Argentina Box Office for The Many Saints of Newark (2021)
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| Theatrical Performance (US$) | ||
| Argentina Box Office | $28,000 | Details |
| Worldwide Box Office | $12,732,039 | Details |
| Home Market Performance | ||
| North America DVD Sales | $503,274 | Details |
| North America Blu-ray Sales | $634,997 | Details |
| Total North America Video Sales | $1,138,271 | |
| Further financial details... | ||
Synopsis
Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark’s history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family’s hold over the increasingly race-torn city. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities—and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we’ll later come to know: Tony Soprano.
Metrics
Movie Details
| Production Budget: | $50,000,000 |
| Argentina Releases: | October 1st, 2021 (Wide) |
| Video Release: | October 1st, 2021 by Max |
| MPAA Rating: | R for strong violence, pervasive language, sexual content and some nudity. (Rating bulletin 2662 (cert #53032), 1/6/2021) |
| Running Time: | 120 minutes |
| Keywords: | Set in New Jersey, 1960s, Mafia, African Americans, Riots, Prequel, Crime Drama, Twins, Death of a Sibling, Relationships Gone Wrong, Death of a Twin, Same Actor, Multiple Roles, Ensemble |
| Source: | Based on TV |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | New Line Cinema, HBO Entertainment, Chase Films |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: Venom delivers pandemic-era-record $90 million as No Time to Die and Dune both top $100m internationally
October 3rd, 2021
Venom: Let There Be Carnage will set a new pandemic-era benchmark this weekend, with Sony Pictures projecting a stellar $90-million opening weekend as of Sunday morning, easily eclipsing the $80-million debut of Black Widow back in July. That number also represents a very solid 7.8 times the movie’s Thursday-evening preview number, which suggests good word of mouth. The good news doesn’t stop there, with this weekend’s other domestic openers, The Addams Family 2 and The Many Saints of Newark both doing better than predicted, No Time to Die opening with spectacular (for the pandemic era) numbers internationally, and Dune continuing to do well around the world.
First, here’s how the domestic numbers look this morning…
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Weekend predictions: Venom headed to excellent opening weekend
October 1st, 2021
A critical month for the theatrical industry has started with some promising news: Venom: Let There Be Carnage posted a very solid $11.6 million from “preview” screenings on Thursday evening, the second-best result from previews during the pandemic, and not far behind Black Widow’s $13.2 million. Sony Pictures, while presumably very happy with how things are going so far, are urging caution when extrapolating that number out to the whole weekend. Their current projection for the weekend is towards the high end of the $50 million to $60 million range, with a preview-to-weekend multiplier around five.
Here’s what our model has to say about Venom’s prospects, along with this weekend’s other new wide releases and returning films…
More...
Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 10/1/2021 | $0 | 0 | 0 | 0 | $28,000 | 10/20/2022 |
| Australia | 10/4/2021 | $0 | 0 | 233 | 671 | $608,483 | 10/20/2022 |
| France | 11/3/2021 | $77,000 | 86 | 86 | 86 | $77,000 | 10/20/2022 |
| Germany | 11/4/2021 | $69,000 | 222 | 222 | 222 | $69,000 | 10/20/2022 |
| Israel | 10/1/2021 | $0 | 0 | 0 | 0 | $76,000 | 10/20/2022 |
| Italy | 11/4/2021 | $81,737 | 0 | 0 | 0 | $81,737 | 10/20/2022 |
| Netherlands | 11/11/2021 | $86,381 | 76 | 76 | 198 | $197,432 | 11/30/2021 |
| New Zealand | 11/4/2021 | $13,910 | 40 | 42 | 140 | $33,549 | 10/20/2022 |
| North America | 10/1/2021 | $4,651,571 | 3,181 | 3,181 | 6,505 | $8,237,403 | |
| Saudi Arabia | 10/8/2021 | $0 | 0 | 0 | 0 | $147,000 | 10/20/2022 |
| Slovakia | 10/8/2021 | $3,941 | 23 | 23 | 29 | $6,230 | 10/20/2022 |
| Spain | 11/5/2021 | $76,965 | 161 | 161 | 271 | $128,800 | 11/23/2021 |
| United Arab Emirates | 10/8/2021 | $0 | 0 | 0 | 0 | $54,000 | 10/11/2021 |
| United Kingdom | 9/24/2021 | $1,293,363 | 628 | 628 | 1629 | $2,750,939 | 10/20/2021 |
| Rest of World | $236,466 | ||||||
| Worldwide Total | $12,732,039 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Alessandro Nivola | Dickey Moltisanti |
| Leslie Odom Jr. | Harold McBrayer |
| Vera Farmiga | Livia Soprano |
| Jon Bernthal | Johnny Soprano |
| Corey Stoll | Junior Soprano |
| Ray Liotta | “Hollywood Dick” Moltisanti / Salvatore “Sally” Moltisanti |
| Michael Gandolfini | Teenage Tony Soprano |
| Billy Magnussen | Paulie Walnuts |
| John Magaro | Silvio Dante |
| Samson Moeakiola | Pussy Bonpensiero |
Supporting Cast
| Michela De Rossi | Giuseppina Moltisanti |
| Joey Coco Diaz | Buddha |
| Germar Terrell Gardner | Cyril |
| Alexandra Intrator | Teenage Janice Soprano |
| Gabriella Piazza | Joanne Moltisanti |
| Mason Bleu | Leon Overall |
| Aaron Joshua | Jaleel |
| Lesli Margherita | Iris Balducci |
| Talia Balsam | Mrs. Jarecki |
| Kathryn Kates | Angie DeCarlo |
| Nick Vallelonga | Carmine Cotuso |
| Ed Marinaro | Jilly Ruffalo |
| William Ludwig | Young Tony Soprano |
| Mattea Conforti* | Young Janice Soprano |
| Matteo Russo | Young Artie Bucco |
| Robert Vincent Montano | Teenage Artie Bucco |
| Chase Vacnin | Teenage Jackie Aprile |
| Patina Miller | Queen Isola |
| Rob Colletti | Julie DeRogatis |
| De'Jon Watts | Landers |
| Nick DeMatteo | Guitarist |
| Matt Grossman | Drummer |
| Chris LaPanta | Army Recruiter |
| Pat Squire | Old Auntie |
| Amelia Fowler | Candy Store Nurse |
| Prema Cruz | Wynetta |
| Maliq Johnson | Kevin |
| Sam Labovitz | Bruno |
| Daryl Edwards | Julius |
| Matthew Elam | Ray Ray |
| Anthony Angelo Pizza, Jr. | Catholic School Boy |
| Audrey Bennett | Catholic School Girl |
| Nicola Gabriele | Club Waiter |
| Spenser Granese | Man In The Cowboy Hat |
| Michael Zegarski | Funeral Director |
| Michael Kaves | Funeral Wiseguy #1 |
| Vinnie Costanza | Teenage Boy |
| Ian Unterman | Softball Parent #1 |
| Lizzy Plimpton | Softball Parent #2 |
| Erik Weiner | Teacher |
| Alex Morf | Police HQ Copper |
| Bryce Burke | Ice Cream Truck Driver |
| Joel Boyd | Activist on Stage |
| William Youmans | Judge Lambert |
| Andrew Polk | Taxi Passenger |
| Ohene Cornelius | Taxi Driver |
| Craig Geraghty | Soprano Kids Copper |
| Nygel Bush | Fallen Son |
| Carrie Compere | Crying Mother |
| Oberon K. Adjepong | Frank Lucas |
| Lexie Foley | Barbara Soprano |
| Phyllis Pastore | Aunt Concetta |
| Tatienne Hendricks-Tellefsen | Paulie’s Goomar |
| Ayodele Olatunji | Tabernacle Band #1 |
| CJ Fly | Tabernacle Band #2 |
| Dessy Hinds | Tabernacle Band #3 |
| Laurie Sheppard | Building Manager |
| Marianne Ferrari | Female Neighbor |
| Julian Lerner | Rico (Tony’s Friend) |
| Stella Chivee | Frank Lucas’ Daughter |
| Louis Vanaria | Wise Guy |
| Latoya Edwards | Frank Lucas’ Girlfriend |
| John Borras | Bishop |
| Jodi Capeless | Aunt Gemma |
| Lauren DiMario | Teenage Carmela De Angelis |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Alan Taylor | Director |
| Lawrence Konner | Screenwriter |
| David Chase | Screenwriter |
| Lawrence Konner | Producer |
| David Chase | Producer |
| Nicole Lambert | Producer |
| Michael Disco | Executive Producer |
| Marcus Viscidi | Executive Producer |
| Toby Emmerich | Executive Producer |
| Richard Brener | Executive Producer |
| Kramer Morgenthau | Director of Photography |
| Bob Shaw | Production Designer |
| Christopher Tellefsen | Editor |
| Susan Jacobs | Music Supervisor |
| Dan Schrecker | Visual Effects Supervisor |
| Amy Westcott | Costume Designer |
| Douglas Aibel | Casting |
| Marcus Viscidi | Unit Production Manager |
| Samantha Dyer | Unit Production Manager |
| Atilla Salih Yucer | First Assistant Director |
| Kamen Velkovsky | Second Assistant Director |
| Laura Ballinger Gardner | Supervising Art Director |
| Ann Bartek | Art Director |
| Regina Graves | Set Decorator |
| Jan McLaughlin | Sound Mixer |
| Rebecca Breckel | Script Supervisor |
| Tom Fleischman | Re-recording Mixer |
| Paul Urmson | Re-recording Mixer |
| Paul Urmson | Supervising Sound Editor |
| Lidia Tamplenizza | Supervising Dialogue Editor |
| Mitsuko Alexandra Yabe | Music Editor |
| Annette Kudrak | Music Editor |
| Jac Rubenstein | Dialogue Editor |
| Alexa Zimmerman | Dialogue Editor |
| Wyatt Sprague | Sound Effects Editor |
| Pat Cicero* | Sound Effects Editor |
| Igor Nikolic | Foley Editor |
| Goro Koyama | Foley Recordist |
| Sandra Fox | Foley Recordist |
| Kevin Schultz | Foley Mixer |
| Jack Heeren | Foley Mixer |
| Audra Gorman | Location Manager |
| Amy Burt | Costume Supervisor |
| Jessica S. Smith | Costume Supervisor |
| Nicki Ledermann | Makeup Department Head |
| Mike Marino | Prosthetics Makeup Designer |
| Sean Flanigan | Hair Department Head |
| Beatrice Kruger | Casting (Italy) |
| George A. Aguilar* | Stunt Coordinator |
| George A. Aguilar* | Second Unit Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.