Lidia Tamplenizza
Best known as a Dialogue Editor based on credits in that role in 4 films, with $295,404,537 worldwide aggregate box office (rank #252) |
Best-known technical roles: Girls Trip (Supervising Sound Editor), Little Women (Dialogue Editor), Barbershop: The Next Cut (Supervising Sound Editor), A Dog’s Purpose (Sound Editor), Barbershop: The Next Cut (Dialogue Editor) |
Most productive collaborators: Paul Urmson, Michael Barry, Skip Lievsay, Saoirse Ronan, Greta Gerwig |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Dialogue Editor | 4 | $175,696,030 | $119,708,507 | $295,404,537 |
Supervising Sound Editor | 3 | $200,154,587 | $80,445,061 | $280,599,648 | |
Sound Editor | 2 | $108,459,602 | $149,433,059 | $257,892,661 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Dialogue Editor at the Domestic Box Office (Rank 201-300) | 222 | $175,696,030 |
Top Grossing Sound Editor at the Domestic Box Office (Rank 201-300) | 245 | $108,459,602 |
Top Grossing Supervising Sound Editor at the Domestic Box Office (Rank 101-200) | 200 | $200,154,587 |
Top Grossing Dialogue Editor at the International Box Office (Rank 201-300) | 299 | $119,708,507 |
Top Grossing Sound Editor at the International Box Office (Rank 101-200) | 175 | $149,433,059 |
Top Grossing Supervising Sound Editor at the International Box Office (Rank 301-400) | 311 | $80,445,061 |
Top Grossing Dialogue Editor at the Worldwide Box Office (Rank 201-300) | 252 | $295,404,537 |
Top Grossing Sound Editor at the Worldwide Box Office (Rank 101-200) | 200 | $257,892,661 |
Top Grossing Supervising Sound Editor at the Worldwide Box Office (Rank 201-300) | 242 | $280,599,648 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
Register with The Numbers for free to customize this chart.
Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Oct 1, 2021 | The Many Saints of Newark | Supervising Dialogue Editor | $8,237,403 | $4,494,636 | $12,732,039 |
Dec 25, 2019 | Little Women | Dialogue Editor | $108,095,955 | $110,742,431 | $218,838,386 |
Sep 13, 2019 | The Goldfinch | Dialogue Editor | $5,332,621 | $4,097,289 | $9,429,910 |
Jul 21, 2017 | Girls Trip | Supervising Sound Editor | $115,108,515 | $25,777,838 | $140,886,353 |
Jan 27, 2017 | A Dog’s Purpose | Sound Editor | $64,321,890 | $138,733,537 | $203,055,427 |
Dec 16, 2016 | Collateral Beauty | Supervising Sound Editor | $31,016,021 | $54,293,072 | $85,309,093 |
Apr 15, 2016 | Barbershop: The Next Cut | Supervising Sound Ed… Dialogue Editor |
$54,030,051 | $374,151 | $54,404,202 |
Oct 10, 2014 | St. Vincent | Assistant Sound Editor | $44,137,712 | $10,699,522 | $54,837,234 |
Averages | $53,785,021 | $43,651,560 | $97,436,581 | ||
Totals | 8 | $430,280,168 | $349,212,476 | $779,492,644 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Dialogue Editor at the Domestic Box Office (Rank 201-300) | 222 | $175,696,030 |
Top Grossing Sound Editor at the Domestic Box Office (Rank 201-300) | 245 | $108,459,602 |
Top Grossing Supervising Sound Editor at the Domestic Box Office (Rank 101-200) | 200 | $200,154,587 |
Top Grossing Dialogue Editor at the International Box Office (Rank 201-300) | 299 | $119,708,507 |
Top Grossing Sound Editor at the International Box Office (Rank 101-200) | 175 | $149,433,059 |
Top Grossing Supervising Sound Editor at the International Box Office (Rank 301-400) | 311 | $80,445,061 |
Top Grossing Dialogue Editor at the Worldwide Box Office (Rank 201-300) | 252 | $295,404,537 |
Top Grossing Sound Editor at the Worldwide Box Office (Rank 101-200) | 200 | $257,892,661 |
Top Grossing Supervising Sound Editor at the Worldwide Box Office (Rank 201-300) | 242 | $280,599,648 |