Spain Box Office for Queen & Slim (2019)
Theatrical Performance (US$) | ||
Spain Box Office | $62,693 | Details |
Worldwide Box Office | $48,266,163 | Details |
Home Market Performance | ||
North America DVD Sales | $537,175 | Details |
North America Blu-ray Sales | $2,017,652 | Details |
Total North America Video Sales | $2,554,827 | |
Further financial details... |
Synopsis
While on a forgettable first date together in Ohio, a black man and a black woman, are pulled over for a minor traffic infraction. The situation escalates, with sudden and tragic results, when the man kills the police officer in self-defense. Terrified and in fear for their lives, the man, a retail employee, and the woman, a criminal defense lawyer, are forced to go on the run. But the incident is captured on video and goes viral, and the couple unwittingly become a symbol of trauma, terror, grief and pain for people across the country. As they drive, these two unlikely fugitives will discover themselves and each other in the most dire and desperate of circumstances and will forge a deep and powerful love that will reveal their shared humanity and shape the rest of their lives.
Metrics
Movie Details
Production Budget: | $20,000,000 |
Spain Releases: | February 21st, 2020 (Wide) |
Video Release: | March 3rd, 2020 by Universal Home Entertainment |
MPAA Rating: | R for violence, some strong sexuality, nudity, pervasive language, and brief drug use. (Rating bulletin 2588 (Cert #52310), 7/24/2019) |
Running Time: | 132 minutes |
Keywords: | Police Brutality, Fugitive / On the Run, Romance, African Americans, Bigotry, Bounty/Price on one's Head, Set in New Mexico, Set in Florida, Crime Drama, Political Protest, Political |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Makeready, 3Blackdot, Bron Creative, De La Revolucion Films, Hillman Grad Productions, Universal Pictures, Entertainment One |
Production Countries: | United States |
Languages: | English |
Home Market Releases for March 3rd, 2020
March 5th, 2020
It’s a terrible week on the home market with almost no prime new releases. In fact, if there weren’t a couple of late screeners to talk about and several secondary VOD titles, the main list would be very short. The week is so weak that Jojo Rabbit is really the only choice for Pick of the Week, even though it came out about a month ago.
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Weekend Wrap-Up: Post-holiday Blues Gets to Frozen II
December 10th, 2019
As expected, the box office collapsed this week, as it always does in a post-holiday weekend. Despite the best efforts of Frozen II and Knives Out, the overall weekend box office fell 50% to $89 million. This is 5.4% higher than the same weekend last year and that’s the more important figure. Year-to-date, 2019 closed ground with 2018, albeit by a tiny margin and this year is still behind last year by 5.9% or $630 million at $10.16 billion to $10.80 billion. It has been a long time since we’ve seen the box office decline by that high of a percentage in one year; however, 2019 is still on pace to be the second highest grossing year of all time and it still has higher ticket sales than 2017 had at this point, so I think we shouldn’t panic over this.
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Weekend Estimates: Frozen Falls, Still Set to Top Predecessor
December 8th, 2019
Frozen II fell both faster than expected, and faster than projections based on Friday’s estimates. However, the film is still managing an estimated $34.67 million over the weekend for a three-week total of $337.59 million. This is enough to push it ahead of Joker and into seventh place on the yearly chart. If this holds up, then it will have an excellent shot at topping the first Frozen’s domestic total, even without the Christmas break coming up. Internationally, the film pulled in $90.2 million in 48 markets for totals of $582.1 million internationally and $919.7 million worldwide. It had no major market openings this weekend, but it is earning an estimated $800,000 in South Africa, which would make it the second biggest opening for an animated film there, behind only Minions. The film has become the biggest animated film in South Korea with $75.5 million. It as also topped its predecessor in Russia ($23.0 million) and Mexico ($21.1 million) and a lot of smaller markets.
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Friday Estimates: Frozen Begins to Thaw, Playmobil Nowhere to be Found
December 7th, 2019
As expected, Frozen II earned first place on the Friday box office chart. However, the film fell further than anticipated, earning $7.84 million—off 77% from last Friday. That was a holiday, so obviously it will bounce back over the rest of the weekend, but projections have the film earning about $36 million compared to our $38 million prediction. This is close enough that I’m satisfied with the result and it is more than enough to keep it in wide release until after the new year.
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Weekend Predictions: December Will Start on a Chilly Note
December 5th, 2019
The weekend after Thanksgiving is one of the worst weeks of the year to release a film wide. In fact, many years there are no wide releases. This year, Playmobil gets thrown to the wolves, or to the mercy of Frozen II, to be more specific. I can’t imagine it will survive the competition. In fact, most think the wide expansion of Dark Waters will beat it at the box office and that film isn’t expected to land in the top five. This weekend last year had no wide releases and Frozen II should earn more than last year’s top two films, Ralph Breaks the Internet and The Grinch, earned combined. December should get off to a fast start on the year-over-year competition and hopefully that’s a good omen going forward.
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Weekend Wrap-Up: Thanksgiving Shows 2019 still has some Spark Left
December 2nd, 2019
2019 hasn’t been a great year and has consistently been behind 2018. However, 2018 was the biggest ever year at the box office and 2019 has been in a battle for second place for much of the year. Thanksgiving beat expectations and the overall performances over the Thanksgiving weekend really helped 2019’s chances to secure second place. Frozen II broke records earning first place for its three-day and five-day Thanksgiving weekends. In fact, its three-day weekend haul of $85.98 million would have landed in third place on the all-time five-day chart. Additionally, both new releases, Knives Out and Queen and Slim, topped expectations leading to a robust box office. Granted, the overall box office was a little lower, down 12%, from last weekend at $180 million. This is common for Thanksgiving, as the Wednesday and Thursday holidays are so popular with moviegoers that they reduce the box office potential of the Friday through Sunday weekend. This is 56% higher than the same weekend last year, but this is due to a misalignment in the holidays. This Thanksgiving was 16.5% lower than last year’s Thanksgiving, but the misalignment of the holidays does have an effect there as well, so it isn’t a perfect comparison either. Next weekend will be a lot better when it comes to the year-over-year comparison. Year-to-date, 2019 is still behind 2018 by a large margin, but 2019 was able to close to the gap a bit to 6.0% or $640 million at $10.03 billion to $10.67 billion. Getting that gap lower is the goal for December, as it is virtually impossible that 2019 will catch up completely. I would be really impressed if they can cut that gap in half.
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Weekend Estimates: Thanksgiving Stuffs itself on New Releases and Leftovers
December 1st, 2019
Frozen II’s weekend haul wasn’t quite up to the level it was during the week, but it was still impressive. In fact, it is matching our prediction nearly perfectly with $85.25 million, giving it $123.75 million over five days and a running tally of $287.57 million. It will break the three-day and the five-day Thanksgiving records, topping the second place film, The Hunger Games: Catching Fire, by substantial margins. Frozen II will have no trouble getting to $300 million shortly, while topping $400 million is practically assured at this point. Meanwhile, it is adding $163.8 million in 45 markets internationally for totals of $451.0 million internationally and $738.6 million worldwide. The film had a trio of first-place openings in major markets this past weekend, including Russia with $13.7 million, which Disney is reporting as the best opening for an animated film in that market. In Italy, it earned $7.7 million over the weekend and $8.6 million including previews, which is the best for a Disney animated film. It wasn’t as impressive in Australia with an opening of $6.6 million, but this was still 59% more than the first Frozen opened with in that market. At this point, the film has fully paid for its production budget, and while it likely cost between $150 million and $200 million to advertise, it should last in theaters long enough to cover that as well. That’s assuming the film had no more markets to open in, which isn’t the case. It has yet to open in Brazil and some smaller markets, so it should get a boost at the box office over the next month and a bit.
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Friday Estimates: Frozen II in the Black on Black Friday
November 30th, 2019
Frozen II remains on pace to top expectations and set a couple of Thanksgiving weekend records. It should earn both the three-day and the five-day records. In fact, with a Friday haul of $34.03 million, it is on pace for about $85 million from Friday through Sunday, meaning its three-day Thanksgiving weekend won’t be too far behind the first Frozen’s five-day Thanksgiving weekend haul of $93.59 million. Even with weaker legs thanks to weaker reviews, a lower A minus CinemaScore, and being a sequel, it is still on pace to top its predecessor and hit $400 million domestically with ease.
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Daily Box Tracking: Catching Fire Melts Frozen, but Frozen Still on Record Pace
November 29th, 2019
Frozen II slipped faster than anticipated on Thursday, pulling in $14.72 million. Family films tend to fall faster on Thanksgiving Thursday, because families spend time with each other rather than going to the theaters, but I was hoping it wouldn’t fall quite this fast. Frozen II fell fast enough that the more adult oriented The Hunger Games: Catching Fire remains the Biggest Thursday in November, albeit by a very close margin. Furthermore, the film is still well ahead of our prediction, helping it crack $200 million domestically on Thursday. Projections have the film destroying the 5-Day Thanksgiving record, with $130 million, maybe more, so there’s plenty to celebrate. As for the film’s long term chances, it doesn’t have any direct competition until Christmas Day, so it will have no trouble remaining in wide release until the New Year.
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Daily Box Tracking: Frozen Fills Up on Wednesday, Knives Out Opens on the Up and Up
November 28th, 2019
After breaking the record for Biggest Monday of November and the Biggest Tuesday of November, Frozen II had to settle for second place for the Biggest Wednesday of November, as it earned $23.78 million on Wednesday. This puts it just shy of The Matrix Revolutions’s record of $24.31 million; however, that was The Matrix Revolutions’ opening day, so I think it is safe to assume Frozen II will be back on top on Thursday. Furthermore, this puts the film on pace to top our prediction by a substantial margin. In fact, it looks like it will top its three-day opening weekend over the five-day Thanksgiving weekend. It’s chances of matching its predecessor have increased dramatically.
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Weekend Predictions: Will Audiences be Thankful this Thanksgiving?
November 27th, 2019
There are two wide releases this Thanksgiving, both of which are earning stellar reviews. Unfortunately, only one of those two films, Knives Out, is expected to make any real impact at the box office. Queen and Slim is just hoping to reach the top five. That said, both films will be crushed by Frozen II, which broke records last weekend and it is expected to have a strong hold during the holidays. This weekend last year was the weekend after Thanksgiving and the biggest new release was The Possession of Hannah Grace. Queen and Slim should top that at the box office. In fact, Knives Out might top Ralph Breaks the Internet’s sophomore stint, so even without Frozen II, the weekend would be looking good. 2019 might do well enough on the year-over-year competition that it will save November and give the year a real shot at ending on a strong note.
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2019 Preview: November
November 1st, 2019
Joker single-handedly saved October. Had the film merely matched expectations, then the month would had suffered a major loss in the year-over-year competition. We sill lost a little ground, but not so much that we will look to October as the reason 2019 missed last year’s pace. As for November, we have some potential monster hits with Frozen II leading the way. If that film doesn’t earn at least $1 billion worldwide, I will be shocked. Additionally, every week has at least one movie coming out that has a somewhat realistic shot at $100 million, although not all of them will get there. Unfortunately, last November was much better, with five films that topped $100 million, including three that earned more than $200 million. I think 2019 will be better at the top, but it just won’t have the depth to keep pace with last year.
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Queen & Slim Trailer
August 23rd, 2019
Drama starring Daniel Kaluuya, and Jodie Turner-Smith opens November 27 ... Full Movie Details.
When a black man and black woman on a first date are pulled over by a police officer at a traffic stop, their life goes awry. Forced to kill him in self-defense, rather than turn themselves in, they must go on the run.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/02/21 | 18 | $31,936 | 80 | $399 | $31,936 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/13/2020 | $26,027 | 48 | 48 | 92 | $46,874 | 7/14/2020 |
Austria | 1/10/2020 | $19,314 | 19 | 19 | 71 | $52,615 | 6/28/2023 |
France | 2/12/2020 | $359,240 | 157 | 157 | 390 | $767,922 | 3/18/2020 |
Germany | 1/9/2020 | $280,392 | 109 | 109 | 421 | $716,517 | 8/26/2020 |
Italy | 3/5/2020 | $10,624 | 0 | 0 | 0 | $11,761 | 10/7/2020 |
Mexico | 4/3/2020 | $0 | 0 | 11 | 27 | $3,772 | 9/30/2020 |
Middle East Region | 1/30/2020 | $69,494 | 36 | 36 | 42 | $113,625 | 8/12/2020 |
Netherlands | 3/13/2020 | $36,689 | 44 | 44 | 161 | $161,143 | 10/19/2022 |
New Zealand | 3/19/2020 | $3,141 | 31 | 31 | 47 | $11,636 | 10/19/2022 |
North America | 11/27/2019 | $11,890,490 | 1,690 | 1,715 | 8,001 | $43,808,310 | 3/1/2023 |
Singapore | 2/13/2020 | $2,786 | 1 | 1 | 5 | $7,833 | 8/26/2020 |
South Africa | 2/14/2020 | $35,924 | 50 | 50 | 112 | $77,385 | 3/11/2020 |
Spain | 2/21/2020 | $31,936 | 80 | 80 | 129 | $62,693 | 9/11/2020 |
Sweden | 3/6/2020 | $25,513 | 41 | 41 | 100 | $57,178 | 9/2/2020 |
Switzerland | 1/9/2020 | $43,945 | 26 | 26 | 91 | $102,225 | 12/9/2020 |
United Arab Emirates | 1/30/2020 | $16,851 | 40 | 40 | 41 | $24,074 | 2/12/2020 |
United Kingdom | 1/31/2020 | $669,352 | 357 | 1515 | 2375 | $1,913,274 | 5/28/2021 |
Rest of World | $327,326 | ||||||
Worldwide Total | $48,266,163 | 6/28/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Daniel Kaluuya | Slim |
Jodie Turner-Smith | Queen |
Supporting Cast
Bokeem Woodbine | Uncle Earl |
Chloë Sevigny | Mrs. Shepherd |
Flea | Mr. Shepherd |
Sturgill Simpson | Officer Reed |
Indya Moore | Goddess |
Benito Martinez | Sheriff Edgar |
Jahi Di’Allo Winston | Junior |
Gralen Bryant Banks | Older Black Man |
Dickson Obahor | Large Black Man |
Bryant Tardy | Chubby |
Thom Gossom Jr. | Slim’s Father |
Melanie Halfkenny | Naomi |
Brian Thornton | Swat Leader |
Joseph Poliquin | Cashier |
Karen Kaia Livers | Bartender |
Bertrand E. Boyd II | Black Man |
Gregory Keith Grainger | Black Cop |
Lucky Johnson | Black Cop at Protest |
Reynolds Washam | Cop |
Andre Shanks | Black Cop |
Robert Walker Branchaud | White Cop at Shepherd House |
Colby Boothman-Shepard* | Teenage White Boy |
Andy Dylan | Cop (Bullhorn) |
Regina Swanson | Newscaster |
Cameos
Soledad O'Brien | Herself |
Gayle King | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Melina Matsoukas | Director |
Lena Waithe | Screenwriter |
Lena Waithe | Story by |
James Frey | Story by |
Lena Waithe | Producer |
Melina Matsoukas | Producer |
James Frey | Producer |
Andrew Coles | Producer |
Pamela Abdy | Producer |
Brad Weston | Producer |
Michelle Knudsen | Producer |
Pamela Hirsch | Executive Producer |
Daniel Kaluuya | Executive Producer |
Aaron L. Gilbert | Executive Producer |
Jason Cloth | Executive Producer |
Reginald Cash | Executive Producer |
Angelo Pullen | Executive Producer |
David Krintzman | Executive Producer |
Guymon Casady | Executive Producer |
Todd Cohen | Co-Producer |
Tat Radcliffe | Director of Photography |
Karen Murphy | Production Designer |
Pete Beaudreau | Editor |
Shiona L. Turini | Costume Designer |
Devonte Hynes | Composer |
Kier Lehman | Music Supervisor |
Carmen Cuba | Casting Director |
Pamela Hirsch | Unit Production Manager |
H.H. Cooper | First Assistant Director |
James Roque, Jr. | Second Assistant Director |
Ashley Levinson | Co-Executive Producer |
Cassandra Butcher | Co-Executive Producer |
H.H. Cooper | Co-Producer |
Rankin Hickman | Production Supervisor |
Tim Pedegana | Post-Production Supervisor |
Spencer Davison | Art Director |
Ryan Watson | Set Decorator |
Aimee Huber | Set Designer |
Chris Welcker | Sound Mixer |
Guy Clayton | Special Effects Supervisor |
Mik Kastner | Special Effects Coordinator |
Dana Marie Embree | Costume Supervisor |
Linda Gardar | Costume Supervisor |
Ma Kalaadevi Ananda | Make up |
Lana Mora | Make up |
Brian B. Badie | Hairstylist |
Myeisha Wade | Hairstylist |
Eva Z. Cabrera | Script Supervisor |
Leonard Reynolds | Location Manager |
Andy Dylan | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.