Australia Box Office for Jackie (2016)

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Jackie
Theatrical Performance (US$)
Australia Box Office $1,861,573Details
Worldwide Box Office $36,588,512Details
Home Market Performance
North America DVD Sales $828,988 Details
North America Blu-ray Sales $625,097 Details
Total North America Video Sales $1,454,085
Further financial details...

Synopsis

Jacqueline Kennedy was just 34 when her husband was elected President of the United States. Elegant, stylish, and inscrutable, she instantly became a global icon, one of the most famous women in the world, her taste in fashion, décor and the arts, widely admired. Then, on November 22, 1963, while on a campaign trip to Dallas, John F. Kennedy is assassinated—Jackie’s pink suit is showered in her husband’s blood. As she boards Air Force One back to Washington, Jackie’s world—including her faith—is completely shattered. Traumatized and reeling with grief, over the course of the next week she must confront the unimaginable: consoling their two young children, vacating the home she painstakingly restored, and planning her husband’s funeral. Jackie quickly realizes that the next seven days will determine how history will define her husband’s legacy—and how she herself will be remembered.

Metrics

Movie Details

Production Budget:$9,000,000
Australia Releases: January 6th, 2017 (Wide)
Video Release: February 21st, 2017 by Fox Home Entertainment
MPAA Rating: R for brief strong violence and some language.
(Rating bulletin 2445 (Cert #50715), 10/5/2016)
Running Time: 99 minutes
Keywords: 1960s, Political Assassination, Fashion, Death of a Spouse or Fiancée / Fiancé, Political Campaign, Washington, D.C., Texas, Biographical Drama, Biography
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Wild Bunch, Protozoa Pictures, LD Entertainment, Why Not Productions, Fabula, Endemol Shine
Production Countries: Chile, France, United States
Languages: English

Home Market Releases for March 14th, 2017

March 15th, 2017

The Love Witch

There are a few Oscar-nominated films on this week’s list. However, it was still hard to come up with a Pick of the Week release. Most of them were like Elle with great reviews and weak extras. The DVD for Drunk History: Season Four has more than two hours of extras, but I admit it is an acquired taste. Fortunately, we do have a clear winner: The Love Witch on Blu-ray. More...

Featured Blu-ray and DVD Review: Jackie

March 13th, 2017

Jackie

Jackie is Oscar-bait, there’s no denying that. It has all of the hallmarks of an Oscar-bait release. It is based on historical events, it was released in the heart of Awards Season, and it features a powerhouse performance. The film did earn three Oscar Nominations, but wasn’t able to convert any of those into wins. Is the film busted Oscar-bait? Or did it deserve to win at least one Oscar? More...

Home Market Releases for March 7th, 2017

March 6th, 2017

Moana

There are not a lot of releases on this week’s list for two major reasons. Firstly, it is a very, very shallow week. Secondly... Dental Surgery. By the time you read this, I might still be at the dentist. There are only two contenders for Pick of the Week, Jackie on Blu-ray and Moana on Blu-ray Combo Pack. It wasn’t particularly close and Moana is easily the Pick of the Week. More...

2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!

February 26th, 2017

Moonlight

It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night. More...

2016 - Awards Season: Oscars - Nominations - Final Look

February 26th, 2017

La La Land

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. More...

Home Market Releases for February 21st, 2017

February 21st, 2017

Doctor Strange

Did you know Oscars are being handed out next week? If you didn’t already know that, you would be able to figure that out, as there are five major Oscar nominees on this week’s list. Two of those, Jackie and Moana, are VOD releases, so that limits the choices for Pick of the Week. In fact, only Manchester by the Sea was a contender for Pick of the Week. Unfortunately for that film, I got to the review for Doctor Strange a week early and I’m awarding it the Pick of the Week this week. It is out on VOD right now, but I would wait a week for the Blu-ray Combo Pack. More...

2016 Awards Season: Oscar Highlight: Best Leading Actress

February 17th, 2017

La La Land

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Leading Actress, which is not competitive. There’s an overwhelming favorite, a long shot with a shot, and then everyone else. More...

2016 - Awards Season: BAFTA - Winners - La La Lands on Top, Again

February 12th, 2017

La La Land

The BAFTA winners were announced on Sunday and there were very few surprises to talk about. La La Land again won the most awards with five, while only two other films, Lion and Manchester by the Sea, earned more than one award. They each won two. More...

Weekend Estimates: Split Retains Box Office Crown with Big Second Weekend

January 29th, 2017

Split

An impressive decline of 34% in its second weekend and a crop of middling to poor performances by new releases will be enough to keep Split safely at the top of the box office chart this weekend. With Universal projecting $26.3 million for the weekend as of Sunday morning, Split is well ahead of the studio’s new release, A Dog’s Purpose, which will come in with around $18.4 million. Split will finish the weekend with around $78 million in total. More...

2016 Awards Season: Oscar Nominations

January 24th, 2017

La La Land

The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record. More...

Theater Averages: Worlds Starts Apart from the Competition with $16,353

January 18th, 2017

Worlds Apart

Despite earning 50% positive reviews, Worlds Apart topped the theater average chart with $16,353 in its one theater. The only other film in the $10,000 club was 20th Century Women, which spent its third week there with an average of $10,894 in 29 theaters. More...

2016 - Awards Season: BAFTA - Nominations

January 11th, 2017

La La Land

The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece. More...

Theater Averages: The New Year has a Patriotic Start

January 10th, 2017

Patriots Day

The theater average chart was dominated by holdovers, as is the norm this time of year. The top film was Patriots Day with an average of $14,972 in seven theaters. This bodes very well for its wide expansion next weekend. 20th Century Women is becoming a sleeper hit earning an average of $13,047 in ten theaters. This is one of those films that should be earning more Awards Season buzz, but I fear it has slipped between the cracks. Toni Erdmann and Paterson were neck-and-neck with averages of $10,472 and $10,205 respectively. More...

Theater Averages: Hidden Stands Out with Average of $34,329

January 4th, 2017

Hidden Figures

Hidden Figures rose to first place during its first full weekend of release with an average of $34,329 in 25 theaters. It already has more than $2 million and it expands wide on Friday. 20th Century Women was next with an average of $27,800 in four theaters. It isn’t a major player during Awards Season, but it is picking up enough nominations to help it stick around in theaters. Patriots Day was down just 8% earning an average of $21,117 in seven theaters. Last week’s winner, Silence, fell to an average of $20,827 in four theaters. If it has a similar drop next week, it will put its wide release in jeopardy. The best limited release of the week was Paterson, which earned an average of $17,334 in four theaters. Toni Erdmann earned an average of $14,000 in three theaters during its first full week of release. La La Land continues to expand, but remained in the $10,000 club with an average of $12,738. The overall number one film, Rogue One: A Star Wars Story, was next with an average of $11,934, while the second place film, Sing, was right behind with an average of $10,647. More...

Theater Averages: Silence Speaks Volumes with an Average of $32,720

December 28th, 2016

Silence

Silence scored first place on the theater average chart earning an average of $32,720 in four theaters. Patriots Day was next with an average of $23,044 in seven theaters. Most impressively, Hidden Figures earned an average of $20,620 in 25 theaters, in just one day. The final film in the $10,000 club was the overall number one film, Rogue One: A Star Wars Story with an average of $15,404. More...

Theater Averages: Rogue Rules Theater Average Chart with $37,306

December 20th, 2016

Rogue One: A Star Wars Story

Rogue One: A Star Wars Story led the way on the theater average chart with an average of $37,306. This wasn’t that far above the second place film, Fences, which earned an average of $32,366. Meanwhile, last week’s winner, La La Land, was pushed into third place with an average of $20,510. More...

2016 - Awards Season: SAG - Nominations

December 14th, 2016

Manchester by the Sea

The Screen Actors Guild were the third group to announce their nominations for this awards season. So far there have been three different films earning the most nominations. This could mean the Oscar race will be a lot closer than in past years. This time around Manchester by the Sea led the way with four nominations. More...

Theater Averages: La La Lands Yearly Record Result with Average of $176,221

December 13th, 2016

La La Land

La La Land dominated the per theater chart with an average of $176,221 in five theaters. This is not only the best of the year, it is the second best ever for a live-action film, behind just The Grand Budapest Hotel average of $202,792 in four theaters. Jackie was well back with an average of $18,933 in 26 theaters. Had La La Land not come out this weekend, this would have been big news. Now it might get lost in the crowd. Lion remained in the $10,000 club for the third weekend in a row with an average of $11,224 in 15 theaters. More...

2016 - Awards Season: Golden Globes - Nominations

December 12th, 2016

La La Land

The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season. More...

Weekend Estimates: Moana Narrowly Beats Office Christmas Party

December 11th, 2016

Moana

Moana will get to enjoy one last weekend at the top of the box office chart, in spite of a good debut for Office Christmas Party. Disney’s animated adventure will post about $18.8 million in its third weekend, for $145 million to date. It’s beginning to lag behind the performance of Frozen, which made $22.6 million in its third weekend in wide release, and had amassed $164.8 million. That still puts Moana well on course for $300 million domestically, although $350 million is looking like a stretch. Internationally, Moana will earn around $23.5 million this weekend, taking its total overseas to $93.8 million, and its global haul to $238.8 million. More...

Theater Averages: Jackie Tackles Lion Earning Average of $55,743

December 6th, 2016

Jackie

Jackie led the way on the theater average chart with an average of $55,743 in five theaters. Given this start and add in its Oscar buzz and the film has a real shot at expanding wide. Last week’s winner, Lion, fell to second place with an average of $16,651 in seven theaters. Manchester by the Sea continues its impressive run with an average of $14,592 in 156 theaters. It still has room to grow. Miss Sloane earned an average of $11,213 in four theaters. It is reportedly expanding wide this weekend, but that can mean anything from a few hundred theaters to well over 2,000. Finally, Things to Come opened with an average of $11,030 in three theaters. More...

Weekend Estimates: Moana Stands Tall as Awards Season Hots Up

December 4th, 2016

Moana

The top of the box office chart remains a tale of two movies this weekend, with Moana maintaining an impressive lead over Fantastic Beasts and Where to Find Them, but both movies doing very nicely heading into the Christmas season. Moana tops the chart again this weekend with $28.4 million, for a total of $119.9 million at the end of the weekend. By way of comparison, Frozen had earned $134.3 million at this point in its run, but fell a slightly larger 53% from Thanksgiving, compared to Moana’s 50% decline. The next few weeks should be very lucrative for the animated adventure, which is likely to sail past $300 million at the domestic box office. More...

Friday Estimates: Winter Chill is Good for Moana

December 3rd, 2016

Moana

As expected, Moana led the way at the box office on Friday. It did so thanks to a $6.45 million haul. This is just 4.2% lower than Frozen managed during the same period in its run. If Moana has the same internal multiplier over the weekend, then it will earn just over $30 million. That would be amazing. That would be $6 million better than expected. I think it is going to have trouble keeping up that pace, but a sub-50% drop-off to $29 million is still impressive, especially for this time of year. The film has $97.96 million as of Friday and by the time you read this, it may have already crossed $100 million on Saturday. If it continues to show legs like this, then the film will still be in wide release on Christmas Day, which will be a boon to its box office numbers. More...

Limited and VOD Releases: Jackie Hopes O stands for Oscar

December 2nd, 2016

Jackie

There are not a lot of limited releases on this week’s list. Things to Come is earning the best reviews, but it is a foreign-language film and that will limit its box office potential. Believe is the biggest in terms of theater count, but it’s a faith-based film and there’s a chance it will open well below the Mendoza Line. On the other hand, Jackie has the best box office potential and Natalie Portman could win an Oscar for her performance. More...

2016 Preview: December

December 1st, 2016

Rogue One: A Star Wars Story

November was good, but not great. Fortunately, 2016 had a large enough lead going into November that the month only needed to be good. In fact, it could have been mediocre and 2016 would have still had an excellent shot to end the year above 2015. As for December, it’s a race between Star Wars and Star Wars. Almost no one thinks Rogue One is going to match The Force Awakens, but if Rogue One earns just half of what The Force Awakens managed, then 2016 will come out on top in the year-over-year comparison. There are only two other films with a better than 50/50 chance of hitting $100 million, Passengers and Sing. Either one could earn second place for the month, but Passengers will likely start faster. Last December, the only other film to earn more than $100 million was Daddy’s Home, which earned just a hair over $150 million. There’s a chance both Passengers and Sing will earn more than $150 million, which would be a boon to the box office. However, Star Wars: The Force Awakens was just too strong last year and it would take a miracle for 2016 to have a stronger December. That said, it would take a complete collapse for 2016 not to top 2015 in raw dollars. The growth might not be enough to keep pace with ticket price inflation, on the other hand. More...

2016 - Awards Season: Independent Spirit Awards - Nominations

November 23rd, 2016

Moonlight

The Independent Spirit Awards nominations were announced last night and thus the 2016 Awards Season begins. There were a few surprises and some snubs to discuss, but for the most part, there’s not a lot nominations that broke the established narrative. It’s because there isn’t really an established narrative. This means films that earn nominations here have a much better chance of doing well going forward and Moonlight looks like it could rise up as a result. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/01/06 24 $20,809   15 $1,387   $20,809 1
2017/01/13 14 $464,049 +2,130% 69 $6,725   $534,509 2
2017/01/20 16 $229,225 -51% 70 $3,275   $967,214 3
2017/01/27 16 $182,904 -20% 75 $2,439   $1,264,590 4
2017/02/03 14 $129,756 -29% 84 $1,545   $1,496,896 5
2017/02/10 21 $89,506 -31% 101 $886   $1,645,722 6
2017/02/17 25 $44,332 -50% 91 $487   $1,731,416 7
2017/02/24 25 $34,100 -23% 68 $501   $1,796,762 8
2017/03/03 25 $21,786 -36% 41 $531   $1,805,938 9
2017/03/10 - $5,676 -74% 34 $167   $1,814,130 10
2017/03/17 - $1,543 -73% 13 $119   $1,861,573 11
2024/03/15 - $429   2 $215   $429 376

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/10/2017 $0 0 0 0 $222,566 1/1/2019
Australia 1/6/2017 $20,809 15 101 663 $1,861,573 3/18/2024
China 1/19/2018 $193,270 0 0 0 $326,752 8/7/2018
Czech Republic 2/3/2017 $40,489 53 53 114 $99,812 1/1/2019
France 2/3/2017 $1,126,766 0 0 0 $3,187,955 6/27/2018
Italy 2/24/2017 $881,985 0 0 0 $1,947,346 3/16/2017
Lithuania 2/24/2017 $15,151 41 49 116 $59,695 7/19/2017
Netherlands 2/15/2017 $202,382 58 77 573 $1,420,530 11/3/2018
New Zealand 1/13/2017 $61,658 20 51 320 $309,056 4/3/2017
North America 12/2/2016 $278,715 5 508 3,160 $13,960,394 11/19/2018
Poland 2/3/2017 $167,625 0 0 0 $446,529 1/1/2019
Portugal 2/10/2017 $70,759 35 35 104 $209,447 3/30/2017
Russia (CIS) 2/24/2017 $292,254 265 265 440 $452,857 1/1/2019
Slovakia 3/10/2017 $4,495 18 18 30 $14,129 3/23/2017
Slovenia 2/3/2017 $19,304 23 23 36 $47,686 11/17/2017
South Korea 1/16/2017 $5,746 4 86 152 $179,542 3/6/2017
Spain 2/17/2017 $372,968 212 217 567 $866,818 3/17/2017
Turkey 1/20/2017 $36,398 23 23 55 $128,911 2/26/2019
United Kingdom 1/20/2017 $816,580 197 274 914 $3,791,389 2/15/2017
 
Rest of World $7,055,525
 
Worldwide Total$36,588,512 3/18/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Natalie Portman Jackie Kennedy

Supporting Cast

Peter Sarsgaard Bobby Kennedy
Greta Gerwig Nancy Tuckerman
Billy Crudup The Journalist
John Hurt The Priest
Richard E. Grant Bill Walton
John Carroll Lynch Lyndon B. Johnson
Beth Grant Ladybird Johnson
Caspar Phillipson JFK
Sara Verhagen Mary B. Gallagher
Julie Judd Ethel Kennedy
Max Casella Jack Valenti

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Pablo Larrain Director
Noah Oppenheim Screenwriter
Juan De Dios Larrain Producer
Darren Aronofsky Producer
Mickey Liddell Producer
Scott Franklin Producer
Ari Handel Producer
Pete Shilaimon Executive Producer
Jennifer Monroe Executive Producer
Jayne Hong Executive Producer
Josh Stern Executive Producer
Wei Han Executive Producer
Qi Lin Executive Producer
Martine Cassinelli Executive Producer
Charlie Corwin Executive Producer
Howard Owens Executive Producer
Stephane Fontaine Director of Photography
Jean Rabasse Production Designer
Madeline Fontaine Costume Designer
Sebastian Sepulveda Editor
Mica Levi Composer