The Many Saints of Newark (2021)

The Many Saints of Newark
Theatrical Performance
Domestic Box Office $8,237,403Details
International Box Office $4,494,636Details
Worldwide Box Office $12,732,039
Home Market Performance
Est. Domestic DVD Sales $494,040 Details
Est. Domestic Blu-ray Sales $632,801 Details
Total Est. Domestic Video Sales $1,126,841
Further financial details...

Synopsis

Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark’s history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family’s hold over the increasingly race-torn city. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities—and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we’ll later come to know: Tony Soprano.

Metrics

Opening Weekend:$4,651,571 (56.5% of total gross)
Legs:1.77 (domestic box office/biggest weekend)
Domestic Share:64.7% (domestic box office/worldwide)
Production Budget:$50,000,000 (worldwide box office is 0.3 times production budget)
Theater counts:3,181 opening theaters/3,181 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $8,731,487

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon 4K UHD EST, Amazon EST
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: October 1st, 2021 (Wide) by Warner Bros.
International Releases: September 24th, 2021 (Wide) (United Kingdom)
October 1st, 2021 (Wide) (Argentina)
October 1st, 2021 (Wide) (Israel)
October 4th, 2021 (Wide) (Australia)
October 8th, 2021 (Wide) (Saudi Arabia)
... Show all releases
Video Release: October 1st, 2021 by Max
MPAA Rating: R for strong violence, pervasive language, sexual content and some nudity.
(Rating bulletin 2662 (cert #53032), 1/6/2021)
Running Time: 120 minutes
Comparisons: vs. Cry Macho
Create your own comparison chart…
Keywords: Set in New Jersey, 1960s, Mafia, African Americans, Riots, Prequel, Crime Drama, Twins, Death of a Sibling, Relationships Gone Wrong, Death of a Twin, Same Actor, Multiple Roles, Ensemble
Source:Based on TV
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: New Line Cinema, HBO Entertainment, Chase Films
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 1, 2021 4 $4,651,571   3,181 $1,462   $4,651,571 1
Oct 8, 2021 5 $1,419,474 -69% 3,181 $446   $7,376,526 2
Oct 22, 2021 - $23,132   102 $227   $8,201,441 4
Oct 29, 2021 - $7,069 -69% 41 $172   $8,216,892 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 29, 2021 - $1,877     41 $46   $8,211,700 29
Oct 30, 2021 - $3,189 +70%   41 $78   $8,214,889 30
Oct 31, 2021 - $2,003 -37%   41 $49   $8,216,892 31
Nov 1, 2021 - $574 -71%   41 $14   $8,217,466 32
Nov 2, 2021 - $1,084 +89%   41 $26   $8,218,550 33
Nov 3, 2021 - $1,051 -3%   41 $26   $8,219,601 34
Nov 4, 2021 - $1,002 -5%   41 $24   $8,220,603 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 1, 2021 4 $5,957,052   3,181 $1,873   $5,957,052 1
Oct 8, 2021 5 $1,981,051 -67% 3,181 $623   $7,938,103 2
Oct 15, 2021 - $240,206 -88% 502 $478   $8,178,309 3
Oct 22, 2021 - $31,514 -87% 102 $309   $8,209,823 4
Oct 29, 2021 - $10,780 -66% 41 $263   $8,220,603 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/1/2021 $0 0 0 0 $28,000 10/20/2022
Australia 10/4/2021 $0 0 233 671 $608,483 10/20/2022
France 11/3/2021 $77,000 86 86 86 $77,000 10/20/2022
Germany 11/4/2021 $69,000 222 222 222 $69,000 10/20/2022
Israel 10/1/2021 $0 0 0 0 $76,000 10/20/2022
Italy 11/4/2021 $81,737 0 0 0 $81,737 10/20/2022
Netherlands 11/11/2021 $86,381 76 76 198 $197,432 11/30/2021
New Zealand 11/4/2021 $13,910 40 42 140 $33,549 10/20/2022
Saudi Arabia 10/8/2021 $0 0 0 0 $147,000 10/20/2022
Slovakia 10/8/2021 $3,941 23 23 29 $6,230 10/20/2022
Spain 11/5/2021 $76,965 161 161 271 $128,800 11/23/2021
United Arab Emirates 10/8/2021 $0 0 0 0 $54,000 10/11/2021
United Kingdom 9/24/2021 $1,293,363 628 628 1,629 $2,750,939 10/20/2021
 
Rest of World $236,466
 
International Total$4,494,636 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Dec 26, 20211813,351 13,351$200,131$200,13113

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Alessandro Nivola Dickey Moltisanti
Leslie Odom Jr. Harold McBrayer
Vera Farmiga Livia Soprano
Jon Bernthal Johnny Soprano
Corey Stoll Junior Soprano
Ray Liotta “Hollywood Dick” Moltisanti / Salvatore “Sally” Moltisanti
Michael Gandolfini Teenage Tony Soprano
Billy Magnussen Paulie Walnuts
John Magaro Silvio Dante
Samson Moeakiola Pussy Bonpensiero

Supporting Cast

Michela De Rossi Giuseppina Moltisanti
Joey Coco Diaz Buddha
Germar Terrell Gardner Cyril
Alexandra Intrator Teenage Janice Soprano
Gabriella Piazza Joanne Moltisanti
Mason Bleu Leon Overall
Aaron Joshua Jaleel
Lesli Margherita Iris Balducci
Talia Balsam Mrs. Jarecki
Kathryn Kates Angie DeCarlo
Nick Vallelonga Carmine Cotuso
Ed Marinaro Jilly Ruffalo
William Ludwig Young Tony Soprano
Mattea Conforti* Young Janice Soprano
Matteo Russo Young Artie Bucco
Robert Vincent Montano Teenage Artie Bucco
Chase Vacnin Teenage Jackie Aprile
Patina Miller Queen Isola
Rob Colletti Julie DeRogatis
De'Jon Watts Landers
Nick DeMatteo Guitarist
Matt Grossman Drummer
Chris LaPanta Army Recruiter
Pat Squire Old Auntie
Amelia Fowler Candy Store Nurse
Prema Cruz Wynetta
Maliq Johnson Kevin
Sam Labovitz Bruno
Daryl Edwards Julius
Matthew Elam Ray Ray
Anthony Angelo Pizza, Jr. Catholic School Boy
Audrey Bennett Catholic School Girl
Nicola Gabriele Club Waiter
Spenser Granese Man In The Cowboy Hat
Michael Zegarski Funeral Director
Michael Kaves Funeral Wiseguy #1
Vinnie Costanza Teenage Boy
Ian Unterman Softball Parent #1
Lizzy Plimpton Softball Parent #2
Erik Weiner Teacher
Alex Morf Police HQ Copper
Bryce Burke Ice Cream Truck Driver
Joel Boyd Activist on Stage
William Youmans Judge Lambert
Andrew Polk Taxi Passenger
Ohene Cornelius Taxi Driver
Craig Geraghty Soprano Kids Copper
Nygel Bush Fallen Son
Carrie Compere Crying Mother
Oberon K. Adjepong Frank Lucas
Lexie Foley Barbara Soprano
Phyllis Pastore Aunt Concetta
Tatienne Hendricks-Tellefsen Paulie’s Goomar
Ayodele Olatunji Tabernacle Band #1
CJ Fly Tabernacle Band #2
Dessy Hinds Tabernacle Band #3
Laurie Sheppard Building Manager
Marianne Ferrari Female Neighbor
Julian Lerner Rico (Tony’s Friend)
Stella Chivee Frank Lucas’ Daughter
Louis Vanaria Wise Guy
Latoya Edwards Frank Lucas’ Girlfriend
John Borras Bishop
Jodi Capeless Aunt Gemma
Lauren DiMario Teenage Carmela De Angelis

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Alan Taylor Director
Lawrence Konner Screenwriter
David Chase Screenwriter
Lawrence Konner Producer
David Chase Producer
Nicole Lambert Producer
Michael Disco Executive Producer
Marcus Viscidi Executive Producer
Toby Emmerich Executive Producer
Richard Brener Executive Producer
Kramer Morgenthau Director of Photography
Bob Shaw Production Designer
Christopher Tellefsen Editor
Susan Jacobs Music Supervisor
Dan Schrecker Visual Effects Supervisor
Amy Westcott Costume Designer
Douglas Aibel Casting
Marcus Viscidi Unit Production Manager
Samantha Dyer Unit Production Manager
Atilla Salih Yucer First Assistant Director
Kamen Velkovsky Second Assistant Director
Laura Ballinger Gardner Supervising Art Director
Ann Bartek Art Director
Regina Graves Set Decorator
Jan McLaughlin Sound Mixer
Rebecca Breckel Script Supervisor
Tom Fleischman Re-recording Mixer
Paul Urmson Re-recording Mixer
Paul Urmson Supervising Sound Editor
Lidia Tamplenizza Supervising Dialogue Editor
Mitsuko Alexandra Yabe Music Editor
Annette Kudrak Music Editor
Jac Rubenstein Dialogue Editor
Alexa Zimmerman Dialogue Editor
Wyatt Sprague Sound Effects Editor
Pat Cicero* Sound Effects Editor
Igor Nikolic Foley Editor
Goro Koyama Foley Recordist
Sandra Fox Foley Recordist
Kevin Schultz Foley Mixer
Jack Heeren Foley Mixer
Audra Gorman Location Manager
Amy Burt Costume Supervisor
Jessica S. Smith Costume Supervisor
Nicki Ledermann Makeup Department Head
Mike Marino Prosthetics Makeup Designer
Sean Flanigan Hair Department Head
Beatrice Kruger Casting (Italy)
George A. Aguilar* Stunt Coordinator
George A. Aguilar* Second Unit Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend estimates: Venom delivers pandemic-era-record $90 million as No Time to Die and Dune both top $100m internationally

October 3rd, 2021

Venom: Let There Be Carnage

Venom: Let There Be Carnage will set a new pandemic-era benchmark this weekend, with Sony Pictures projecting a stellar $90-million opening weekend as of Sunday morning, easily eclipsing the $80-million debut of Black Widow back in July. That number also represents a very solid 7.8 times the movie’s Thursday-evening preview number, which suggests good word of mouth. The good news doesn’t stop there, with this weekend’s other domestic openers, The Addams Family 2 and The Many Saints of Newark both doing better than predicted, No Time to Die opening with spectacular (for the pandemic era) numbers internationally, and Dune continuing to do well around the world.

First, here’s how the domestic numbers look this morning… More...

Weekend predictions: Venom headed to excellent opening weekend

October 1st, 2021

Venom: Let There Be Carnage

A critical month for the theatrical industry has started with some promising news: Venom: Let There Be Carnage posted a very solid $11.6 million from “preview” screenings on Thursday evening, the second-best result from previews during the pandemic, and not far behind Black Widow’s $13.2 million. Sony Pictures, while presumably very happy with how things are going so far, are urging caution when extrapolating that number out to the whole weekend. Their current projection for the weekend is towards the high end of the $50 million to $60 million range, with a preview-to-weekend multiplier around five.

Here’s what our model has to say about Venom’s prospects, along with this weekend’s other new wide releases and returning films… More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark’s history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family’s hold over the increasingly race-torn city. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities—and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we’ll later come to know: Tony Soprano.

Metrics

Opening Weekend:$4,651,571 (56.5% of total gross)
Legs:1.77 (domestic box office/biggest weekend)
Domestic Share:64.7% (domestic box office/worldwide)
Production Budget:$50,000,000 (worldwide box office is 0.3 times production budget)
Theater counts:3,181 opening theaters/3,181 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $8,731,487

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon 4K UHD EST, Amazon EST
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: October 1st, 2021 (Wide) by Warner Bros.
International Releases: September 24th, 2021 (Wide) (United Kingdom)
October 1st, 2021 (Wide) (Argentina)
October 1st, 2021 (Wide) (Israel)
October 4th, 2021 (Wide) (Australia)
October 8th, 2021 (Wide) (Saudi Arabia)
... Show all releases
Video Release: October 1st, 2021 by Max
MPAA Rating: R for strong violence, pervasive language, sexual content and some nudity.
(Rating bulletin 2662 (cert #53032), 1/6/2021)
Running Time: 120 minutes
Comparisons: vs. Cry Macho
Create your own comparison chart…
Keywords: Set in New Jersey, 1960s, Mafia, African Americans, Riots, Prequel, Crime Drama, Twins, Death of a Sibling, Relationships Gone Wrong, Death of a Twin, Same Actor, Multiple Roles, Ensemble
Source:Based on TV
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: New Line Cinema, HBO Entertainment, Chase Films
Production Countries: United States
Languages: English

Lead Ensemble Members

Alessandro Nivola Dickey Moltisanti
Leslie Odom Jr. Harold McBrayer
Vera Farmiga Livia Soprano
Jon Bernthal Johnny Soprano
Corey Stoll Junior Soprano
Ray Liotta “Hollywood Dick” Moltisanti / Salvatore “Sally” Moltisanti
Michael Gandolfini Teenage Tony Soprano
Billy Magnussen Paulie Walnuts
John Magaro Silvio Dante
Samson Moeakiola Pussy Bonpensiero

Supporting Cast

Michela De Rossi Giuseppina Moltisanti
Joey Coco Diaz Buddha
Germar Terrell Gardner Cyril
Alexandra Intrator Teenage Janice Soprano
Gabriella Piazza Joanne Moltisanti
Mason Bleu Leon Overall
Aaron Joshua Jaleel
Lesli Margherita Iris Balducci
Talia Balsam Mrs. Jarecki
Kathryn Kates Angie DeCarlo
Nick Vallelonga Carmine Cotuso
Ed Marinaro Jilly Ruffalo
William Ludwig Young Tony Soprano
Mattea Conforti* Young Janice Soprano
Matteo Russo Young Artie Bucco
Robert Vincent Montano Teenage Artie Bucco
Chase Vacnin Teenage Jackie Aprile
Patina Miller Queen Isola
Rob Colletti Julie DeRogatis
De'Jon Watts Landers
Nick DeMatteo Guitarist
Matt Grossman Drummer
Chris LaPanta Army Recruiter
Pat Squire Old Auntie
Amelia Fowler Candy Store Nurse
Prema Cruz Wynetta
Maliq Johnson Kevin
Sam Labovitz Bruno
Daryl Edwards Julius
Matthew Elam Ray Ray
Anthony Angelo Pizza, Jr. Catholic School Boy
Audrey Bennett Catholic School Girl
Nicola Gabriele Club Waiter
Spenser Granese Man In The Cowboy Hat
Michael Zegarski Funeral Director
Michael Kaves Funeral Wiseguy #1
Vinnie Costanza Teenage Boy
Ian Unterman Softball Parent #1
Lizzy Plimpton Softball Parent #2
Erik Weiner Teacher
Alex Morf Police HQ Copper
Bryce Burke Ice Cream Truck Driver
Joel Boyd Activist on Stage
William Youmans Judge Lambert
Andrew Polk Taxi Passenger
Ohene Cornelius Taxi Driver
Craig Geraghty Soprano Kids Copper
Nygel Bush Fallen Son
Carrie Compere Crying Mother
Oberon K. Adjepong Frank Lucas
Lexie Foley Barbara Soprano
Phyllis Pastore Aunt Concetta
Tatienne Hendricks-Tellefsen Paulie’s Goomar
Ayodele Olatunji Tabernacle Band #1
CJ Fly Tabernacle Band #2
Dessy Hinds Tabernacle Band #3
Laurie Sheppard Building Manager
Marianne Ferrari Female Neighbor
Julian Lerner Rico (Tony’s Friend)
Stella Chivee Frank Lucas’ Daughter
Louis Vanaria Wise Guy
Latoya Edwards Frank Lucas’ Girlfriend
John Borras Bishop
Jodi Capeless Aunt Gemma
Lauren DiMario Teenage Carmela De Angelis

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Alan Taylor Director
Lawrence Konner Screenwriter
David Chase Screenwriter
Lawrence Konner Producer
David Chase Producer
Nicole Lambert Producer
Michael Disco Executive Producer
Marcus Viscidi Executive Producer
Toby Emmerich Executive Producer
Richard Brener Executive Producer
Kramer Morgenthau Director of Photography
Bob Shaw Production Designer
Christopher Tellefsen Editor
Susan Jacobs Music Supervisor
Dan Schrecker Visual Effects Supervisor
Amy Westcott Costume Designer
Douglas Aibel Casting
Marcus Viscidi Unit Production Manager
Samantha Dyer Unit Production Manager
Atilla Salih Yucer First Assistant Director
Kamen Velkovsky Second Assistant Director
Laura Ballinger Gardner Supervising Art Director
Ann Bartek Art Director
Regina Graves Set Decorator
Jan McLaughlin Sound Mixer
Rebecca Breckel Script Supervisor
Tom Fleischman Re-recording Mixer
Paul Urmson Re-recording Mixer
Paul Urmson Supervising Sound Editor
Lidia Tamplenizza Supervising Dialogue Editor
Mitsuko Alexandra Yabe Music Editor
Annette Kudrak Music Editor
Jac Rubenstein Dialogue Editor
Alexa Zimmerman Dialogue Editor
Wyatt Sprague Sound Effects Editor
Pat Cicero* Sound Effects Editor
Igor Nikolic Foley Editor
Goro Koyama Foley Recordist
Sandra Fox Foley Recordist
Kevin Schultz Foley Mixer
Jack Heeren Foley Mixer
Audra Gorman Location Manager
Amy Burt Costume Supervisor
Jessica S. Smith Costume Supervisor
Nicki Ledermann Makeup Department Head
Mike Marino Prosthetics Makeup Designer
Sean Flanigan Hair Department Head
Beatrice Kruger Casting (Italy)
George A. Aguilar* Stunt Coordinator
George A. Aguilar* Second Unit Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend estimates: Venom delivers pandemic-era-record $90 million as No Time to Die and Dune both top $100m internationally

October 3rd, 2021

Venom: Let There Be Carnage

Venom: Let There Be Carnage will set a new pandemic-era benchmark this weekend, with Sony Pictures projecting a stellar $90-million opening weekend as of Sunday morning, easily eclipsing the $80-million debut of Black Widow back in July. That number also represents a very solid 7.8 times the movie’s Thursday-evening preview number, which suggests good word of mouth. The good news doesn’t stop there, with this weekend’s other domestic openers, The Addams Family 2 and The Many Saints of Newark both doing better than predicted, No Time to Die opening with spectacular (for the pandemic era) numbers internationally, and Dune continuing to do well around the world.

First, here’s how the domestic numbers look this morning… More...

Weekend predictions: Venom headed to excellent opening weekend

October 1st, 2021

Venom: Let There Be Carnage

A critical month for the theatrical industry has started with some promising news: Venom: Let There Be Carnage posted a very solid $11.6 million from “preview” screenings on Thursday evening, the second-best result from previews during the pandemic, and not far behind Black Widow’s $13.2 million. Sony Pictures, while presumably very happy with how things are going so far, are urging caution when extrapolating that number out to the whole weekend. Their current projection for the weekend is towards the high end of the $50 million to $60 million range, with a preview-to-weekend multiplier around five.

Here’s what our model has to say about Venom’s prospects, along with this weekend’s other new wide releases and returning films… More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 1, 2021 4 $4,651,571   3,181 $1,462   $4,651,571 1
Oct 8, 2021 5 $1,419,474 -69% 3,181 $446   $7,376,526 2
Oct 22, 2021 - $23,132   102 $227   $8,201,441 4
Oct 29, 2021 - $7,069 -69% 41 $172   $8,216,892 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 29, 2021 - $1,877     41 $46   $8,211,700 29
Oct 30, 2021 - $3,189 +70%   41 $78   $8,214,889 30
Oct 31, 2021 - $2,003 -37%   41 $49   $8,216,892 31
Nov 1, 2021 - $574 -71%   41 $14   $8,217,466 32
Nov 2, 2021 - $1,084 +89%   41 $26   $8,218,550 33
Nov 3, 2021 - $1,051 -3%   41 $26   $8,219,601 34
Nov 4, 2021 - $1,002 -5%   41 $24   $8,220,603 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 1, 2021 4 $5,957,052   3,181 $1,873   $5,957,052 1
Oct 8, 2021 5 $1,981,051 -67% 3,181 $623   $7,938,103 2
Oct 15, 2021 - $240,206 -88% 502 $478   $8,178,309 3
Oct 22, 2021 - $31,514 -87% 102 $309   $8,209,823 4
Oct 29, 2021 - $10,780 -66% 41 $263   $8,220,603 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/1/2021 $0 0 0 0 $28,000 10/20/2022
Australia 10/4/2021 $0 0 233 671 $608,483 10/20/2022
France 11/3/2021 $77,000 86 86 86 $77,000 10/20/2022
Germany 11/4/2021 $69,000 222 222 222 $69,000 10/20/2022
Israel 10/1/2021 $0 0 0 0 $76,000 10/20/2022
Italy 11/4/2021 $81,737 0 0 0 $81,737 10/20/2022
Netherlands 11/11/2021 $86,381 76 76 198 $197,432 11/30/2021
New Zealand 11/4/2021 $13,910 40 42 140 $33,549 10/20/2022
Saudi Arabia 10/8/2021 $0 0 0 0 $147,000 10/20/2022
Slovakia 10/8/2021 $3,941 23 23 29 $6,230 10/20/2022
Spain 11/5/2021 $76,965 161 161 271 $128,800 11/23/2021
United Arab Emirates 10/8/2021 $0 0 0 0 $54,000 10/11/2021
United Kingdom 9/24/2021 $1,293,363 628 628 1,629 $2,750,939 10/20/2021
 
Rest of World $236,466
 
International Total$4,494,636 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Dec 26, 20211813,351 13,351$200,131$200,13113

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.