Mexico Box Office for Monster Hunter: La cacería comienza (2020)
Theatrical Performance (US$) | ||
Mexico Box Office | $1,467,943 | Details |
Worldwide Box Office | $47,853,893 | Details |
Home Market Performance | ||
North America DVD Sales | $5,077,250 | Details |
North America Blu-ray Sales | $8,498,411 | Details |
Total North America Video Sales | $13,575,661 | |
Further financial details... |
Synopsis
Behind our world, there is another: a world of dangerous and powerful monsters that rule their domain with deadly ferocity. When Lt. Artemis and her elite unit are transported through a portal from our world to a new world, they are in for the shock of their lives. In her desperate attempt to get home, the brave lieutenant encounters a mysterious hunter, whose unique skills have allowed him to survive in this hostile land. Faced with relentless and terrifying attacks from the monsters, the warriors team up to fight back and find a way home.
Metrics
Movie Details
Production Budget: | $60,000,000 |
Mexico Releases: | February 18th, 2020 (Wide), released as Monster Hunter: La cacería comienza |
Video Release: | February 16th, 2021 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for sequences of creature action and violence throughout (Rating bulletin 2615 (Cert #52041), 2/5/2020) |
Running Time: | 103 minutes |
Keywords: | Action Adventure, Scene in End Credits, Alternative Dimensions / Parallel universe |
Source: | Based on Game |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Impact Pictures, Screen Gems, Constantin Film, Tencent Pictures , Toho Co, AB2 Digital Pictures |
Production Countries: | Germany, United States |
Languages: | English |
Weekend estimates: The Little Things launches with $4.8 million
January 31st, 2021
Although it will fall a little short of our weekend prediction, The Little Things will post a respectable-under-the-circumstances $4.8 million this weekend, according to Warner Bros.’ Sunday morning projection. If there wasn’t a pandemic going on, that would translate into something like a $21 million debut—in line with previous outings for Denzel Washington in action films and thrillers, such as Unstoppable ($22.7 million opening) and The Taking of Pelham 123 ($23.4 million opening), although behind the more recent The Equalizer, which started out with $34 million. It gives The Little Things bragging rights to the best opening of 2021, which everyone in the industry will be praying is a title it won’t hold for very long.
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Weekend estimates: Wonder Woman stays top over New Year’s Weekend
January 3rd, 2021
Wonder Woman 1984 will remain top at the box office this weekend, according to studio estimates released on Sunday morning, but it’ll do so in spite of a sharp fall from its opening weekend. Warner Bros. projects a $5.5-million weekend for the super hero pic, down 67% from last weekend. That’s not a huge fall for a film like this by historical standards, but it is a surprisingly-sharp decline for the New Year weekend, and considerably worse than any other film reporting, many of which increased their box office from Christmas weekend.
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Weekend estimates: Monster Hunter tops domestic chart, Wonder Woman rules the rest of the world
December 20th, 2020
As expected, Monster Hunter will top the domestic chart this weekend, but the big news is Wonder Woman 1984’s global launch to $38.5 million from 30,221 screens in 32 markets.
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Weekend predictions: Sony and Lionsgate enter the arena
December 18th, 2020
What will be a long, slow, and painful process of recover at the box office starts this weekend with the wide release of films from two studios that have largely stayed on the sidelines over the past few months, both in terms of releasing films, and in terms of creating headlines. Monster Hunter from Sony Pictures is getting the widest debut, in 1,736 theaters, and is likely to win the weekend. Fatale is Lionsgate’s offering and opens in 1,107 locations. We might not yet be at the “acceptance” stage of grief in the theatrical market, but we do at least now have four major studios releasing films wide, with the two newcomers joining Universal and Warner Bros., who have taken more controversial routes that combine wide releases with early PVOD or streaming debuts for their films.
Weekend predictions: have we reached rock bottom?
December 11th, 2020
In this week’s prediction column, we could focus on the wreckage of the current theatrical market, or look ahead to better times to come. Let’s look ahead, shall we?
December preview: Wonder Woman heralds the end of the theatrical window (for now?)
December 1st, 2020
The worst year for the movie theatrical industry in a century will end with a series of releases that might define the business for the next decade. Only three of the major studios are daring to release films in theaters during what is shaping up to be the height of the COVID-19 pandemic. Sony Pictures is going the traditional route with Monster Hunter getting an exclusive theatrical release on Christmas Day. Universal’s deals with AMC and Cinemark to allow shortened theatrical windows in return for sharing PVOD revenue have prompted it and its specialty division Focus Features to release four films this holiday season. But all eyes (or many of them, anyway) will be on Warner Bros.’ release of Wonder Woman 1984 simultaneously in theaters and on HBO Max.
When the studio announced this release strategy back on November 18 there was speculation that, if it worked out well, they might do the same thing with some of their other upcoming films. Today they threw caution to the wind and announced that all of the studio’s 2021 films will be released in theaters and on HBO Max at the same time (in territories where HBO Max is available). While we’re still digesting the news, here are three quick takes on the rationale for Warner Bros. to make this bold leap.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2021/02/19 | 2 | $323,529 | 0 | $323,529 | 53 | ||
2021/02/26 | 2 | $229,281 | -29% | 0 | $654,406 | 54 | |
2021/03/05 | 3 | $230,296 | n/c | 0 | $991,681 | 55 | |
2021/03/12 | 6 | $139,819 | -39% | 0 | $1,239,086 | 56 | |
2021/03/19 | 8 | $82,939 | -41% | 0 | $1,419,713 | 57 | |
2021/03/26 | 10 | $30,730 | -63% | 0 | $1,467,943 | 58 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 1/1/2021 | $676,841 | 283 | 283 | 1407 | $2,511,040 | 7/8/2021 |
China | 12/3/2020 | $4,830,000 | 81147 | 81147 | 81147 | $4,930,000 | 12/11/2020 |
Germany | 7/1/2021 | $199,028 | 0 | 0 | 0 | $199,028 | 7/9/2021 |
Italy | 6/17/2021 | $77,772 | 0 | 21 | 21 | $150,266 | 10/20/2022 |
Japan | 3/26/2021 | $2,337,141 | 0 | 0 | 0 | $11,232,958 | 5/25/2021 |
Mexico | 2/18/2020 | $0 | 0 | 0 | 0 | $1,467,943 | 10/19/2022 |
Netherlands | 12/4/2020 | $190,637 | 148 | 149 | 297 | $432,667 | 12/14/2020 |
New Zealand | 1/1/2021 | $109,715 | 77 | 78 | 448 | $541,344 | 3/31/2021 |
North America | 12/18/2020 | $2,201,269 | 1,736 | 1,817 | 20,193 | $15,162,470 | 2/17/2023 |
Portugal | 5/14/2021 | $20,321 | 62 | 62 | 115 | $34,340 | 6/2/2021 |
Romania | 2/26/2021 | $21,251 | 18 | 18 | 79 | $41,326 | 10/20/2022 |
Russia (CIS) | 1/14/2021 | $0 | 0 | 1570 | 4267 | $2,631,101 | 2/24/2021 |
Saudi Arabia | 12/4/2020 | $550,000 | 0 | 0 | 0 | $550,000 | 10/19/2022 |
Slovakia | 5/27/2021 | $0 | 0 | 3 | 6 | $11,430 | 7/2/2021 |
South Korea | 2/10/2021 | $4,726 | 1 | 668 | 1021 | $865,163 | 3/3/2021 |
Spain | 3/26/2021 | $192,308 | 281 | 281 | 562 | $461,201 | 4/8/2021 |
Taiwan | 12/4/2020 | $1,500,000 | 0 | 0 | 0 | $2,600,000 | 12/18/2020 |
United Arab Emirates | 12/4/2020 | $305,000 | 0 | 0 | 0 | $305,000 | 12/7/2020 |
United Kingdom | 6/18/2021 | $207,376 | 270 | 270 | 444 | $326,660 | 6/30/2021 |
Rest of World | $3,399,956 | ||||||
Worldwide Total | $47,853,893 | 2/17/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Milla Jovovich | Artemis |
Tony Jaa | The Hunter |
Supporting Cast
T.I. Tip Harris | Link |
Meagan Good | Dash |
Diego Boneta | Marshall |
Josh Helman | Steeler |
Jin Auyeung | Axe |
Ron Perlman | Admiral |
Aaron Beelner | Palico |
Jannik Schumann | Aiden |
Hirona Yamazaki | Handler |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Paul W.S. Anderson | Director |
Paul W.S. Anderson | Screenwriter |
Paul W.S. Anderson | Producer |
Jeremy Bolt | Producer |
Robert Kulzer | Producer |
Dennis Berardi | Producer |
Martin Moszkowicz | Producer |
Edward Cheng | Executive Producer |
Howard Chen | Executive Producer |
Hiro Matsuoka | Executive Producer |
Glen MacPherson | Director of Photography |
Edward Thomas | Production Designer |
Doobie White | Editor |
Danielle Knox | Costume Designer |
Paul Haslinger | Composer |
Ryozo Tsujimoto | Associate Producer |
Kaname Fujioka | Associate Producer |
Tamara-Lee Notcutt | Casting Director |