Turkey Box Office for Saka Kuşu (2019)
Theatrical Performance (US$) | ||
Turkey Box Office | $24,865 | Details |
Worldwide Box Office | $9,429,910 | Details |
Further financial details... |
Synopsis
Theodore “Theo” Decker was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day… a painting of a tiny bird chained to its perch. The Goldfinch.
Metrics
Movie Details
Production Budget: | $40,000,000 |
Turkey Releases: | September 27th, 2019 (Wide), released as Saka Kuşu |
Video Release: | November 19th, 2019 by Warner Home Video |
MPAA Rating: | R for drug use and language. (Rating bulletin 2553 (Cert #51907), 11/14/2018) |
Running Time: | 149 minutes |
Keywords: | Young Child Dealing with the Death of a Parent, Dysfunctional Family, Child Abuse, Gambling, Addiction, Artists, Forgery, Set in New York, Set in New York City, Terrorism, Narcotics, Organized Crime, Unrequited Love, Coming of Age, Crime Drama |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Warner Bros., Color Force, Amazon Studios |
Production Countries: | United States |
Languages: | English |
Home Market Releases for December 3rd, 2019
December 4th, 2019
Tuesday is the day after Cyber Monday, also know as, “One of the worst days of the year to release something on the home market.” There’s not a lot to talk about, while the biggest release of the week is also one of the biggest disappointments of the year, but the less said about that, the better. As for Pick of the Week contenders, we have Big Trouble in Little China: Collector’s Edition and that’s it. There are a few other releases that are close to that level, but none that reach it.
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Home Market Releases for November 19th, 2019
November 19th, 2019
It is not a prime week on the home market with Dora and the Lost City of Gold being the biggest first run release. It is worth picking up, but not a contender for Pick of the Week. There were a lot of contenders for that title, including Cold War: The Criterion Collection, Fruits Basket: Season One, Part One, and Rock ‘n’ Roll High School: 40th Anniversary Edition. In the end, I went with Rock ‘n’ Roll High School, but all three will end up in my Blu-ray collection before long.
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Weekend Wrap-Up: Downton Opens High with New Focus Features Record
September 23rd, 2019
It was a strong weekend with almost every film in the top five topping predictions. Downton Abbey dominated the chart with $31.03 million, breaking the record for an opening weekend by a Focus Features film in the process. Both Ad Astra and Rambo: Last Blood also beat expectations, albeit by much, much smaller margins. This helped the overall box office grow 12% from last weekend to $123 million. More importantly, this is 34% higher than the same weekend last year. I was expecting substantial growth, but not this much growth. Granted, 2019 is still behind 2018, but the lead has been cut to 5.5% or $470 million at $8.14 billion to $8.61 billion. Furthermore, if we have a few more good weeks, then optimism will actually return to the box office analysis.
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Weekend Wrap-Up: Hustlers Helps Box Office Thrive
September 17th, 2019
It: Chapter Two and Hustlers both topped expectations by large margins over the weekend and that helped the overall box office earn $110 million. Granted, this is 20% lower than last weekend; however, this was also 2.2% higher than the same weekend last year and that is by far the more important detail. 2019 is still behind 2018, but the gap closed by a little bit and is now at 5.9% or $500 million at $7.98 billion to $8.48 billion. Fortunately, the international box office is doing better and overall 2019 is merely mediocre and it still has time to improve.
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Weekend Estimates: Hustlers and It Both Surprise Over Weekend
September 15th, 2019
It is shaping up to be a great weekend at the box office with both Hustlers and It: Chapter Two topping expectations. It: Chapter Two is going to repeat on top, with an estimated sophomore stint of $40.74 million for a running tally of $153.80 million. This represents a 55% decline, which is certainly fantastic for a horror sequel. It still likely means $250 million domestically is out of the question, but even $200 million is amazing for a movie that cost less than $70 million to make. Internationally, the film pulled in another $47 million in 78 markets for a two-week total of $169.5 million. It has already made over $300 million worldwide, which might be enough to break even, depending on its advertising budget and exact share of the box office. If not, it will break even very shortly.
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Friday Estimates: Hustlers Helps the Box Office Get Lucky on Friday the 13th
September 14th, 2019
Hustlers did surprisingly well to earn first place on Friday with an estimated $13.1 million. This puts it on pace for $32 million over the full weekend, which is more than enough for the biggest opening in STX Entertainment’s history and the biggest live-action opening in Jennifer Lopez’s career. It is not that far behind Crazy Rich Asians’ five-day opening and will also be Constance Wu’s best opening. There’s more good news: The film’s reviews are the best in the top ten at 87% positive and STX Entertainment has tended to have a lot of success giving their films long legs. The Bad Moms franchise is evidence of that. On the downside, the movie only managed a B minus from CinemaScore, but it is a dark comedy and those can be divisive. Additionally, while it earned first place on Friday, it won’t stay there for long.
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Thursday Night Previews: Hustlers Grab $2.5 million From Eager Costumers
September 13th, 2019
Hustlers started its box office run with $2.5 million in previews last night. This is a faster start than other comparable releases, including the $2 million earned by Bad Moms in 2016. There is some bad news, but only for analysts like myself. There are not a lot of films like this released each year, so there is still a lot of uncertainty going forward. On the positive side, its reviews remain just shy of 90% positive, so the word-of-mouth should be phenomenal. Meanwhile, its target audience isn’t the kind that rushes out to see a movie opening night, so it should do even better during the rest of the weekend. On the low end, it will open with $20 million, which is very close to its $20.7 million production budget. On the high end, it could reach $30 million and break records for both the studio, STX Entertainment, and the lead actress, Jennifer Lopez. (Although in the latter case, it would be her live-action record.) I think the higher end is more likely, which means the movie should top our $24 million prediction.
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Weekend Predictions: Can Hustle Con Its Way Past It?
September 12th, 2019
There are only two wide releases this weekend, Hustlers and The Goldfinch. The buzz surrounding Hustlers has grown at the perfect time, but it has a non-zero chance of topping It: Chapter Two for top spot on the weekend box office chart. On the other hand, The Goldfinch is seen as busted Oscar-bait and will only open in the top five due to extremely weak competition. This weekend last year, The Predator earned first place with close to $25 million, while the other two wide releases earned about that combined. This means last year’s three new releases will be more potent than this year’s two new releases, but I think 2019 will earn a comfortable win, in part thanks to this year’s much better depth.
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The Goldfinch Trailer
September 3rd, 2019
Drama starring Ansel Elgort opens September 13 ... Full Movie Details.
Theodore “Theo” Decker was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day… a painting of a tiny bird chained to its perch. The Goldfinch.
More...
2019 Preview: September
September 1st, 2019
Summer ended on a thoroughly mediocre note, with more August releases missing expectations than topping them. That said, it wasn’t a complete mess, with Hobbs and Shaw doing extremely well internationally, and some others heading towards profitability, if not becoming spectacular hits. September, on the other hand, should be one of the best months in the year, at least on the year-over-year competition. The month starts with It: Chapter Two, which could open with more than $100 million. By comparison, last September, only one film, The Nun, earned more than $100 million in total. Additionally, Abominable has a slim but realistic chance at reaching the $100 million milestone, so it should be a great month on the year-over-year comparison. 2019 isn’t going to catch up to 2018, but it should narrow the gap considerably.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/09/27 | 12 | $15,578 | 84 | $185 | $15,578 | 1 | |
2019/10/04 | - | $1,015 | -93% | 11 | $92 | $24,865 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/20/2019 | $4,272 | 30 | 30 | 30 | $6,004 | 9/30/2019 |
Australia | 9/27/2019 | $74,938 | 40 | 54 | 195 | $239,923 | 11/7/2019 |
Bulgaria | 9/13/2019 | $5,017 | 0 | 0 | 0 | $13,525 | 10/2/2019 |
Czech Republic | 10/11/2019 | $7,202 | 66 | 66 | 66 | $7,202 | 10/19/2022 |
France | 9/20/2019 | $151,276 | 240 | 240 | 240 | $151,276 | 9/30/2019 |
Netherlands | 10/11/2019 | $79,511 | 63 | 63 | 124 | $199,043 | 10/19/2022 |
New Zealand | 9/26/2019 | $16,005 | 18 | 30 | 123 | $74,641 | 11/26/2019 |
North America | 9/13/2019 | $2,679,027 | 2,542 | 2,542 | 5,738 | $5,332,621 | |
Portugal | 9/13/2019 | $19,906 | 36 | 36 | 79 | $45,202 | 10/1/2019 |
Romania | 9/13/2019 | $17,873 | 59 | 59 | 120 | $40,138 | 10/21/2019 |
Russia (CIS) | 9/12/2019 | $553,081 | 783 | 783 | 2074 | $1,199,721 | 10/19/2022 |
Slovakia | 9/13/2019 | $8,481 | 66 | 66 | 85 | $14,211 | 9/24/2019 |
Turkey | 9/27/2019 | $15,578 | 84 | 84 | 95 | $24,865 | 10/19/2022 |
United Kingdom | 9/27/2019 | $395,037 | 515 | 515 | 515 | $395,037 | 10/2/2019 |
Rest of World | $1,686,501 | ||||||
Worldwide Total | $9,429,910 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Ansel Elgort | Theodore “Theo” Decker |
Supporting Cast
Oakes Fegley | Young Theodore |
Aneurin Barnard | Boris |
Finn Wolfhard | Young Boris |
Sarah Paulson | Xandra |
Luke Wilson | Larry Decker |
Jeffrey Wright | Hobie |
Nicole Kidman | Mrs. Barbour |
Willa Fitzgerald | Adult Kitsey Barbour |
Ashleigh Cummings | Adult Pippa |
Aimee Laurence | Young Pippa |
Robert Joy | Welton “Welty” Blackwell |
Boyd Gaines | Mr. Barbour |
Carly Connors | Young Kitsey Barbour |
Luke Kleintank | Platt Barbour |
Hailey Wist | Theo’s Mother |
Ryan Foust | Young Andy Barbour |
Jack DiFalco | Young Platt Barbour |
Austin Weyant | Adult Toddy Barbour |
Collin Shea Schirramacher | Young Toddy Barbour |
Denis O'Hare | Lucius Reeve |
Angela Cove | Female Social Worker |
Alton Fitzgerald White | Male Social Worker |
Joey Slotnick | Dave (Theo’s Psychiatrist) |
Dylan Boyd | Student |
Gordon Winarick | Adult Tom Cable |
Nicky Torchia | Young Tom Cable |
Don Castro | Detective #1 |
Robert Turano | Detective #2 |
Alma Cuervo | Store Owner |
Hank Rogerson | Vegas Teacher |
Ryan Katherine Stearns | First Student |
Tiana Youtzy | Second Student |
Peter Jacobson | Mr. Silver |
Caroline Day | Em |
Kevin Owen McDonald | Boris’ Father |
Karl Jacob | Man |
Raphael Corkhill | Barman |
Matteo van der Grijn | Gyuri |
Gerson Oratmangoen | Indonesian Man |
Mark Kingsford | Grozdan |
Bill Barberis | Martin |
Milan Sekeris | Frits |
Brandon Chen | Chinese Teen |
Sandy Lopez | Janet |
Misha Osherovich | Shirley T |
Puja Desai Mehta | Optometrist |
David Makman | Forrest Longstreet |
Harry Smith | Everett |
Narrator(s)
James Donahower | Mr. Beaman |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
John Crowley | Director |
Nina Jacobson | Producer |
Brad Simpson | Producer |
Peter Straughan | Screenwriter |
Donna Tartt | Story based on the novel by |
Mari Jo Winkler-Ioffreda | Executive Producer |
Kevin McCormick | Executive Producer |
Sue Kroll | Executive Producer |
Courtenay Valenti | Executive Producer |
Roger Deakins | Director of Photography |
K.K. Barrett | Production Designer |
Kelley Dixon | Editor |
Kasia Walicka Maimone | Costume Designer |
Susan Jacobs | Music Supervisor |
Trevor Gureckis | Composer |
Ellen Chenoweth | Casting Director |
Maggie G. Engelhardt | Unit Production Manager |
Mari Jo Winkler-Ioffreda | Unit Production Manager |
Christopher Surgent | First Assistant Director |
Takahide Kawakami | Second Assistant Director |
Margaret Chernin | Co-Producer |
Lesley Robson-Foster | Visual Effects Supervisor |
Samantha Dyer | Production Supervisor |
Deb Jensen | Supervising Art Director |
Rena DeAngelo | Set Decorator |
Mary Bailey | Script Supervisor |
Drew Kunin | Sound Mixer |
J. Kevin Draves | Costume Supervisor |
Evelyne Noraz | Make up |
Mandy Lyons | Hairstylist |
Lauri Pitkus | Location Manager |
Mark Bero | Special Effects Coordinator |
Brad Rohrer | Post-Production Supervisor |
Eric Kench | First Assistant Editor |
Skip Lievsay | Re-recording Mixer |
Paul Urmson | Re-recording Mixer |
Skip Lievsay | Supervising Sound Editor |
Paul Urmson | Supervising Sound Editor |
Blake Leyh | Sound Designer |
Larry Zipf | Sound Designer |
Wyatt Sprague | Sound Effects Editor |
Patrick Cicero | Sound Effects Editor |
Michael Feuser | Dialogue Editor |
Lidia Tamplenizza | Dialogue Editor |
Igor Nikolic | Foley Editor |
Matthew Kay | Foley Recordist |
Nancy Allen | Music Editor |
Parker Chehak | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.