Kevin O'Connell
Best known as a Re-recording Mixer based on credits in that role in 71 films, with $14,637,285,505 worldwide aggregate box office (rank #7) |
Best-known technical roles: Spider-Man: Far From Home (Re-recording Mixer), Jumanji: The Next Level (Re-recording Mixer), Bad Boys For Life (Re-recording Mixer), Spider-Man 2 (Re-recording Mixer), Spider-Man 3 (Sound Mixer) |
Most productive collaborators: Ludwig Göransson, Amy Pascal, John Papsidera, Matt Tolmach, Greg P. Russell |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Re-recording Mixer | 71 | $6,599,919,597 | $8,037,365,908 | $14,637,285,505 |
Sound Mixer | 4 | $672,377,271 | $1,317,911,265 | $1,990,288,536 | |
Additional Sound Re-recording Mixer | 1 | $38,362,475 | $113,354,340 | $151,716,815 | |
Sound Supervisor | 1 | $63,914,167 | $49,000,000 | $112,914,167 | |
Supervising Sound Editor | 1 | $20,537,137 | $202,186 | $20,739,323 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Re-recording Mixer at the Domestic Box Office | 6 | $6,599,566,423 |
Top Grossing Sound Mixer at the Domestic Box Office | 65 | $672,377,271 |
Top Grossing Supervising Sound Editor at the Domestic Box Office (Rank 401-500) | 477 | $20,537,137 |
Top Grossing Re-recording Mixer at the International Box Office | 10 | $8,037,365,908 |
Top Grossing Sound Mixer at the International Box Office | 42 | $1,317,911,265 |
Top Grossing Supervising Sound Editor at the International Box Office (Rank 501-600) | 524 | $202,186 |
Top Grossing Re-recording Mixer at the Worldwide Box Office | 7 | $14,636,932,331 |
Top Grossing Sound Mixer at the Worldwide Box Office | 46 | $1,990,288,536 |
Top Grossing Supervising Sound Editor at the Worldwide Box Office (Rank 501-600) | 501 | $20,739,323 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2016 Awards Season: A Final Look at the Oscars
February 27th, 2017
Oscar night turned out to be... interesting at the end. “Interesting” as in “May you live in interesting times.” The big winner of the night was chaos, as there was a mistake with the Best Picture category. (On a side note, I really hope this ends the conspiracy theory that Marisa Tomei didn’t earn her Oscar. Some think her name was announced by accident and they didn’t bother to correct the mistake. They would have obviously corrected the mistake.) On a serious note, Moonlight’s win is amazing. It has likely the lowest budget of the nine Best Picture Nominees and at the moment the lowest box office. That could change with its three wins last night. Additionally, all three wins came from high prestige categories, compared to just two for La La Land. However, La La Land won six Oscars overall, two high prestige, both music categories, and two technical awards, so it too could be seen as the big winner of the night.
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2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!
February 26th, 2017
It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night.
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2016 - Awards Season: Oscars - Nominations - Final Look
February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Oct 1, 2021 | Venom: Let There be Carnage | Re-recording Mixer | $213,550,366 | $287,996,556 | $501,546,922 |
Sep 3, 2020 | Tenet | Re-recording Mixer | $58,504,105 | $301,014,361 | $359,518,466 |
Jan 17, 2020 | Bad Boys For Life | Re-recording Mixer | $204,417,855 | $220,053,808 | $424,471,663 |
Jan 10, 2020 | Underwater | Re-recording Mixer | $17,291,078 | $21,886,417 | $39,177,495 |
Dec 25, 2019 | Little Women | Re-recording Mixer | $108,095,955 | $110,742,431 | $218,838,386 |
Dec 13, 2019 | Jumanji: The Next Level | Re-recording Mixer | $316,831,246 | $478,525,666 | $795,356,912 |
Nov 15, 2019 | Charlie’s Angels | Re-recording Mixer | $17,801,306 | $55,433,742 | $73,235,048 |
Oct 18, 2019 | Zombieland: Double Tap | Re-recording Mixer | $73,118,130 | $52,094,888 | $125,213,018 |
Jul 2, 2019 | Spider-Man: Far From Home | Re-recording Mixer | $390,532,085 | $741,575,437 | $1,132,107,522 |
Apr 5, 2019 | Shazam! | Re-recording Mixer | $140,371,656 | $223,192,251 | $363,563,907 |
Nov 9, 2018 | The Girl in the Spider’s Web | Re-recording Mixer | $14,828,555 | $20,154,787 | $34,983,342 |
Oct 5, 2018 | Venom | Re-recording Mixer | $213,511,408 | $642,569,645 | $856,081,053 |
Jun 15, 2018 | Tag | Re-recording Mixer | $54,730,625 | $22,294,319 | $77,024,944 |
Jun 13, 2018 | Superfly | Re-recording Mixer Supervising Sound Ed… |
$20,537,137 | $202,186 | $20,739,323 |
Feb 9, 2018 | Peter Rabbit | Re-recording Mixer | $115,234,093 | $231,493,279 | $346,727,372 |
Nov 17, 2017 | The Star | Re-recording Mixer | $40,847,995 | $21,758,554 | $62,606,549 |
Dec 21, 2016 | Passengers | Re-recording Mixer | $100,014,699 | $202,224,973 | $302,239,672 |
Nov 4, 2016 | Hacksaw Ridge | Re-recording Mixer | $67,209,615 | $101,814,311 | $169,023,926 |
Jun 17, 2016 | Central Intelligence | Re-recording Mixer | $127,440,871 | $89,753,934 | $217,194,805 |
Mar 16, 2016 | Miracles from Heaven | Re-recording Mixer | $61,705,123 | $12,068,194 | $73,773,317 |
Feb 12, 2016 | How to be Single | Re-recording Mixer | $46,843,513 | $53,160,267 | $100,003,780 |
Jan 22, 2016 | The 5th Wave | Re-recording Mixer | $34,912,982 | $76,423,416 | $111,336,398 |
Dec 18, 2015 | Sisters | Re-recording Mixer | $87,044,645 | $18,986,015 | $106,030,660 |
Oct 16, 2015 | Goosebumps | Re-recording Mixer | $80,069,458 | $78,882,785 | $158,952,243 |
Jul 10, 2015 | Self/Less | Re-recording Mixer | $12,279,691 | $21,387,628 | $33,667,319 |
May 15, 2015 | Pitch Perfect 2 | Re-recording Mixer | $184,296,230 | $102,918,966 | $287,215,196 |
Jan 23, 2015 | The Boy Next Door | Re-recording Mixer | $36,006,065 | $17,395,873 | $53,401,938 |
Aug 27, 2014 | The November Man | Re-recording Mixer | $25,018,119 | $9,802,216 | $34,820,335 |
Dec 25, 2013 | 47 Ronin | Additional Sound Re-recording Mixer | $38,362,475 | $113,354,340 | $151,716,815 |
Jan 28, 2013 | Last Vegas | Sound Supervisor Re-recording Mixer |
$63,914,167 | $49,000,000 | $112,914,167 |
Nov 12, 2010 | Unstoppable | Re-recording Mixer | $81,562,942 | $84,157,979 | $165,720,921 |
May 28, 2010 | Prince of Persia: Sands of … | Re-recording Mixer | $90,759,676 | $245,600,000 | $336,359,676 |
Jul 1, 2009 | Public Enemies | Re-recording Mixer | $97,104,620 | $115,178,089 | $212,282,709 |
Jan 16, 2009 | Hotel for Dogs | Re-recording Mixer | $73,178,547 | $49,178,625 | $122,357,172 |
May 4, 2007 | Spider-Man 3 | Supervising Sound Mixer | $336,530,303 | $558,329,927 | $894,860,230 |
Dec 8, 2006 | Apocalypto | Re-recording Mixer | $50,866,635 | $70,165,637 | $121,032,272 |
May 19, 2006 | The Da Vinci Code | Sound Mixer | $217,536,138 | $550,284,321 | $767,820,459 |
Apr 28, 2006 | R.V. | Re-recording Mixer | $71,724,497 | $15,748,527 | $87,473,024 |
Dec 9, 2005 | Memoirs of a Geisha | Re-recording Mixer | $57,010,853 | $104,500,000 | $161,510,853 |
Jul 22, 2005 | The Island | Re-recording Mixer | $35,818,913 | $127,200,000 | $163,018,913 |
Jun 24, 2005 | Bewitched | Re-recording Mixer | $63,313,159 | $67,846,147 | $131,159,306 |
Dec 17, 2004 | Spanglish | Re-recording Mixer | $42,044,321 | $12,300,000 | $54,344,321 |
Jul 7, 2004 | King Arthur | Supervising Sound Mixer | $51,877,963 | $151,775,561 | $203,653,524 |
Jun 30, 2004 | Spider-Man 2 | Re-recording Mixer | $374,686,354 | $421,173,072 | $795,859,426 |
Apr 23, 2004 | Man on Fire | Supervising Sound Mixer | $77,906,816 | $53,061,763 | $130,968,579 |
Dec 10, 2003 | Big Fish | Supervising Sound Mixer | $66,432,867 | $57,521,456 | $123,954,323 |
Jul 18, 2003 | Bad Boys II | Re-recording Mixer | $138,540,870 | $134,731,112 | $273,271,982 |
Jul 3, 2002 | Men in Black 2 | Re-recording Mixer | $190,418,803 | $251,349,000 | $441,767,803 |
Nov 21, 2001 | Spy Game | Re-recording Mixer | $62,362,560 | $80,687,000 | $143,049,560 |
Aug 4, 2000 | Coyote Ugly | Re-recording Mixer | $60,786,269 | $53,130,205 | $113,916,474 |
Jun 28, 2000 | The Patriot | Re-recording Mixer | $113,330,342 | $101,969,658 | $215,300,000 |
Jun 9, 2000 | Gone in 60 Seconds | Re-recording Mixer | $101,643,008 | $131,000,000 | $232,643,008 |
Apr 7, 2000 | Rules of Engagement | Re-recording Mixer | $61,322,858 | $10,397,073 | $71,719,931 |
Jul 17, 1998 | The Mask of Zorro | Re-recording Mixer | $93,828,745 | $139,871,255 | $233,700,000 |
May 19, 1998 | Godzilla | Re-recording Mixer | $136,314,294 | $239,685,706 | $376,000,000 |
Jun 6, 1997 | Con Air | Re-recording Mixer | $101,117,573 | $123,000,000 | $224,117,573 |
Aug 16, 1996 | The Fan | Re-recording Mixer | $18,582,965 | $18,582,965 | |
Jun 7, 1996 | The Rock | Re-recording Mixer | $134,069,511 | $202,000,000 | $336,069,511 |
Nov 22, 1995 | Nick of Time | Re-recording Mixer | $8,087,783 | $8,087,783 | |
Jun 9, 1995 | Congo | Re-recording Mixer | $81,022,333 | $71,000,000 | $152,022,333 |
May 12, 1995 | Crimson Tide | Re-recording Mixer | $91,387,195 | $68,000,000 | $159,387,195 |
Apr 7, 1995 | Bad Boys | Re-recording Mixer | $65,647,413 | $75,600,000 | $141,247,413 |
Sep 10, 1993 | True Romance | Re-recording Mixer | $12,281,000 | $362,293 | $12,643,293 |
Aug 13, 1993 | Heart and Souls | Re-recording Mixer | $16,479,685 | $16,479,685 | |
Jul 9, 1993 | In the Line of Fire | Re-recording Mixer | $102,243,874 | $85,100,000 | $187,343,874 |
Jan 15, 1993 | Alive | Re-recording Mixer | $36,299,670 | $36,299,670 | |
Dec 25, 1992 | Hoffa | Re-recording Mixer | $23,365,858 | $5,025,615 | $28,391,473 |
Dec 11, 1992 | A Few Good Men | Re-recording Mixer | $141,340,178 | $95,159,822 | $236,500,000 |
Jun 27, 1990 | Days of Thunder | Re-recording Mixer | $82,670,733 | $75,000,000 | $157,670,733 |
Sep 22, 1989 | Black Rain | Re-recording Mixer | $45,892,212 | $88,000,000 | $133,892,212 |
Mar 30, 1988 | Beetlejuice | Re-recording Mixer | $74,493,906 | $618,753 | $75,112,659 |
May 16, 1986 | Top Gun | Re-recording Mixer | $180,470,489 | $176,993,259 | $357,463,748 |
May 22, 1985 | Rambo: First Blood Part II | Re-recording Mixer | $150,415,432 | $149,984,568 | $300,400,000 |
Oct 26, 1984 | Firstborn | Re-recording Mixer | $6,200,000 | $6,200,000 | |
Jun 8, 1984 | Gremlins | Re-recording Mixer | $151,661,913 | $783,845 | $152,445,758 |
Jun 4, 1982 | Poltergeist | Re-recording Mixer | $74,706,019 | $47,000,000 | $121,706,019 |
Averages | $96,192,886 | $133,361,007 | $220,780,143 | ||
Totals | 76 | $7,310,659,343 | $9,468,631,513 | $16,779,290,856 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Re-recording Mixer at the Domestic Box Office | 6 | $6,599,566,423 |
Top Grossing Sound Mixer at the Domestic Box Office | 65 | $672,377,271 |
Top Grossing Supervising Sound Editor at the Domestic Box Office (Rank 401-500) | 477 | $20,537,137 |
Top Grossing Re-recording Mixer at the International Box Office | 10 | $8,037,365,908 |
Top Grossing Sound Mixer at the International Box Office | 42 | $1,317,911,265 |
Top Grossing Supervising Sound Editor at the International Box Office (Rank 501-600) | 524 | $202,186 |
Top Grossing Re-recording Mixer at the Worldwide Box Office | 7 | $14,636,932,331 |
Top Grossing Sound Mixer at the Worldwide Box Office | 46 | $1,990,288,536 |
Top Grossing Supervising Sound Editor at the Worldwide Box Office (Rank 501-600) | 501 | $20,739,323 |