Russia (CIS) Box Office for ЩЕГОЛ (2019)

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The Goldfinch
Theatrical Performance (US$)
Russia (CIS) Box Office $1,199,721Details
Worldwide Box Office $9,429,910Details
Further financial details...

Synopsis

Theodore “Theo” Decker was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day… a painting of a tiny bird chained to its perch. The Goldfinch.

Metrics

Movie Details

Production Budget:$40,000,000
Russia (CIS) Releases: September 12th, 2019 (Wide), released as ЩЕГОЛ
Video Release: November 19th, 2019 by Warner Home Video
MPAA Rating: R for drug use and language.
(Rating bulletin 2553 (Cert #51907), 11/14/2018)
Running Time: 149 minutes
Keywords: Young Child Dealing with the Death of a Parent, Dysfunctional Family, Child Abuse, Gambling, Addiction, Artists, Forgery, Set in New York, Set in New York City, Terrorism, Narcotics, Organized Crime, Unrequited Love, Coming of Age, Crime Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Warner Bros., Color Force, Amazon Studios
Production Countries: United States
Languages: English

Home Market Releases for December 3rd, 2019

December 4th, 2019

Big Trouble in Little China

Tuesday is the day after Cyber Monday, also know as, “One of the worst days of the year to release something on the home market.” There’s not a lot to talk about, while the biggest release of the week is also one of the biggest disappointments of the year, but the less said about that, the better. As for Pick of the Week contenders, we have Big Trouble in Little China: Collector’s Edition and that’s it. There are a few other releases that are close to that level, but none that reach it. More...

Home Market Releases for November 19th, 2019

November 19th, 2019

Rock ‘n’ Roll High School

It is not a prime week on the home market with Dora and the Lost City of Gold being the biggest first run release. It is worth picking up, but not a contender for Pick of the Week. There were a lot of contenders for that title, including Cold War: The Criterion Collection, Fruits Basket: Season One, Part One, and Rock ‘n’ Roll High School: 40th Anniversary Edition. In the end, I went with Rock ‘n’ Roll High School, but all three will end up in my Blu-ray collection before long. More...

Weekend Wrap-Up: Downton Opens High with New Focus Features Record

September 23rd, 2019

Downton Abbey

It was a strong weekend with almost every film in the top five topping predictions. Downton Abbey dominated the chart with $31.03 million, breaking the record for an opening weekend by a Focus Features film in the process. Both Ad Astra and Rambo: Last Blood also beat expectations, albeit by much, much smaller margins. This helped the overall box office grow 12% from last weekend to $123 million. More importantly, this is 34% higher than the same weekend last year. I was expecting substantial growth, but not this much growth. Granted, 2019 is still behind 2018, but the lead has been cut to 5.5% or $470 million at $8.14 billion to $8.61 billion. Furthermore, if we have a few more good weeks, then optimism will actually return to the box office analysis. More...

Weekend Wrap-Up: Hustlers Helps Box Office Thrive

September 17th, 2019

Hustlers

It: Chapter Two and Hustlers both topped expectations by large margins over the weekend and that helped the overall box office earn $110 million. Granted, this is 20% lower than last weekend; however, this was also 2.2% higher than the same weekend last year and that is by far the more important detail. 2019 is still behind 2018, but the gap closed by a little bit and is now at 5.9% or $500 million at $7.98 billion to $8.48 billion. Fortunately, the international box office is doing better and overall 2019 is merely mediocre and it still has time to improve. More...

Weekend Estimates: Hustlers and It Both Surprise Over Weekend

September 15th, 2019

Hustlers

It is shaping up to be a great weekend at the box office with both Hustlers and It: Chapter Two topping expectations. It: Chapter Two is going to repeat on top, with an estimated sophomore stint of $40.74 million for a running tally of $153.80 million. This represents a 55% decline, which is certainly fantastic for a horror sequel. It still likely means $250 million domestically is out of the question, but even $200 million is amazing for a movie that cost less than $70 million to make. Internationally, the film pulled in another $47 million in 78 markets for a two-week total of $169.5 million. It has already made over $300 million worldwide, which might be enough to break even, depending on its advertising budget and exact share of the box office. If not, it will break even very shortly. More...

Friday Estimates: Hustlers Helps the Box Office Get Lucky on Friday the 13th

September 14th, 2019

Hustlers

Hustlers did surprisingly well to earn first place on Friday with an estimated $13.1 million. This puts it on pace for $32 million over the full weekend, which is more than enough for the biggest opening in STX Entertainment’s history and the biggest live-action opening in Jennifer Lopez’s career. It is not that far behind Crazy Rich Asians’ five-day opening and will also be Constance Wu’s best opening. There’s more good news: The film’s reviews are the best in the top ten at 87% positive and STX Entertainment has tended to have a lot of success giving their films long legs. The Bad Moms franchise is evidence of that. On the downside, the movie only managed a B minus from CinemaScore, but it is a dark comedy and those can be divisive. Additionally, while it earned first place on Friday, it won’t stay there for long. More...

Thursday Night Previews: Hustlers Grab $2.5 million From Eager Costumers

September 13th, 2019

Hustlers

Hustlers started its box office run with $2.5 million in previews last night. This is a faster start than other comparable releases, including the $2 million earned by Bad Moms in 2016. There is some bad news, but only for analysts like myself. There are not a lot of films like this released each year, so there is still a lot of uncertainty going forward. On the positive side, its reviews remain just shy of 90% positive, so the word-of-mouth should be phenomenal. Meanwhile, its target audience isn’t the kind that rushes out to see a movie opening night, so it should do even better during the rest of the weekend. On the low end, it will open with $20 million, which is very close to its $20.7 million production budget. On the high end, it could reach $30 million and break records for both the studio, STX Entertainment, and the lead actress, Jennifer Lopez. (Although in the latter case, it would be her live-action record.) I think the higher end is more likely, which means the movie should top our $24 million prediction. More...

Weekend Predictions: Can Hustle Con Its Way Past It?

September 12th, 2019

It: Chapter Two

There are only two wide releases this weekend, Hustlers and The Goldfinch. The buzz surrounding Hustlers has grown at the perfect time, but it has a non-zero chance of topping It: Chapter Two for top spot on the weekend box office chart. On the other hand, The Goldfinch is seen as busted Oscar-bait and will only open in the top five due to extremely weak competition. This weekend last year, The Predator earned first place with close to $25 million, while the other two wide releases earned about that combined. This means last year’s three new releases will be more potent than this year’s two new releases, but I think 2019 will earn a comfortable win, in part thanks to this year’s much better depth. More...

The Goldfinch Trailer

September 3rd, 2019

Drama starring Ansel Elgort opens September 13 ... Full Movie Details.

Theodore “Theo” Decker was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day… a painting of a tiny bird chained to its perch. The Goldfinch. More...

2019 Preview: September

September 1st, 2019

It: Chapter Two

Summer ended on a thoroughly mediocre note, with more August releases missing expectations than topping them. That said, it wasn’t a complete mess, with Hobbs and Shaw doing extremely well internationally, and some others heading towards profitability, if not becoming spectacular hits. September, on the other hand, should be one of the best months in the year, at least on the year-over-year competition. The month starts with It: Chapter Two, which could open with more than $100 million. By comparison, last September, only one film, The Nun, earned more than $100 million in total. Additionally, Abominable has a slim but realistic chance at reaching the $100 million milestone, so it should be a great month on the year-over-year comparison. 2019 isn’t going to catch up to 2018, but it should narrow the gap considerably. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/09/13 3 $553,081   783 $706   $553,081 1
2019/09/20 7 $246,885 -55% 777 $318   $994,295 2
2019/09/27 15 $71,659 -71% 438 $164   $1,135,024 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/20/2019 $4,272 30 30 30 $6,004 9/30/2019
Australia 9/27/2019 $74,938 40 54 195 $239,923 11/7/2019
Bulgaria 9/13/2019 $5,017 0 0 0 $13,525 10/2/2019
Czech Republic 10/11/2019 $7,202 66 66 66 $7,202 10/19/2022
France 9/20/2019 $151,276 240 240 240 $151,276 9/30/2019
Netherlands 10/11/2019 $79,511 63 63 124 $199,043 10/19/2022
New Zealand 9/26/2019 $16,005 18 30 123 $74,641 11/26/2019
North America 9/13/2019 $2,679,027 2,542 2,542 5,738 $5,332,621
Portugal 9/13/2019 $19,906 36 36 79 $45,202 10/1/2019
Romania 9/13/2019 $17,873 59 59 120 $40,138 10/21/2019
Russia (CIS) 9/12/2019 $553,081 783 783 2074 $1,199,721 10/19/2022
Slovakia 9/13/2019 $8,481 66 66 85 $14,211 9/24/2019
Turkey 9/27/2019 $15,578 84 84 95 $24,865 10/19/2022
United Kingdom 9/27/2019 $395,037 515 515 515 $395,037 10/2/2019
 
Rest of World $1,686,501
 
Worldwide Total$9,429,910 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Ansel Elgort Theodore “Theo” Decker

Supporting Cast

Oakes Fegley Young Theodore
Aneurin Barnard Boris
Finn Wolfhard Young Boris
Sarah Paulson Xandra
Luke Wilson Larry Decker
Jeffrey Wright Hobie
Nicole Kidman Mrs. Barbour
Willa Fitzgerald Adult Kitsey Barbour
Ashleigh Cummings Adult Pippa
Aimee Laurence Young Pippa
Robert Joy Welton “Welty” Blackwell
Boyd Gaines Mr. Barbour
Carly Connors Young Kitsey Barbour
Luke Kleintank Platt Barbour
Hailey Wist Theo’s Mother
Ryan Foust Young Andy Barbour
Jack DiFalco Young Platt Barbour
Austin Weyant Adult Toddy Barbour
Collin Shea Schirramacher Young Toddy Barbour
Denis O'Hare Lucius Reeve
Angela Cove Female Social Worker
Alton Fitzgerald White Male Social Worker
Joey Slotnick Dave (Theo’s Psychiatrist)
Dylan Boyd Student
Gordon Winarick Adult Tom Cable
Nicky Torchia Young Tom Cable
Don Castro Detective #1
Robert Turano Detective #2
Alma Cuervo Store Owner
Hank Rogerson Vegas Teacher
Ryan Katherine Stearns First Student
Tiana Youtzy Second Student
Peter Jacobson Mr. Silver
Caroline Day Em
Kevin Owen McDonald Boris’ Father
Karl Jacob Man
Raphael Corkhill Barman
Matteo van der Grijn Gyuri
Gerson Oratmangoen Indonesian Man
Mark Kingsford Grozdan
Bill Barberis Martin
Milan Sekeris Frits
Brandon Chen Chinese Teen
Sandy Lopez Janet
Misha Osherovich Shirley T
Puja Desai Mehta Optometrist
David Makman Forrest Longstreet
Harry Smith Everett

Narrator(s)

James Donahower Mr. Beaman

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

John Crowley Director
Nina Jacobson Producer
Brad Simpson Producer
Peter Straughan Screenwriter
Donna Tartt Story based on the novel by
Mari Jo Winkler-Ioffreda Executive Producer
Kevin McCormick Executive Producer
Sue Kroll Executive Producer
Courtenay Valenti Executive Producer
Roger Deakins Director of Photography
K.K. Barrett Production Designer
Kelley Dixon Editor
Kasia Walicka Maimone Costume Designer
Susan Jacobs Music Supervisor
Trevor Gureckis Composer
Ellen Chenoweth Casting Director
Maggie G. Engelhardt Unit Production Manager
Mari Jo Winkler-Ioffreda Unit Production Manager
Christopher Surgent First Assistant Director
Takahide Kawakami Second Assistant Director
Margaret Chernin Co-Producer
Lesley Robson-Foster Visual Effects Supervisor
Samantha Dyer Production Supervisor
Deb Jensen Supervising Art Director
Rena DeAngelo Set Decorator
Mary Bailey Script Supervisor
Drew Kunin Sound Mixer
J. Kevin Draves Costume Supervisor
Evelyne Noraz Make up
Mandy Lyons Hairstylist
Lauri Pitkus Location Manager
Mark Bero Special Effects Coordinator
Brad Rohrer Post-Production Supervisor
Eric Kench First Assistant Editor
Skip Lievsay Re-recording Mixer
Paul Urmson Re-recording Mixer
Skip Lievsay Supervising Sound Editor
Paul Urmson Supervising Sound Editor
Blake Leyh Sound Designer
Larry Zipf Sound Designer
Wyatt Sprague Sound Effects Editor
Patrick Cicero Sound Effects Editor
Michael Feuser Dialogue Editor
Lidia Tamplenizza Dialogue Editor
Igor Nikolic Foley Editor
Matthew Kay Foley Recordist
Nancy Allen Music Editor
Parker Chehak Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.