Weekend Estimates: Doctor Strange’s $85 Million Gives Industry a Much-Needed Boost
November 6th, 2016
After a couple of months of weak box office, and some very disappointing openings, Doctor Strange, Trolls and Hacksaw Ridge are each, in their own way, putting things back on track. Doctor Strange is grabbing the headlines of course, with an impressive $84,989,000 opening projected by Disney on Sunday morning. That’s almost identical to the opening weekend enjoyed by Thor: The Dark World on this weekend back in 2013, and comes without the benefit of being part of an established franchise (putting aside its place in the Marvel Cinematic Universe).
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Friday Estimates: Doctor Strange Heals the Box Office with $32.56 million
November 5th, 2016
As expected, Doctor Strange dominated the Friday box office chart with $32.56 million. This is 19% higher than Spectre’s opening day was last year, which is great news. Granted, Doctor Strange had much better previews, so the actual 24-hour Friday numbers are much closer. On the other hand, Doctor Strange’s reviews remain 90% positive, while its CinemaScore is an impressive A. Spectre earned 65% positive reviews and an A- from CinemaScore. If the two films have the same internal multiplier, then Doctor Strange will open with $84 million. However, the Fanboy Effect will likely keep it to just above $80 million. This is still a great start and another smash hit from the Marvel Cinematic Universe.
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Thursday Night Previews: Strange Trolls the Competition with $9.4 million
November 4th, 2016
Doctor Strange earned $9.4 million during its previews, which is the best preview performance since Suicide Squad pulled in $20.5 million in August. However, August is a very different month, so it would be better to compare this result to other November releases. $9.4 million is better than the $5.25 million Spectre earned, but well below the $16.0 million The Hunger Games: Mockingjay—Part 2 managed. That leaves us with a lot of mixed signals. The film’s 90% positive reviews are better than all three of those films, so it should have better legs. On the low end, it could earn $65 million, while on the high end, it could still match our prediction of $85 million.
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Weekend Predictions: Will Audiences Find Doctor Too Strange?
November 3rd, 2016
Doctor Strange is the latest installment in the Marvel Cinematic Universe and arguably the strangest one. It is widely expected to dominate the box office this weekend. Trolls is expected to open way back in second place, but still have a strong showing. The final wide release of the week is Hacksaw Ridge, which appears to be getting lost in the crowd. This weekend last year. Spectre and The Peanuts Movie had a one-two punch that earned a combined $115 million. I think Doctor Strange / Trolls will top that figure giving 2016 the win in the year-over-year comparison.
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2016 Preview: November
November 1st, 2016
October turned out to be a mixed month. On the one hand, not one movie earned $100 million, or even came close. However, it was also a more steady month than last October and the last two weeks really helped 2016 in the year-over-year comparisons. In November, we have five films with at least a shot at $100 million, three of which should have no trouble getting to at least $200 million. A little while ago, I thought Fantastic Beasts and Where to Find Them would be the biggest hit of the month, but the buzz took a hit recently. More on that below. Meanwhile, Doctor Strange’s reviews are currently 90% positive and that should help it out at the box office. The third very likely $200 million hit is Moana. There is certainly precedent for an animated movie to be a monster hit at this time of year, but there is also a lot of competition. Last November was similar in strength, with five films that earned more than $100 million and two films that earned more than $200 million. None earned more than $300 million, so that’s the goal for this November. If we can get one $300 million and / or three $200 million movies over the month, then it will be seen as a victory.
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Hacksaw Ridge Trailer
August 2nd, 2016
War drama starring Andrew Garfield, directed by Mel Gibson opens November 4 ... Full Movie Details.
The true story of Desmond Doss who, in Okinawa during the bloodiest battle of WWII, saved 75 men without firing or carrying a gun. He was the only American soldier in WWII to fight on the front lines without a weapon, as he believed that while the war was justified, killing was nevertheless wrong. As an army medic, he single-handedly evacuated the wounded from behind enemy lines, braved fire while tending to soldiers and was wounded by a grenade and hit by snipers. Doss was the first conscientious objector to ever earn the Congressional Medal of Honor.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/12/30 | 10 | $398,215 | 0 | $517,534 | 1 | ||
2017/01/06 | 7 | $344,196 | -14% | 0 | $1,446,751 | 2 | |
2017/01/13 | 7 | $228,375 | -34% | 0 | $1,660,362 | 3 | |
2017/01/20 | 8 | $199,625 | -13% | 0 | $1,955,598 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 1/6/2017 | $324,125 | 0 | 0 | 0 | $866,535 | 1/1/2019 |
Australia | 11/4/2016 | $1,234,244 | 266 | 283 | 2349 | $6,122,957 | 10/7/2024 |
Brazil | 1/26/2017 | $0 | 0 | 0 | 0 | $1,180,620 | 6/26/2018 |
Bulgaria | 12/2/2016 | $6,992 | 0 | 0 | 0 | $21,374 | 2/26/2019 |
China | 12/8/2016 | $5,029 | 0 | 42892 | 96783 | $62,124,944 | 8/27/2018 |
Czech Republic | 11/11/2016 | $69,366 | 71 | 71 | 250 | $300,954 | 12/31/2018 |
France | 11/11/2016 | $1,348,798 | 0 | 0 | 0 | $3,786,258 | 8/17/2018 |
Italy | 2/3/2017 | $1,234,373 | 0 | 0 | 0 | $6,180,714 | 3/9/2017 |
Japan | 6/23/2017 | $950,589 | 0 | 0 | 0 | $2,482,122 | 6/30/2018 |
Lithuania | 11/4/2016 | $48,903 | 100 | 100 | 353 | $252,980 | 2/2/2017 |
Mexico | 12/29/2016 | $398,215 | 0 | 0 | 0 | $1,955,598 | 1/24/2017 |
Netherlands | 11/3/2016 | $276,111 | 86 | 94 | 616 | $1,492,303 | 1/12/2017 |
New Zealand | 11/4/2016 | $138,724 | 53 | 91 | 457 | $622,718 | 3/20/2017 |
North America | 11/4/2016 | $15,190,758 | 2,886 | 2,971 | 19,682 | $67,209,615 | |
Poland | 11/4/2016 | $277,028 | 0 | 0 | 0 | $1,533,061 | 1/1/2019 |
Portugal | 11/11/2016 | $176,539 | 78 | 78 | 431 | $960,243 | 5/4/2021 |
Russia (CIS) | 11/18/2016 | $381,232 | 436 | 436 | 1108 | $1,298,342 | 1/1/2019 |
Slovakia | 11/11/2016 | $35,799 | 48 | 48 | 127 | $135,918 | 12/16/2016 |
Slovenia | 11/11/2016 | $15,927 | 23 | 23 | 56 | $58,087 | 12/28/2016 |
South Korea | 2/6/2017 | $6,046 | 0 | 427 | 582 | $1,191,252 | 1/8/2019 |
Spain | 12/9/2016 | $523,267 | 362 | 362 | 1419 | $2,370,174 | 3/10/2017 |
Turkey | 11/25/2016 | $54,313 | 50 | 50 | 91 | $130,307 | 2/26/2019 |
United Kingdom | 1/27/2017 | $1,867,366 | 432 | 455 | 1452 | $6,146,173 | 2/22/2017 |
Worldwide Total | $168,423,249 | 10/7/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Andrew Garfield | Desmond T. Ross |
Supporting Cast
Sam Worthington | Captain Glover |
Luke Bracey | Smitty Ryker |
Teresa Palmer | Dorothy Schutte |
Hugo Weaving | Tom Doss |
Rachel Griffiths | Bertha Doss |
Vince Vaughn | Sgt. Howell |
Richard Pyros | Teach |
Jacob Warner | James Pinnick |
Milo Gibson | Lucky Ford |
Roman Guerriero | Young “Hal” Doss |
James Lugton | Hiker |
Kasia Stelmach | Hiker’s Friend |
Jarin Towney | Teenage Boy |
Tim McGarry | Local Man |
Tyler Coppin | Lynchburg Doctor |
Richard Pratt | Flirting Hospital Soldier |
Nathaniel Buzolic | Harold “Hal” Doss |
Laura Buckton | Cinema Kissing Sweetheart |
Anthony Rizzo | Cinema Kissing Soldier |
Simon Edds | MP Gibbs |
Thatcher McMaster | Company B Soldier |
Charles Jacobs | Private Webb |
Dennis Kruesler | Sergeant Amos |
Firass Dirani | Vito Rinnelli |
Michael Sheasby | Tex Lewis |
Luke Pegler | Hollywood Zane |
Ben Mingay | Grease Nolan |
Nico Cortez | Wal Kirzinski |
Goran D. Kleut | Ghoul |
Harry Greenwood | Henry Brown |
Damien Thomlinson | Ralph Morgan |
Ben O'Toole | Corporal Jessup |
Andrew Sears | Private Maguire |
Jim Robinson | Private Bates |
Nathan Baird | Private Green |
Sam Wright | Private Dixon |
Mikael Koski | Private Giles |
Troy Pickering | Private Tyler |
James Moffett | Private Lewis |
Josh Dean Williams | Private Perry |
Richard Roxburgh | Colonel Stelzer |
Andrew Hansch | Bugle Player |
John Cannon | Corporal Cannon |
Robert Morgan | Colonel Sangston |
Helmut Bakaitis | Minister |
Georgia Adamson | Receptionist |
Bill Young | General Musgrove |
Benedict Hardie | Captain Daniels |
Philip Quast | Judge |
James Mackay | Prosecutor |
Ryan Corr | Lieutenant Manville |
Sam Parsonson | 96th Soldier Bob |
James O'Connell | 96th Soldier Page |
Ori Pfeffer | Irv Schecter |
Craig Reeves | Climbing Soldier |
Adrian Twigg | Soldier — Death Throes |
Sean Lynch | Popeye |
Luke McMahon | Stretcher Bearer |
Bill Thompson | Wounded Soldier |
William Temm | Firing Japanese Soldier #1 |
Kazuaki Ono | Firing Japanese Soldier #2 |
Thomas Unger | Stretcher Bearer |
Eric Taugherbeck | Wounded Private O’Conner |
Hayden Geens | Wounded Private Blake |
Edward Ned Law | Rescued Private Horvath |
Kazuki Yuyama | Corpse with Rats #2 |
Daisuka Takeda | Corpse with Rats #3 |
Raphael Dubois | Corpse with Rats #4 |
Tim Potter | Soldier Hank |
Santo Tripodi | Soldier Carl |
Matt Nable | Lt. Colonel Cooney |
Lawrence Brewer | Head Doctor |
John Batziolas | Rescued Private Schulenberg |
Nobuaki Shimamoto | Japanese Officer |
Hioshi Kasuga | Japanese Hanging Soldier |
Ryuzaburo Naruse | Injured Japanese in Tunnel |
Hisataka Uematsu | Reacting Japanese Soldier #2 |
Adam Bowes | Rescued Wounded Leg Soldier |
Michael Hennessy | Rescued Private Moran |
Benjamin McCann | Rescued Private Saareste |
Yukihiro Nagashima | Rescued Japanese Soldier |
Takehiro Abe | Japanese Sniper |
Daniel Thone | Stretcher Bearer |
Nathan Halls | Private Tillson |
Nicholas Cowey | Private Gregan |
Charles Upton | Scared Military Officer |
Yoji Tatsuta | Japanese General |
Toshiyuki Teramoto | Surrendering Soldier |
Honsen Haga | Japanese General’s Assistant |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Mel Gibson | Director |
Robert Schenkkan | Screenwriter |
Andrew Knight | Screenwriter |
David Permut | Producer |
Bill Mechanic | Producer |
Brian Oliver | Producer |
William D. Johnson | Producer |
Bruce Davey | Producer |
Paul Currie | Producer |
Terry Benedict | Producer |
David Greathouse | Executive Producer |
Stuart Ford | Executive Producer |
Tyler Thompson | Executive Producer |
Eric Greenfeld | Executive Producer |
Rick Nicita | Executive Producer |
Len Blavatnik | Executive Producer |
Christopher Woodrow | Executive Producer |
Michael Bassick | Executive Producer |
Buddy Patrick | Executive Producer |
Suzanne Warren | Executive Producer |
Lenny Kornberg | Executive Producer |
Mark C. Manuel | Executive Producer |
Ted O'Neal | Executive Producer |
Barbara Gibbs | Line Producer |
Simon Duggan | Director of Photography |
Barry Robison | Production Designer |
John Gilbert | Editor |
Rupert Gregson-Williams | Composer |
Lizzy Gardiner | Costume Designer |
Shane Thomas | Make-up and Hair Designer |
Chris Godfrey | Visual Effects Supervisor |
Nikki Barrett | Casting Director |
P.J. Voeten | First Assistant Director |
Lorelle Adamson | Production Manager |
Mic Rodgers | Stunt Coordinator |
Kyle Gardiner | Stunt Coordinator |
Mark Robins | Supervising Art Director |
Peter Grace | Sound Recordist |
Jane Maguire | Post-Production Supervisor |
Kevin O'Connell | Re-recording Mixer |
Andy Wright | Re-recording Mixer |
Robert Mackenzie | Re-recording Mixer |
Gabe Videla | Associate Producer |
Joel Kramer | Associate Producer |
Sophie Fabbri-Jackson | Script Supervisor |
Natalie Wall | Casting Associate |
Kelly Graham | Casting Assistant |
Rebecca Cohen | Set Decorator |
Jacinta Leong | Art Director |
Brian Nickless | Assistant Art Director |
Kerry Thompson | Costume Supervisor |
Angela Conte | Make up |
Bec Taylor | Hairstylist |
Edward Donovan | Location Manager |
Tiare Tomaszewski | Location Manager |
Peter Lawless | Location Manager |
Dan Oliver | Special Effects Supervisor |
Jasmin Lyford | Special Effects Coordinator |
Damian Wyvill | Second Unit Camera |
Carly Turner | First Assistant Editor |
Robert Mackenzie | Sound Designer |
Andy Wright | Sound Supervisor |
Jed M. Dodge | Dialogue Editor |
Liam Price | Sound Effects Editor |
Tara Webb | Sound Effects Editor |
Steve Burgess | Sound Effects Editor |
Alex Francis | Foley Recordist |
Miranda Culley | Visual Effects Producer |
Prue Fletcher | Visual Effects Producer |
Simone Barker | Visual Effects Producer |
Simon Maddison | Visual Effects Supervisor |
Matt Friedman | Music Editor |
Anthony Clarke | Additional Music |
Steve Mazzaro | Additional Music |
Evan Jolly | Additional Music |
Philip Moross | Executive Music Producer |
James Gibb | Executive Music Producer |
Tara Finegan | Executive Producer |
Elexa Ruth | Co-Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.