France Box Office for Trolls (2016)
Theatrical Performance (US$) | ||
France Box Office | $18,495,936 | Details |
Worldwide Box Office | $342,831,709 | Details |
Home Market Performance | ||
North America DVD Sales | $38,939,254 | Details |
North America Blu-ray Sales | $34,079,371 | Details |
Total North America Video Sales | $73,018,625 | |
Further financial details... |
Synopsis
Polar opposites, Poppy and Branch, must embark on an adventure that takes them far beyond the only world they’ve ever known.
Metrics
Movie Details
Production Budget: | $125,000,000 |
France Releases: | October 21st, 2016 (Wide) |
Video Release: | January 24th, 2017 by Fox Home Entertainment |
MPAA Rating: | PG for some mild rude humor. (Rating bulletin 2439 (Cert #50621), 8/24/2016) |
Running Time: | 93 minutes |
Franchise: | Trolls |
Keywords: | Food, Rescue, Escape, Makeover, 3-D, 3-D - Shot in 3-D, Family Adventure |
Source: | Based on Toy |
Genre: | Adventure |
Production Method: | Digital Animation |
Creative Type: | Kids Fiction |
Production/Financing Companies: | DreamWorks Animation, PDI, DreamWorks Pictures |
Production Countries: | United States |
Languages: | English |
2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!
February 26th, 2017
It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night.
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2016 - Awards Season: Oscars - Nominations - Final Look
February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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Home Market Releases for February 07th, 2017
February 7th, 2017
The winter releases are starting to come out on the home market. Trolls is the biggest such release, but it isn’t the best. It isn’t bad either, but it’s for kids and not adult fans of animation. As for the best, there are a quartet of contenders for Pick of the Week; Loving, The Eagle Huntress, Little Sister, and Two Lovers and a Bear. All four are must haves, while Loving’s Blu-ray Combo Pack is the Pick of the Week. Meanwhile, Two Lovers and a Bear’s DVD is the Puck of the Week for Best Canadian Release.
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2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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Home Market Releases for January 24th, 2017
January 23rd, 2017
It’s not a particularly good week for top-notch releases. There are only three contenders for Pick of the Week, one of which doesn’t come out till next week. I was able to review Pinocchio a week early. The others are a classic from the 1970s, The Man Who Fell To Earth on Blu-ray Combo Pack, and an import from South Korea, The Handmaiden on DVD. Even though The Handmaiden is only coming out on DVD, it is still the best and is this week’s Pick of the Week.
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2016 - Awards Season: Golden Globes - Nominations
December 12th, 2016
The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season.
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International Box Office: Fantastic Beasts have another Century Weekend with $132.0 million
November 30th, 2016
Fantastic Beasts and Where to Find Them remained in first place with $132.0 million in 67 markets for totals of $317.5 million internationally and $473.5 million worldwide. Its biggest debut came from China where it opened with $41.70 million, which is a little behind Doctor Strange’s opening earlier this month. On the other hand, the film is already $10 million ahead of what will be Doctor Strange’s lifetime total in the U.K. with $11.07 million in 666 theaters over the weekend for a two-week total of $37.52 million.
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International Box Office: Fantastic has a Beast of an Opening with $143.3 million
November 24th, 2016
Fantastic Beasts and Where to Find Them opened in first place on the international chart with $143.3 million in 63 markets. The film had the biggest opening of the Harry Potter franchise in 16 of those 63 markets, but ironically not in the U.K., where it had its biggest opening. The film debuted in first place there with $18.90 million in 666 theaters. This is the third best in the franchise behind the two Deathly Hallows films. Some of the markets where Fantastic Beasts set the franchise record include South Korea, where it made $10.64 million on 1,431 screens over the weekend for a total opening of $14.15 million. It did the same in Russia with $10.29 million on 1,173 screens and in Brazil with $6.4 million.
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Weekend Predictions: Moana Takes on Beast Over Thanksgiving Weekend
November 23rd, 2016
Thanksgiving weekend is one of the most lucrative weekends of the year and this time around we could have a relatively close battle between a new release, Moana, and last week’s number one film, Fantastic Beasts and Where to Find Them. At least that’s what analysts thought, before we saw the preview numbers. None of the rest of the new wide releases are expected to do much. Allied could become a midlevel hit, but I would be surprised if its budget was only midlevel. Bad Santa 2 is on its way to becoming another comedy sequel that bombs. If Rules Don’t Apply’s previews are any indication, it will become one of the worst box office performers of the year. This weekend last year, The Hunger Games: Mockingjay, Part 2 beat The Good Dinosaur rather easily. However, Fantastic Beasts started slower than Moana, so I think we will have a new winner this week.
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Weekend Wrap-Up: Fantastic Beast Can’t Lift Box Office
November 22nd, 2016
As expected, Fantastic Beasts and Where to Find Them dominated the box office earning nearly as much as the rest of the films combined. However, it was unexpectedly weak earning just $74.40 million. In fact, every film we talked about on Thursday’s predictions underperformed and the overall box office was down to $158 million. Granted, “down” in this case is only off by 0.1%, but considering we were expecting significant growth, even a little drop is distressing. Worse still, the box office is off by 8.9% from this weekend last year. Again, we were expecting growth in the year-over-year comparison, so a drop this big really hurts. Year-to-date, 2016 has pulled in $9.49 billion, which is 5.9% or $540 million better than last year’s pace. That said, I wouldn’t panic, as Moana should help the box office bounce back this weekend.
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Friday Estimates: Fantastic Dominates Charts, but with just $29.7 million
November 19th, 2016
As expected, Fantastic Beasts and Where to Find Them easily earned first place on Friday. However, it only managed $29.7 million, which was well below expectations. This is the worst opening day in the Harry Potter franchise since The Chamber of Secrets. (The two films are so close that the final figure for Fantastic Beasts could be the worst in the franchise.) The reviews are weaker than the franchise as a whole, but its CinemaScore is an A and that’s roughly average for the previous 8 Harry Potter films. The film should still earn between $70 million and $75 million over the weekend, depending on if the high CinemaScore can overcome the Fanboy Effect. I would choose to be optimistic, but that hasn’t worked out this weekend.
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Weekend Predictions: Will Fantastic Be Fantastic? Or will it merely be a Beast at the Box Office?
November 17th, 2016
At the beginning of the month, we thought there would be four wide releases / expansions this week. However, it turns out there will be just one, Fantastic Beasts and Where to Find Them. The lack of wide releases should help it at the box office and there is a small chance it could top $100 million over the next three days. While there are no other wide releases, there are a few films opening or expanding semi-wide. Of these, The Edge of Seventeen is the only one with a realistic shot at the top five. It is earning the best reviews of the week and did earn a lot of film festival buzz, so that should help. Billy Lynn’s Long Halftime Walk had an amazing opening in limited release last weekend, but it will likely struggle as it expands into just over 1,000 theaters this weekend. Finally there’s Bleed for This, which is expected to barely make the top ten. This weekend last year, the final installment of the Hunger Games franchise opened with just over $100 million. There’s a slim chance Fantastic Beasts will do the same. Even if it doesn’t, the depth this year is much better than last year and that should help 2016 win in the year-over-year comparison.
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International Box Office: Doctor Strange Mightier than Thor earning $60.2 million
November 16th, 2016
Doctor Strange remained in first place with $60.2 million in 53 markets over the weekend for totals of $339.6 million internationally and $492.6 million worldwide. This puts the film ahead of the lifetime total of Thor and into 11th place in the MCU. It will be at least a couple of spots higher by this time next week. The film had a stronger than expected hold in China down $22.54 million over the weekend for a two-week total of $83.22 million. It also remained in first place in South Korea with $4.35 million on 951 screens over the weekend for a total of $36.22 million after three weeks of release. Up next for the film is Argentina on the 24th, while it doesn’t end its run until next year when it opens in Japan.
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Weekend Wrap-Up: The Holiday Box Office Season has Arrived
November 15th, 2016
The weekend box office was better than anticipated, thanks mostly to Remembrance Day. Doctor Strange fell less than 50%, which is stunning for a big blockbuster like this. Trolls held on even better and Arrival had a surprisingly strong opening weekend. Granted, the overall box office still dropped by 18% to $158 million, but some drop-off is unavoidable the weekend after a blockbuster release. This was 46% higher than the same weekend last year and that is a lot more important. Year-to-date, 2016 has earned $9.49 billion, putting it 5.7% or $510 million ahead of last year’s pace.
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Weekend Estimates: Healthy Arrivals Help Veterans Day Box Office
November 13th, 2016
While Doctor Strange and Trolls aren’t really being threatened at the top of the chart this weekend, a few healthy new releases are giving Veterans Day weekend a timely boost at the box office. Arrival is the stand-out performer in wide release, with $24 million from 2,317 theaters and an average over $10,000. The sci-fi drama is a critical darling, but is having a harder time with general audiences who might be expecting something with a few more explosions and laser battles, and its CinemaScore is a B. Its potential long-term performance is a therefore a little hard to gauge at this point, but it would be very surprising for it not to pick up a few more theaters, and it might be decent counter-programming to the explosions and laser battles promised by several other films coming up in the next few weeks.
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Friday Estimates: Doctor Heals the Box Office with $14.92 million
November 12th, 2016
Doctor Strange held on better than expected to earn $14.92 million on Friday. This was down just 54% compared to its opening Friday. This is partially due to its reviews, but also due to Veterans Day landing on a Friday. It won’t bounce back as much as other sophomore films do in this case, but even if it has the exact same internal multiplier as it did last weekend, it will pull in $39 million this weekend and match our prediction. It will likely top $40 million, maybe even hitting $42 million, if it is lucky.
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Weekend Predictions: Will Any New Release Arrive on Top?
November 10th, 2016
There are a trio of new releases coming out this week, but none of them are expected to challenge for top spot. Arrival is earning stellar reviews, but it is also being released by Paramount and they’ve had a terrible year. Almost Christmas is a Christmas movie aimed at African-Americans. It should do well enough to become a financial success, but it won’t be a major player at the box office. Then there’s Shut In, which is barely opening wide and will very likely miss the top five. It might miss the Mendoza Line. This will leave Doctor Strange with an easy first place, while Trolls should remain in second. This weekend last year, the new releases were pitiful. The best earned less than $10 million. If 2016 doesn’t win in the year-over-year comparison, then we are in serious trouble.
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International Box Office: Strange More Incredible Than The Hulk with $118.7 million
November 9th, 2016
Doctor Strange added $118.7 million in 54 markets for totals of $240.4 million internationally and $325.5 million worldwide. It has already overtaken The Incredible Hulk in the MCU and is rapidly closing in on Captain America: The First Avenger. This weekend, the film debuted in first place in China with $44.12 million, including some previews, as well as in Brazil with $7.9 million. The film also expanded wide in Russia earning $8.49 million over the weekend for a total of $15.63 million. On the downside, the film has already opened in all major markets, except for Japan, where it doesn’t open until January. With what it has pulled in so far, anything less than $600 million will be seen as troubling, while anything more than $750 million will be seen as a success.
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Theater Averages: Loving Loves its Opening Average of $39,904
November 8th, 2016
Loving led the way on the theater average chart this weekend with an average of $39,904 in four theaters. This isn’t among the best of the year, but it does show the film has room to grow and that should help its Oscar buzz, which in turn will help its box office numbers. The overall number one film, Doctor Strange, was next with an average of $21,911. The only holdover in the $10,000 club was Moonlight, which earned an average of $14,883 in 83 theaters. It still has room to grow, but its chances of expanding truly wide are very limited at this point. The Eagle Huntress was next with an average of $13,144 in four theaters. The final film in the $10,000 club was Trolls at $11,473.
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Weekend Wrap-Up: Nothing Strange about the Doctor’s $85.06 million Opening Weekend
November 7th, 2016
Doctor Strange’s opening weekend was off by 0.069% when compared to our prediction. I think that gives us reason to brag. Both Trolls and Hacksaw Ridge beat expectations by a relatively significant margin. Overall, the weekend box office rose 115% from last weekend to $191 million. That’s 18% more than the same weekend last year. Year-to-date, 2016’s lead over 2015 increased to 5.6% or $490 million at $9.28 billion to $8.79 billion. If 2016 can maintain this lead until Rogue One comes out, then 2016 will win in the end.
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Weekend Estimates: Doctor Strange’s $85 Million Gives Industry a Much-Needed Boost
November 6th, 2016
After a couple of months of weak box office, and some very disappointing openings, Doctor Strange, Trolls and Hacksaw Ridge are each, in their own way, putting things back on track. Doctor Strange is grabbing the headlines of course, with an impressive $84,989,000 opening projected by Disney on Sunday morning. That’s almost identical to the opening weekend enjoyed by Thor: The Dark World on this weekend back in 2013, and comes without the benefit of being part of an established franchise (putting aside its place in the Marvel Cinematic Universe).
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Friday Estimates: Doctor Strange Heals the Box Office with $32.56 million
November 5th, 2016
As expected, Doctor Strange dominated the Friday box office chart with $32.56 million. This is 19% higher than Spectre’s opening day was last year, which is great news. Granted, Doctor Strange had much better previews, so the actual 24-hour Friday numbers are much closer. On the other hand, Doctor Strange’s reviews remain 90% positive, while its CinemaScore is an impressive A. Spectre earned 65% positive reviews and an A- from CinemaScore. If the two films have the same internal multiplier, then Doctor Strange will open with $84 million. However, the Fanboy Effect will likely keep it to just above $80 million. This is still a great start and another smash hit from the Marvel Cinematic Universe.
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Thursday Night Previews: Strange Trolls the Competition with $9.4 million
November 4th, 2016
Doctor Strange earned $9.4 million during its previews, which is the best preview performance since Suicide Squad pulled in $20.5 million in August. However, August is a very different month, so it would be better to compare this result to other November releases. $9.4 million is better than the $5.25 million Spectre earned, but well below the $16.0 million The Hunger Games: Mockingjay—Part 2 managed. That leaves us with a lot of mixed signals. The film’s 90% positive reviews are better than all three of those films, so it should have better legs. On the low end, it could earn $65 million, while on the high end, it could still match our prediction of $85 million.
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Contest: Arrive on Time
November 4th, 2016
There are three widish releases next week, but none of them are opening at a saturation level theater count. In fact, none of them are coming close. Arrival will very likely be the biggest of the three new releases, but it will fall behind Doctor Strange’s sophomore stint. Its estimated theater count is so small it might even open below Trolls. Almost Christmas is looking to become a solid midlevel hit, while Shut In is just praying for a spot in the top five. Because Arrival is expected to do the best, it is the target film in this week’s Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Arrival.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Weekend Predictions: Will Audiences Find Doctor Too Strange?
November 3rd, 2016
Doctor Strange is the latest installment in the Marvel Cinematic Universe and arguably the strangest one. It is widely expected to dominate the box office this weekend. Trolls is expected to open way back in second place, but still have a strong showing. The final wide release of the week is Hacksaw Ridge, which appears to be getting lost in the crowd. This weekend last year. Spectre and The Peanuts Movie had a one-two punch that earned a combined $115 million. I think Doctor Strange / Trolls will top that figure giving 2016 the win in the year-over-year comparison.
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International Box Office: Nothing Strange About Doctor’s $86.0 million International Debut
November 3rd, 2016
Doctor Strange started its international run in first place with $86.0 million in 33 markets. This is 49% better than Ant-Man’s debuts in these markets. If the film does as well here, it would earn $85 million this coming weekend. The film’s biggest international market was South Korea, where it debuted with $12.95 million on 1,500 screens over the weekend for a total opening of $18.05 million. It dominated the weekend box office there. It earned an easy first place in the U.K. with $11.29 million in 602 theaters. The film also opened in first place in France ($5.7 million); Australia ($4.90 million); Germany ($4.8 million); and Mexico ($4.67 million). If the film does as well during the rest of its international run, it will earn just over $500 million internationally. However, since its reviews are better than Ant-Man’s reviews were, it could have even better legs. We will know more this time next week.
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2016 Preview: November
November 1st, 2016
October turned out to be a mixed month. On the one hand, not one movie earned $100 million, or even came close. However, it was also a more steady month than last October and the last two weeks really helped 2016 in the year-over-year comparisons. In November, we have five films with at least a shot at $100 million, three of which should have no trouble getting to at least $200 million. A little while ago, I thought Fantastic Beasts and Where to Find Them would be the biggest hit of the month, but the buzz took a hit recently. More on that below. Meanwhile, Doctor Strange’s reviews are currently 90% positive and that should help it out at the box office. The third very likely $200 million hit is Moana. There is certainly precedent for an animated movie to be a monster hit at this time of year, but there is also a lot of competition. Last November was similar in strength, with five films that earned more than $100 million and two films that earned more than $200 million. None earned more than $300 million, so that’s the goal for this November. If we can get one $300 million and / or three $200 million movies over the month, then it will be seen as a victory.
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International Box Office: Jack Reaches for the Top earning $31.5 million
October 27th, 2016
Jack Reacher: Never Go Back opened in first place internationally with $31.5 million in 31 markets. Its biggest market was China, where it earned $5.56 million, including previews. The film’s second biggest market was in the U.K. where it earned $3.28 million in 519 theaters. This is lower than it opened here, given the relative size of the two markets, and much lower than the $5.75 million the first film opened with. Granted, that film opened in the U.K. right around Christmas, but overall Never Go Back is underperforming. This is really bad news for Paramount Pictures, as they’ve had a bad year with a number of high-profile, high-cost movies failing to break even and really can’t afford another misstep.
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Trolls Trailer
August 3rd, 2016
Animated adventure from DreamWorks Animation, with the voices of Anna Kendrick and Justin Timberlake opens November 4 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/10/21 | - | $4,200,000 | 0 | $4,200,000 | 1 | ||
2016/10/28 | - | $4,600,000 | +10% | 0 | $11,400,000 | 2 | |
2016/11/11 | - | $1,800,000 | 0 | $16,700,000 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 10/27/2016 | $483,398 | 290 | 290 | 1139 | $2,890,712 | 1/1/2019 |
Australia | 12/2/2016 | $1,879,063 | 507 | 507 | 2927 | $12,115,604 | 12/27/2023 |
Brazil | 10/28/2016 | $1,800,000 | 0 | 825 | 2842 | $7,411,095 | 11/16/2018 |
Bulgaria | 10/28/2016 | $105,119 | 0 | 0 | 0 | $530,512 | 2/26/2019 |
China | 10/28/2016 | $4,820,000 | 30644 | 30644 | 38848 | $7,913,005 | 8/27/2018 |
Czech Republic | 10/28/2016 | $24,246 | 29 | 123 | 690 | $960,332 | 1/1/2019 |
Denmark | 10/13/2016 | $0 | 0 | 0 | 0 | $2,200,000 | 10/24/2016 |
France | 10/21/2016 | $4,200,000 | 0 | 0 | 0 | $18,495,936 | 8/17/2018 |
Germany | 10/21/2016 | $2,200,000 | 0 | 0 | 0 | $8,898,705 | 8/19/2018 |
Italy | 10/28/2016 | $684,845 | 0 | 0 | 0 | $4,576,450 | 12/14/2016 |
Lithuania | 10/21/2016 | $91,617 | 202 | 202 | 960 | $462,783 | 12/14/2017 |
Mexico | 11/4/2016 | $2,681,022 | 0 | 0 | 0 | $7,292,000 | 12/6/2016 |
Netherlands | 10/12/2016 | $325,199 | 131 | 132 | 1175 | $3,856,556 | 1/12/2017 |
New Zealand | 12/2/2016 | $234,308 | 124 | 124 | 795 | $1,620,755 | 3/20/2017 |
North America | 11/4/2016 | $46,581,142 | 4,060 | 4,066 | 25,885 | $153,856,089 | 5/21/2019 |
Poland | 11/4/2016 | $513,641 | 0 | 0 | 0 | $337,609 | 12/31/2018 |
Portugal | 10/28/2016 | $194,885 | 85 | 85 | 551 | $1,403,171 | 1/31/2018 |
Russia (CIS) | 10/28/2016 | $3,932,582 | 1216 | 1216 | 5175 | $13,012,294 | 12/31/2018 |
Slovakia | 10/28/2016 | $18,096 | 23 | 73 | 442 | $580,239 | 2/24/2017 |
Slovenia | 11/4/2016 | $76,162 | 39 | 39 | 173 | $268,360 | 2/6/2017 |
South Korea | 2/8/2017 | $4,239 | 0 | 622 | 1900 | $4,394,167 | 10/10/2018 |
Spain | 10/28/2016 | $1,479,846 | 497 | 567 | 3802 | $10,309,752 | 5/5/2017 |
Thailand | 11/25/2016 | $228,000 | 0 | 0 | 0 | $228,000 | 11/28/2016 |
Turkey | 11/4/2016 | $233,563 | 206 | 226 | 1010 | $1,089,423 | 2/26/2019 |
United Kingdom | 10/21/2016 | $6,643,319 | 608 | 611 | 6211 | $30,289,849 | 2/15/2017 |
Rest of World | $47,838,311 | ||||||
Worldwide Total | $342,831,709 | 12/27/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Anna Kendrick | Poppy |
Justin Timberlake | Branch |
Gwen Stefani | DJ Suki |
James Corden | Biggie |
Russell Brand | Creek |
Supporting Cast
Zooey Deschanel | Bridget |
Christopher Mintz-Plasse | King Gristle |
Christine Baranski | Chef |
John Cleese | King Gristle Sr. |
Jeffrey Tambor | King Peppy |
Ron Funches | Cooper |
Aino Jawo | Satin |
Caroline Hjelt | Chenille |
Kunal Nayyar | Guy Diamond |
Quvenzhané Wallis | Harper |
Walt Dohrn | Smidge, Fuzzbert, Cloud Guy, Mr. Dinkles, Tunnel Troll, Wedgie Bergen #2 |
Rhys Darby | Bibbly |
Ricky Dillon | Aspen Heitz |
Meg DeAngelis | Moxie Dewdrop |
Glozell Green | Grandma Rosiepuff |
Kandee Johnson | Mandy Sparkledust |
Grace Helbig | Cookie Sugarloaf |
Curtis Stone | Bergen Guard - Todd |
Mike Mitchell | Darius, Vinny the Phone, Capt. Starfunkle, Spider, Wedgie Bergen #1, Chad, Card |
Iris Dohrn | Baby Poppy |
Liam Henry | Young Branch |
Nina Bakshi | Bini Troll, Nora Troll |
Zoë Crawford | Mackenzie Troll |
Riley Crawford | Sean Troll |
Ollie Mitchell | Olley Troll |
Emmett Mitchell | Anxious Troll Child, Keith |
Phoebe Dohrn | Bergen Girl |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Mike Mitchell | Director |
Walt Dohrn | Co-Director |
Gina Shay | Producer |
Glenn Berger | Screenwriter |
Jonathan Aibel | Screenwriter |
Erica Rivinoja | Story by |
Dannie Festa | Executive Producer |
Holly Edwards | Co-Producer |
Jonathan Aibel | Co-Producer |
Glenn Berger | Co-Producer |
Thomas Dam | Characters Based on the Good Luck Trolls created by |
Justin Timberlake | Executive Music Producer |
Christophe Beck | Composer |
Nick Fletcher | Editor |
Joel Crawford | Head of Story |
Kendal Cronkhite-Shaindlin | Production Designer |
Philippe Denis | Visual Effects Supervisor |
David Burgess | Head of Character Animation |
Yong Duk Jhun | Head of Layout |
Timothy Lamb | Art Director |
Yancy Lindquist | Digital Supervisor |
Mark Fattibene | Digital Supervisor |
Kelly Cooney Cilella* | Production Manager |
Jon Eric Schmidt | Production Manager |
Virendra Chauhan | Production Manager |
Prashanth Cavale | Animation Supervisor |
Mark Donald | Animation Supervisor |
Antony Gray | Animation Supervisor |
John Hill | Animation Supervisor |
Jason Reisig | Animation Supervisor |
Benjamin Willis | Animation Supervisor |
T.J. Jackson | Supervising Technical Director |
Charles Castrillo Ellison | Modeling Supervisor |
Josh West | Modeling Supervisor |
Damon Riesberg | Character Effects Supervisor |
Ethan Van der Ryn | Supervising Sound Editor |
Erik Aadahl | Supervising Sound Editor |
Ethan Van der Ryn | Sound Designer |
Erik Aadahl | Sound Designer |
Rick Kline | Re-recording Mixer |
Myron Nettinga | Re-recording Mixer |
Julia Michels | Music Supervisor |
Julianne Jordan | Music Supervisor |
Leslee Feldman | Casting Director |
Christi Soper Hilt* | Casting Director |
Killian Gray | Production Supervisor |
Sean Charmatz | Story Artist |
Danny Langston | Story Artist |
Clio Chiang | Story Artist |
Januel Mercado | Story Artist |
Bo Coburn | Story Artist |
Claire Morrissey | Story Artist |
Tim Heitz | Story Artist |
Nelson Yokota | Story Artist |
Rich B. Dietl | First Associate Editor |
Christine Lojko Haslett | Associate Editor |
Nolan Southerland | First Assistant Editor |
Stephen L. Meek* | Assistant Editor |
W. Stuart Jones | Assistant Editor |
Ian Jude McIntosh | Production Supervisor-Art Department |
Craig Kellman | Character Designer |
Timothy Lamb | Character Designer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.