Sue Kroll
| Best known as a Producer based on credits in that role in 8 films, with $201,005,552 worldwide aggregate box office (rank #1,247) |
| Best-known technical roles: A Star is Born (Executive Producer), Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (Producer), Motherless Brooklyn (Executive Producer), The Goldfinch (Executive Producer) |
| Most productive collaborators: Cathy Yan, Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett, Bryan Unkeless |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Producer | 8 | $84,158,461 | $116,847,091 | $201,005,552 |
| Executive Producer | 4 | $229,899,223 | $229,682,119 | $459,581,342 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Executive Producer at the Domestic Box Office (Rank 601-700) | 685 | $229,899,223 |
| Top Grossing Producer at the Domestic Box Office (Rank 1,301-1,400) | 1,312 | $84,158,461 |
| Top Grossing Executive Producer at the International Box Office (Rank 801-900) | 868 | $229,682,119 |
| Top Grossing Producer at the International Box Office (Rank 1,101-1,200) | 1,191 | $116,847,091 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 701-800) | 748 | $459,581,342 |
| Top Grossing Producer at the Worldwide Box Office (Rank 1,201-1,300) | 1,247 | $201,005,552 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Feb 7, 2020 | Birds of Prey (And the Fant… | Producer | $84,158,461 | $116,847,091 | $201,005,552 |
| Nov 1, 2019 | Motherless Brooklyn | Executive Producer | $9,277,736 | $9,199,540 | $18,477,276 |
| Sep 13, 2019 | The Goldfinch | Executive Producer | $5,332,621 | $4,097,289 | $9,429,910 |
| Oct 5, 2018 | A Star is Born | Executive Producer | $215,288,866 | $216,385,290 | $431,674,156 |
| Averages | $78,514,421 | $86,632,303 | $165,146,724 | ||
| Totals | 4 | $314,057,684 | $346,529,210 | $660,586,894 | |
Producer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Feb 7, 2020 | Birds of Prey (And the… | $33,010,017 | 4,236 | $84,158,461 | $201,005,552 | 41.9% |
| Averages | $33,010,017 | 4,236 | $84,158,461 | $201,005,552 | 41.9% | |
| Totals | 1 | $84,158,461 | $201,005,552 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Executive Producer at the Domestic Box Office (Rank 601-700) | 685 | $229,899,223 |
| Top Grossing Producer at the Domestic Box Office (Rank 1,301-1,400) | 1,312 | $84,158,461 |
| Top Grossing Executive Producer at the International Box Office (Rank 801-900) | 868 | $229,682,119 |
| Top Grossing Producer at the International Box Office (Rank 1,101-1,200) | 1,191 | $116,847,091 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 701-800) | 748 | $459,581,342 |
| Top Grossing Producer at the Worldwide Box Office (Rank 1,201-1,300) | 1,247 | $201,005,552 |