Quentin Tarantino
Best known as a Screenwriter based on credits in that role in 14 films, with $2,009,367,532 worldwide aggregate box office (rank #91) |
Best-known technical roles: Once Upon a Time…in Hollywood (Director), Once Upon a Time…in Hollywood (Screenwriter), Once Upon a Time…in Hollywood (Producer), Django Unchained (Director), Django Unchained (Screenwriter) |
Best-known acting roles: LeQuint Dickey Mining Co. Employee (Django Unchained), Jimmy (Pulp Fiction), The Rapist (segment "Planet Terror")/Warren (segment "Death Proof") (Grindhouse), Deacon (Little Nicky), Richard Gecko (From Dusk Till Dawn) |
Most productive collaborators: Leonardo DiCaprio, Brad Pitt, Christoph Waltz, Jamie Foxx, Samuel L. Jackson |
Born: March 27, 1963 (61 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Cameo | 5 | $271,849,468 | $402,275,444 | $674,124,912 |
Supporting | 4 | $93,034,898 | $44,150,124 | $137,185,022 | |
Inverviewee | 1 | $0 | $0 | $0 | |
(Unclassified) | 4 | $31,167,947 | $0 | $31,167,947 | |
In Technical Roles | Screenwriter | 14 | $834,282,181 | $1,175,085,351 | $2,009,367,532 |
Director | 12 | $796,272,220 | $1,174,715,857 | $1,970,988,077 | |
Story Creator | 3 | $224,419,448 | $192,291,695 | $416,711,143 | |
Executive Producer | 2 | $73,055,434 | $34,921,838 | $107,977,272 | |
Producer | 2 | $167,533,765 | $260,080,927 | $427,614,692 | |
Co-Director | 1 | $74,103,820 | $84,424,098 | $158,527,918 | |
Cinematographer | 1 | $25,031,037 | $25,156,752 | $50,187,789 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2020 Awards Season: Oscar Highlight: Best Director
February 8th, 2020
Our annual Oscar Prediction contest closes at noon, Pacific Time, on Sunday, so now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We are continuing our shortened schedule with Best Director. We have yet another close race with two films that are practically a coin-toss away from being the winner.
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2020 Awards Season: Oscar Highlight: Best Original Screenplay
February 6th, 2020
Our annual Oscar Prediction contest is underway so now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We are continuing our shortened schedule with Best Original Screenplay. We have yet another close race with two films that are practically a coin-toss away from being the winner.
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2020 Awards Season: Oscar Nominations
January 13th, 2020
The Oscar nominations were announced on Monday, and the results were... well, there were some puzzling results. Joker led the way with eleven nominations. ... A film with 69% positive reviews earned the most nominations. It’s not the worst-reviewed movie to earn a Best Picture Nomination—after all, Bohemian Rhapsody was nominated just last year. However, this film is arguably the worst-reviewed movie to ever earn the most nominations in a single year.
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2020 - Awards Season: Golden Globes Winners
January 6th, 2020
The Golden Globes winners were announced on Sunday and we have some interesting developments for the rest of Awards Season. 1917 wasn’t considered a front-runner with five films earning more nominations. However, after this result, it might be the front-runner to become the big winner on Oscar night.
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2020 Awards Season: Golden Globes Nominations
December 11th, 2019
The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. (This is especially true on the TV end, as there’s talk about how strange the nominations are this year.) Marriage Story led the way with six nominations, just ahead of The Irishman and Once Upon a Time... in Hollywood, both of which picked up five nods.
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Weekend Estimates: Hobbs and Shaw Remain Top Draw
August 11th, 2019
Weekend Wrap-Up: Once Upon a Time has a Fairy Tale Start
July 30th, 2019
It was a mixed weekend at the box office with Once Upon a Time…in Hollywood becoming Quentin Tarantino’s biggest opening film in his career, but The Lion King falling much faster than expected. The overall box office was down 38% from last weekend, hitting $162 million. However, this was 4.1% more than the same weekend last year and that’s a much more important result. 2019 is still behind 2018 by a 6.4% or $460 million margin at $6.73 billion to $7.19 billion, but at this point, I will celebrate any victory, no matter how small.
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Weekend Estimates: Hollywood Can’t Tame Lion King
July 28th, 2019
As expected, The Lion King is easily topping the box office chart this weekend. Unfortunately, it is doing so despite falling much faster than expected, down 61% to an estimated $75.52 million during its third weekend of release for a running tally of $350.78 million. Fortunately, it could still be on pace to reach $500 million domestically, while it earned $142.8 million internationally for totals of $611.9 million internationally and $962.7 million worldwide. It will reach $1 billion shortly, making it yet another profitable disappointment. We’ve had too many of those this year, but I guess it is better than having these films lose money.
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Friday Estimates: The Lion King Plummets, Hollywood Celebrates
July 27th, 2019
The Lion King had a decidedly un-family-friendly fall on Friday, earning $22.30 million. This is 71% lower than the film’s opening Friday and this is a terrible result for a family film. The movie will bounce back over the rest of the weekend, but a 60% decline to about $76 million is much lower than our prediction. Granted, the movie will still make more than enough money to break even, but it will be yet another profitable disappointment. We’ve had far too many of those and not enough films matching their potential at the box office this year.
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Thursday Night Previews: Hollywood is Quentin Tarantino’s Fastest Debut
July 26th, 2019
Once Upon a Time…in Hollywood earned $5.8 million during previews on Thursday, making it the fastest starting film in Quentin Tarantino’s career. Granted, his most recent film, The Hateful Eight, came out in December of 2015 and it was a box office disappointment. Meanwhile, his biggest hit, Django Unchained, came out in December of 2012 and midnight previews have come a long way since then. That said, this is still an impressive opening and does put the film on pace to beat Quentin Tarantino’s top opening in his career with about $40 million. Add in its reviews and it should last long enough to break even relatively soon.
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Weekend Predictions: Once Upon a Time at the Box Office
July 25th, 2019
Once Upon a Time…in Hollywood is Quentin Tarantino’s first film in four years and it is generating a ton of buzz. However, it is going up against The Lion King, which set records last weekend and has a slim chance at $100 million this weekend. Fortunately, the two films don’t share much of their respective target audiences, so they shouldn’t cannibalize each other at the box office too much. As a result, 2019 should easily beat the same weekend last year in the year-over-year competition. It is too soon to get excited about a potential comeback, but any victory is worth celebrating when you are this far behind.
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Once Upon a Time in Hollywood Trailer
May 16th, 2019
Quentin Tarantino’s homage to 1969 Hollywood, starring Leonardo DiCaprio, Brad Pitt and Margot Robbie opens July 26 ... Full Movie Details.
1969 Los Angeles, where everything is changing, as TV star Rick Dalton and his longtime stunt double Cliff Booth make their way around an industry they hardly recognize anymore.
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Featured Blu-ray Review: Sister Street Fighter Collection
May 6th, 2019
Sister Street Fighter is a martial arts trilogy that began as a spin-off of The Street Fighter. It starred Etsuko Shihomi, who was in The Street Fighter before she got her chance to lead here. Are the movies worth checking out? Does the box set do the films justice?
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Limited and VOD Releases: What New Releases will Make a Splash?
May 6th, 2016
Out of all of the new releases this week, A Bigger Splash is the only one earning lots of buzz. Of course, Captain America: Civil War's buzz is so great that it is drowning out all limited releases, which explains why there's not a lot of films on this week's list.
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2015 - Awards Season: BAFTA - Nominations
January 9th, 2016
The BAFTA nominations were announced and you can read them on their site... in alphabetical order. Alphabetical order is very useful in most circumstances, but not here. On the other hand, the nominees within each category are not presented in alphabetical order. ... Are the BAFTAs trolling us? As for the actual nominees, the big winners here are Bridge of Spies and Carol, both of which earned nine nominations. For Carol, this is just another impressive score, but this was a pleasant surprise for Bridge of Spies.
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Weekend Estimates: Force aweakens with $88.3 million weekend
January 3rd, 2016
This weekend sees the first signs of a slow-down at the box office for The Force Awakens, which will be down 41% from last weekend, according to Disney’s Sunday morning estimate. That’s the worst comparative performance in the top ten, and much weaker than Avatar’s 9% decline the same weekend in 2010. Such statistics are fairly academic when you already have $700 million in the bank domestically, though, and Star Wars’ momentum coming out of the holidays is such that it will register the biggest ever New Year’s weekend, and the biggest-ever 3rd weekend, overtaking Avatar’s $68.5 million. With $770.5 million overseas so far, its global total is now over $1.5 billion, putting it in the top six all time, and guaranteeing it will end in the top three, with only Titanic and Avatar left to shoot for.
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Friday Estimates: Star Wars is Top of the Class of 2015 with $686.43 Million
January 2nd, 2016
It took just 15 days for Star Wars: The Force Awakens to overtake Jurassic World’s final domestic box office. On Friday, the film earned an easy first place with $34.46 million to push its running tally to $686.43 million. Not only is this the best domestic box office for a film released in 2015, it is more than enough to overtake Titanic and push it into second place All-Time. As for the film’s weekend projection, we are looking at a $95 million weekend, plus or minus $5 million. It is possible the film could crack $100 million over the weekend, but very unlikely. That said, it has already broken a couple of major records—Fastest to $650 million and Biggest Domestic Hit of 2015—and will likely break a few more over the weekend (Fastest to $700 million, Biggest third weekend, and Biggest January weekend).
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2016 Preview: January
January 1st, 2016
2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth.
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Limited and VOD Releases: Eight Reasons to Love Limited Releases
December 25th, 2015
While there are a massive number of wide releases / wide expansions this week, there are very few limited releases. Generally by this time of year, the competition from previously released Awards Season contenders is just too much. The only type of film that can truly thrive is one that has a lot of pre-release buzz. This year, this includes The Hateful Eight, which has the widest opening on this week's list and expands truly wide next week, as well as The Revenant, which expands wide early in January.
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DVD and Blu-ray Releases for April 16th, 2013
April 16th, 2013
It is both a great week and a terrible week on the home market. On the high end, Django Unchained is coming out. It is one of the biggest hits of the fall and one of the best reviewed films of the year. It would be a contender for Pick of the Week regardless how busy the week was. On the other hand, there are releases in the Amazon.com's top ten new releases for the week that would be filler on even an average week. After Django Unchained, there's no real depth this week. The Blu-ray Combo Pack doesn't have a lot of extras, but it is still worthy of Pick of the Week honors.
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2013 Awards Season: Argo Unites a Divided Night at the Oscars
February 25th, 2013
Argo was the big winner at the Oscars last night, although arguably, there were no big winners, but a lot of films that shared in the glory. There were also some pretty interesting twists and a few events that stand out. Due to ongoing computer difficulties, I was unable to live-blog the Oscars this year. I will still be giving my reactions on a category by category basis, but not in the order they were handed out.
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2013 Awards Season: Oscar Highlight: Best Picture
February 22nd, 2013
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try to figure out who the favorites are and which films should just feel honored to be nominated. We wrap up our look at the prestigious categories with the most prestigious of them all: Best Picture. Like last year, there are nine nominees. Unlike last year, none of them were completely out of left field. That's not to say they all have a legitimate shot at winning; there's definitely a favorite. However, politics could become an issue. I don't mean politics as in Democrat vs. Republican. I mean behind-the-scenes issues might play a bigger role than what is on the screen. Let's take a look at the nominees, and their chances to claiming the crown on Sunday.
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2013 Awards Season: Oscar Highlight: Best Original Screenplay
February 21st, 2013
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we will look at the two writing categories, finishing with Best Original Screenplay. There are actually three films that could win that and it wouldn't be a total shock if they did. That said, there is still a favorite to contend with.
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International Box Office: Journey has a Good Day
February 21st, 2013
Thanks to the Chinese New Year, Journey To The West: Conquering The Demons rocketed into first place with $94.26 million in 5 markets over the weekend for a total run of $113.09 million. The film broke a number of records in its native China, including biggest opening day for a Chinese film ($12.3 million) and biggest single day of all time ($19.6 million) and fastest to $100 million in China (8 days). At this point, someone in North America should be interested in grabbing the film for a domestic release.
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International Box Office: Django Completes Hat Trick
February 14th, 2013
For the third weekend in a row, Django Unchained earned first place on the international chart. This weekend it earned $19.55 million on 5,090 screens in 65 markets for totals of $187.71 million internationally and $342.23 million worldwide. It has now made more than Inglourious Basterds made worldwide, and it is a week away from becoming Quentin Tarantino's undisputed biggest hit of his career. Plus, it has yet to open in Japan and a few other markets, so it might have more milestones ahead.
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International Box Office: Django Remains Top Draw
February 6th, 2013
Django Unchained won the international race with $30.28 million on 5,990 screens in 65 markets for a running total of $158.36 million. Worldwide, its total has reached $309.31 million. It is just a week away from overtaking Inglourious Basterds as Quentin Tarantino's biggest hit of his career. The film had no major market openings, which makes its hold more impressive. Its best market was Germany, where it made $6.61 million on 708 screens over the weekend for a total of $30.78 million after three.
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International Box Office: Django Battles Bond for Top Spot
January 30th, 2013
There was a relatively close race on top of the international chart, but Django Unchained came out on top for the second week in a row. This time it earned $43.10 million on 6,421 screens in 64 markets for a total of $111.61 million after just two weeks of release. It is rapidly closing in on Inglourious Basterds as Quentin Tarantino's biggest hit of his career. It is also the most expensive film in his career. The film opened in first place in Australia with $3.95 million on 330 screens over the weekend for a total opening of $5.61 million. It also remained in top spot in Germany with an incredible $8.08 million on 650 screens over the weekend for a two-week total of $21.32 million.
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Weekend Wrap-Up: Oscar Bounce Subdued
January 14th, 2013
Oscar nominations didn't produce a big box office bounce over the weekend, but Zero Dark Thirty still managed an easy win, despite missing my admittedly high expectations. The only film in the top five to be a pleasant surprise was A Haunted House, although "pleasant" is not a word most critics were using to describe it. The box office pulled in $141 million overall, which was 4.7% lower than last weekend. More importantly though, it was 6.3% higher than the same weekend last year, which means if A Haunted House bombed like I thought it would, 2013 would have lost in the year-over-year comparison. Fortunately, we had a second win in as many weeks and 2013 is off to an early 22% lead, at $441 million to $362 million.
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2013 Awards Season: Les Mis Leads Ways as Surprises Dominate
January 14th, 2013
Hollywood Foreign Press Association handed out their awards last night, and the trend of surprises continues. Les Miserables led the way with three awards, only one of which I was truly expecting. Meanwhile, Argo won more awards than Lincoln. I don't think anyone was predicting that.
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2013 Awards Season: Lincoln Oversees a Divided Group of Nominees
January 10th, 2013
The Oscar nominations were announced this morning, and there's certainly a lot to talk about. There are some nominations that should surprise no one. For instance, Lincoln led the way with twelve nominations, and it has been seen as the major contender for a long time. However, there were also a few surprise nominations and some major snubs. Here are the list of nominations, and some reactions.
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Weekend Wrap-Up: Texas Messes With Holdovers
January 7th, 2013
There was a pleasant surprise during the first weekend of 2013, as Texas Chainsaw 3D opened in first place with more than $20 million. Django Unchained also beat that milestone. The overall box office still fell from last weekend, down 18% to $147 million, but this is to be expected for a post-holiday weekend. It was 5.9% higher than the same weekend last year and 2013 is off to an early lead over 2012 at $253 million to $191 million. Hopefully I don't have to tell you it is way too early to pay serious attention to those numbers, but it is better to win early than fall behind.
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2013 Awards Season: WGAs Leaves Analysts In the Dark
January 7th, 2013
Surprises seems to be the word of the day, as the WGA nominations included a number of them. Granted, Zero Dark Thirty and a lot of the other films that have earned Awards Season success thus far were here, but there were almost as many surprises as there were obvious choices.
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Weekend Wrap-Up: Christmas Catch-Up
January 3rd, 2013
All of the final box office numbers we're going to get are in, so let's take a look at the last two weeks at the box office. There were not a lot of changes with the final numbers and no film switched places, so there's not a lot to update. The Hobbit: An Unexpected Journey remained in top spot in both weeks with Django Unchained in close second this weekend and Jack Reacher a distant second the weekend before. The year ended with $10.76 billion, or about 5.8% higher than last year's total and just a hair above 2009's record total.
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Weekend Wrap-Up: Happy New Year!
December 31st, 2012
The last news story of the year is the weekend wrap-up, but since many studios are still closed for the holidays, we are still dealing with estimates. It appears that The Hobbit: An Unexpected Journey won a close race for top spot just ahead of Django Unchained. Additionally, every film in the top five came within a rounding error of predictions, or was better than expected, and the overall box office was massive compared to last year. We won't have final numbers for the last two weekends till Wednesday or Thursday, so there will be a lot of catching up to do, but it is hard to complain about the results we've seen.
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Christmas Weekend Wrap-Up
December 27th, 2012
This year, Christmas fell on a really awkward day and compounded with the smart decision for some studios to close the entire week, dealing with the weekend box office numbers is a little trickier this year. We are still stuck with a mixture of final numbers and studio estimates, but since we won't get absolute final numbers till likely January 2nd, we should at least talk about the numbers we have. We won't be able to compare the full weekend to last week or last year, because we don't have the full weekend numbers. But since most of the films failed to match expectations, things look grim.
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Weekend Predictions: Christmas Cacophony
December 19th, 2012
For the next week, starting tonight and running till Christmas day, there are eight films opening wide, or at least wide enough to predict they will enter the top ten. Despite that level of competition, The Hobbit: An Unexpected Journey, will very likely remain in top spot. Jack Reacher looks to be the best of the new releases, at least for the weekend. Meanwhile, This is 40 probably won't start as fast, but Judd Apatow's films tend to have really good legs. Monsters, Inc. is debuting in 3D tonight, but is destined to be a midlevel hit and nothing more. The Guilt Trip is also opening tonight, but I'm not sure it has the buzz to even be a midlevel hit. The final new release of the weekend is Cirque du Soleil: Worlds Away, but with an opening theater count of just 800, it will struggle just to reach to the top ten. And because Christmas lands on the Tuesday, and we won't have another weekend prediction column till Friday, we need to talk about the three Christmas day releases, Django Unchained, Les Miserables, and Parental Guidance. Last year, Christmas day landed on the Sunday, which makes the comparisons between weekends nearly impossible. I'm going to assume 2012 is going to come out ahead, mainly because they had nothing to compare to The Hobbit, so as long as this year's new releases are as strong as last years holdovers, victory is a safe bet.
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Awards Season: Lincoln Shows a United Front at the Golden Globes
December 13th, 2012
The Hollywood Foreign Press Association announced their nominations and the same list of films that have been mentioned since the beginning of Awards Season were rewarded today. Lincoln led the way with seven nods, while Argo and Django Unchained were close behind with five.
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2012 Preview: December
December 1st, 2012
November was a strong month and left 2012 with a very easy path to a new all time record. There was only one major miss the entire month, Rise of the Guardians, while The Silver Linings Playbook was pulled from wide release at the last minute, so it is a little hard to judge its box office performance. On the positive side, Skyfall might top original expectations by $100 million. All this December has to do is maintain pace with last December to ensure 2012 sets the new record. I would like to say that will be easy to do, but I really don't know. Last year, there was only one $200 million hit, Mission: Impossible - Ghost Protocol, plus a few others that reached $100 million, so the bar isn't set too high. This year, The Hobbit: An Unexpected Journey is expected to at least come close to $300 million. Some think it will earn more than $400 million. However, it could also be the last film to make $100 million till February. December is normally a very good month to release a film, but the release schedule is so messed up that it makes it very hard to predict what will happen. There appears to be just ten films opening truly wide this month (I'm getting mixed signals on a few of them). That's a really light schedule for a month and a light schedule tends to help maximize the box office potential for individual films. However, eight of these films open wide within a seven-day period. That's insane. There's no way all of those films will find an audience and there's a chance that due to the competition, none of them will. Let's hope the situation isn't as bad as that, but there are some serious reasons to be concerned for most new releases coming out this month.
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2012 - Holiday Gift Guide - Part I
November 23rd, 2012
This weekend is Thanksgiving and as always that means Black Friday and Cyber Monday plus 48 hours of shopping in-between. Unlike most years, I'm only halfway done with my Christmas shopping. So what recent, and not so recent releases are prime candidates for the perfect gift this year? Over the next month, we will go over several dozen possibilities with our annual Holiday Gift Guide, which is divided into into four sections. This week we start with Major Movie Releases. These are first run releases, franchise box sets, etc. However, before we get into the individual titles, we will start with an update on...
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DVD and Blu-ray Releases for November 20th, 2012
November 18th, 2012
It's not a good week on the home market. The best-selling new release is The Expendables 2, which makes sense, as the film made $300 million worldwide. However, the second best selling new release of the week is Cinderella on DVD. The Blu-ray Combo Pack came out last month and is currently cheaper than the DVD. It is a really shallow week for new releases. As for releases that might compete for Pick of the Week, there's not a lot here to look at. I'm going to go with the special edition DVD for The Point! a TV movie from 1971 that isn't exactly forgotten, but is isn't as well known as it should be. Grave of the Fireflies on Blu-ray is the only other contender for the week.
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All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Aug 21, 2015 | She's Funny That Way | Himself | $111,993 | $5,834,649 | $5,946,642 |
Dec 25, 2012 | Django Unchained | LeQuint Dickey Mi… | $162,805,434 | $287,036,132 | $449,841,566 |
Aug 29, 2008 | Sukiyaki Western Django | Ringo | $50,659 | $50,659 | |
Feb 15, 2008 | Diary of the Dead | Newsreader | $952,620 | $4,441,827 | $5,394,447 |
Apr 6, 2007 | Grindhouse | The Rapist (segme… | $25,031,037 | $25,156,752 | $50,187,789 |
Jan 28, 2003 | BaadAsssss Cinema | Himself | |||
Nov 10, 2000 | Little Nicky | Deacon | $39,442,871 | $18,827,520 | $58,270,391 |
Jan 19, 1996 | From Dusk Till Dawn | Richard Gecko | $25,728,961 | $7,201 | $25,736,162 |
Dec 25, 1995 | Four Rooms | Chester | $4,301,000 | $4,301,000 | |
Aug 25, 1995 | Desperado | Pick-Up Guy | $25,532,388 | $25,532,388 | |
Apr 28, 1995 | Destiny Turns on the R… | Johnny Destiny | $1,173,149 | $1,173,149 | |
Oct 14, 1994 | Pulp Fiction | Jimmy | $107,928,762 | $104,962,836 | $212,891,598 |
Sep 23, 1994 | Sleep With Me | Sid | $161,410 | $161,410 | |
Oct 23, 1992 | Reservoir Dogs | Mr. Brown | $2,832,029 | $158,651 | $2,990,680 |
Averages | $30,465,563 | $55,803,196 | $64,805,991 | ||
Totals | 14 | $396,052,313 | $446,425,568 | $842,477,881 |
Supporting Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Apr 6, 2007 | Grindhouse | $11,596,613 | 2,629 | $25,031,037 | $50,187,789 | 49.9% |
Nov 10, 2000 | Little Nicky | $16,063,904 | 2,910 | $39,442,871 | $58,270,391 | 67.7% |
Jan 19, 1996 | From Dusk Till Dawn | $10,240,805 | 2,007 | $25,728,961 | $25,736,162 | 100.0% |
Oct 23, 1992 | Reservoir Dogs | 26 | $2,832,029 | $2,990,680 | 94.7% | |
Averages | $12,633,774 | 1,893 | $23,258,725 | $34,296,256 | 78.1% | |
Totals | 4 | $93,034,898 | $137,185,022 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
Announced (Undated)
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jul 26, 2019 | Once Upon a Time…in Hollywo… | Director Screenwriter Producer |
$142,502,728 | $234,924,175 | $377,426,903 |
Dec 25, 2015 | The Hateful Eight | Director Screenwriter |
$54,117,416 | $97,695,942 | $151,813,358 |
Dec 25, 2012 | Django Unchained | Director Screenwriter |
$162,805,434 | $287,036,132 | $449,841,566 |
Aug 21, 2009 | Inglourious Basterds | Director Screenwriter |
$120,774,594 | $196,027,687 | $316,802,281 |
Apr 6, 2007 | Grindhouse | Director (Segment "Death Proof") | $25,031,037 | $25,156,752 | $50,187,789 |
Jan 6, 2006 | Hostel | Executive Producer | $47,326,473 | $34,914,637 | $82,241,110 |
Apr 1, 2005 | Sin City | Special Guest Director | $74,103,820 | $84,424,098 | $158,527,918 |
Apr 16, 2004 | Kill Bill: Volume 2 | Director Story Creator Screenwriter |
$66,207,920 | $87,328,062 | $153,535,982 |
Oct 10, 2003 | Kill Bill: Volume 1 | Director Screenwriter |
$70,098,138 | $106,371,290 | $176,469,428 |
Dec 25, 1997 | Jackie Brown | Director Screenwriter |
$39,673,162 | $35,054,330 | $74,727,492 |
Jan 19, 1996 | From Dusk Till Dawn | Screenwriter Executive Producer |
$25,728,961 | $7,201 | $25,736,162 |
Dec 25, 1995 | Four Rooms | Director Screenwriter |
$4,301,000 | $4,301,000 | |
Oct 14, 1994 | Pulp Fiction | Director Screenwriter Story Creator |
$107,928,762 | $104,962,836 | $212,891,598 |
Aug 26, 1994 | Natural Born Killers | Story Creator | $50,282,766 | $797 | $50,283,563 |
Sep 10, 1993 | True Romance | Screenwriter | $12,281,000 | $362,293 | $12,643,293 |
Oct 23, 1992 | Reservoir Dogs | Director Screenwriter |
$2,832,029 | $158,651 | $2,990,680 |
Averages | $62,874,703 | $86,294,992 | $143,776,258 | ||
Totals | 16 | $1,005,995,240 | $1,294,424,883 | $2,300,420,123 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jul 26, 2019 | Once Upon a Time…in Ho… | $41,082,018 | 3,659 | $142,502,728 | $377,426,903 | 37.8% |
Dec 25, 2015 | The Hateful Eight | $4,610,676 | 2,938 | $54,117,416 | $151,813,358 | 35.6% |
Dec 25, 2012 | Django Unchained | $30,122,888 | 3,012 | $162,805,434 | $449,841,566 | 36.2% |
Aug 21, 2009 | Inglourious Basterds | $38,054,676 | 3,358 | $120,774,594 | $316,802,281 | 38.1% |
Apr 6, 2007 | Grindhouse | $11,596,613 | 2,629 | $25,031,037 | $50,187,789 | 49.9% |
Apr 16, 2004 | Kill Bill: Volume 2 | $25,104,949 | 3,073 | $66,207,920 | $153,535,982 | 43.1% |
Oct 10, 2003 | Kill Bill: Volume 1 | $22,089,322 | 3,102 | $70,098,138 | $176,469,428 | 39.7% |
Dec 25, 1997 | Jackie Brown | $9,292,248 | 1,642 | $39,673,162 | $74,727,492 | 53.1% |
Dec 25, 1995 | Four Rooms | $1,275,953 | 322 | $4,301,000 | $4,301,000 | 100.0% |
Oct 14, 1994 | Pulp Fiction | $9,311,882 | 1,494 | $107,928,762 | $212,891,598 | 50.7% |
Oct 23, 1992 | Reservoir Dogs | 26 | $2,832,029 | $2,990,680 | 94.7% | |
Averages | $19,254,123 | 2,296 | $72,388,384 | $179,180,734 | 52.6% | |
Totals | 11 | $796,272,220 | $1,970,988,077 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jul 26, 2019 | Once Upon a Time…in Ho… | $41,082,018 | 3,659 | $142,502,728 | $377,426,903 | 37.8% |
Apr 6, 2007 | Grindhouse | $11,596,613 | 2,629 | $25,031,037 | $50,187,789 | 49.9% |
Averages | $26,339,316 | 3,144 | $83,766,883 | $213,807,346 | 43.8% | |
Totals | 2 | $167,533,765 | $427,614,692 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jul 26, 2019 | Once Upon a Time…in Ho… | $41,082,018 | 3,659 | $142,502,728 | $377,426,903 | 37.8% |
Dec 25, 2015 | The Hateful Eight | $4,610,676 | 2,938 | $54,117,416 | $151,813,358 | 35.6% |
Dec 25, 2012 | Django Unchained | $30,122,888 | 3,012 | $162,805,434 | $449,841,566 | 36.2% |
Aug 21, 2009 | Inglourious Basterds | $38,054,676 | 3,358 | $120,774,594 | $316,802,281 | 38.1% |
Apr 6, 2007 | Grindhouse | $11,596,613 | 2,629 | $25,031,037 | $50,187,789 | 49.9% |
Apr 16, 2004 | Kill Bill: Volume 2 | $25,104,949 | 3,073 | $66,207,920 | $153,535,982 | 43.1% |
Oct 10, 2003 | Kill Bill: Volume 1 | $22,089,322 | 3,102 | $70,098,138 | $176,469,428 | 39.7% |
Dec 25, 1997 | Jackie Brown | $9,292,248 | 1,642 | $39,673,162 | $74,727,492 | 53.1% |
Jan 19, 1996 | From Dusk Till Dawn | $10,240,805 | 2,007 | $25,728,961 | $25,736,162 | 100.0% |
Dec 25, 1995 | Four Rooms | $1,275,953 | 322 | $4,301,000 | $4,301,000 | 100.0% |
Oct 14, 1994 | Pulp Fiction | $9,311,882 | 1,494 | $107,928,762 | $212,891,598 | 50.7% |
Aug 26, 1994 | Natural Born Killers | $11,166,687 | 1,904 | $50,282,766 | $50,283,563 | 100.0% |
Sep 10, 1993 | True Romance | $4,023,420 | 1,254 | $12,281,000 | $12,643,293 | 97.1% |
Oct 23, 1992 | Reservoir Dogs | 26 | $2,832,029 | $2,990,680 | 94.7% | |
Averages | $16,767,087 | 2,173 | $63,183,211 | $147,117,935 | 62.6% | |
Totals | 14 | $884,564,947 | $2,059,651,095 |