Christopher Tellefsen
| Best known as an Editor based on credits in that role in 18 films, with $1,468,380,959 worldwide aggregate box office (rank #144) |
| Best-known technical roles: A Quiet Place (Editor), The Village (Editor), Moneyball (Cinematographer), The Menu (Editor), Assassin’s Creed (Editor) |
| Most productive collaborators: Emily Blunt, John Krasinski, Scott Beck, Millicent Simmonds, Bryan Woods |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Editor | 18 | $737,733,262 | $730,647,697 | $1,468,380,959 |
| Cinematographer | 1 | $75,605,492 | $35,695,343 | $111,300,835 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Cinematographer at the Domestic Box Office (Rank 401-500) | 417 | $75,605,492 |
| Top Grossing Editor at the Domestic Box Office (Rank 101-200) | 126 | $737,733,262 |
| Top Grossing Cinematographer at the International Box Office (Rank 601-700) | 611 | $35,695,343 |
| Top Grossing Editor at the International Box Office (Rank 101-200) | 172 | $730,647,697 |
| Top Grossing Cinematographer at the Worldwide Box Office (Rank 401-500) | 487 | $111,300,835 |
| Top Grossing Editor at the Worldwide Box Office (Rank 101-200) | 144 | $1,468,380,959 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Nov 18, 2022 | The Menu | Editor | $38,501,125 | $41,127,075 | $79,628,200 |
| Oct 1, 2021 | The Many Saints of Newark | Editor | $8,237,403 | $4,800,000 | $13,037,403 |
| Aug 9, 2019 | The Kitchen | Editor | $12,180,032 | $3,800,000 | $15,980,032 |
| Apr 6, 2018 | A Quiet Place | Editor | $188,024,361 | $146,852,309 | $334,876,670 |
| Dec 21, 2016 | Assassin’s Creed | Editor | $54,647,948 | $186,111,734 | $240,759,682 |
| Dec 25, 2015 | Joy | Editor | $56,451,232 | $44,682,827 | $101,134,059 |
| Apr 17, 2015 | True Story | Editor | $4,719,695 | $1,174,515 | $5,894,210 |
| Apr 3, 2015 | Lambert & Stamp | Editor | $183,320 | $183,320 | |
| Sep 12, 2014 | The Drop | Editor | $10,724,389 | $8,330,145 | $19,054,534 |
| Feb 7, 2012 | The Rebound | Editor | $18,774,608 | $18,774,608 | |
| Sep 23, 2011 | Moneyball | Cinematographer | $75,605,492 | $35,695,343 | $111,300,835 |
| Apr 13, 2007 | Perfect Stranger | Editor | $23,760,822 | $38,765,566 | $62,526,388 |
| Sep 29, 2006 | A Guide to Recognizing Your… | Editor | $516,139 | $1,611,255 | $2,127,394 |
| Sep 30, 2005 | Capote | Editor | $28,750,530 | $21,173,549 | $49,924,079 |
| Jul 30, 2004 | The Village | Editor | $114,197,520 | $143,444,114 | $257,641,634 |
| Apr 12, 2002 | Changing Lanes | Editor | $66,790,248 | $66,790,248 | |
| Mar 5, 1999 | Analyze This | Editor | $106,885,658 | $70,000,000 | $176,885,658 |
| Dec 25, 1996 | The People vs. Larry Flynt | Editor | $20,224,840 | $20,224,840 | |
| Aug 3, 1990 | Metropolitan | Editor | $2,938,000 | $2,938,000 | |
| Averages | $45,185,486 | $51,089,536 | $83,141,147 | ||
| Totals | 19 | $813,338,754 | $766,343,040 | $1,579,681,794 | |
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Cinematographer at the Domestic Box Office (Rank 401-500) | 417 | $75,605,492 |
| Top Grossing Editor at the Domestic Box Office (Rank 101-200) | 126 | $737,733,262 |
| Top Grossing Cinematographer at the International Box Office (Rank 601-700) | 611 | $35,695,343 |
| Top Grossing Editor at the International Box Office (Rank 101-200) | 172 | $730,647,697 |
| Top Grossing Cinematographer at the Worldwide Box Office (Rank 401-500) | 487 | $111,300,835 |
| Top Grossing Editor at the Worldwide Box Office (Rank 101-200) | 144 | $1,468,380,959 |