The Eagle Huntress (2016)

The Eagle Huntress
Theatrical Performance
Domestic Box Office $3,168,664Details
International Box Office $2,462,577Details
Worldwide Box Office $5,631,241
Home Market Performance
Est. Domestic DVD Sales $374,921 Details
Est. Domestic Blu-ray Sales $156,943 Details
Total Est. Domestic Video Sales $531,864
Further financial details...

Synopsis

Follows Aisholopan, a 13-year-old girl, as she trains to become the first female in twelve generations of her Kazakh family to become an eagle hunter, and rises to the pinnacle of a tradition that has been handed down from father to son for centuries. While there are many old Kazakh eagle hunters who vehemently reject the idea of any female taking part in their ancient tradition, Aisholpan’s father Nurgaiv believes that a girl can do anything a boy can, as long as she’s determined. The story begins after Aisholpan has been training with her father’s eagle for many months. As every eagle can only have one master, the time has come for Aisholpan to capture an eagle of her own.

Metrics

Opening Weekend:$52,574 (1.7% of total gross)
Legs:12.05 (domestic box office/biggest weekend)
Domestic Share:56.3% (domestic box office/worldwide)
Theater counts:4 opening theaters/122 max. theaters, 7.3 weeks average run per theater
Infl. Adj. Dom. BO $3,900,937

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: November 2nd, 2016 (Limited) by Sony Pictures Classics
International Releases: December 16th, 2016 (Wide) (United Kingdom)
January 6th, 2017 (Wide), released as Eagle Huntress, The (New Zealand)
January 27th, 2017 (Wide) (Slovenia)
March 3rd, 2017 (Wide) (Austria)
March 17th, 2017 (Wide) (Australia)
... Show all releases
Video Release: February 7th, 2017 by Sony Pictures Home Entertainment
MPAA Rating: G
Running Time: 87 minutes
Comparisons: vs. The Guard
Create your own comparison chart…
Keywords: Coming of Age, Father and Daughter, Father’s Footsteps, Animal Lead, Set in Mongolia, Sundance Film Festival 2016, Woman in a Male Dominated Profession, Social and Cultural Documentary, Voiceover/Narration
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Sony Pictures Classics, 19340 Productions, Artemis Rising Foundation, Impact Partners, Shine Global, Warrior Poets, Kissiki Film
Production Countries: Mongolia, United Kingdom, United States
Languages: Kazakh

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 4, 2016 42 $52,574   4 $13,144   $65,536 1
Nov 11, 2016 28 $192,661 +266% 31 $6,215   $281,105 2
Nov 18, 2016 26 $182,072 -5% 39 $4,669   $542,113 3
Nov 25, 2016 21 $262,963 +44% 64 $4,109   $908,314 4
Dec 2, 2016 23 $204,776 -22% 81 $2,528   $1,190,290 5
Dec 9, 2016 23 $200,359 -2% 122 $1,642   $1,478,318 6
Dec 16, 2016 23 $141,633 -29% 112 $1,265   $1,714,912 7
Jan 6, 2017 28 $114,718   94 $1,220   $2,460,976 10
Jan 20, 2017 37 $67,102   74 $907   $2,742,635 12
Jan 27, 2017 43 $72,977 +9% 91 $802   $2,855,434 13
Feb 10, 2017 54 $28,249   34 $831   $2,983,505 15
Feb 17, 2017 55 $24,687 -13% 28 $882   $3,027,844 16
Feb 24, 2017 59 $13,262 -46% 22 $603   $3,056,904 17
Mar 3, 2017 59 $14,637 +10% 21 $697   $3,071,541 18
Mar 17, 2017 60 $9,886   12 $824   $3,113,880 20
Mar 24, 2017 59 $9,309 -6% 12 $776   $3,128,761 21
Mar 31, 2017 58 $10,618 +14% 17 $625   $3,141,860 22
Apr 7, 2017 64 $8,956 -16% 11 $814   $3,155,563 23
Apr 14, 2017 70 $3,994 -55% 7 $571   $3,162,153 24
Apr 21, 2017 82 $1,467 -63% 3 $489   $3,165,310 25
Apr 28, 2017 85 $1,080 -26% 4 $270   $3,167,184 26
May 5, 2017 85 $680 -37% 3 $227   $3,168,664 27

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 28, 2016 66 $12,962   3 $4,321   $12,962 1
Nov 4, 2016 42 $75,482 +482% 41 $1,841   $88,444 2
Nov 11, 2016 27 $271,597 +260% 31 $8,761   $360,041 3
Nov 18, 2016 31 $285,310 +5% 56 $5,095   $645,351 4
Nov 25, 2016 21 $340,163 +19% 64 $5,315   $985,514 5
Dec 2, 2016 24 $292,445 -14% 81 $3,610   $1,277,959 6
Dec 9, 2016 23 $295,320 +1% 122 $2,421   $1,573,279 7
Dec 16, 2016 26 $247,757 -16% 112 $2,212   $1,821,036 8
Dec 23, 2016 28 $268,577 +8% 105 $2,558   $2,089,613 9
Dec 30, 2016 26 $256,645 -4% 113 $2,271   $2,346,258 10
Jan 20, 2017 36 $106,924   74 $1,445   $2,782,457 13
Feb 10, 2017 52 $47,901   34 $1,409   $3,003,157 16
Feb 17, 2017 55 $40,485 -15% 28 $1,446   $3,043,642 17
Mar 17, 2017 60 $15,458   12 $1,288   $3,119,452 21
Mar 24, 2017 55 $11,790 -24% 12 $983   $3,131,242 22
Mar 31, 2017 55 $15,365 +30% 17 $904   $3,146,607 23
Apr 7, 2017 64 $11,552 -25% 11 $1,050   $3,158,159 24
Apr 14, 2017 72 $5,684 -51% 7 $812   $3,163,843 25
Apr 21, 2017 83 $2,261 -60% 3 $754   $3,166,104 26
Apr 28, 2017 82 $1,880 -17% 4 $470   $3,167,984 27

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/17/2017 $73,320 23 27 243 $485,964 6/20/2022
Austria 3/3/2017 $913 1 1 1 $913 3/7/2017
Italy 8/31/2017 $63,480 0 0 0 $81,336 9/5/2017
Netherlands 6/15/2017 $7,985 19 19 55 $35,103 7/4/2017
New Zealand 1/6/2017 $14,231 9 12 79 $129,917 3/27/2017
Portugal 6/30/2017 $770 2 2 2 $770 7/7/2017
Slovenia 1/27/2017 $292 1 1 2 $2,031 2/17/2017
Turkey 4/14/2017 $357 0 2 2 $1,372 2/26/2019
United Kingdom 12/16/2016 $20,605 24 50 196 $474,814 4/26/2017
 
Rest of World $1,250,357
 
International Total$2,462,577 6/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Narrator(s)

Daisy Ridley Narrator

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Otto Bell Director
Stacey Reiss Producer
Sharon Chang Producer
Otto Bell Producer
Morgan Spurlock Executive Producer
Jeremy Chilnick Executive Producer
Daisy Ridley Executive Producer
Marc H. Simon Executive Producer
Dan Cogan Executive Producer
Regina K. Scully Executive Producer
Barbara Dobkin Executive Producer
Susan MacLaury Executive Producer
Sia* Song Writer
Simon Niblett Director of Photography
Pierre Takal Editor
Jeff Peters Composer
Jenny Raskin Co-Executive Producer
Asher Svidensky Co-Producer
Martina Radwan Additional Camera
Christopher Raymond Additional Camera
Ben Crossley Assistant Camera
Andrew Yarme Sound Recordist
Adam Sonnenfeld Post-Production Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 07th, 2017

February 7th, 2017

Loving

The winter releases are starting to come out on the home market. Trolls is the biggest such release, but it isn’t the best. It isn’t bad either, but it’s for kids and not adult fans of animation. As for the best, there are a quartet of contenders for Pick of the Week; Loving, The Eagle Huntress, Little Sister, and Two Lovers and a Bear. All four are must haves, while Loving’s Blu-ray Combo Pack is the Pick of the Week. Meanwhile, Two Lovers and a Bear’s DVD is the Puck of the Week for Best Canadian Release. More...

2016 - Awards Season: DGA - Winners

February 5th, 2017

Lion

The last of the Directors Guild of America awards were handed out over the weekend in what was likely a warm venue. On the other hand, I’m dealing with a snow storm that hasn’t really stopped in three days and power outages. Joy. Fortunately, there’s not much to talk about. All three theatrical categories went as expected with La La Land winning yet again. More...

2016 - Awards Season: DGA - Nominations

January 12th, 2017

Lion

The last of the Directors Guild of America nominations were announced and the Oscars are really shaping up to be a one-movie show. That movie is Deadpool. I’m joking of course, but it did get yet another nomination. At this point, it could earn a Best Picture Oscar nomination and I wouldn’t be surprised. The film that is dominating Awards Season is La La Land and frankly I’ve lost count of the number of nominations it has received. More...

2016 - Awards Season: PGA - Nominations

January 11th, 2017

Deadpool

The Producers Guild of America finally finished announcing their nominations. (They spread out their announcements for reasons I’ve never quite understood.) Most of the films on this list have already earned more than a few previous nominations. We appear to be settling into a predictable Awards Season. More...

2016 - Awards Season: BAFTA - Nominations

January 11th, 2017

La La Land

The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece. More...

Theater Averages: Hidden Stands Out with Average of $34,329

January 4th, 2017

Hidden Figures

Hidden Figures rose to first place during its first full weekend of release with an average of $34,329 in 25 theaters. It already has more than $2 million and it expands wide on Friday. 20th Century Women was next with an average of $27,800 in four theaters. It isn’t a major player during Awards Season, but it is picking up enough nominations to help it stick around in theaters. Patriots Day was down just 8% earning an average of $21,117 in seven theaters. Last week’s winner, Silence, fell to an average of $20,827 in four theaters. If it has a similar drop next week, it will put its wide release in jeopardy. The best limited release of the week was Paterson, which earned an average of $17,334 in four theaters. Toni Erdmann earned an average of $14,000 in three theaters during its first full week of release. La La Land continues to expand, but remained in the $10,000 club with an average of $12,738. The overall number one film, Rogue One: A Star Wars Story, was next with an average of $11,934, while the second place film, Sing, was right behind with an average of $10,647. More...

Theater Averages: Jackie Tackles Lion Earning Average of $55,743

December 6th, 2016

Jackie

Jackie led the way on the theater average chart with an average of $55,743 in five theaters. Given this start and add in its Oscar buzz and the film has a real shot at expanding wide. Last week’s winner, Lion, fell to second place with an average of $16,651 in seven theaters. Manchester by the Sea continues its impressive run with an average of $14,592 in 156 theaters. It still has room to grow. Miss Sloane earned an average of $11,213 in four theaters. It is reportedly expanding wide this weekend, but that can mean anything from a few hundred theaters to well over 2,000. Finally, Things to Come opened with an average of $11,030 in three theaters. More...

Weekend Estimates: Healthy Arrivals Help Veterans Day Box Office

November 13th, 2016

Doctor Strange

While Doctor Strange and Trolls aren’t really being threatened at the top of the chart this weekend, a few healthy new releases are giving Veterans Day weekend a timely boost at the box office. Arrival is the stand-out performer in wide release, with $24 million from 2,317 theaters and an average over $10,000. The sci-fi drama is a critical darling, but is having a harder time with general audiences who might be expecting something with a few more explosions and laser battles, and its CinemaScore is a B. Its potential long-term performance is a therefore a little hard to gauge at this point, but it would be very surprising for it not to pick up a few more theaters, and it might be decent counter-programming to the explosions and laser battles promised by several other films coming up in the next few weeks. More...

Theater Averages: Loving Loves its Opening Average of $39,904

November 8th, 2016

Loving

Loving led the way on the theater average chart this weekend with an average of $39,904 in four theaters. This isn’t among the best of the year, but it does show the film has room to grow and that should help its Oscar buzz, which in turn will help its box office numbers. The overall number one film, Doctor Strange, was next with an average of $21,911. The only holdover in the $10,000 club was Moonlight, which earned an average of $14,883 in 83 theaters. It still has room to grow, but its chances of expanding truly wide are very limited at this point. The Eagle Huntress was next with an average of $13,144 in four theaters. The final film in the $10,000 club was Trolls at $11,473. More...

Weekend Estimates: Doctor Strange’s $85 Million Gives Industry a Much-Needed Boost

November 6th, 2016

Doctor Strange

After a couple of months of weak box office, and some very disappointing openings, Doctor Strange, Trolls and Hacksaw Ridge are each, in their own way, putting things back on track. Doctor Strange is grabbing the headlines of course, with an impressive $84,989,000 opening projected by Disney on Sunday morning. That’s almost identical to the opening weekend enjoyed by Thor: The Dark World on this weekend back in 2013, and comes without the benefit of being part of an established franchise (putting aside its place in the Marvel Cinematic Universe). More...

Limited and VOD Releases: Loving These Limited Releases

November 4th, 2016

Loving

Last week was a slow week because of Halloween, but we don’t have that excuse this week. That’s not to say there are no top-notch releases this week. Loving has the best shot at box office success and possible even Oscar glory. Meanwhile, there are a pair of documentaries that are worth checking out: The Eagle Huntress and Peter and the Farm. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Follows Aisholopan, a 13-year-old girl, as she trains to become the first female in twelve generations of her Kazakh family to become an eagle hunter, and rises to the pinnacle of a tradition that has been handed down from father to son for centuries. While there are many old Kazakh eagle hunters who vehemently reject the idea of any female taking part in their ancient tradition, Aisholpan’s father Nurgaiv believes that a girl can do anything a boy can, as long as she’s determined. The story begins after Aisholpan has been training with her father’s eagle for many months. As every eagle can only have one master, the time has come for Aisholpan to capture an eagle of her own.

Metrics

Opening Weekend:$52,574 (1.7% of total gross)
Legs:12.05 (domestic box office/biggest weekend)
Domestic Share:56.3% (domestic box office/worldwide)
Theater counts:4 opening theaters/122 max. theaters, 7.3 weeks average run per theater
Infl. Adj. Dom. BO $3,900,937

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: November 2nd, 2016 (Limited) by Sony Pictures Classics
International Releases: December 16th, 2016 (Wide) (United Kingdom)
January 6th, 2017 (Wide), released as Eagle Huntress, The (New Zealand)
January 27th, 2017 (Wide) (Slovenia)
March 3rd, 2017 (Wide) (Austria)
March 17th, 2017 (Wide) (Australia)
... Show all releases
Video Release: February 7th, 2017 by Sony Pictures Home Entertainment
MPAA Rating: G
Running Time: 87 minutes
Comparisons: vs. The Guard
Create your own comparison chart…
Keywords: Coming of Age, Father and Daughter, Father’s Footsteps, Animal Lead, Set in Mongolia, Sundance Film Festival 2016, Woman in a Male Dominated Profession, Social and Cultural Documentary, Voiceover/Narration
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Sony Pictures Classics, 19340 Productions, Artemis Rising Foundation, Impact Partners, Shine Global, Warrior Poets, Kissiki Film
Production Countries: Mongolia, United Kingdom, United States
Languages: Kazakh

Documentary Subject(s)

Narrator(s)

Daisy Ridley Narrator

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Otto Bell Director
Stacey Reiss Producer
Sharon Chang Producer
Otto Bell Producer
Morgan Spurlock Executive Producer
Jeremy Chilnick Executive Producer
Daisy Ridley Executive Producer
Marc H. Simon Executive Producer
Dan Cogan Executive Producer
Regina K. Scully Executive Producer
Barbara Dobkin Executive Producer
Susan MacLaury Executive Producer
Sia* Song Writer
Simon Niblett Director of Photography
Pierre Takal Editor
Jeff Peters Composer
Jenny Raskin Co-Executive Producer
Asher Svidensky Co-Producer
Martina Radwan Additional Camera
Christopher Raymond Additional Camera
Ben Crossley Assistant Camera
Andrew Yarme Sound Recordist
Adam Sonnenfeld Post-Production Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 07th, 2017

February 7th, 2017

Loving

The winter releases are starting to come out on the home market. Trolls is the biggest such release, but it isn’t the best. It isn’t bad either, but it’s for kids and not adult fans of animation. As for the best, there are a quartet of contenders for Pick of the Week; Loving, The Eagle Huntress, Little Sister, and Two Lovers and a Bear. All four are must haves, while Loving’s Blu-ray Combo Pack is the Pick of the Week. Meanwhile, Two Lovers and a Bear’s DVD is the Puck of the Week for Best Canadian Release. More...

2016 - Awards Season: DGA - Winners

February 5th, 2017

Lion

The last of the Directors Guild of America awards were handed out over the weekend in what was likely a warm venue. On the other hand, I’m dealing with a snow storm that hasn’t really stopped in three days and power outages. Joy. Fortunately, there’s not much to talk about. All three theatrical categories went as expected with La La Land winning yet again. More...

2016 - Awards Season: DGA - Nominations

January 12th, 2017

Lion

The last of the Directors Guild of America nominations were announced and the Oscars are really shaping up to be a one-movie show. That movie is Deadpool. I’m joking of course, but it did get yet another nomination. At this point, it could earn a Best Picture Oscar nomination and I wouldn’t be surprised. The film that is dominating Awards Season is La La Land and frankly I’ve lost count of the number of nominations it has received. More...

2016 - Awards Season: PGA - Nominations

January 11th, 2017

Deadpool

The Producers Guild of America finally finished announcing their nominations. (They spread out their announcements for reasons I’ve never quite understood.) Most of the films on this list have already earned more than a few previous nominations. We appear to be settling into a predictable Awards Season. More...

2016 - Awards Season: BAFTA - Nominations

January 11th, 2017

La La Land

The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece. More...

Theater Averages: Hidden Stands Out with Average of $34,329

January 4th, 2017

Hidden Figures

Hidden Figures rose to first place during its first full weekend of release with an average of $34,329 in 25 theaters. It already has more than $2 million and it expands wide on Friday. 20th Century Women was next with an average of $27,800 in four theaters. It isn’t a major player during Awards Season, but it is picking up enough nominations to help it stick around in theaters. Patriots Day was down just 8% earning an average of $21,117 in seven theaters. Last week’s winner, Silence, fell to an average of $20,827 in four theaters. If it has a similar drop next week, it will put its wide release in jeopardy. The best limited release of the week was Paterson, which earned an average of $17,334 in four theaters. Toni Erdmann earned an average of $14,000 in three theaters during its first full week of release. La La Land continues to expand, but remained in the $10,000 club with an average of $12,738. The overall number one film, Rogue One: A Star Wars Story, was next with an average of $11,934, while the second place film, Sing, was right behind with an average of $10,647. More...

Theater Averages: Jackie Tackles Lion Earning Average of $55,743

December 6th, 2016

Jackie

Jackie led the way on the theater average chart with an average of $55,743 in five theaters. Given this start and add in its Oscar buzz and the film has a real shot at expanding wide. Last week’s winner, Lion, fell to second place with an average of $16,651 in seven theaters. Manchester by the Sea continues its impressive run with an average of $14,592 in 156 theaters. It still has room to grow. Miss Sloane earned an average of $11,213 in four theaters. It is reportedly expanding wide this weekend, but that can mean anything from a few hundred theaters to well over 2,000. Finally, Things to Come opened with an average of $11,030 in three theaters. More...

Weekend Estimates: Healthy Arrivals Help Veterans Day Box Office

November 13th, 2016

Doctor Strange

While Doctor Strange and Trolls aren’t really being threatened at the top of the chart this weekend, a few healthy new releases are giving Veterans Day weekend a timely boost at the box office. Arrival is the stand-out performer in wide release, with $24 million from 2,317 theaters and an average over $10,000. The sci-fi drama is a critical darling, but is having a harder time with general audiences who might be expecting something with a few more explosions and laser battles, and its CinemaScore is a B. Its potential long-term performance is a therefore a little hard to gauge at this point, but it would be very surprising for it not to pick up a few more theaters, and it might be decent counter-programming to the explosions and laser battles promised by several other films coming up in the next few weeks. More...

Theater Averages: Loving Loves its Opening Average of $39,904

November 8th, 2016

Loving

Loving led the way on the theater average chart this weekend with an average of $39,904 in four theaters. This isn’t among the best of the year, but it does show the film has room to grow and that should help its Oscar buzz, which in turn will help its box office numbers. The overall number one film, Doctor Strange, was next with an average of $21,911. The only holdover in the $10,000 club was Moonlight, which earned an average of $14,883 in 83 theaters. It still has room to grow, but its chances of expanding truly wide are very limited at this point. The Eagle Huntress was next with an average of $13,144 in four theaters. The final film in the $10,000 club was Trolls at $11,473. More...

Weekend Estimates: Doctor Strange’s $85 Million Gives Industry a Much-Needed Boost

November 6th, 2016

Doctor Strange

After a couple of months of weak box office, and some very disappointing openings, Doctor Strange, Trolls and Hacksaw Ridge are each, in their own way, putting things back on track. Doctor Strange is grabbing the headlines of course, with an impressive $84,989,000 opening projected by Disney on Sunday morning. That’s almost identical to the opening weekend enjoyed by Thor: The Dark World on this weekend back in 2013, and comes without the benefit of being part of an established franchise (putting aside its place in the Marvel Cinematic Universe). More...

Limited and VOD Releases: Loving These Limited Releases

November 4th, 2016

Loving

Last week was a slow week because of Halloween, but we don’t have that excuse this week. That’s not to say there are no top-notch releases this week. Loving has the best shot at box office success and possible even Oscar glory. Meanwhile, there are a pair of documentaries that are worth checking out: The Eagle Huntress and Peter and the Farm. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 4, 2016 42 $52,574   4 $13,144   $65,536 1
Nov 11, 2016 28 $192,661 +266% 31 $6,215   $281,105 2
Nov 18, 2016 26 $182,072 -5% 39 $4,669   $542,113 3
Nov 25, 2016 21 $262,963 +44% 64 $4,109   $908,314 4
Dec 2, 2016 23 $204,776 -22% 81 $2,528   $1,190,290 5
Dec 9, 2016 23 $200,359 -2% 122 $1,642   $1,478,318 6
Dec 16, 2016 23 $141,633 -29% 112 $1,265   $1,714,912 7
Jan 6, 2017 28 $114,718   94 $1,220   $2,460,976 10
Jan 20, 2017 37 $67,102   74 $907   $2,742,635 12
Jan 27, 2017 43 $72,977 +9% 91 $802   $2,855,434 13
Feb 10, 2017 54 $28,249   34 $831   $2,983,505 15
Feb 17, 2017 55 $24,687 -13% 28 $882   $3,027,844 16
Feb 24, 2017 59 $13,262 -46% 22 $603   $3,056,904 17
Mar 3, 2017 59 $14,637 +10% 21 $697   $3,071,541 18
Mar 17, 2017 60 $9,886   12 $824   $3,113,880 20
Mar 24, 2017 59 $9,309 -6% 12 $776   $3,128,761 21
Mar 31, 2017 58 $10,618 +14% 17 $625   $3,141,860 22
Apr 7, 2017 64 $8,956 -16% 11 $814   $3,155,563 23
Apr 14, 2017 70 $3,994 -55% 7 $571   $3,162,153 24
Apr 21, 2017 82 $1,467 -63% 3 $489   $3,165,310 25
Apr 28, 2017 85 $1,080 -26% 4 $270   $3,167,184 26
May 5, 2017 85 $680 -37% 3 $227   $3,168,664 27

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 28, 2016 66 $12,962   3 $4,321   $12,962 1
Nov 4, 2016 42 $75,482 +482% 41 $1,841   $88,444 2
Nov 11, 2016 27 $271,597 +260% 31 $8,761   $360,041 3
Nov 18, 2016 31 $285,310 +5% 56 $5,095   $645,351 4
Nov 25, 2016 21 $340,163 +19% 64 $5,315   $985,514 5
Dec 2, 2016 24 $292,445 -14% 81 $3,610   $1,277,959 6
Dec 9, 2016 23 $295,320 +1% 122 $2,421   $1,573,279 7
Dec 16, 2016 26 $247,757 -16% 112 $2,212   $1,821,036 8
Dec 23, 2016 28 $268,577 +8% 105 $2,558   $2,089,613 9
Dec 30, 2016 26 $256,645 -4% 113 $2,271   $2,346,258 10
Jan 20, 2017 36 $106,924   74 $1,445   $2,782,457 13
Feb 10, 2017 52 $47,901   34 $1,409   $3,003,157 16
Feb 17, 2017 55 $40,485 -15% 28 $1,446   $3,043,642 17
Mar 17, 2017 60 $15,458   12 $1,288   $3,119,452 21
Mar 24, 2017 55 $11,790 -24% 12 $983   $3,131,242 22
Mar 31, 2017 55 $15,365 +30% 17 $904   $3,146,607 23
Apr 7, 2017 64 $11,552 -25% 11 $1,050   $3,158,159 24
Apr 14, 2017 72 $5,684 -51% 7 $812   $3,163,843 25
Apr 21, 2017 83 $2,261 -60% 3 $754   $3,166,104 26
Apr 28, 2017 82 $1,880 -17% 4 $470   $3,167,984 27

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/17/2017 $73,320 23 27 243 $485,964 6/20/2022
Austria 3/3/2017 $913 1 1 1 $913 3/7/2017
Italy 8/31/2017 $63,480 0 0 0 $81,336 9/5/2017
Netherlands 6/15/2017 $7,985 19 19 55 $35,103 7/4/2017
New Zealand 1/6/2017 $14,231 9 12 79 $129,917 3/27/2017
Portugal 6/30/2017 $770 2 2 2 $770 7/7/2017
Slovenia 1/27/2017 $292 1 1 2 $2,031 2/17/2017
Turkey 4/14/2017 $357 0 2 2 $1,372 2/26/2019
United Kingdom 12/16/2016 $20,605 24 50 196 $474,814 4/26/2017
 
Rest of World $1,250,357
 
International Total$2,462,577 6/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.