A Dog’s Purpose (2017)

A Dog’s Purpose
Theatrical Performance
Domestic Box Office $64,321,890Details
International Box Office $138,733,537Details
Worldwide Box Office $203,055,427
Home Market Performance
Est. Domestic DVD Sales $12,966,901 Details
Est. Domestic Blu-ray Sales $6,597,523 Details
Total Est. Domestic Video Sales $19,564,424
Further financial details...

Synopsis

The soulful and surprising story of one devoted dog who finds the meaning of his own existence through the lives of the humans he teaches to laugh and love.

Metrics

Opening Weekend:$18,222,810 (28.3% of total gross)
Legs:3.53 (domestic box office/biggest weekend)
Domestic Share:31.7% (domestic box office/worldwide)
Production Budget:$25,000,000 (worldwide box office is 8.1 times production budget)
Theater counts:3,059 opening theaters/3,178 max. theaters, 5.7 weeks average run per theater
Infl. Adj. Dom. BO $77,300,998

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,401-1,500) 1,415 $64,321,890
All Time International Box Office (Rank 701-800) 779 $138,733,537
All Time Worldwide Box Office (Rank 901-1,000) 921 $203,055,427

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: January 27th, 2017 (Wide) by Universal
International Releases: January 20th, 2017 (Wide), released as Qua la zampa! (Italy)
January 26th, 2017 (Wide) (Brazil)
January 26th, 2017 (Wide) (Chile)
January 26th, 2017 (Wide) (Peru)
January 27th, 2017 (Wide), released as Psí poslání (Czech Republic)
... Show all releases
Video Release: April 18th, 2017 by Universal Home Entertainment
MPAA Rating: PG for thematic elements and some peril.
(Rating bulletin 2446 (Cert #50725), 10/12/2016)
Running Time: 100 minutes
Franchise: A Dog’s Purpose
Comparisons: vs. Marley & Me
Create your own comparison chart…
Keywords: Animal Lead, Talking Animals, Death of a Pet, Reincarnation, Relationships Gone Wrong, Exes in Love, Romance, Police life, Coming of Age, Voiceover/Narration, 1960s, 1980s, 2010s, 1990s, 1970s, Same Role, Multiple Actors, Family Movie, Family Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Amblin Entertainment, Reliance Entertainment, Walden Media, Pariah Productions
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Washington's Birthday (All Movies, 3-Day) 219 $5,713,775 Feb 17, 2017 24
Washington's Birthday (All Movies, 3-Day, Inflation Adjusted) 326 $7,192,933 Feb 17, 2017 24
Washington's Birthday (All Movies, 4-Day, Fri-Mon) 160 $7,472,185 Feb 17, 2017 24
Washington's Birthday (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 182 $9,406,561 Feb 17, 2017 24
Super Bowl (All Movies, 3-Day) 35 $10,509,170 Feb 3, 2017 10
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 73 $13,229,751 Feb 3, 2017 10

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 1,401-1,500) 1,415 $64,321,890
All Time Domestic Inflation Adjusted Box Office (Rank 2,201-2,300) 2,204 $77,300,998
All Time Domestic Non-Sequel Box Office (Rank 1,001-1,100) 1,044 $64,321,890
Top 2017 Movies at the Domestic Box Office 45 $64,321,890
All Time Domestic Box Office for Based on Fiction Book/Short Story Movies (Rank 301-400) 305 $64,321,890
All Time Domestic Box Office for Live Action Movies (Rank 1,101-1,200) 1,110 $64,321,890
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 601-700) 617 $64,321,890
All Time Domestic Box Office for Drama Movies (Rank 101-200) 185 $64,321,890
All Time Domestic Box Office for PG Movies (Rank 301-400) 364 $64,321,890
All Time Domestic Box Office for Universal Movies (Rank 101-200) 199 $64,321,890

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 27, 2017 2 $18,222,810   3,059 $5,957   $18,222,810 1
Feb 3, 2017 3 $10,509,170 -42% 3,178 $3,307   $32,610,435 2
Feb 10, 2017 6 $7,271,430 -31% 3,025 $2,404   $42,501,105 3
Feb 17, 2017 8 $5,713,775 -21% 2,400 $2,381   $50,829,285 4
Feb 24, 2017 12 $3,572,435 -37% 2,089 $1,710   $57,581,040 5
Mar 3, 2017 16 $1,760,665 -51% 1,494 $1,178   $60,218,235 6
Mar 10, 2017 15 $1,095,500 -38% 1,022 $1,072   $61,795,515 7
Mar 17, 2017 16 $477,890 -56% 594 $805   $62,932,920 8
Mar 24, 2017 22 $258,310 -46% 299 $864   $63,397,540 9
Mar 31, 2017 25 $132,295 -49% 189 $700   $63,665,480 10
Apr 7, 2017 28 $131,170 -1% 175 $750   $63,868,405 11
Apr 14, 2017 31 $93,325 -29% 149 $626   $64,014,900 12
Apr 21, 2017 35 $75,605 -19% 122 $620   $64,134,655 13
Apr 28, 2017 37 $74,130 -2% 123 $603   $64,230,845 14
May 5, 2017 40 $54,745 -26% 103 $532   $64,304,940 15

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 26, 2017 P $455,000     0     $455,000  
Jan 27, 2017 2 $5,281,695     3,059 $1,727   $5,281,695 1
Jan 28, 2017 2 $7,717,150 +46%   3,059 $2,523   $12,998,845 2
Jan 29, 2017 2 $5,223,965 -32%   3,059 $1,708   $18,222,810 3
Jan 30, 2017 5 $904,835 -83%   3,059 $296   $19,127,645 4
Jan 31, 2017 3 $1,360,520 +50%   3,059 $445   $20,488,165 5
Feb 1, 2017 4 $808,360 -41%   3,059 $264   $21,296,525 6
Feb 2, 2017 4 $804,740 n/c   3,059 $263   $22,101,265 7
Feb 3, 2017 4 $2,827,570 +251% -46% 3,178 $890   $24,928,835 8
Feb 4, 2017 3 $5,509,210 +95% -29% 3,178 $1,734   $30,438,045 9
Feb 5, 2017 1 $2,172,390 -61% -58% 3,178 $684   $32,610,435 10
Feb 6, 2017 5 $605,945 -72% -33% 3,178 $191   $33,216,380 11
Feb 7, 2017 4 $906,765 +50% -33% 3,178 $285   $34,123,145 12
Feb 8, 2017 4 $577,805 -36% -29% 3,178 $182   $34,700,950 13
Feb 9, 2017 4 $528,725 -8% -34% 3,178 $166   $35,229,675 14
Feb 10, 2017 6 $1,742,790 +230% -38% 3,025 $576   $36,972,465 15
Feb 11, 2017 6 $3,414,045 +96% -38% 3,025 $1,129   $40,386,510 16
Feb 12, 2017 6 $2,114,595 -38% -3% 3,025 $699   $42,501,105 17
Feb 13, 2017 7 $504,465 -76% -17% 3,025 $167   $43,005,570 18
Feb 14, 2017 7 $1,252,740 +148% +38% 3,025 $414   $44,258,310 19
Feb 15, 2017 7 $427,355 -66% -26% 3,025 $141   $44,685,665 20
Feb 16, 2017 7 $429,845 +1% -19% 3,025 $142   $45,115,510 21
Feb 17, 2017 9 $1,397,020 +225% -20% 2,400 $582   $46,512,530 22
Feb 18, 2017 8 $2,389,945 +71% -30% 2,400 $996   $48,902,475 23
Feb 19, 2017 8 $1,926,810 -19% -9% 2,400 $803   $50,829,285 24
Feb 20, 2017 7 $1,758,410 -9% +249% 2,400 $733   $52,587,695 25
Feb 21, 2017 8 $620,935 -65% -50% 2,400 $259   $53,208,630 26
Feb 22, 2017 10 $437,160 -30% +2% 2,400 $182   $53,645,790 27
Feb 23, 2017 11 $362,815 -17% -16% 2,400 $151   $54,008,605 28
Feb 24, 2017 12 $862,315 +138% -38% 2,089 $413   $54,870,920 29
Feb 25, 2017 12 $1,662,250 +93% -30% 2,089 $796   $56,533,170 30
Feb 26, 2017 10 $1,047,870 -37% -46% 2,089 $502   $57,581,040 31
Feb 27, 2017 11 $197,135 -81% -89% 2,089 $94   $57,778,175 32
Feb 28, 2017 11 $294,010 +49% -53% 2,089 $141   $58,072,185 33
Mar 1, 2017 11 $207,555 -29% -53% 2,089 $99   $58,279,740 34
Mar 2, 2017 12 $177,830 -14% -51% 2,089 $85   $58,457,570 35
Mar 3, 2017 - $381,430 +114% -56% 1,494 $255   $58,839,000 36
Mar 4, 2017 - $826,175 +117% -50% 1,494 $553   $59,665,175 37
Mar 5, 2017 15 $553,060 -33% -47% 1,494 $370   $60,218,235 38
Mar 6, 2017 - $112,915 -80% -43% 1,494 $76   $60,331,150 39
Mar 7, 2017 - $144,180 +28% -51% 1,494 $97   $60,475,330 40
Mar 8, 2017 - $110,055 -24% -47% 1,494 $74   $60,585,385 41
Mar 9, 2017 - $114,630 +4% -36% 1,494 $77   $60,700,015 42
Mar 10, 2017 - $245,905 +115% -36% 1,022 $241   $60,945,920 43
Mar 11, 2017 15 $501,280 +104% -39% 1,022 $490   $61,447,200 44
Mar 12, 2017 15 $348,315 -31% -37% 1,022 $341   $61,795,515 45
Mar 13, 2017 10 $161,405 -54% +43% 1,022 $158   $61,956,920 46
Mar 14, 2017 11 $193,905 +20% +34% 1,022 $190   $62,150,825 47
Mar 15, 2017 10 $171,165 -12% +56% 1,022 $167   $62,321,990 48
Mar 16, 2017 10 $133,040 -22% +16% 1,022 $130   $62,455,030 49
Mar 17, 2017 - $131,670 -1% -46% 594 $222   $62,586,700 50
Mar 18, 2017 - $212,490 +61% -58% 594 $358   $62,799,190 51
Mar 19, 2017 - $133,730 -37% -62% 594 $225   $62,932,920 52
Mar 20, 2017 - $44,570 -67% -72% 594 $75   $62,977,490 53
Mar 21, 2017 - $63,040 +41% -67% 594 $106   $63,040,530 54
Mar 22, 2017 - $50,795 -19% -70% 594 $86   $63,091,325 55
Mar 23, 2017 14 $47,905 -6% -64% 594 $81   $63,139,230 56
Mar 24, 2017 - $64,665 +35% -51% 299 $216   $63,203,895 57
Mar 25, 2017 - $112,845 +75% -47% 299 $377   $63,316,740 58
Mar 26, 2017 - $80,800 -28% -40% 299 $270   $63,397,540 59
Mar 27, 2017 - $32,050 -60% -28% 299 $107   $63,429,590 60
Mar 28, 2017 - $36,700 +15% -42% 299 $123   $63,466,290 61
Mar 29, 2017 - $32,890 -10% -35% 299 $110   $63,499,180 62
Mar 30, 2017 - $34,005 +3% -29% 299 $114   $63,533,185 63
Mar 31, 2017 - $40,035 +18% -38% 189 $212   $63,573,220 64
Apr 1, 2017 - $55,100 +38% -51% 189 $292   $63,628,320 65
Apr 2, 2017 - $37,160 -33% -54% 189 $197   $63,665,480 66
Apr 3, 2017 - $17,890 -52% -44% 189 $95   $63,683,370 67
Apr 4, 2017 - $19,520 +9% -47% 189 $103   $63,702,890 68
Apr 5, 2017 - $16,805 -14% -49% 189 $89   $63,719,695 69
Apr 6, 2017 - $17,540 +4% -48% 189 $93   $63,737,235 70
Apr 7, 2017 - $35,455 +102% -11% 175 $203   $63,772,690 71
Apr 8, 2017 - $58,740 +66% +7% 175 $336   $63,831,430 72
Apr 9, 2017 - $36,975 -37% n/c 175 $211   $63,868,405 73
Apr 10, 2017 - $10,290 -72% -42% 175 $59   $63,878,695 74
Apr 11, 2017 - $14,550 +41% -25% 175 $83   $63,893,245 75
Apr 12, 2017 - $12,015 -17% -29% 175 $69   $63,905,260 76
Apr 13, 2017 - $16,315 +36% -7% 175 $93   $63,921,575 77
Apr 14, 2017 - $37,970 +133% +7% 149 $255   $63,959,545 78
Apr 15, 2017 - $36,705 -3% -38% 149 $246   $63,996,250 79
Apr 16, 2017 - $18,650 -49% -50% 149 $125   $64,014,900 80
Apr 17, 2017 - $14,435 -23% +40% 149 $97   $64,029,335 81
Apr 18, 2017 - $10,365 -28% -29% 149 $70   $64,039,700 82
Apr 19, 2017 - $10,020 -3% -17% 149 $67   $64,049,720 83
Apr 20, 2017 - $9,330 -7% -43% 149 $63   $64,059,050 84
Apr 21, 2017 - $18,530 +99% -51% 122 $152   $64,077,580 85
Apr 22, 2017 - $35,015 +89% -5% 122 $287   $64,112,595 86
Apr 23, 2017 - $22,060 -37% +18% 122 $181   $64,134,655 87
Apr 24, 2017 - $4,865 -78% -66% 122 $40   $64,139,520 88
Apr 25, 2017 - $6,785 +39% -35% 122 $56   $64,146,305 89
Apr 26, 2017 - $4,940 -27% -51% 122 $40   $64,151,245 90
Apr 27, 2017 - $5,470 +11% -41% 122 $45   $64,156,715 91
Apr 28, 2017 - $17,785 +225% -4% 123 $145   $64,174,500 92
Apr 29, 2017 - $34,125 +92% -3% 123 $277   $64,208,625 93
Apr 30, 2017 - $22,220 -35% +1% 123 $181   $64,230,845 94
May 1, 2017 - $4,735 -79% -3% 123 $38   $64,235,580 95
May 2, 2017 - $5,120 +8% -25% 123 $42   $64,240,700 96
May 3, 2017 - $4,640 -9% -6% 123 $38   $64,245,340 97
May 4, 2017 - $4,855 +5% -11% 123 $39   $64,250,195 98
May 5, 2017 - $12,425 +156% -30% 103 $121   $64,262,620 99
May 6, 2017 - $25,350 +104% -26% 103 $246   $64,287,970 100
May 7, 2017 - $16,970 -33% -24% 103 $165   $64,304,940 101
May 8, 2017 - $3,550 -79% -25% 103 $34   $64,308,490 102
May 9, 2017 - $4,895 +38% -4% 103 $48   $64,313,385 103
May 10, 2017 - $3,720 -24% -20% 103 $36   $64,317,105 104
May 11, 2017 - $4,785 +29% -1% 103 $46   $64,321,890 105

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 27, 2017 2 $22,101,265   3,059 $7,225   $22,101,265 1
Feb 3, 2017 4 $13,128,410 -41% 3,178 $4,131   $35,229,675 2
Feb 10, 2017 6 $9,885,835 -25% 3,025 $3,268   $45,115,510 3
Feb 17, 2017 8 $8,893,095 -10% 2,400 $3,705   $54,008,605 4
Feb 24, 2017 11 $4,448,965 -50% 2,089 $2,130   $58,457,570 5
Mar 3, 2017 16 $2,242,445 -50% 1,494 $1,501   $60,700,015 6
Mar 10, 2017 14 $1,755,015 -22% 1,022 $1,717   $62,455,030 7
Mar 17, 2017 15 $684,200 -61% 594 $1,152   $63,139,230 8
Mar 24, 2017 20 $393,955 -42% 299 $1,318   $63,533,185 9
Mar 31, 2017 23 $204,050 -48% 189 $1,080   $63,737,235 10
Apr 7, 2017 28 $184,340 -10% 175 $1,053   $63,921,575 11
Apr 14, 2017 32 $137,475 -25% 149 $923   $64,059,050 12
Apr 21, 2017 36 $97,665 -29% 122 $801   $64,156,715 13
Apr 28, 2017 37 $93,480 -4% 123 $760   $64,250,195 14
May 5, 2017 39 $71,695 -23% 103 $696   $64,321,890 15

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 2/2/2017 $364,217 84 94 321 $1,112,812 1/1/2019
Australia 5/5/2017 $893,180 271 271 1,470 $3,383,485 10/9/2018
Brazil 1/26/2017 $839,403 0 354 656 $2,166,627 6/26/2018
Bulgaria 2/3/2017 $14,274 0 0 0 $97,056 2/26/2019
Chile 1/26/2017 $0 0 43 236 $1,304,318 12/20/2018
China 2/25/2017 $71,800 0 64,169 186,768 $88,070,000 8/25/2020
Colombia 3/9/2017 $301,605 130 130 384 $975,134 1/1/2019
Czech Republic 1/27/2017 $91,058 83 85 498 $706,511 1/1/2019
France 4/21/2017 $224,768 0 0 0 $599,584 6/27/2018
Germany 2/24/2017 $316,689 0 0 0 $1,076,869 6/29/2018
Hong Kong 8/25/2017 $153,297 21 21 33 $359,347 10/28/2018
Italy 1/20/2017 $656,076 0 2 2 $1,618,181 10/25/2018
Japan 9/29/2017 $1,900,000 240 312 1,405 $8,119,759 2/22/2018
Lithuania 2/17/2017 $3,735 6 124 449 $174,641 8/15/2018
Malaysia 2/23/2017 $133,039 40 40 151 $306,625 3/28/2017
Mexico 1/27/2017 $1,822,160 0 260 500 $6,121,126 4/12/2017
Netherlands 5/16/2017 $98,305 54 54 294 $356,561 11/2/2018
New Zealand 5/5/2017 $89,275 76 76 344 $338,609 6/26/2017
Panama 2/2/2017 $253,752 108 108 262 $652,766 1/1/2019
Peru 1/26/2017 $0 0 76 276 $2,425,329 1/1/2019
Philippines 3/1/2017 $348,888 137 137 159 $489,481 12/20/2018
Poland 2/17/2017 $442,230 0 0 0 $2,647,461 1/1/2019
Portugal 4/7/2017 $52,661 39 40 126 $167,967 5/18/2017
Russia (CIS) 3/31/2017 $815,027 454 454 1,415 $1,917,076 1/1/2019
Singapore 3/2/2017 $228,386 28 28 95 $502,889 5/4/2017
Slovakia 2/3/2017 $96,750 66 66 221 $323,082 6/12/2017
South Korea 11/7/2018 $0 0 170 431 $647,439 5/27/2020
Spain 10/6/2017 $248,569 193 193 834 $923,194 10/30/2018
Taiwan 2/24/2017 $716,838 81 87 316 $2,236,101 4/12/2017
Thailand 3/2/2017 $67,980 43 43 98 $149,199 3/28/2017
United Kingdom 5/5/2017 $1,683,627 502 502 2,364 $3,931,150 8/2/2017
Venezuela 2/3/2017 $54,648 56 62 471 $677,887 5/12/2017
 
Rest of World $4,155,271
 
International Total$138,733,537 8/25/2020

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 701-800) 779 $138,733,537
All Time International Non-Sequel Box Office (Rank 401-500) 490 $138,733,537
Top 2017 Movies at the International Box Office 45 $138,733,537
All Time International Box Office for Based on Fiction Book/Short Story Movies (Rank 101-200) 166 $138,733,537
All Time International Box Office for Live Action Movies (Rank 501-600) 512 $138,733,537
All Time International Box Office for Contemporary Fiction Movies (Rank 201-300) 239 $138,733,537
All Time International Box Office for Drama Movies 88 $138,733,537
All Time International Box Office for PG Movies (Rank 101-200) 189 $138,733,537
All Time International Box Office for Universal Movies 95 $138,733,537

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 901-1,000) 921 $203,055,427
All Time Worldwide Non-Sequel Box Office (Rank 601-700) 614 $203,055,427
Top 2017 Movies at the Worldwide Box Office 47 $203,055,427
All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies (Rank 101-200) 197 $203,055,427
All Time Worldwide Box Office for Live Action Movies (Rank 601-700) 639 $203,055,427
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 301-400) 315 $203,055,427
All Time Worldwide Box Office for Drama Movies (Rank 101-200) 112 $203,055,427
All Time Worldwide Box Office for PG Movies (Rank 201-300) 221 $203,055,427
All Time Worldwide Box Office for Universal Movies (Rank 101-200) 127 $203,055,427

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
May 7, 20171158,137 158,137$2,840,141$2,840,1413
May 14, 2017284,594-47% 242,731$1,519,308$4,359,4494
May 21, 2017439,267-54% 281,998$699,738$5,059,1875
May 28, 2017917,471-56% 299,469$297,182$5,356,3696
Jun 4, 20171118,630+7% 318,099$316,524$5,672,8937
Jun 11, 20171512,441-33% 330,540$209,631$5,882,5248
Jun 18, 20172311,499-8% 342,039$190,768$6,073,2929
Jun 25, 2017229,818-15% 351,857$164,059$6,237,35110
Jul 2, 2017248,116-17% 359,973$122,552$6,359,90311
Jul 9, 20172110,741+32% 370,714$138,022$6,497,92512
Jul 16, 2017227,037-34% 377,751$88,807$6,586,73213
Jul 23, 20171215,268+117% 393,019$153,901$6,740,63314
Jul 30, 2017149,997-35% 403,016$105,068$6,845,70115
Aug 6, 2017239,379-6% 412,395$103,544$6,949,24516
Aug 13, 2017277,835-16% 420,230$90,729$7,039,97417
Dec 10, 20172319,928 540,647$256,075$8,579,73434
Apr 21, 20192913,083 809,059$91,581$11,197,294105
May 12, 2019307,108 827,609$35,469$11,300,278108
May 19, 2019295,501-23% 833,110$27,450$11,327,728109
Jun 9, 2019247,993 854,567$45,160$11,440,073112
Jul 7, 2019206,859 886,115$34,226$11,597,496116

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
May 7, 20171121,734 121,734$2,429,811$2,429,8113
May 14, 2017361,675-49% 183,409$1,231,654$3,661,4654
May 21, 2017624,236-61% 207,645$483,984$4,145,4495
May 28, 20171111,780-51% 219,425$235,122$4,380,5716
Jun 4, 20171211,317-4% 230,742$225,878$4,606,4497
Jun 11, 2017209,170-19% 239,912$175,703$4,782,1528

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Josh Gad Bailey/Buddy/Tino/Ellie

Supporting Cast

Britt Robertson Teen Hannah
K.J. Apa Teen Ethan
John Ortiz Carlos
Dennis Quaid Adult Ethan
Peggy Lipton Adult Hannah
Bryce Gheisar Ethan (8 Years Old)
Juliet Rylance Ethan’s Mom
Luke Kirby Ethan’s Dad
Gabrielle Rose Grandma Fran
Michael Bofshever Grandpa Bill
Logan Miller Todd
Kirby Howell-Baptiste Maya
Pooch Hall Al
Nicole Laplaca Wendi
Primo Allon Victor
Peter Kelamis Dad’s Boss
Caroline Cave Boss’ Wife
Jane McGregor Rachel
Robert Mann Delivery Workman
Ron Verwymeren Delivery Workman
David J. Lyle Country Vet
Kelly-Ruth Mercier Atlanta Vet
Cory Wojcik Puppy Mill Owner
Ross Douglas Noble Puppy Mill Customer
Andrew W. Nolan Football Coach
Jordan Butterill Teammate
John C. McDonald Teammate
Kwesi Ameyaw Cop
Dean Monroe McKenzie Detective
Michael Patric Sam
Brent Holtzman Police Captain
Paul Jarrett Police Lieutenant
Christopher Pearce Policeman
Violet Haas Elderly Woman
Darcy Higginbotham Farmhand
Denesha Lee Animal Control Officer
Kalyn Bomback Animal Control Yolanda
Dan De Jaeger Father at Shelter
Anita Daher Mother at Shelter
Reine Lecuyer Daughter at Shelter
Rayna Ens-Armstrong Daughter at Shelter
Mackenzie Thornton Tweener Girl
Avery Thompson Tweener Girl
Aidan Ritchie Ambulance Attendant
Brooke Warrington Bree (7 Years Old)
Kenyan Alexander Walcott Ty (5 Years Old)
Treyton Augustus Walcott Richie (4 Years Old)
John Bluethner Professor
James Janssens Alzheimer’s Patient
Paul Griggs Hot Dog Vendor
Grant Burr Hardware Store Clerk
Tom Young Hardware Store Employee
Ronald Boyd Johnson Neighbor
Alicia Johnston Hysterical Mother
Chris Webb Kidnapper
Naomi Frenette Kidnapped Girl

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lasse Hallström Director
Bruce W. Cameron Screenwriter
Cathryn Michon Screenwriter
Audrey Wells Screenwriter
Maya Forbes Screenwriter
Wally Wolodarsky Screenwriter
Bruce W. Cameron Story based on the Novel by
Gavin Polone Producer
Alan C. Blomquist Executive Producer
Mark Sourian Executive Producer
Lauren Pfeiffer Executive Producer
Michael Carlin Production Designer
Robert Leighton Editor
Rachel Portman Composer
Terry Stacey Director of Photography
Shay Cunliffe Costume Designer
Liza Richardson Music Supervisor
John Papsidera Casting Director
Alan C. Blomquist Unit Production Manager
Lesley Oswald Unit Production Manager
Stephen P. Dunn First Assistant Director
Martin Ellis Second Assistant Director
Holly Bario Co-Producer
Kim Todd Co-Producer
Lesley Oswald Co-Producer
Brendan Taylor Visual Effects Supervisor
Skip Lievsay Re-recording Mixer
Lawrence Zipf Re-recording Mixer
Michael Barry Additional Sound Re-recording Mixer
Eliza Paley Supervising Sound Editor
Rejean Labrie Supervising Art Director
Larry Spittle Art Director
Craig Sandells Set Decorator
Leon Johnson Sound Mixer
Tony Kenny Special Effects Coordinator
Tim Freestone Special Effects Coordinator
Valerie Laven-Cooper Costume Supervisor
Doug Morrow Make up
Pina Robinson Hairstylist
Alanna Mills Script Supervisor
Cathie Edgar Location Manager
Cliff Sumter Location Manager
Leslee Feldman Additional Casting-Casting Executive
Kim Winther Additional Casting-Casting Associate
Deanna Brigidi-Stewart Additional Casting-Casting Assistant
Brendan Taylor Second Unit Director
Mark Graziano Post-Production Executive
Alison Beckett Post-Production Supervisor
Brad Rohrer Post-Production Supervisor
Corinne Villa First Assistant Editor
Danny Miller Assistant Editor
Timothy Feeley Assistant Editor
Gregg London Additional Editor
Mariusz Glabinski Sound Designer
Lidia Tamplenizza Sound Editor
Michael Feuser Sound Editor
Heather Gross Sound Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 2nd, 2017

May 2nd, 2017

The Red Turtle

We are officially in the worst time of year on the home market. The last of the major Awards Season players have already come out, but it is still too early for the Spring hits to be released. The competition from May Sweeps and the start of the Summer Blockbuster Season means there’s not a lot here that’s going to do well in DVD / Blu-ray sales. Ironically, the lack of a major release means there are a lot of smaller releases that are competing for Pick of the Week, many of which would be lost in the crowd during a busier time of year. This includes I Am Not Your Negro, The Salesman, Real Genius, and Seven Days in May. In the end, I went with The Red Turtle on DVD or Blu-ray as the Pick of the Week. In the meanwhile, Spacehunter: Adventures in the Forbidden Zone on Blu-ray gets the Puck of the Week honor, as the “best” Canadian release of the week. I just wish it were coming out in 3D. More...

Home Market Releases for April 18th, 2017

April 18th, 2017

MST3K

We are entering the worst time of the year on the home market. There’s only a trickle of last year’s Awards Season contenders left to deal with, while it is way too early for the major spring releases to come out on DVD / Blu-ray. There are some classic titles that are on this list, like Donnie Darko: 15th Anniversary Limited Edition or Ocean Waves Blu-ray Combo Pack. However, the Pick of the Week isn’t either of these titles, but MST3K: Season 11, which you can watch on Netflix right now. More...

International Box Office: Beast Mode Engaged as Beauty earns $180.0 million

March 22nd, 2017

Beauty and the Beast

Beauty and the Beast dominated the international chart even more than it dominated the domestic one earning $180.0 million in 44 markets. The film’s worldwide opening was the second best for March, behind only Batman v Superman: Dawn of Justice; however, BvS opened truly worldwide, while Beauty and the Beast only opened in about two thirds of the international market. Unsurprisingly, the film’s biggest single market was China, where it pulled in $44.72 million over the weekend, $45.01 million including Thursday’s previews. It was also a monster hit in the U.K., where it earned $24.37 million in 567 theaters, which was the biggest March opening of all time in that market. The next biggest market was South Korea with $10.68 million on 1,625 screens over the weekend and $11.88 million in total. It also cracked $10 million in Mexico ($11.6 million); Germany ($10.7 million), and Brazil ($10.4 million). At this point, getting to $1 billion worldwide seems like a safe bet, especially with openings in France, Australia, Japan, and other markets left to go. We will of course track its progress there. More...

International Box Office: Kong Just as Tall on the International Chart with $81.6 million

March 16th, 2017

Kong: Skull Island

Kong: Skull Island opened in first place on the international chart with $85.1 million in 65 markets, which is more than $3 million higher than Sunday’s estimates. The film’s biggest market was the U.K., where it earned $7.58 million in 567 theaters. It also did well in Mexico ($5.58 million); in Russia ($4.87 million on 1,283 screens); and in Australia ($3.55 million on 523). Impressively, the film broke the record for biggest opening in Vietnam with $2.2 million on 377 screens. More...

International Box Office: Logan Scored Nearly $250 million Worldwide in Opening Weekend

March 8th, 2017

Logan

Logan dominated the international box office chart with $152.7 million in 81 markets for a worldwide opening of $240.9 million. This is almost twice as much as the film cost to make, so it has nearly paid for its entire production budget during the film’s opening weekend. Assuming it has any legs, it will break even before it reaches the home market. China was the biggest single market, as it earned $45.60 million over the weekend for a total opening of $46.38 million, including Thursday previews. The U.K. was well back with an opening of $11.48 million in 602 theaters. Up next is Brazil, which earned $8.2 million, while the film had a total opening of $8.16 million on 954 screens in South Korea, while it earned $8.02 million on 1,200 screens in Russia. The film doesn’t open in Japan until June and it could have over $500 million worldwide by then. More...

Weekend Wrap-Up: Split Scores Another Touchdown with $14.42 million

February 7th, 2017

Split

As expected, Split earned first place over the weekend with $14.42 million. That’s not bad for Super Bowl weekend. In fact, the overall depth was better than expected, not that you could tell from the week-over-week decline. The overall box office fell 31% to just $98 million. However, this was still 2.5% better than the same weekend last year. That’s a surprise victory. Granted, 2017 is still behind 2016 by 5.1% at $1.06 billion to $1.12 billion, but every little victory helps. More...

Weekend Estimates: Split Wins Third Weekend

February 5th, 2017

Split

Rings managed to win on Friday, but the weekend as a whole will belong to Split, which is expected to top the chart with $14.6 million, according to Universal’s Sunday morning projection. Rings will finish second with $13 million or so, and A Dog’s Purpose will win Sunday (making this a rare weekend where three different films will top the daily chart) to finish the weekend with $10.8 million, and $32.9 million to date. More...

Friday Estimates: Rings Wins Friday with $5.2 million, Split will Repeat over Weekend

February 4th, 2017

Rings

It will be a close race this weekend with Rings topping the chart on Friday with $5.6 million, putting it just ahead of Split … for now. Its word-of-mouth is terrible. It did get its first positive review, but its Tomatometer Score is just 6% positive, while it earned a C minus from CinemaScore. On the positive side, overall this is actually better than predicted, and it looks like it will earn close to $14 million, instead of just under $13 million. More...

Weekend Predictions: Will Split Be Separated from the Top Spot?

February 2nd, 2017

Rings

The new releases this week are not strong, so we could see Split remain on top for the third weekend in a row. Rings should at least be in a fight for first place, if it just does as well as Resident Evil: The Final Chapter did last weekend. On the other hand, The Space Between Us is being eviscerated by the critics and it really needed good word of mouth to thrive. If it opens in the top five, I will be impressed. This weekend last year, Hail, Caesar! was the number one new release and it earned just $11.36 million. Rings should top that. Unfortunately, the number one film was Kung Fu Panda 3, which earned more than than $20 million. There’s no way Split will match that, so 2017 is going to lose in the year-over-year competition. More...

Weekend Wrap-Up: Split Outnumbers the Competition with $25.66 million

January 31st, 2017

Split

It was a surprisingly strong weekend at the box office, no thanks to the new releases. Split easily won with $25.66 million over the weekend, well ahead of A Dog’s Purpose, which earned second place with $18.22 million. Resident Evil: The Final Chapter got off to a fast start, but collapsed over the rest of the weekend. Finally, the less said about Gold the better. Overall, the box office was really strong with $141 million. Granted, this was 2.5% lower than last week, but it was 1.3% better than the same weekend last year. This growth is entirely due to Split’s hold plus the Oscar bounce a number of films got. Year-to-date, 2017 has earned $929 million, which is 4.7% lower than last year’s pace of $975 million. It is still too soon to make any real predictions for 2017’s long term success. That said, 2017 did cut into 2016’s lead and it is now down by $46 million or 4.7%. More...

Weekend Estimates: Split Retains Box Office Crown with Big Second Weekend

January 29th, 2017

Split

An impressive decline of 34% in its second weekend and a crop of middling to poor performances by new releases will be enough to keep Split safely at the top of the box office chart this weekend. With Universal projecting $26.3 million for the weekend as of Sunday morning, Split is well ahead of the studio’s new release, A Dog’s Purpose, which will come in with around $18.4 million. Split will finish the weekend with around $78 million in total. More...

Friday Estimates: Dog Doesn’t Have Universal Appeal

January 28th, 2017

A Dog’s Purpose

Friday was the beginning of a good weekend for Universal, but it wasn’t a good day for the box office as a whole, as two of the three new wide releases struggled. Split was down just 46% when compared to last Friday and earned $7.9 million. Assuming it acts like, well, practically every film ever made, it will have an even better Saturday and that puts it on pace to earn about $25 million over the weekend. It will top $100 million during the first weekend of February and will still be in wide release over Presidents’ Day long weekend. This is fantastic news for the studio. More...

Thursday Night Previews: Resident Moves into Theaters with $1 million in Previews - Update

January 27th, 2017

Resident Evil: The Final Chapter

Resident Evil: The Final Chapter opened with $1 million in previews on Thursday, easily topping the competition. It was only half as much as Split managed last weekend, but if The Final Chapter earned half as much during its opening weekend, the studio would be very happy. That seems unlikely, as this is the latest installment in a franchise, so it should be more front-loaded as a result. Additionally, its reviews are much weaker than Split’s are, so the word of mouth won’t be as strong. That said, we predicted just over $17 million and we’re sticking with that for now. More...

Weekend Predictions: Will Final Come in First? Or will Dog Find a Purpose?

January 26th, 2017

Resident Evil: The Final Chapter

It is not a good week at the box office. There are two films opening at saturation level theaters counts, 3,000 or more theaters, and both have a shot at first place. A Dog’s Purpose was expected to win with relative ease, but recent controversy, and weak reviews, have put that in doubt. This leaves an opening for Resident Evil: The Final Chapter to squeak out a win. However, it will be dealing with direct competition and that’s going to hurt. Finally there’s Gold, which is barely opening truly wide and is just hoping for a spot in the top ten. This weekend last year, Kung Fu Panda 3 opened with just over $40 million. This could be more than all three wide releases open with this weekend. 2017 does have better depth, but it won’t be enough to win in the year-over-year comparison. More...

Contest: Prizes, Evil Prizes

January 20th, 2017

Resident Evil: The Final Chapter

I thought A Dog’s Purpose would have a real shot at first place next weekend, but ... oh boy. If you haven’t seen the video supposed taken on the set yet, it’s tough to watch. It is also by PETA and released by TMZ, so I’m not 100% convinced it is legit. Those are two organizations I don’t trust. (Personally, I give to the local branch of the SPCA. Also, when you donate to charities like this, do NOT tell them what to do with the money. A lot of people do and they have to follow these requests and this results in popular programs being over-funded and less glamorous programs going under-funded.) Because of this video, there is talk of a boycott and that could really hurt its box office numbers. This leaves Resident Evil: The Final Chapter as the safe choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Resident Evil: The Final Chapter.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

A Dog’s Purpose Trailer

January 2nd, 2017

Drama starring Josh Gad, directed by Lasse Hallström opens January 27 ... Full Movie Details. More...

2017 Preview: January

January 1st, 2017

xXx: Return of Xander Cage

December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The soulful and surprising story of one devoted dog who finds the meaning of his own existence through the lives of the humans he teaches to laugh and love.

Metrics

Opening Weekend:$18,222,810 (28.3% of total gross)
Legs:3.53 (domestic box office/biggest weekend)
Domestic Share:31.7% (domestic box office/worldwide)
Production Budget:$25,000,000 (worldwide box office is 8.1 times production budget)
Theater counts:3,059 opening theaters/3,178 max. theaters, 5.7 weeks average run per theater
Infl. Adj. Dom. BO $77,300,998

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 1,401-1,500) 1,415 $64,321,890
All Time International Box Office (Rank 701-800) 779 $138,733,537
All Time Worldwide Box Office (Rank 901-1,000) 921 $203,055,427

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: January 27th, 2017 (Wide) by Universal
International Releases: January 20th, 2017 (Wide), released as Qua la zampa! (Italy)
January 26th, 2017 (Wide) (Brazil)
January 26th, 2017 (Wide) (Chile)
January 26th, 2017 (Wide) (Peru)
January 27th, 2017 (Wide), released as Psí poslání (Czech Republic)
... Show all releases
Video Release: April 18th, 2017 by Universal Home Entertainment
MPAA Rating: PG for thematic elements and some peril.
(Rating bulletin 2446 (Cert #50725), 10/12/2016)
Running Time: 100 minutes
Franchise: A Dog’s Purpose
Comparisons: vs. Marley & Me
Create your own comparison chart…
Keywords: Animal Lead, Talking Animals, Death of a Pet, Reincarnation, Relationships Gone Wrong, Exes in Love, Romance, Police life, Coming of Age, Voiceover/Narration, 1960s, 1980s, 2010s, 1990s, 1970s, Same Role, Multiple Actors, Family Movie, Family Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Amblin Entertainment, Reliance Entertainment, Walden Media, Pariah Productions
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Washington's Birthday (All Movies, 3-Day) 219 $5,713,775 Feb 17, 2017 24
Washington's Birthday (All Movies, 3-Day, Inflation Adjusted) 326 $7,192,933 Feb 17, 2017 24
Washington's Birthday (All Movies, 4-Day, Fri-Mon) 160 $7,472,185 Feb 17, 2017 24
Washington's Birthday (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 182 $9,406,561 Feb 17, 2017 24
Super Bowl (All Movies, 3-Day) 35 $10,509,170 Feb 3, 2017 10
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 73 $13,229,751 Feb 3, 2017 10

Leading Cast

Josh Gad Bailey/Buddy/Tino/Ellie

Supporting Cast

Britt Robertson Teen Hannah
K.J. Apa Teen Ethan
John Ortiz Carlos
Dennis Quaid Adult Ethan
Peggy Lipton Adult Hannah
Bryce Gheisar Ethan (8 Years Old)
Juliet Rylance Ethan’s Mom
Luke Kirby Ethan’s Dad
Gabrielle Rose Grandma Fran
Michael Bofshever Grandpa Bill
Logan Miller Todd
Kirby Howell-Baptiste Maya
Pooch Hall Al
Nicole Laplaca Wendi
Primo Allon Victor
Peter Kelamis Dad’s Boss
Caroline Cave Boss’ Wife
Jane McGregor Rachel
Robert Mann Delivery Workman
Ron Verwymeren Delivery Workman
David J. Lyle Country Vet
Kelly-Ruth Mercier Atlanta Vet
Cory Wojcik Puppy Mill Owner
Ross Douglas Noble Puppy Mill Customer
Andrew W. Nolan Football Coach
Jordan Butterill Teammate
John C. McDonald Teammate
Kwesi Ameyaw Cop
Dean Monroe McKenzie Detective
Michael Patric Sam
Brent Holtzman Police Captain
Paul Jarrett Police Lieutenant
Christopher Pearce Policeman
Violet Haas Elderly Woman
Darcy Higginbotham Farmhand
Denesha Lee Animal Control Officer
Kalyn Bomback Animal Control Yolanda
Dan De Jaeger Father at Shelter
Anita Daher Mother at Shelter
Reine Lecuyer Daughter at Shelter
Rayna Ens-Armstrong Daughter at Shelter
Mackenzie Thornton Tweener Girl
Avery Thompson Tweener Girl
Aidan Ritchie Ambulance Attendant
Brooke Warrington Bree (7 Years Old)
Kenyan Alexander Walcott Ty (5 Years Old)
Treyton Augustus Walcott Richie (4 Years Old)
John Bluethner Professor
James Janssens Alzheimer’s Patient
Paul Griggs Hot Dog Vendor
Grant Burr Hardware Store Clerk
Tom Young Hardware Store Employee
Ronald Boyd Johnson Neighbor
Alicia Johnston Hysterical Mother
Chris Webb Kidnapper
Naomi Frenette Kidnapped Girl

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lasse Hallström Director
Bruce W. Cameron Screenwriter
Cathryn Michon Screenwriter
Audrey Wells Screenwriter
Maya Forbes Screenwriter
Wally Wolodarsky Screenwriter
Bruce W. Cameron Story based on the Novel by
Gavin Polone Producer
Alan C. Blomquist Executive Producer
Mark Sourian Executive Producer
Lauren Pfeiffer Executive Producer
Michael Carlin Production Designer
Robert Leighton Editor
Rachel Portman Composer
Terry Stacey Director of Photography
Shay Cunliffe Costume Designer
Liza Richardson Music Supervisor
John Papsidera Casting Director
Alan C. Blomquist Unit Production Manager
Lesley Oswald Unit Production Manager
Stephen P. Dunn First Assistant Director
Martin Ellis Second Assistant Director
Holly Bario Co-Producer
Kim Todd Co-Producer
Lesley Oswald Co-Producer
Brendan Taylor Visual Effects Supervisor
Skip Lievsay Re-recording Mixer
Lawrence Zipf Re-recording Mixer
Michael Barry Additional Sound Re-recording Mixer
Eliza Paley Supervising Sound Editor
Rejean Labrie Supervising Art Director
Larry Spittle Art Director
Craig Sandells Set Decorator
Leon Johnson Sound Mixer
Tony Kenny Special Effects Coordinator
Tim Freestone Special Effects Coordinator
Valerie Laven-Cooper Costume Supervisor
Doug Morrow Make up
Pina Robinson Hairstylist
Alanna Mills Script Supervisor
Cathie Edgar Location Manager
Cliff Sumter Location Manager
Leslee Feldman Additional Casting-Casting Executive
Kim Winther Additional Casting-Casting Associate
Deanna Brigidi-Stewart Additional Casting-Casting Assistant
Brendan Taylor Second Unit Director
Mark Graziano Post-Production Executive
Alison Beckett Post-Production Supervisor
Brad Rohrer Post-Production Supervisor
Corinne Villa First Assistant Editor
Danny Miller Assistant Editor
Timothy Feeley Assistant Editor
Gregg London Additional Editor
Mariusz Glabinski Sound Designer
Lidia Tamplenizza Sound Editor
Michael Feuser Sound Editor
Heather Gross Sound Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 2nd, 2017

May 2nd, 2017

The Red Turtle

We are officially in the worst time of year on the home market. The last of the major Awards Season players have already come out, but it is still too early for the Spring hits to be released. The competition from May Sweeps and the start of the Summer Blockbuster Season means there’s not a lot here that’s going to do well in DVD / Blu-ray sales. Ironically, the lack of a major release means there are a lot of smaller releases that are competing for Pick of the Week, many of which would be lost in the crowd during a busier time of year. This includes I Am Not Your Negro, The Salesman, Real Genius, and Seven Days in May. In the end, I went with The Red Turtle on DVD or Blu-ray as the Pick of the Week. In the meanwhile, Spacehunter: Adventures in the Forbidden Zone on Blu-ray gets the Puck of the Week honor, as the “best” Canadian release of the week. I just wish it were coming out in 3D. More...

Home Market Releases for April 18th, 2017

April 18th, 2017

MST3K

We are entering the worst time of the year on the home market. There’s only a trickle of last year’s Awards Season contenders left to deal with, while it is way too early for the major spring releases to come out on DVD / Blu-ray. There are some classic titles that are on this list, like Donnie Darko: 15th Anniversary Limited Edition or Ocean Waves Blu-ray Combo Pack. However, the Pick of the Week isn’t either of these titles, but MST3K: Season 11, which you can watch on Netflix right now. More...

International Box Office: Beast Mode Engaged as Beauty earns $180.0 million

March 22nd, 2017

Beauty and the Beast

Beauty and the Beast dominated the international chart even more than it dominated the domestic one earning $180.0 million in 44 markets. The film’s worldwide opening was the second best for March, behind only Batman v Superman: Dawn of Justice; however, BvS opened truly worldwide, while Beauty and the Beast only opened in about two thirds of the international market. Unsurprisingly, the film’s biggest single market was China, where it pulled in $44.72 million over the weekend, $45.01 million including Thursday’s previews. It was also a monster hit in the U.K., where it earned $24.37 million in 567 theaters, which was the biggest March opening of all time in that market. The next biggest market was South Korea with $10.68 million on 1,625 screens over the weekend and $11.88 million in total. It also cracked $10 million in Mexico ($11.6 million); Germany ($10.7 million), and Brazil ($10.4 million). At this point, getting to $1 billion worldwide seems like a safe bet, especially with openings in France, Australia, Japan, and other markets left to go. We will of course track its progress there. More...

International Box Office: Kong Just as Tall on the International Chart with $81.6 million

March 16th, 2017

Kong: Skull Island

Kong: Skull Island opened in first place on the international chart with $85.1 million in 65 markets, which is more than $3 million higher than Sunday’s estimates. The film’s biggest market was the U.K., where it earned $7.58 million in 567 theaters. It also did well in Mexico ($5.58 million); in Russia ($4.87 million on 1,283 screens); and in Australia ($3.55 million on 523). Impressively, the film broke the record for biggest opening in Vietnam with $2.2 million on 377 screens. More...

International Box Office: Logan Scored Nearly $250 million Worldwide in Opening Weekend

March 8th, 2017

Logan

Logan dominated the international box office chart with $152.7 million in 81 markets for a worldwide opening of $240.9 million. This is almost twice as much as the film cost to make, so it has nearly paid for its entire production budget during the film’s opening weekend. Assuming it has any legs, it will break even before it reaches the home market. China was the biggest single market, as it earned $45.60 million over the weekend for a total opening of $46.38 million, including Thursday previews. The U.K. was well back with an opening of $11.48 million in 602 theaters. Up next is Brazil, which earned $8.2 million, while the film had a total opening of $8.16 million on 954 screens in South Korea, while it earned $8.02 million on 1,200 screens in Russia. The film doesn’t open in Japan until June and it could have over $500 million worldwide by then. More...

Weekend Wrap-Up: Split Scores Another Touchdown with $14.42 million

February 7th, 2017

Split

As expected, Split earned first place over the weekend with $14.42 million. That’s not bad for Super Bowl weekend. In fact, the overall depth was better than expected, not that you could tell from the week-over-week decline. The overall box office fell 31% to just $98 million. However, this was still 2.5% better than the same weekend last year. That’s a surprise victory. Granted, 2017 is still behind 2016 by 5.1% at $1.06 billion to $1.12 billion, but every little victory helps. More...

Weekend Estimates: Split Wins Third Weekend

February 5th, 2017

Split

Rings managed to win on Friday, but the weekend as a whole will belong to Split, which is expected to top the chart with $14.6 million, according to Universal’s Sunday morning projection. Rings will finish second with $13 million or so, and A Dog’s Purpose will win Sunday (making this a rare weekend where three different films will top the daily chart) to finish the weekend with $10.8 million, and $32.9 million to date. More...

Friday Estimates: Rings Wins Friday with $5.2 million, Split will Repeat over Weekend

February 4th, 2017

Rings

It will be a close race this weekend with Rings topping the chart on Friday with $5.6 million, putting it just ahead of Split … for now. Its word-of-mouth is terrible. It did get its first positive review, but its Tomatometer Score is just 6% positive, while it earned a C minus from CinemaScore. On the positive side, overall this is actually better than predicted, and it looks like it will earn close to $14 million, instead of just under $13 million. More...

Weekend Predictions: Will Split Be Separated from the Top Spot?

February 2nd, 2017

Rings

The new releases this week are not strong, so we could see Split remain on top for the third weekend in a row. Rings should at least be in a fight for first place, if it just does as well as Resident Evil: The Final Chapter did last weekend. On the other hand, The Space Between Us is being eviscerated by the critics and it really needed good word of mouth to thrive. If it opens in the top five, I will be impressed. This weekend last year, Hail, Caesar! was the number one new release and it earned just $11.36 million. Rings should top that. Unfortunately, the number one film was Kung Fu Panda 3, which earned more than than $20 million. There’s no way Split will match that, so 2017 is going to lose in the year-over-year competition. More...

Weekend Wrap-Up: Split Outnumbers the Competition with $25.66 million

January 31st, 2017

Split

It was a surprisingly strong weekend at the box office, no thanks to the new releases. Split easily won with $25.66 million over the weekend, well ahead of A Dog’s Purpose, which earned second place with $18.22 million. Resident Evil: The Final Chapter got off to a fast start, but collapsed over the rest of the weekend. Finally, the less said about Gold the better. Overall, the box office was really strong with $141 million. Granted, this was 2.5% lower than last week, but it was 1.3% better than the same weekend last year. This growth is entirely due to Split’s hold plus the Oscar bounce a number of films got. Year-to-date, 2017 has earned $929 million, which is 4.7% lower than last year’s pace of $975 million. It is still too soon to make any real predictions for 2017’s long term success. That said, 2017 did cut into 2016’s lead and it is now down by $46 million or 4.7%. More...

Weekend Estimates: Split Retains Box Office Crown with Big Second Weekend

January 29th, 2017

Split

An impressive decline of 34% in its second weekend and a crop of middling to poor performances by new releases will be enough to keep Split safely at the top of the box office chart this weekend. With Universal projecting $26.3 million for the weekend as of Sunday morning, Split is well ahead of the studio’s new release, A Dog’s Purpose, which will come in with around $18.4 million. Split will finish the weekend with around $78 million in total. More...

Friday Estimates: Dog Doesn’t Have Universal Appeal

January 28th, 2017

A Dog’s Purpose

Friday was the beginning of a good weekend for Universal, but it wasn’t a good day for the box office as a whole, as two of the three new wide releases struggled. Split was down just 46% when compared to last Friday and earned $7.9 million. Assuming it acts like, well, practically every film ever made, it will have an even better Saturday and that puts it on pace to earn about $25 million over the weekend. It will top $100 million during the first weekend of February and will still be in wide release over Presidents’ Day long weekend. This is fantastic news for the studio. More...

Thursday Night Previews: Resident Moves into Theaters with $1 million in Previews - Update

January 27th, 2017

Resident Evil: The Final Chapter

Resident Evil: The Final Chapter opened with $1 million in previews on Thursday, easily topping the competition. It was only half as much as Split managed last weekend, but if The Final Chapter earned half as much during its opening weekend, the studio would be very happy. That seems unlikely, as this is the latest installment in a franchise, so it should be more front-loaded as a result. Additionally, its reviews are much weaker than Split’s are, so the word of mouth won’t be as strong. That said, we predicted just over $17 million and we’re sticking with that for now. More...

Weekend Predictions: Will Final Come in First? Or will Dog Find a Purpose?

January 26th, 2017

Resident Evil: The Final Chapter

It is not a good week at the box office. There are two films opening at saturation level theaters counts, 3,000 or more theaters, and both have a shot at first place. A Dog’s Purpose was expected to win with relative ease, but recent controversy, and weak reviews, have put that in doubt. This leaves an opening for Resident Evil: The Final Chapter to squeak out a win. However, it will be dealing with direct competition and that’s going to hurt. Finally there’s Gold, which is barely opening truly wide and is just hoping for a spot in the top ten. This weekend last year, Kung Fu Panda 3 opened with just over $40 million. This could be more than all three wide releases open with this weekend. 2017 does have better depth, but it won’t be enough to win in the year-over-year comparison. More...

Contest: Prizes, Evil Prizes

January 20th, 2017

Resident Evil: The Final Chapter

I thought A Dog’s Purpose would have a real shot at first place next weekend, but ... oh boy. If you haven’t seen the video supposed taken on the set yet, it’s tough to watch. It is also by PETA and released by TMZ, so I’m not 100% convinced it is legit. Those are two organizations I don’t trust. (Personally, I give to the local branch of the SPCA. Also, when you donate to charities like this, do NOT tell them what to do with the money. A lot of people do and they have to follow these requests and this results in popular programs being over-funded and less glamorous programs going under-funded.) Because of this video, there is talk of a boycott and that could really hurt its box office numbers. This leaves Resident Evil: The Final Chapter as the safe choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Resident Evil: The Final Chapter.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

A Dog’s Purpose Trailer

January 2nd, 2017

Drama starring Josh Gad, directed by Lasse Hallström opens January 27 ... Full Movie Details. More...

2017 Preview: January

January 1st, 2017

xXx: Return of Xander Cage

December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 1,401-1,500) 1,415 $64,321,890
All Time Domestic Inflation Adjusted Box Office (Rank 2,201-2,300) 2,204 $77,300,998
All Time Domestic Non-Sequel Box Office (Rank 1,001-1,100) 1,044 $64,321,890
Top 2017 Movies at the Domestic Box Office 45 $64,321,890
All Time Domestic Box Office for Based on Fiction Book/Short Story Movies (Rank 301-400) 305 $64,321,890
All Time Domestic Box Office for Live Action Movies (Rank 1,101-1,200) 1,110 $64,321,890
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 601-700) 617 $64,321,890
All Time Domestic Box Office for Drama Movies (Rank 101-200) 185 $64,321,890
All Time Domestic Box Office for PG Movies (Rank 301-400) 364 $64,321,890
All Time Domestic Box Office for Universal Movies (Rank 101-200) 199 $64,321,890

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 27, 2017 2 $18,222,810   3,059 $5,957   $18,222,810 1
Feb 3, 2017 3 $10,509,170 -42% 3,178 $3,307   $32,610,435 2
Feb 10, 2017 6 $7,271,430 -31% 3,025 $2,404   $42,501,105 3
Feb 17, 2017 8 $5,713,775 -21% 2,400 $2,381   $50,829,285 4
Feb 24, 2017 12 $3,572,435 -37% 2,089 $1,710   $57,581,040 5
Mar 3, 2017 16 $1,760,665 -51% 1,494 $1,178   $60,218,235 6
Mar 10, 2017 15 $1,095,500 -38% 1,022 $1,072   $61,795,515 7
Mar 17, 2017 16 $477,890 -56% 594 $805   $62,932,920 8
Mar 24, 2017 22 $258,310 -46% 299 $864   $63,397,540 9
Mar 31, 2017 25 $132,295 -49% 189 $700   $63,665,480 10
Apr 7, 2017 28 $131,170 -1% 175 $750   $63,868,405 11
Apr 14, 2017 31 $93,325 -29% 149 $626   $64,014,900 12
Apr 21, 2017 35 $75,605 -19% 122 $620   $64,134,655 13
Apr 28, 2017 37 $74,130 -2% 123 $603   $64,230,845 14
May 5, 2017 40 $54,745 -26% 103 $532   $64,304,940 15

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 26, 2017 P $455,000     0     $455,000  
Jan 27, 2017 2 $5,281,695     3,059 $1,727   $5,281,695 1
Jan 28, 2017 2 $7,717,150 +46%   3,059 $2,523   $12,998,845 2
Jan 29, 2017 2 $5,223,965 -32%   3,059 $1,708   $18,222,810 3
Jan 30, 2017 5 $904,835 -83%   3,059 $296   $19,127,645 4
Jan 31, 2017 3 $1,360,520 +50%   3,059 $445   $20,488,165 5
Feb 1, 2017 4 $808,360 -41%   3,059 $264   $21,296,525 6
Feb 2, 2017 4 $804,740 n/c   3,059 $263   $22,101,265 7
Feb 3, 2017 4 $2,827,570 +251% -46% 3,178 $890   $24,928,835 8
Feb 4, 2017 3 $5,509,210 +95% -29% 3,178 $1,734   $30,438,045 9
Feb 5, 2017 1 $2,172,390 -61% -58% 3,178 $684   $32,610,435 10
Feb 6, 2017 5 $605,945 -72% -33% 3,178 $191   $33,216,380 11
Feb 7, 2017 4 $906,765 +50% -33% 3,178 $285   $34,123,145 12
Feb 8, 2017 4 $577,805 -36% -29% 3,178 $182   $34,700,950 13
Feb 9, 2017 4 $528,725 -8% -34% 3,178 $166   $35,229,675 14
Feb 10, 2017 6 $1,742,790 +230% -38% 3,025 $576   $36,972,465 15
Feb 11, 2017 6 $3,414,045 +96% -38% 3,025 $1,129   $40,386,510 16
Feb 12, 2017 6 $2,114,595 -38% -3% 3,025 $699   $42,501,105 17
Feb 13, 2017 7 $504,465 -76% -17% 3,025 $167   $43,005,570 18
Feb 14, 2017 7 $1,252,740 +148% +38% 3,025 $414   $44,258,310 19
Feb 15, 2017 7 $427,355 -66% -26% 3,025 $141   $44,685,665 20
Feb 16, 2017 7 $429,845 +1% -19% 3,025 $142   $45,115,510 21
Feb 17, 2017 9 $1,397,020 +225% -20% 2,400 $582   $46,512,530 22
Feb 18, 2017 8 $2,389,945 +71% -30% 2,400 $996   $48,902,475 23
Feb 19, 2017 8 $1,926,810 -19% -9% 2,400 $803   $50,829,285 24
Feb 20, 2017 7 $1,758,410 -9% +249% 2,400 $733   $52,587,695 25
Feb 21, 2017 8 $620,935 -65% -50% 2,400 $259   $53,208,630 26
Feb 22, 2017 10 $437,160 -30% +2% 2,400 $182   $53,645,790 27
Feb 23, 2017 11 $362,815 -17% -16% 2,400 $151   $54,008,605 28
Feb 24, 2017 12 $862,315 +138% -38% 2,089 $413   $54,870,920 29
Feb 25, 2017 12 $1,662,250 +93% -30% 2,089 $796   $56,533,170 30
Feb 26, 2017 10 $1,047,870 -37% -46% 2,089 $502   $57,581,040 31
Feb 27, 2017 11 $197,135 -81% -89% 2,089 $94   $57,778,175 32
Feb 28, 2017 11 $294,010 +49% -53% 2,089 $141   $58,072,185 33
Mar 1, 2017 11 $207,555 -29% -53% 2,089 $99   $58,279,740 34
Mar 2, 2017 12 $177,830 -14% -51% 2,089 $85   $58,457,570 35
Mar 3, 2017 - $381,430 +114% -56% 1,494 $255   $58,839,000 36
Mar 4, 2017 - $826,175 +117% -50% 1,494 $553   $59,665,175 37
Mar 5, 2017 15 $553,060 -33% -47% 1,494 $370   $60,218,235 38
Mar 6, 2017 - $112,915 -80% -43% 1,494 $76   $60,331,150 39
Mar 7, 2017 - $144,180 +28% -51% 1,494 $97   $60,475,330 40
Mar 8, 2017 - $110,055 -24% -47% 1,494 $74   $60,585,385 41
Mar 9, 2017 - $114,630 +4% -36% 1,494 $77   $60,700,015 42
Mar 10, 2017 - $245,905 +115% -36% 1,022 $241   $60,945,920 43
Mar 11, 2017 15 $501,280 +104% -39% 1,022 $490   $61,447,200 44
Mar 12, 2017 15 $348,315 -31% -37% 1,022 $341   $61,795,515 45
Mar 13, 2017 10 $161,405 -54% +43% 1,022 $158   $61,956,920 46
Mar 14, 2017 11 $193,905 +20% +34% 1,022 $190   $62,150,825 47
Mar 15, 2017 10 $171,165 -12% +56% 1,022 $167   $62,321,990 48
Mar 16, 2017 10 $133,040 -22% +16% 1,022 $130   $62,455,030 49
Mar 17, 2017 - $131,670 -1% -46% 594 $222   $62,586,700 50
Mar 18, 2017 - $212,490 +61% -58% 594 $358   $62,799,190 51
Mar 19, 2017 - $133,730 -37% -62% 594 $225   $62,932,920 52
Mar 20, 2017 - $44,570 -67% -72% 594 $75   $62,977,490 53
Mar 21, 2017 - $63,040 +41% -67% 594 $106   $63,040,530 54
Mar 22, 2017 - $50,795 -19% -70% 594 $86   $63,091,325 55
Mar 23, 2017 14 $47,905 -6% -64% 594 $81   $63,139,230 56
Mar 24, 2017 - $64,665 +35% -51% 299 $216   $63,203,895 57
Mar 25, 2017 - $112,845 +75% -47% 299 $377   $63,316,740 58
Mar 26, 2017 - $80,800 -28% -40% 299 $270   $63,397,540 59
Mar 27, 2017 - $32,050 -60% -28% 299 $107   $63,429,590 60
Mar 28, 2017 - $36,700 +15% -42% 299 $123   $63,466,290 61
Mar 29, 2017 - $32,890 -10% -35% 299 $110   $63,499,180 62
Mar 30, 2017 - $34,005 +3% -29% 299 $114   $63,533,185 63
Mar 31, 2017 - $40,035 +18% -38% 189 $212   $63,573,220 64
Apr 1, 2017 - $55,100 +38% -51% 189 $292   $63,628,320 65
Apr 2, 2017 - $37,160 -33% -54% 189 $197   $63,665,480 66
Apr 3, 2017 - $17,890 -52% -44% 189 $95   $63,683,370 67
Apr 4, 2017 - $19,520 +9% -47% 189 $103   $63,702,890 68
Apr 5, 2017 - $16,805 -14% -49% 189 $89   $63,719,695 69
Apr 6, 2017 - $17,540 +4% -48% 189 $93   $63,737,235 70
Apr 7, 2017 - $35,455 +102% -11% 175 $203   $63,772,690 71
Apr 8, 2017 - $58,740 +66% +7% 175 $336   $63,831,430 72
Apr 9, 2017 - $36,975 -37% n/c 175 $211   $63,868,405 73
Apr 10, 2017 - $10,290 -72% -42% 175 $59   $63,878,695 74
Apr 11, 2017 - $14,550 +41% -25% 175 $83   $63,893,245 75
Apr 12, 2017 - $12,015 -17% -29% 175 $69   $63,905,260 76
Apr 13, 2017 - $16,315 +36% -7% 175 $93   $63,921,575 77
Apr 14, 2017 - $37,970 +133% +7% 149 $255   $63,959,545 78
Apr 15, 2017 - $36,705 -3% -38% 149 $246   $63,996,250 79
Apr 16, 2017 - $18,650 -49% -50% 149 $125   $64,014,900 80
Apr 17, 2017 - $14,435 -23% +40% 149 $97   $64,029,335 81
Apr 18, 2017 - $10,365 -28% -29% 149 $70   $64,039,700 82
Apr 19, 2017 - $10,020 -3% -17% 149 $67   $64,049,720 83
Apr 20, 2017 - $9,330 -7% -43% 149 $63   $64,059,050 84
Apr 21, 2017 - $18,530 +99% -51% 122 $152   $64,077,580 85
Apr 22, 2017 - $35,015 +89% -5% 122 $287   $64,112,595 86
Apr 23, 2017 - $22,060 -37% +18% 122 $181   $64,134,655 87
Apr 24, 2017 - $4,865 -78% -66% 122 $40   $64,139,520 88
Apr 25, 2017 - $6,785 +39% -35% 122 $56   $64,146,305 89
Apr 26, 2017 - $4,940 -27% -51% 122 $40   $64,151,245 90
Apr 27, 2017 - $5,470 +11% -41% 122 $45   $64,156,715 91
Apr 28, 2017 - $17,785 +225% -4% 123 $145   $64,174,500 92
Apr 29, 2017 - $34,125 +92% -3% 123 $277   $64,208,625 93
Apr 30, 2017 - $22,220 -35% +1% 123 $181   $64,230,845 94
May 1, 2017 - $4,735 -79% -3% 123 $38   $64,235,580 95
May 2, 2017 - $5,120 +8% -25% 123 $42   $64,240,700 96
May 3, 2017 - $4,640 -9% -6% 123 $38   $64,245,340 97
May 4, 2017 - $4,855 +5% -11% 123 $39   $64,250,195 98
May 5, 2017 - $12,425 +156% -30% 103 $121   $64,262,620 99
May 6, 2017 - $25,350 +104% -26% 103 $246   $64,287,970 100
May 7, 2017 - $16,970 -33% -24% 103 $165   $64,304,940 101
May 8, 2017 - $3,550 -79% -25% 103 $34   $64,308,490 102
May 9, 2017 - $4,895 +38% -4% 103 $48   $64,313,385 103
May 10, 2017 - $3,720 -24% -20% 103 $36   $64,317,105 104
May 11, 2017 - $4,785 +29% -1% 103 $46   $64,321,890 105

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 27, 2017 2 $22,101,265   3,059 $7,225   $22,101,265 1
Feb 3, 2017 4 $13,128,410 -41% 3,178 $4,131   $35,229,675 2
Feb 10, 2017 6 $9,885,835 -25% 3,025 $3,268   $45,115,510 3
Feb 17, 2017 8 $8,893,095 -10% 2,400 $3,705   $54,008,605 4
Feb 24, 2017 11 $4,448,965 -50% 2,089 $2,130   $58,457,570 5
Mar 3, 2017 16 $2,242,445 -50% 1,494 $1,501   $60,700,015 6
Mar 10, 2017 14 $1,755,015 -22% 1,022 $1,717   $62,455,030 7
Mar 17, 2017 15 $684,200 -61% 594 $1,152   $63,139,230 8
Mar 24, 2017 20 $393,955 -42% 299 $1,318   $63,533,185 9
Mar 31, 2017 23 $204,050 -48% 189 $1,080   $63,737,235 10
Apr 7, 2017 28 $184,340 -10% 175 $1,053   $63,921,575 11
Apr 14, 2017 32 $137,475 -25% 149 $923   $64,059,050 12
Apr 21, 2017 36 $97,665 -29% 122 $801   $64,156,715 13
Apr 28, 2017 37 $93,480 -4% 123 $760   $64,250,195 14
May 5, 2017 39 $71,695 -23% 103 $696   $64,321,890 15

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 2/2/2017 $364,217 84 94 321 $1,112,812 1/1/2019
Australia 5/5/2017 $893,180 271 271 1,470 $3,383,485 10/9/2018
Brazil 1/26/2017 $839,403 0 354 656 $2,166,627 6/26/2018
Bulgaria 2/3/2017 $14,274 0 0 0 $97,056 2/26/2019
Chile 1/26/2017 $0 0 43 236 $1,304,318 12/20/2018
China 2/25/2017 $71,800 0 64,169 186,768 $88,070,000 8/25/2020
Colombia 3/9/2017 $301,605 130 130 384 $975,134 1/1/2019
Czech Republic 1/27/2017 $91,058 83 85 498 $706,511 1/1/2019
France 4/21/2017 $224,768 0 0 0 $599,584 6/27/2018
Germany 2/24/2017 $316,689 0 0 0 $1,076,869 6/29/2018
Hong Kong 8/25/2017 $153,297 21 21 33 $359,347 10/28/2018
Italy 1/20/2017 $656,076 0 2 2 $1,618,181 10/25/2018
Japan 9/29/2017 $1,900,000 240 312 1,405 $8,119,759 2/22/2018
Lithuania 2/17/2017 $3,735 6 124 449 $174,641 8/15/2018
Malaysia 2/23/2017 $133,039 40 40 151 $306,625 3/28/2017
Mexico 1/27/2017 $1,822,160 0 260 500 $6,121,126 4/12/2017
Netherlands 5/16/2017 $98,305 54 54 294 $356,561 11/2/2018
New Zealand 5/5/2017 $89,275 76 76 344 $338,609 6/26/2017
Panama 2/2/2017 $253,752 108 108 262 $652,766 1/1/2019
Peru 1/26/2017 $0 0 76 276 $2,425,329 1/1/2019
Philippines 3/1/2017 $348,888 137 137 159 $489,481 12/20/2018
Poland 2/17/2017 $442,230 0 0 0 $2,647,461 1/1/2019
Portugal 4/7/2017 $52,661 39 40 126 $167,967 5/18/2017
Russia (CIS) 3/31/2017 $815,027 454 454 1,415 $1,917,076 1/1/2019
Singapore 3/2/2017 $228,386 28 28 95 $502,889 5/4/2017
Slovakia 2/3/2017 $96,750 66 66 221 $323,082 6/12/2017
South Korea 11/7/2018 $0 0 170 431 $647,439 5/27/2020
Spain 10/6/2017 $248,569 193 193 834 $923,194 10/30/2018
Taiwan 2/24/2017 $716,838 81 87 316 $2,236,101 4/12/2017
Thailand 3/2/2017 $67,980 43 43 98 $149,199 3/28/2017
United Kingdom 5/5/2017 $1,683,627 502 502 2,364 $3,931,150 8/2/2017
Venezuela 2/3/2017 $54,648 56 62 471 $677,887 5/12/2017
 
Rest of World $4,155,271
 
International Total$138,733,537 8/25/2020

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 701-800) 779 $138,733,537
All Time International Non-Sequel Box Office (Rank 401-500) 490 $138,733,537
Top 2017 Movies at the International Box Office 45 $138,733,537
All Time International Box Office for Based on Fiction Book/Short Story Movies (Rank 101-200) 166 $138,733,537
All Time International Box Office for Live Action Movies (Rank 501-600) 512 $138,733,537
All Time International Box Office for Contemporary Fiction Movies (Rank 201-300) 239 $138,733,537
All Time International Box Office for Drama Movies 88 $138,733,537
All Time International Box Office for PG Movies (Rank 101-200) 189 $138,733,537
All Time International Box Office for Universal Movies 95 $138,733,537

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 901-1,000) 921 $203,055,427
All Time Worldwide Non-Sequel Box Office (Rank 601-700) 614 $203,055,427
Top 2017 Movies at the Worldwide Box Office 47 $203,055,427
All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies (Rank 101-200) 197 $203,055,427
All Time Worldwide Box Office for Live Action Movies (Rank 601-700) 639 $203,055,427
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 301-400) 315 $203,055,427
All Time Worldwide Box Office for Drama Movies (Rank 101-200) 112 $203,055,427
All Time Worldwide Box Office for PG Movies (Rank 201-300) 221 $203,055,427
All Time Worldwide Box Office for Universal Movies (Rank 101-200) 127 $203,055,427

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
May 7, 20171158,137 158,137$2,840,141$2,840,1413
May 14, 2017284,594-47% 242,731$1,519,308$4,359,4494
May 21, 2017439,267-54% 281,998$699,738$5,059,1875
May 28, 2017917,471-56% 299,469$297,182$5,356,3696
Jun 4, 20171118,630+7% 318,099$316,524$5,672,8937
Jun 11, 20171512,441-33% 330,540$209,631$5,882,5248
Jun 18, 20172311,499-8% 342,039$190,768$6,073,2929
Jun 25, 2017229,818-15% 351,857$164,059$6,237,35110
Jul 2, 2017248,116-17% 359,973$122,552$6,359,90311
Jul 9, 20172110,741+32% 370,714$138,022$6,497,92512
Jul 16, 2017227,037-34% 377,751$88,807$6,586,73213
Jul 23, 20171215,268+117% 393,019$153,901$6,740,63314
Jul 30, 2017149,997-35% 403,016$105,068$6,845,70115
Aug 6, 2017239,379-6% 412,395$103,544$6,949,24516
Aug 13, 2017277,835-16% 420,230$90,729$7,039,97417
Dec 10, 20172319,928 540,647$256,075$8,579,73434
Apr 21, 20192913,083 809,059$91,581$11,197,294105
May 12, 2019307,108 827,609$35,469$11,300,278108
May 19, 2019295,501-23% 833,110$27,450$11,327,728109
Jun 9, 2019247,993 854,567$45,160$11,440,073112
Jul 7, 2019206,859 886,115$34,226$11,597,496116

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
May 7, 20171121,734 121,734$2,429,811$2,429,8113
May 14, 2017361,675-49% 183,409$1,231,654$3,661,4654
May 21, 2017624,236-61% 207,645$483,984$4,145,4495
May 28, 20171111,780-51% 219,425$235,122$4,380,5716
Jun 4, 20171211,317-4% 230,742$225,878$4,606,4497
Jun 11, 2017209,170-19% 239,912$175,703$4,782,1528

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.