Ukraine Box Office for The Little Things (2021)
Theatrical Performance (US$) | ||
Ukraine Box Office | $411,000 | Details |
Worldwide Box Office | $29,735,222 | Details |
Home Market Performance | ||
North America DVD Sales | $1,537,062 | Details |
North America Blu-ray Sales | $1,580,515 | Details |
Total North America Video Sales | $3,117,577 | |
Further financial details... |
Synopsis
Kern County Deputy Sheriff Joe “Deke” Deacon is sent to Los Angeles for what should have been a quick evidence-gathering assignment. Instead, he becomes embroiled in the search for a killer who is terrorizing the city. Leading the hunt, L.A. Sheriff Department Sergeant Jim Baxter, impressed with Deke’s cop instincts, unofficially engages his help. But as they track the killer, Baxter is unaware that the investigation is dredging up echoes of Deke’s past, uncovering disturbing secrets that could threaten more than his case.
Metrics
Movie Details
Production Budget: | $30,000,000 |
Ukraine Releases: | February 5th, 2021 (Wide) |
Video Release: | January 29th, 2021 by Max |
MPAA Rating: | R for violent/disturbing images, language and full nudity. (Rating bulletin 2643 (Cert #52861), 8/19/2020) |
Running Time: | 127 minutes |
Keywords: | Serial Killer, Crime Thriller, Crime, LAPD, Film Noir, Development Hell, 1990s, Prologue |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Warner Bros., Gran Via |
Production Countries: | United States |
Languages: | English |
Weekend estimates: Nobody maintains market momentum
March 28th, 2021
An excellent opening for Nobody is more than making up for sluggish results for returning films this weekend and keeps the market recovery on course. More or less.
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Weekend predictions: Nobody’s business
March 26th, 2021
Action thriller Nobody rounds out March with a rollout in 2,460 theaters and its sights firmly set on the top of the box office chart. If the domestic box office is recovering at the pace we hope, it should achieve that goal, but our model’s figures suggest its victory isn’t assured.
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Weekend estimates: Raya stays top with good second-week hold
March 14th, 2021
A solid second-week performance will be enough to keep Raya and the Last Dragon at the top of the box office chart this weekend, according to studio estimates released on Sunday morning. Its strength contributed to unusually large declines for the movies competing with it for family audiences, but generally it looks as though this weekend will continue the modest growth trend in the theatrical market.
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Weekend estimates: Raya tops the chart with $8.6 million
March 7th, 2021
Raya and the Last Dragon will top the box office chart on its debut weekend with about $8.6 million according to Disney’s Sunday morning projection. While that’s 13% below our model’s $9.87 million prediction, and well behind the $14.11 million earned by Tom and Jerry last weekend, it’s a decent performance for the pandemic era, and some of the other results this weekend point towards a market that’s inching back towards recovery.
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Weekend predictions: Croods looking likeliest winner in a close race
February 19th, 2021
With no new releases this weekend, the race for number one at the box office comes down to which film among the top three last weekend has the best legs. The overwhelmingly likely answer to that question is The Croods: A New Age, which enters its lucky 13th week in release doing almost exactly the same business as it was two months ago. The only unknown is how well Judas and the Black Messiah will do in its second weekend.
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Weekend estimates: a 3-way tie for number one
February 14th, 2021
The combination of a long weekend and a very tight race means it’s hard to say who’s winning at the box office this weekend. Universal is claiming bragging rights, with a $2.04 million three-day estimates for The Croods: A New Age. It is set to earn around $2.66 million including Monday’s holiday gross. Warner Bros. is projecting $2.0 million over three days and $2.4 million for the long weekend for both its new release Judas and the Black Messiah and the returning The Little Things. (The studio didn’t originally announce a three-day number for The Little Things, but just confirmed that $2.0 million figure with us.)
Outside of this minor intrigue at the top of the chart, this week’s estimates contain some promising news…
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Weekend predictions: Judas and the Black Messiah should win the weekend
February 12th, 2021
The welcome arrival of two new wide releases and the combination of Valentine’s Day on Sunday and President’s Day on Monday should cause an uptick at the box office this weekend. Judas and the Black Messiah is the film most likely to top the chart, according to our model, while Land is set for a more modest result but should make it into the top six.
Weekend estimates: The Little Things stays top on a sluggish weekend
February 7th, 2021
Today’s Super Bowl might be causing some caution among the studios as they compile their weekend projections, but whichever way you cut it, we’re looking at another slow weekend in theaters. The Little Things will come out on top with around $2.1 million, according to Warner Bros.. That’s down a steep 56% from its opening weekend, and 9% below our model’s prediction. In general, almost all films are falling a little shy of the model’s numbers, suggesting that we’re still not seeing real growth in the market.
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Weekend predictions: The Little Things set to win Superbowl weekend
February 5th, 2021
With no new wide releases, there can really be only one winner at the box office this weekend. Last week’s champ, The Little Things earned more than twice as much as second-place The Croods: A New Age last weekend, and will stay top even with a steep drop.
The performance of The Croods, which is a bellweather for the strength of the theatrical market as a whole, is probably of more interest this weekend.
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Weekend estimates: The Little Things launches with $4.8 million
January 31st, 2021
Although it will fall a little short of our weekend prediction, The Little Things will post a respectable-under-the-circumstances $4.8 million this weekend, according to Warner Bros.’ Sunday morning projection. If there wasn’t a pandemic going on, that would translate into something like a $21 million debut—in line with previous outings for Denzel Washington in action films and thrillers, such as Unstoppable ($22.7 million opening) and The Taking of Pelham 123 ($23.4 million opening), although behind the more recent The Equalizer, which started out with $34 million. It gives The Little Things bragging rights to the best opening of 2021, which everyone in the industry will be praying is a title it won’t hold for very long.
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Weekend predictions: The Little Things should easily win the weekend
January 29th, 2021
This weekend’s release of The Little Things continues Warner Bros.’ strategy of launching major films simultaneously in theaters and on HBO Max, following the Christmastime launch of Wonder Woman 1984. The studio can argue that its experiment has paid off so far, with Wonder Woman posting a decent opening, given the state of the pandemic, and also driving new subscribers to the service. Little Things will be more of test though, since it’s not a major franchise release and isn’t high on the list of most-anticipated movies of the year.
It does, however, come with an impeccable pedigree, and our model is quite enthusiastic about its chances.
Weekend estimates: Marksman stays top
January 24th, 2021
The Marksman will remain at the top of the box office chart this weekend with a decent 35% decline from its opening according to Open Road’s Sunday morning projection. The Croods: A New Age will fall just 9% from last weekend to finish second. Wonder Woman 1984 (which our model forecast would regain top spot) is set to fall 38% this weekend to $1.6 million for a total of $37.7 million to date.
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January preview: 2021 starts with the quietest month since July
January 5th, 2021
There’s precious little good news in the theatrical market as we start 2021. Although Wonder Woman 1984 had a relatively good opening weekend after its launch on Christmas Day, it declined steeply at the box office last weekend, and the combined earnings for all films reporting is only a shade over $10 million right now. Unfortunately, there are only two films scheduled to open wide in the whole month of January, which means we won’t see much of an improvement in the market, and likely some back sliding, particularly given the growing COVID-19 case counts and the high likelihood of continued restrictions on public gatherings around North America.
The (slow) rollout of a vaccine is the one piece of good news, but it’s unlikely to have much of an effect on the things for several months. For now, here’s what’s in store for January…
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2021/02/05 | - | $181,000 | 267 | $678 | $181,000 | 1 | |
2021/02/12 | - | $105,000 | -42% | 175 | $600 | $328,000 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 2/18/2021 | $1,074,058 | 276 | 277 | 1595 | $4,305,512 | 10/19/2022 |
Colombia | 1/29/2021 | $0 | 0 | 0 | 0 | $190,000 | 10/19/2022 |
Croatia | 1/29/2021 | $0 | 0 | 0 | 0 | $255,000 | 10/19/2022 |
Egypt | 2/12/2021 | $0 | 0 | 0 | 0 | $60,000 | 2/16/2021 |
Germany | 1/28/2021 | $0 | 0 | 0 | 0 | $0 | |
Iceland | 1/29/2021 | $0 | 0 | 0 | 0 | $58,000 | 2/16/2021 |
India | 1/29/2021 | $18,000 | 0 | 0 | 0 | $18,000 | 10/19/2022 |
Italy | 5/6/2021 | $10,781 | 0 | 2 | 2 | $34,800 | 10/20/2022 |
Kazakhstan | 1/29/2021 | $0 | 0 | 0 | 0 | $137,000 | 3/8/2021 |
Mexico | 3/11/2021 | $33,749 | 0 | 0 | 0 | $554,000 | 10/19/2022 |
New Zealand | 2/19/2021 | $95,692 | 79 | 84 | 423 | $351,173 | 10/19/2022 |
North America | 1/29/2021 | $4,705,527 | 2,171 | 2,206 | 16,378 | $15,342,746 | |
Qatar | 1/29/2021 | $0 | 0 | 0 | 0 | $144,000 | 3/22/2021 |
Russia (CIS) | 1/29/2021 | $1,015,829 | 655 | 661 | 2321 | $3,000,000 | 10/20/2022 |
Saudi Arabia | 1/29/2021 | $893,000 | 35 | 35 | 85 | $2,000,000 | 10/19/2022 |
Serbia and Montenegro | 1/29/2021 | $0 | 0 | 0 | 0 | $42,000 | 2/16/2021 |
Singapore | 1/29/2021 | $67,000 | 33 | 33 | 33 | $119,000 | 10/19/2022 |
Spain | 2/26/2021 | $154,000 | 134 | 174 | 773 | $669,000 | 10/20/2022 |
Taiwan | 1/29/2021 | $177,000 | 110 | 110 | 110 | $383,000 | 10/19/2022 |
Ukraine | 2/5/2021 | $181,000 | 267 | 267 | 442 | $411,000 | 10/19/2022 |
United Arab Emirates | 1/29/2021 | $322,000 | 103 | 103 | 208 | $821,000 | 3/29/2021 |
United Kingdom | 2/12/2021 | $0 | 0 | 0 | 0 | $0 | |
Rest of World | $839,991 | ||||||
Worldwide Total | $29,735,222 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Denzel Washington | Deke |
Rami Malek | Baxter |
Jared Leto | Albert Sparma |
Supporting Cast
Natalie Morales | Detective Jamie Estrada |
Chris Bauer | Sal Rizoli |
Michael Hyatt | Flo Dunigan |
Terry Kinney | Captain Farris |
Isabel Arraiza | Anna Baxter |
Joris Jarsky | Detective Rogers |
Glenn Morshower | Captain Henry Davis |
Sofia Vassilieva | Tina Salvatore |
Jason James Richter | Detective Dennis Williams |
John Harlan Kim | Officer Henderson |
Frederick Koehler | Stan Peters |
Judith Scott | Marsha |
Maya Kazan | Ronda Rathbun |
Tiffany Gonzalez | Julie Brock |
Anna McKitrick | Mary Roberts |
Sheila Houlahan | Paige Callahan |
Ebony N. Mayo | Tamara Ewing |
Matthew Morrison | Guy Jogger |
Olivia Washington | Amy Anders |
Kiff VandenHeuvel | Tow Truck Driver |
J. Downing | Flanders |
Sean Spann | Ghoul Squad |
Sophia Castro | Jennifer Baxter |
Calliah Sophie Estrada | Chloe Baxter |
Thomas Crawford | Burns |
Eric Satterberg | LASD Tech |
Ian Gary | LASD Tech |
Linara Washington | Waitress |
Jeff Corbett | Bill Rathbun |
Stephanie Erb | Phyllis Rathbun |
Samantha Cormier | Teenage Girl |
Smalls | Truck Driver |
Lee Garlington | Landlady |
Dimiter D. Marinov | St. Agnes Hotel Manager |
Julia Vera | ABC Appliance Owner |
Jack Topalian | AAA Appliance Owner |
Charlie Saxton | Felix |
Justin Barnhill | Grunge Kid |
Emil Beheshti | Lab Coat Tech |
James Bradley | LAPD |
Ben Kliewer | LAPD |
Hank Northrop | LAPD |
Bob Golub | Bum |
Ben Sanders | Delinquent Kid |
Adam Harrington | Greg Alberts |
Neil Garcia | Pike’s Bartender |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
John Lee Hancock | Director |
John Lee Hancock | Screenwriter |
Mark Johnson | Producer |
John Lee Hancock | Producer |
Mike Drake | Executive Producer |
Kevin McCormick | Executive Producer |
John Schwartzman | Director of Photography |
Michael Corenblith | Production Designer |
Robert Frazen | Editor |
Thomas Newman | Composer |
Daniel Orlandi | Costume Designer |
Denise Chamian | Casting Director |
Leigh Shanta | Unit Production Manager |
Donald L. Sparks | First Assistant Director |
Donald L. Sparks | Co-Producer |
Stephanie Tull | Second Assistant Director |
Lauren Polizzi | Supervising Art Director |
Samantha Avila | Art Director |
Lorrie Campbell | Set Designer |
Michael Budge | Set Designer |
Dawn Gilliam | Script Supervisor |
Erica Frauman | Post-Production Supervisor |
Chris Jackson | First Assistant Editor |
Susan Benjamin | Set Decorator |
Edward Hanley | Costume Supervisor |
Donald Mowat | Make up |
Ruth Haney | Make up |
Mark Nieman | Special Make-up Effects |
Michael White | Hairstylist |
Michael S. Ward | Hairstylist |
Jose Antonio Garcia | Sound Mixer |
Andrew Ullman | Supervising Location Manager |
Michael Dunitz | Location Manager |
Martin Allen | Key Location Manager |
Pierce Nudd | Key Location Manager |
Matthew Cassel | Key Location Manager |
Mark Hawker | Special Effects Supervisor |
Robert Malina | Assistant Editor |
Jon Johnson | Supervising Sound Editor |
Darren King | ADR Supervisor/Dialogue Editor |
Jessie Spence | Dialogue Editor |
Dan Gamache | Sound Effects Editor |
Yann Delpuech | Sound Effects Editor |
David E. Fluhr | Re-recording Mixer |
Gregory King | Re-recording Mixer |
Darrin Mann | Foley Mixer |
Shinnosuke Miyazawa | Music Editor |
Gabriel Sanchez | Visual Effects Supervisor |
Tim LeDoux | Visual Effects Supervisor |
Jason Sanford | Visual Effects Producer |
Andrew Kalicki | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.