Netherlands Box Office for Loving (2016)
Theatrical Performance (US$) | ||
Netherlands Box Office | $102,368 | Details |
Worldwide Box Office | $12,898,064 | Details |
Home Market Performance | ||
North America DVD Sales | $1,733,528 | Details |
North America Blu-ray Sales | $631,302 | Details |
Total North America Video Sales | $2,364,830 | |
Further financial details... |
Synopsis
Celebrates the real-life courage and commitment of an interracial couple, Richard and Mildred Loving, who married and then spent the next nine years fighting for the right to live as a family in their hometown. Their civil rights case, Loving v. Virginia, went all the way to the Supreme Court, which in 1967 reaffirmed the very foundation of the right to marry — making their love story an inspiration to couples everywhere.
Metrics
Movie Details
Production Budget: | $9,000,000 |
Netherlands Releases: | February 22nd, 2017 (Wide) |
Video Release: | January 24th, 2017 by Focus Features |
MPAA Rating: | PG-13 for thematic elements. (Rating bulletin 2426 (Cert #50321), 5/25/2016) |
Running Time: | 123 minutes |
Keywords: | Interracial Romance, Civil Rights Movement, 1960s, 1950s, Set in Virginia, Washington, D.C., Supreme Court, Biography, Biographical Drama, Romance |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Focus Features, Raindog Films, Big Beach, Augusta Films, Tri State Pictures |
Production Countries: | United States |
Languages: | English |
2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!
February 26th, 2017
It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night.
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2016 - Awards Season: Oscars - Nominations - Final Look
February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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2016 Awards Season: Oscar Highlight: Best Leading Actress
February 17th, 2017
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Leading Actress, which is not competitive. There’s an overwhelming favorite, a long shot with a shot, and then everyone else.
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Home Market Releases for February 07th, 2017
February 7th, 2017
The winter releases are starting to come out on the home market. Trolls is the biggest such release, but it isn’t the best. It isn’t bad either, but it’s for kids and not adult fans of animation. As for the best, there are a quartet of contenders for Pick of the Week; Loving, The Eagle Huntress, Little Sister, and Two Lovers and a Bear. All four are must haves, while Loving’s Blu-ray Combo Pack is the Pick of the Week. Meanwhile, Two Lovers and a Bear’s DVD is the Puck of the Week for Best Canadian Release.
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2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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Home Market Releases for January 24th, 2017
January 23rd, 2017
It’s not a particularly good week for top-notch releases. There are only three contenders for Pick of the Week, one of which doesn’t come out till next week. I was able to review Pinocchio a week early. The others are a classic from the 1970s, The Man Who Fell To Earth on Blu-ray Combo Pack, and an import from South Korea, The Handmaiden on DVD. Even though The Handmaiden is only coming out on DVD, it is still the best and is this week’s Pick of the Week.
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Theater Averages: The New Year has a Patriotic Start
January 10th, 2017
The theater average chart was dominated by holdovers, as is the norm this time of year. The top film was Patriots Day with an average of $14,972 in seven theaters. This bodes very well for its wide expansion next weekend. 20th Century Women is becoming a sleeper hit earning an average of $13,047 in ten theaters. This is one of those films that should be earning more Awards Season buzz, but I fear it has slipped between the cracks. Toni Erdmann and Paterson were neck-and-neck with averages of $10,472 and $10,205 respectively.
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2016 - Awards Season: WGA - Nominations
January 4th, 2017
The Writers Guild of America is the latest group nominees to be announced. There are a lot of categories that WGA hand out awards, but only three of them are theatrical releases. The list of nominees include several major Awards Season players, like Hidden Figures, but there are also some surprises.
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2016 - Awards Season: SAG - Nominations
December 14th, 2016
The Screen Actors Guild were the third group to announce their nominations for this awards season. So far there have been three different films earning the most nominations. This could mean the Oscar race will be a lot closer than in past years. This time around Manchester by the Sea led the way with four nominations.
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2016 - Awards Season: Golden Globes - Nominations
December 12th, 2016
The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season.
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Theater Averages: Jackie Tackles Lion Earning Average of $55,743
December 6th, 2016
Jackie led the way on the theater average chart with an average of $55,743 in five theaters. Given this start and add in its Oscar buzz and the film has a real shot at expanding wide. Last week’s winner, Lion, fell to second place with an average of $16,651 in seven theaters. Manchester by the Sea continues its impressive run with an average of $14,592 in 156 theaters. It still has room to grow. Miss Sloane earned an average of $11,213 in four theaters. It is reportedly expanding wide this weekend, but that can mean anything from a few hundred theaters to well over 2,000. Finally, Things to Come opened with an average of $11,030 in three theaters.
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Theater Averages: Lion Starts like a Lion with an Average of $30,840
November 29th, 2016
Lion led the way on the theater average chart this week with an average of $30,840 in four theaters. Its reviews are great and it could become a sleeper hit throughout the Christmas holidays. Up next was Manchester by the Sea with an average of $25,541 in 48 theaters. It still has plenty of room to expand and its Awards Season buzz is growing. Miss Sloane opened with an average of $19,932 in three theaters. This is good, but not good enough to think it will expand truly wide. The overall number one film, Moana, was next with an average of $14,615. The final film in the $10,000 club was Fantastic Beasts and Where to Find Them with an average of $10,880.
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Theater Averages: Manchester is Something to Sea, Earns $64,125
November 23rd, 2016
Manchester by the Sea led the way on the theater average chart with an average of $64,125 in four theaters. That isn’t the best average we’ve seen this year, but it is fourth place for a 2016 release. Fantastic Beasts and Where to Find Them earned first place on the overall chart and second place with $17,954 on this chart. Nocturnal Animals earned an average of $13,315 in 37 theaters. That’s an impressive average considering how wide it was playing. Best Worst Thing That Ever Could Have Happened earned an average of $11,745 in two theaters. Meanwhile, the re-release of Daughters of the Dust was the final film in the $10,000 club earning $10,842 in its lone theater.
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2016 - Awards Season: Independent Spirit Awards - Nominations
November 23rd, 2016
The Independent Spirit Awards nominations were announced last night and thus the 2016 Awards Season begins. There were a few surprises and some snubs to discuss, but for the most part, there’s not a lot nominations that broke the established narrative. It’s because there isn’t really an established narrative. This means films that earn nominations here have a much better chance of doing well going forward and Moonlight looks like it could rise up as a result.
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Weekend Estimates: Fantastic Beasts Makes Fantastic-ish $75 Million
November 20th, 2016
Fantastic Beasts and Where to Find Them is doing everything Warner Bros. could have wished for this weekend, posting a lively $75 million opening in the US, hitting $143.3 million internationally for a global opening over $200 million, and getting a A CinemaScore that should give it positive word of mouth going into Thanksgiving. For a franchise reboot, that’s a lot of reasons to be happy, although its opening is well below the openings enjoyed by the original Harry Potter franchise. The worst of those, Chamber of Secrets, opened with $88 million over three days (Order of the Phoenix and Half-Blood Prince both technically had slower weekends than Chamber of Secrets, but both of them opened on Wednesday, and they still did over $75 million Friday–Sunday).
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Theater Averages: It’s a Long Walk to the Top with $57,065
November 16th, 2016
Billy Lynn’s Long Halftime Walk earned first place on the theater average chart over the weekend earning an average of $57,065 in two theaters. That’s the good news. The bad news is its reviews suggest poor word of mouth and difficulty expanding wide this coming weekend. Elle opened in second place with an average of $25,467, also in two theaters. Loving remained in the $10,000 club for the second weekend with an average of $11,149 in 46 theaters. It still has room to grow. Doctor Strange was right behind with an average of $11,069. The final film in the $10,000 was the biggest new release of the week, Arrival, which earned an average of $10,390.
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Weekend Estimates: Healthy Arrivals Help Veterans Day Box Office
November 13th, 2016
While Doctor Strange and Trolls aren’t really being threatened at the top of the chart this weekend, a few healthy new releases are giving Veterans Day weekend a timely boost at the box office. Arrival is the stand-out performer in wide release, with $24 million from 2,317 theaters and an average over $10,000. The sci-fi drama is a critical darling, but is having a harder time with general audiences who might be expecting something with a few more explosions and laser battles, and its CinemaScore is a B. Its potential long-term performance is a therefore a little hard to gauge at this point, but it would be very surprising for it not to pick up a few more theaters, and it might be decent counter-programming to the explosions and laser battles promised by several other films coming up in the next few weeks.
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Theater Averages: Loving Loves its Opening Average of $39,904
November 8th, 2016
Loving led the way on the theater average chart this weekend with an average of $39,904 in four theaters. This isn’t among the best of the year, but it does show the film has room to grow and that should help its Oscar buzz, which in turn will help its box office numbers. The overall number one film, Doctor Strange, was next with an average of $21,911. The only holdover in the $10,000 club was Moonlight, which earned an average of $14,883 in 83 theaters. It still has room to grow, but its chances of expanding truly wide are very limited at this point. The Eagle Huntress was next with an average of $13,144 in four theaters. The final film in the $10,000 club was Trolls at $11,473.
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Weekend Estimates: Doctor Strange’s $85 Million Gives Industry a Much-Needed Boost
November 6th, 2016
After a couple of months of weak box office, and some very disappointing openings, Doctor Strange, Trolls and Hacksaw Ridge are each, in their own way, putting things back on track. Doctor Strange is grabbing the headlines of course, with an impressive $84,989,000 opening projected by Disney on Sunday morning. That’s almost identical to the opening weekend enjoyed by Thor: The Dark World on this weekend back in 2013, and comes without the benefit of being part of an established franchise (putting aside its place in the Marvel Cinematic Universe).
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Friday Estimates: Doctor Strange Heals the Box Office with $32.56 million
November 5th, 2016
As expected, Doctor Strange dominated the Friday box office chart with $32.56 million. This is 19% higher than Spectre’s opening day was last year, which is great news. Granted, Doctor Strange had much better previews, so the actual 24-hour Friday numbers are much closer. On the other hand, Doctor Strange’s reviews remain 90% positive, while its CinemaScore is an impressive A. Spectre earned 65% positive reviews and an A- from CinemaScore. If the two films have the same internal multiplier, then Doctor Strange will open with $84 million. However, the Fanboy Effect will likely keep it to just above $80 million. This is still a great start and another smash hit from the Marvel Cinematic Universe.
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Limited and VOD Releases: Loving These Limited Releases
November 4th, 2016
Last week was a slow week because of Halloween, but we don’t have that excuse this week. That’s not to say there are no top-notch releases this week. Loving has the best shot at box office success and possible even Oscar glory. Meanwhile, there are a pair of documentaries that are worth checking out: The Eagle Huntress and Peter and the Farm.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/02/24 | 26 | $37,971 | 27 | $1,406 | $54,660 | 1 | |
2017/03/03 | 30 | $26,975 | -29% | 27 | $999 | $102,368 | 2 |
2017/03/10 | 29 | $12,512 | -54% | 25 | $500 | $12,722 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/10/2017 | $1,907 | 11 | 42 | 301 | $446,384 | 5/22/2017 |
France | 2/17/2017 | $731,433 | 0 | 0 | 0 | $2,159,317 | 6/28/2018 |
Germany | 6/15/2017 | $0 | 0 | 3 | 10 | $228,878 | 2/15/2018 |
Italy | 3/17/2017 | $162,283 | 0 | 1 | 1 | $361,432 | 10/25/2018 |
Mexico | 1/27/2017 | $0 | 0 | 0 | 0 | $7,308 | 10/12/2018 |
Netherlands | 2/22/2017 | $37,971 | 27 | 27 | 79 | $102,368 | 3/15/2017 |
New Zealand | 3/17/2017 | $9,960 | 11 | 22 | 115 | $65,139 | 5/8/2017 |
North America | 11/4/2016 | $159,615 | 4 | 572 | 2,317 | $7,710,234 | 8/28/2017 |
South Korea | 2/18/2017 | $3,872 | 0 | 149 | 159 | $71,080 | 10/10/2018 |
Spain | 1/20/2017 | $106,833 | 129 | 129 | 310 | $312,907 | 10/30/2018 |
United Kingdom | 2/3/2017 | $295,294 | 189 | 189 | 189 | $1,119,821 | 9/17/2018 |
Rest of World | $313,196 | ||||||
Worldwide Total | $12,898,064 | 10/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Joel Edgerton | Richard Loving |
Ruth Negga | Mildred Loving |
Supporting Cast
Marton Csokas | Sheriff Brooks |
Nick Kroll | Bernie Cohen |
Michael Shannon | Grey Villet |
Jon Bass | Phil Hirschkop |
Bill Camp | Frank Beazely |
Terri Abney | Garnet Jeter |
Alano Miller | Raymond Green |
Christopher Mann | Theoliver |
Will Dalton | Virgil |
Dean Mumford | Drag Race Driver |
Chris Greene | Percy |
Benjamin Booker | Shotgun Shack Musician #1 |
Justin Robinson | Shotgun Shack Musician #2 |
Dennis Williams | Shotgun Shack Musician #3 |
Keith Tyree | Bricklayer |
Sharon Blackwood | Lola |
Rebecca Turner | Pregnant Girl |
Michael Shiflett | Magistrate |
Winter Lee Holland | Musiel |
Karen Vicks | Clara the Cashier |
Lance Lemon | Cousin Davis |
Marquis Adonis Hazelwood | Cousin Gerald |
Greg Cooper | County Jailer |
Michael Abbott Jr | Deputy |
Robert Haulbrook | County Clerk |
Bridget Gethins | Court Secretary |
David Jensen | Judge Bazile |
Andrene Ward-Hammond | Laura |
Jevin Crochrell | Sidney (Middle) |
Jordan Williams Jr | Donald (Middle) |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jeff Nichols | Director |
Jeff Nichols | Screenwriter |
Ged Doherty | Producer |
Sarah Green | Producer |
Nancy Buirski | Producer |
Colin Firth | Producer |
Peter Saraf | Producer |
Marc Turtletaub | Producer |
Brian Kavanaugh-Jones | Executive Producer |
Jack Turner | Executive Producer |
Jared Ian Goldman | Executive Producer |
Adam Stone | Director of Photography |
Chad Keith | Production Designer |
Julie Monroe | Editor |
Erin Benach | Costume Designer |
David Wingo | Composer |
Francine Maisler | Casting Director |
Erica Arvold | Location Casting |
Anne Chapman | Location Casting |
Will Greenfield | Unit Production Manager |
Sarah Green | Unit Production Manager |
Cas Donovan | First Assistant Director |
Tommy Martin | Second Assistant Director |
Julia Lallas | Make up |
Katie Middleton | Make up |
Ken Walker | Hairstylist |
Elizabeth Paschall | Hairstylist |
Jonny Pray | Costume Supervisor |
Gary Pilkinton | Special Effects Coordinator |
Colleen Gibbons | Location Manager |
Satoshi Mark Noguchi | Score Mixer |
Phil Crowe | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.