Portugal Box Office for Zombieland: Tiro Duplo (2019)
Theatrical Performance (US$) | ||
Portugal Box Office | $185,384 | Details |
Worldwide Box Office | $125,213,018 | Details |
Home Market Performance | ||
North America DVD Sales | $6,749,622 | Details |
North America Blu-ray Sales | $9,898,265 | Details |
Total North America Video Sales | $16,647,887 | |
Further financial details... |
Synopsis
After a fight between Columbus and Wichita creates a deep rift in the make-shift family that causes Little Rock to leave with a strange man, the group must band together to find Little Rock and mend the family ties. Facing new kinds of zombies along the way, the group are forced to adjust their strategies until they find an incredible new zombie hunter known only as Nevada.
Metrics
Movie Details
Production Budget: | $48,000,000 |
Portugal Releases: | October 24th, 2019 (Wide), released as Zombieland: Tiro Duplo |
Video Release: | December 24th, 2019 by Columbia Pictures Home Entertainment February 24th, 2020 by Sony Pictures |
MPAA Rating: | R for bloody violence, language throughout, some drug and sexual content. (Rating bulletin 2596 (Cert #51942), 9/18/2019) |
Running Time: | 93 minutes |
Franchise: | Zombieland |
Keywords: | Zombies, Delayed Sequel, Fictionalized Version of Yourself, Road Trip, Romance, Horror Comedy |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Columbia Pictures, Pariah Productions, 2.0 Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for January 21st, 2020
January 21st, 2020
It’s an odd week for the home market, as there are four wide releases coming out this week, which is more than most weeks. However, none of them were $100 million hits domestically, so it feels slow on top. That said, The Addams Family did come close to that mark and Zombieland: Double Tap was a solid midlevel hit. As for high quality releases, Jay And Silent Bob Reboot will very likely please fans of the franchise, but I’m unsure about its ability draw in newcomers. Finally, the Pain & Glory is the best of the best and only the lack of substantial extras prevents it from winning Pick of the Week with ease. Zombieland: Double Tap has much better extras, so it a contender for Pick of the Week as well. Pain & Glory does win, but it is relatively close.
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Home Market Releases for December 24th, 2019
December 26th, 2019
This year, Christmas Eve landed on a Tuesday. Christmas Eve is the busiest shopping day of the year, but that’s most people buying last minute groceries and the rest of the retail sector suffers as a result. This is true this year and there are so few releases to talk about that there will only be two sections in this week’s report: the main section and VOD releases. Judy is the only release on this week’s list that a majority will have heard of. It is also the best new release of the week.
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Friday Estimates: Holiday Season Starts Without a Lot of Cheer
November 2nd, 2019
Terminator: Dark Fate opened in first place on Friday, but it only made $10.6 million, well below expectations. Its reviews and its B plus from CinemaScore are good, but not great, meaning it won’t have the legs needed to overcome this slow start. Look for about $28 million domestically this weekend. Early reports have it performing better internationally with a likely $30 million debut in China, but again, this is below expectations and not enough given the film’s $185 million production budget.
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Weekend Wrap-Up: Maleficent Holds Off Joker for Top Spot
October 28th, 2019
It was a super close race for top spot on the weekend box office chart with Maleficent: Mistress of Evil and Joker neck-and-neck. In fact, they changed positions over the weekend and even reversed positions from the weekend estimates. Both of these films topped expectations by a small degree, as did most of the new releases. Unfortunately, this wasn’t enough, as the box office fell 24% from last weekend to $105 million. This is also lower than the same weekend last year, but by a tiny 0.7% margin. I’m not going to get upset about a decline this small, but it does mean 2019 has fallen further behind 2018’s pace with the deficit growing to $520 million / 5.4% at $9.00 billion to $9.52 billion.
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Weekend Estimates: Joker Wrestles First Place from Maleficent, Probably
October 27th, 2019
Joker is returning to first place on the weekend chart with $18.9 million, which is a tiny bit ahead of expectations. However, it is in a close enough race with Maleficent: Mistress of Evil that the pair could switch places when the final numbers show up tomorrow and I wouldn’t be too surprised. Internationally, the film is earning an estimated $47.8 million on 14,000 screens in 79 markets for totals of $571.5 million internationally and $849.1 million worldwide. It is now the highest-grossing R-rated film of all time worldwide, and is on pace to become the first R-rated film to reach $1 billion globally.
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Friday Estimates: Joker Returns to the Top
October 26th, 2019
Joker wasn’t gone from top spot for long, as it earned first place on Friday with $5.46 million, putting it on pace for close to $19 million over the weekend. This is very close to our prediction, but it is ranking better, due to marginally-weaker-than-expected competition. It also reportedly became the highest grossing R-rated movie of all time, at least worldwide. It is not going to catch up to The Passion of the Christ domestically.
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Weekend Predictions: Halloween Scares Away Wide Releases
October 25th, 2019
The final weekend before Halloween is rarely a good time to release a film and the paltry selection of new releases on this list shows this year will be no different. The Current War: Director’s Cut is the only film earning good reviews, but it is opening in the fewest theaters by far. Countdown has the worst reviews, but it is a horror film opening just before Halloween, so its opening weekend could be okay. Black and Blue is in the middle in terms of reviews, theater count, and box office chances. Sadly, it is very likely all three films will open below $10 million over the weekend. There’s a slim chance none of them open in the top five. By comparison, this weekend last year saw only one wide release, Hunter Killer, which bombed. This year will be much better in terms of new releases, but none of the holdovers will match Halloween on top. 2019 does have much better depth, so I think we will get a small win in the year-over-year comparison.
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Weekend Wrap-Up: It Took a Trio of Hits for 2019 to Win
October 22nd, 2019
The weekend went about as well as expected, overall. Maleficent: Mistress of Evil didn’t open as well as expected, but Zombieland: Double Tap helped make up the difference. The overall box office was still down 6.5% from last weekend at $140 million; however, this was 5.3% higher than the same weekend last year and that is a much more important number. 2019 is still behind 2018’s pace by 5.3% or $500 million at $8.86 billion to $9.35 billion, but that’s not as bad as it has been this year.
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Weekend Estimates: Maleficent Leads the way, but Box Office is a Team Effort
October 20th, 2019
Maleficent: Mistress of Evil did bounce back on Saturday and that is helping it earn an estimated $36.0 million during its opening weekend. It is still missing expectations, but by a more reasonable margin. Its internal multiplier is about the same as the first film managed, despite this film earning weaker reviews. Audience reactions were the same, as both films earned an A-rating from CinemaScore. As for the movies international numbers, it is pulling in $117.0 million, but it also opened everywhere, so it needed a monster start and I’m not sure this was it. The film did have a faster opening that its predecessor did in China with $22.4 million, while it cracked $10 million in Russia with an an opening of $10.7 million. The film cost $185 million to make, so this is not a fast enough start to break even in the short term, but with Disney+ starting next month, it could break even eventually.
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Friday Estimates: Maleficent isn’t Evil, but it is far from Good
October 19th, 2019
Maleficent: Mistress of Evil wasn’t expected to be a monster hit, but its previews gave reason to be optimistic. That optimism is gone as a result of Friday’s estimates. The film pulled in just $12.5 million on Friday, meaning it will have to have nearly as good legs as the original had just to avoid opening below the low end of expectations. That seems unlikely, especially with its weaker reviews, although it did manage the same A rating from CinemaScore. Maybe it will really bounce back today, but we won’t really know till the weekend estimates come out tomorrow.
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Thursday Night Previews: Zombieland Shows Signs of Life
October 18th, 2019
Zombieland: Double Tap had the better previews of the two wide releases earning $2.85 million last night. Solid reviews should also help the film’s legs during its opening weekend and it should have no trouble topping Zombieland’s debut and our $25 million prediction. In fact, it has a shot at $30 million over the full weekend.
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Weekend Predictions: Can a Dynamic Duo of Sequels Stop the Joker?
October 18th, 2019
There are two wide releases this week and both of them are delayed sequels. Maleficent: Mistress of Evil is widely expected to top the box office chart this weekend, but it is also widely expected to fail to match the original by a huge margin. On the other hand, Zombieland: Double Tap will likely only manage third place, but it has a real shot at matching Zombieland, at least in terms of raw dollars. By comparison, this weekend last year saw the near record-setting debut of Halloween. (It would have set the October record, had Venom not set it two weeks earlier.) I really thought 2019 would have a chance to win in the year-over-year comparison, but unless Maleficent: Mistress of Evil really beats expectations, that’s not going to happen.
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2019 Preview: October
October 1st, 2019
September ended on a bit of a weak note, but overall the month was excellent helping 2019 gain some ground on 2018. Can October continue this trend? There are certainly some potential box office hits coming out this month, starting with Joker, which opens the first weekend of the month and should be the biggest hit of the month. Maleficent: Mistress of Evil is aiming for $150 million and should be a hit, even if it doesn’t match the original at the box office. There are also a handful of films with an outside shot at getting to $100 million and I wouldn’t be shocked if one of them made it to that milestone. Meanwhile, last October, Venom broke records during its opening weekend, while A Star is Born had stellar legs helping both earn more than $200 million domestically. I don’t think the top two films will be able to match that this year, but we do have better depth, for the most part, so perhaps 2019 will continue its winning ways and close ground, at least by a little bit.
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Zombieland: Double Tap Trailer
July 26th, 2019
Action comedy starring Woody Harrelson, Jesse Eisenberg, Emma Stone, and Abigail Breslin opens October 18 ... Full Movie Details.
After a fight between Columbus and Wichita creates a deep rift in the make-shift family that causes Little Rock to leave with a strange man, the group must band together to find Little Rock and mend the family ties. Facing new kinds of zombies along the way, the group are forced to adjust their strategies until they find an incredible new zombie hunter known only as Nevada.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/10/25 | 5 | $68,354 | 49 | $1,395 | $68,354 | 1 | |
2019/11/01 | 8 | $58,718 | -14% | 43 | $1,366 | $146,818 | 2 |
2019/11/08 | 12 | $10,833 | -82% | 23 | $471 | $165,756 | 3 |
2019/11/15 | 20 | $3,969 | -63% | 13 | $305 | $172,748 | 4 |
2019/11/22 | 26 | $1,547 | -61% | 8 | $193 | $174,902 | 5 |
2019/11/29 | - | $91 | -94% | 2 | $46 | $185,384 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 10/24/2019 | $91,275 | 82 | 82 | 179 | $183,002 | 12/10/2019 |
Aruba | 10/17/2019 | $3,265 | 4 | 4 | 5 | $4,598 | 10/29/2019 |
Australia | 10/18/2019 | $1,329,107 | 289 | 289 | 1428 | $4,269,971 | 7/28/2020 |
Austria | 11/8/2019 | $164,100 | 63 | 63 | 356 | $648,111 | 1/29/2020 |
Bahrain | 10/17/2019 | $34,937 | 11 | 11 | 25 | $84,942 | 11/19/2019 |
Belgium | 11/6/2019 | $117,687 | 37 | 37 | 130 | $318,892 | 12/10/2019 |
Bolivia | 12/5/2019 | $26,309 | 22 | 22 | 48 | $69,206 | 12/31/2019 |
Brazil | 10/24/2019 | $492,417 | 540 | 540 | 1137 | $1,040,409 | 10/19/2022 |
Cambodia | 10/23/2019 | $12,934 | 71 | 71 | 106 | $37,718 | 11/12/2019 |
Central America | 12/5/2019 | $118,560 | 165 | 165 | 352 | $351,285 | 12/31/2019 |
Chile | 11/28/2019 | $39,192 | 47 | 47 | 88 | $77,833 | 12/18/2019 |
Colombia | 11/28/2019 | $146,507 | 169 | 169 | 390 | $452,229 | 1/8/2020 |
Croatia | 10/17/2019 | $26,290 | 54 | 54 | 127 | $71,481 | 11/19/2019 |
Curacao | 10/17/2019 | $481 | 2 | 2 | 6 | $2,182 | 11/12/2019 |
Czech Republic | 10/24/2019 | $117,422 | 109 | 109 | 215 | $342,701 | 10/19/2022 |
Denmark | 10/24/2019 | $114,487 | 53 | 53 | 183 | $379,468 | 1/15/2020 |
Dominican Republic | 10/24/2019 | $7,270 | 23 | 23 | 29 | $11,168 | 11/5/2019 |
East Africa | 10/17/2019 | $4,562 | 4 | 4 | 24 | $12,436 | 12/10/2019 |
Ecuador | 10/31/2019 | $68,273 | 44 | 44 | 148 | $199,880 | 12/3/2019 |
Egypt | 10/17/2019 | $24,191 | 24 | 24 | 57 | $78,222 | 11/26/2019 |
Estonia | 10/25/2019 | $28,906 | 22 | 22 | 56 | $87,408 | 12/18/2019 |
Finland | 10/25/2019 | $65,366 | 50 | 50 | 161 | $207,323 | 1/29/2020 |
France | 10/30/2019 | $1,918,456 | 367 | 367 | 1588 | $4,568,787 | 12/18/2019 |
Germany | 11/7/2019 | $1,141,710 | 368 | 396 | 2815 | $4,506,189 | 3/23/2020 |
Greece | 11/7/2019 | $22,535 | 50 | 50 | 76 | $47,555 | 11/26/2019 |
Hong Kong | 10/24/2019 | $303,535 | 128 | 128 | 229 | $574,099 | 11/19/2019 |
Hungary | 10/17/2019 | $105,332 | 46 | 68 | 208 | $358,862 | 10/19/2022 |
Iceland | 10/25/2019 | $20,369 | 9 | 9 | 27 | $85,788 | 12/10/2019 |
India | 10/18/2019 | $133,260 | 400 | 400 | 419 | $227,301 | 11/13/2019 |
Indonesia | 10/23/2019 | $955,372 | 589 | 589 | 964 | $1,351,244 | 11/19/2019 |
Iraq | 10/17/2019 | $13,524 | 8 | 8 | 25 | $28,939 | 11/19/2019 |
Israel | 10/17/2019 | $128,605 | 31 | 31 | 127 | $349,760 | 10/19/2022 |
Italy | 11/14/2019 | $493,217 | 0 | 24 | 28 | $847,241 | 12/18/2019 |
Japan | 11/22/2019 | $329,805 | 172 | 183 | 546 | $1,163,993 | 12/27/2019 |
Jordan | 10/17/2019 | $12,474 | 5 | 5 | 16 | $41,722 | 11/12/2019 |
Kuwait | 10/17/2019 | $83,535 | 21 | 21 | 33 | $156,234 | 11/5/2019 |
Latvia | 10/25/2019 | $13,089 | 10 | 10 | 20 | $35,500 | 11/26/2019 |
Lebanon | 10/17/2019 | $2,257 | 13 | 13 | 29 | $15,457 | 11/19/2019 |
Lithuania | 10/25/2019 | $18,670 | 13 | 13 | 24 | $42,142 | 11/13/2019 |
Malaysia | 10/31/2019 | $373,452 | 480 | 480 | 873 | $828,974 | 12/3/2019 |
Mexico | 10/25/2019 | $755,945 | 0 | 281 | 625 | $3,075,704 | 10/19/2022 |
Middle East Region | 10/17/2019 | $163,145 | 8 | 9 | 29 | $633,457 | 11/19/2019 |
Mongolia | 11/8/2019 | $15,271 | 9 | 9 | 28 | $40,586 | 12/3/2019 |
Netherlands | 11/22/2019 | $150,032 | 67 | 67 | 306 | $442,331 | 10/19/2022 |
New Zealand | 10/17/2019 | $178,279 | 76 | 77 | 292 | $492,279 | 10/19/2022 |
North America | 10/18/2019 | $26,803,104 | 3,468 | 3,468 | 12,445 | $73,118,130 | 7/20/2022 |
Norway | 10/25/2019 | $98,057 | 118 | 118 | 276 | $273,038 | 12/18/2019 |
Oman | 10/17/2019 | $24,192 | 17 | 17 | 32 | $46,129 | 11/5/2019 |
Pakistan | 10/18/2019 | $12,659 | 52 | 52 | 70 | $26,807 | 11/5/2019 |
Paraguay | 11/7/2019 | $4,972 | 20 | 20 | 30 | $9,848 | 12/3/2019 |
Peru | 12/5/2019 | $171,921 | 135 | 135 | 264 | $547,177 | 1/15/2020 |
Philippines | 10/23/2019 | $371,994 | 159 | 159 | 249 | $667,688 | 11/26/2019 |
Poland | 10/18/2019 | $92,575 | 108 | 108 | 319 | $253,698 | 10/19/2022 |
Portugal | 10/24/2019 | $68,354 | 49 | 49 | 138 | $185,384 | 12/4/2019 |
Qatar | 10/17/2019 | $53,662 | 18 | 18 | 32 | $101,683 | 11/12/2019 |
Romania | 10/25/2019 | $58,462 | 78 | 78 | 215 | $159,517 | 12/10/2019 |
Russia (CIS) | 10/24/2019 | $2,128,711 | 1036 | 1045 | 2793 | $4,566,828 | 10/19/2022 |
Serbia and Montenegro | 10/17/2019 | $5,720 | 27 | 27 | 50 | $15,717 | 11/12/2019 |
Singapore | 10/31/2019 | $178,260 | 29 | 29 | 88 | $388,624 | 12/3/2019 |
Slovakia | 10/25/2019 | $66,277 | 70 | 70 | 117 | $158,069 | 10/19/2022 |
Slovenia | 10/17/2019 | $10,288 | 14 | 14 | 44 | $35,436 | 12/10/2019 |
South Africa | 10/25/2019 | $9,089 | 6 | 8 | 37 | $37,490 | 12/10/2019 |
South Korea | 11/13/2019 | $507,134 | 548 | 548 | 624 | $1,004,638 | 12/18/2019 |
Spain | 10/18/2019 | $694,284 | 304 | 315 | 1112 | $2,074,770 | 12/18/2019 |
Suriname | 10/17/2019 | $0 | 0 | 1 | 1 | $545 | 10/29/2019 |
Sweden | 10/18/2019 | $119,984 | 77 | 77 | 270 | $411,884 | 12/18/2019 |
Switzerland | 10/30/2019 | $42,686 | 16 | 48 | 193 | $468,985 | 12/27/2019 |
Syria | 10/17/2019 | $4,275 | 1 | 2 | 6 | $12,383 | 11/12/2019 |
Taiwan | 10/9/2019 | $183,302 | 69 | 69 | 175 | $459,485 | 11/5/2019 |
Thailand | 10/31/2019 | $253,343 | 131 | 131 | 252 | $661,803 | 10/19/2022 |
Trinidad | 10/16/2019 | $12,880 | 14 | 14 | 31 | $27,345 | 11/19/2019 |
Ukraine | 10/24/2019 | $314,535 | 281 | 281 | 666 | $682,056 | 11/26/2019 |
United Arab Emirates | 10/17/2019 | $207,884 | 56 | 56 | 113 | $428,120 | 11/19/2019 |
United Kingdom | 10/18/2019 | $1,603,035 | 446 | 474 | 1992 | $5,806,127 | 12/18/2019 |
Uruguay | 12/5/2019 | $9,724 | 19 | 19 | 45 | $29,127 | 1/22/2020 |
Venezuela | 10/25/2019 | $7,061 | 53 | 53 | 128 | $26,062 | 12/3/2019 |
Vietnam | 10/25/2019 | $192,088 | 213 | 213 | 430 | $397,834 | 11/19/2019 |
Rest of World | $3,285,982 | ||||||
Worldwide Total | $125,213,018 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Woody Harrelson | Tallahassee |
Jesse Eisenberg | Columbus |
Emma Stone | Wichita |
Abigail Breslin | Little Rock |
Supporting Cast
Rosario Dawson | Nevada |
Zoey Deutch | Madison |
Luke Wilson | Albuquerque |
Avan Jogia | Berkeley |
Thomas Middleditch | Flagstaff |
Victoria Hall | Babylonian Gatekeeper |
Victor Rivera | Civil War Bearded Guy |
Ian Gregg | Bowel Blast Guy |
Devin Mojica | Cool Hat Guy |
Rachel Luttrell | Terrifield Woman in the Snow |
John Dixon | Homer Zombie in Snow |
Ronny A. Mathew | Scared Lab Tech |
Jess Durham | Beatrix Hawking |
David Fleischer | Exoculated Scientist |
Jenin Gonzalez | Survivor With Flashlight |
Felix Betancourt | Ninja Zombie |
Lucas Fleischer | Dave Sanderman |
Gianni Biasetti, Jr. | Haybale Z |
Ari Loeb | T-800 Z |
Anthony Dilio | Matteo Bianchi |
Julia Vasi | Publicist |
Al Roker | Reporter |
Lili Estefan | Reporter |
Joshua Alex Horowitz | Reporter |
Grace Randolph | Reporter |
Cameos
Bill Murray | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Ruben Fleischer | Director |
Rhett Reese | Screenwriter |
Paul Wernick | Screenwriter |
David Callaham | Screenwriter |
Gavin Polone | Producer |
Paul Wernick | Executive Producer |
Rhett Reese | Executive Producer |
Rebecca Rivo | Executive Producer |
Ruben Fleischer | Executive Producer |
John Papsidera | Casting Director |
David Bernad | Executive Producer |
Jack Heller | Executive Producer |
Doug Belgrad | Executive Producer |
Chung-Hoon Chung | Director of Photography |
Martin Whist | Production Designer |
Dirk Westervelt | Editor |
David Sardy | Composer |
Gabe Hilfer | Music Supervisor |
Paul Linden | Visual Effects Supervisor |
Christine Wada | Costume Designer |
Martin Klebba | Stunt Coordinator |
Rebecca Rivo | Unit Production Manager |
Will Greenfield | Unit Production Manager |
K.C. Hodenfield | First Assistant Director |
Michael Saunders | Second Assistant Director |
Steve Dellerson | Visual Effects Producer |
Paul Kelly | Art Director |
Sean Jennings | Art Director |
Lauren Abiouness | Art Director |
Matthew Gatlin | Art Director |
Claudia Bonfe | Set Decorator |
Katherine Steets | Script Supervisor |
Sarah Mays | Make up |
Leo Satkovich | Make up |
Rox Hodenfield | Hairstylist |
Melizah Wheat | Hairstylist |
Tony Gardner | Special Make-up Effects |
Thomas Floutz | Special Make-up Effects |
Andre Freitas | Special Make-up Effects |
Bill Corso | Special Make-up Effects |
Eric Garcia | Special Make-up Effects |
Matt Sprunger | Special Make-up Effects |
Mary H. Ellis | Sound Mixer |
J.D. Schwalm | Special Effects Supervisor |
Jeff Wicker | Special Effects Coordinator |
Matt Chamberlin | Location Manager |
Kenneth Yu | Production Supervisor |
Markos Rounthwaite | Stunt Coordinator |
Glenn Foster | Stunt Coordinator |
Chris Ward | Set Designer |
Silvia Mahapatra | Set Designer |
Robert Fechtman | Set Designer |
Ernie Avila | Set Designer |
Rhett Reese | Character Creator |
Paul Wernick | Character Creator |
Markos Rounthwaite | Second Unit Director |
Harry B. III Miller | Additional Editor |
Matt Evans | First Assistant Editor |
Kevin O'Connell | Re-recording Mixer |
Will Files | Re-recording Mixer |
Kami Asgar | Supervising Sound Editor |
Erin Oakley | Supervising Sound Editor |
Casey Genton | Sound Designer |
Chris Terhune | Sound Effects Editor |
Hector Gika | Sound Effects Editor |
Sam Fan | Sound Effects Editor |
Lindsey Alvarez | Dialogue Editor |
Michael Hertlein | Dialogue Editor |
Robert Chen | Dialogue Editor |
Robert Troy | Dialogue Editor |
Brendan Hill | Foley Editor |
Adam Shaw | Foley Editor |
Jamie Famularo | Foley Editor |
Harvey James | Foley Editor |
Brendan Croxon | Foley Mixer |
Ryan Squires | Foley Recordist |
Casey Genton | Additional Sound Re-recording Mixer |
Jim Schultz | Music Editor |
Mary Parker | Music Editor |
Christopher Waegner | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.