Kuwait Box Office for The Intruder (2019)
Theatrical Performance (US$) | ||
Kuwait Box Office | $79,767 | Details |
Worldwide Box Office | $40,597,401 | Details |
Home Market Performance | ||
North America DVD Sales | $3,215,504 | Details |
North America Blu-ray Sales | $843,514 | Details |
Total North America Video Sales | $4,059,018 | |
Further financial details... |
Synopsis
When a young married couple buys their dream house in the Napa Valley, they think they have found the perfect home to take their next steps as a family. But when the strangely attached seller continues to infiltrate their lives, they begin to suspect that he has hidden motivations beyond a quick sale.
Metrics
Movie Details
Production Budget: | $8,000,000 |
Kuwait Releases: | May 2nd, 2019 (Wide) |
Video Release: | July 16th, 2019 by Sony Pictures Home Entertainment December 2nd, 2019 by Sony Pictures |
MPAA Rating: | PG-13 for violence, terror, some sexuality, language and thematic elements. (Rating bulletin 2534 (Cert #51686), 7/4/2018) |
Running Time: | 102 minutes |
Keywords: | Set in California, Newlyweds, Psychological Thriller, African Americans |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Screen Gems, Hidden Empire Film Group, Primary Wave Entertainment |
Production Countries: | United States |
Languages: | English |
Weekend Wrap-Up: Endgame Barely Tops Infinity War, Pickachu Solves Video Game Adaptations
May 14th, 2019
The two biggest hits of the weekend were not as potent as predicted, but Avengers: Endgame and Pokémon: Detective Pikachu both have reasons to celebrate. Endgame became only the fourth film to reach $700 million domestically, while Detective Pikachu nearly entered the top ten video game adaptations of all time after just its opening weekend. As for the other wide releases, The Hustle did fine and the less said about Poms and Tolkien the better. The overall box office 16% from last weekend hitting $168 million. However, this was 21% higher than the same weekend last year, which is clearly the more important figure, as 2019 continues to try and climb out of the hole it dug for itself. It is now behind last year by 8.7% or $370 million at $3.83 billion to $4.20 billion.
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Weekend Estimates: Endgame Continues to Fall, while Pikachu has Solid Start
May 12th, 2019
If projections hold, then Avengers: Endgame will fall almost as much this weekend as it did during its second weekend, with a 57% decline taking it to $63.1 million time around, and a three-week total of $723.5 million. It is very unusual for a film to not rebound significantly during in third weekend of release. One sign of how quickly the film is dropping after its enormous opening is that it will have “only” the fourth-biggest third weekend, slipping behind Black Panther at this point in its run.
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Friday Estimates: Pikachu Overtakes Endgame During Opening Day
May 11th, 2019
Pokémon: Detective Pikachu earned first place on Friday with $20.6 million. This is a little weaker than we predicted and this suggests its a little more of a Fanboy film than a Family Film. That said, while this will result in marginally shorter legs, the film will still have a potent opening of about $57 million, thanks in part to Mother’s Day. This is slightly higher than its pre-release tracking, so it is worth celebrating. Additionally, it earned an A minus from CinemaScore, which is better than its reviews and that will further help its chances in the long run. Internationally, the film pulled in $23.1 million on 36,300 screens in 62 markets on Friday for an early total of $43.4 million. By the end of the film’s “opening” weekend, it could have more globally than its $150 million production budget. (We have “opening” in quotation marks, because it did technically debut in Japan last weekend.)
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Weekend Predictions: Can Pikachu Solve Endgame at the Box Office?
May 9th, 2019
There are four wide releases opening this weekend, but Pokémon: Detective Pikachu is the only one expected to have any impact at the box office. Even then, it would be a shock if it really challenged Avengers: Endgame for top spot. It will take a bit of luck for The Hustle and Poms to earn more than $10 million at the box office. Meanwhile, I would be a little surprised if Tolkien opened in the top five. Detective Pikachu and Endgame will be leading the way and trying to keep 2019’s winning streak going. In order to do that, they will need to top last year’s group of box office hits, which include Infinity War and ... Life of the Party. Seems doable. In fact, 2019 should have another stellar result in the year-over-year competition.
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Weekend Wrap-Up: Endgame Falls Just Short of The Force Awakens
May 7th, 2019
Avengers: Endgame didn’t do quite as well as expected over the The weekend, but it still managed the second best second weekend with $147.38 million. However, the number one film, The Force Awakens, was playing during the holidays, so Endgame has the record for best non-holiday second weekend. This wasn’t the only record Endgame set over the weekend. On the other hand, The Intruder was the only new release to top $10 million over the weekend, which resulted in a massive 50% box office decline from last weekend down to $199 million. A 50% week-over-week decline would be unusual most of the time, but this is what happens when you have a record-destroying weekend followed by a non-holiday weekend without any significant new releases. More importantly, this is still 17% more than the same weekend last year. 2019 is still way behind 2018, but the gap has dropped significantly over the past two weeks and is now 9.8% or $390 million at $3.61 billion to $4.00 billion.
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Weekend Estimates: Endgame and Force Awakens in Real Fight
May 5th, 2019
The weekend isn’t going as well as I had hoped. Avengers: Endgame managed $145.80 million during its second weekend of release, which would leave it just behind The Force Awakens for biggest second weekend of all time. However, this is from Disney and they underestimated last week’s opening by such a large margin that I’m not sure The Force Awakens’ record is safe. On the other hand, there’s no ambiguity about Endgame setting the record for fastest to $600 topping The Force Awakens’s previous record by two full days. The film’s running tally sits at $619.70 million after just ten days of release and I don’t think it is hyperbolic to say it will top $900 million given its start so far. In fact, it could remove The Force Awakens from the top spot on the all-time Domestic title by the time its done, if it turns out Disney was being too conservative with its estimates again this week.
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Friday Estimates: Endgame Nearly Matches The Force Awakens
May 4th, 2019
Avengers: Endgame dominated the Friday box office with $40.64 million for the day. By comparison, The Force Awakens earned $49.33 million during its second Friday of release; however that was Christmas Day, which is one of the best days of the year. Endgame should have better legs over the rest of the weekend and could close the gap by the end of Sunday. I’m not convinced that will happen, but it should still beat our $140 million prediction, so I’m sure Disney will be more than happy with this performance. Furthermore, the film topped $500 million in just its eighth day of release, beating The Force Awakens previous record of 10 days, and will get to $600 million by the end of the weekend, 2 days faster than Awakens reached that milestone.
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Thursday Night Previews: Intruder Takes a Shot at the other Wide Releases
May 3rd, 2019
Despite earning the worst reviews, The Intruder had the best previews among the new releases last night. That said, it only managed $865,000. It will likely beat our prediction for the weekend as a whole, albeit by a small margin with just over $10 million. That would be a great start for a film that reportedly only cost $5 million to make.
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Weekend Prediction: Endgame Takes Aim at The Force Awakens
May 2nd, 2019
Avengers: Endgame looks to break more records this weekend. It is specifically taking aim at The Force Awakens for the biggest second weekend of all time. If it can break this record, then The Force Awakens’s all-time Domestic title is in serious trouble. There are also a trio of wide releases opening this week, but I don’t think they will be a major factor at the box office. Long Shot is clearly the best and I think it will do well for a Romantic Comedy. UglyDolls’ reviews are not pretty, but they shouldn’t hurt this family film too much. Finally there's, The Intruder, which is not only the smallest release, but it is also earning the worst reviews. This weekend last year, Avengers: Infinity War dominated the chart, with Overboard earning second place with just under $15 million.
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2019 Preview: May
May 1st, 2019
April got off to a fast start with Shazam! opening the first weekend of the month. Meanwhile, Avengers: Endgame ended the month with a record-breaking debut. Unfortunately for 2019, last April had a very similar result leaving 2019 behind 2018’s pace by over $400 million. Will May be able to turn things around? Last May, there were only two films that reached $200 million, Deadpool 2 and Solo: A Star Wars Story. Meanwhile, this May there are three such films, Detective Pikachu, Aladdin, and Godzilla: King of the Monsters. There are two points we need to make. Firstly, the only reason there are more potential $200 million hits this year is because May has five Fridays this year. Secondly, this May also has a lot better depth with films like John Wick: Chapter 3 - Parabellum and Rocketman being potential $100 million hits. Even if we ignore the final weekend, May should do well enough to cut into 2018’s lead over 2019. It’s not going to be able to cut it in half, but it could do well enough to make box office analysts a little more positive about the year’s chances overall.
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The Intruder Trailer
November 20th, 2018
Thriller starring Dennis Quaid, Meagan Good, and Michael Ealy opens April 26, 2019 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/05/03 | - | $66,948 | 12 | $5,579 | $66,949 | 1 | |
2019/05/10 | - | $2,626 | -96% | 3 | $875 | $72,672 | 2 |
2019/05/17 | - | $2,298 | -12% | 1 | $2,298 | $76,291 | 3 |
2019/05/24 | - | $893 | -61% | 1 | $893 | $78,236 | 4 |
2019/05/31 | - | $1,008 | +13% | 2 | $504 | $79,767 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Aruba | 5/2/2019 | $4,830 | 3 | 3 | 6 | $7,962 | 5/15/2019 |
Bahrain | 5/2/2019 | $32,843 | 10 | 10 | 13 | $36,548 | 5/15/2019 |
Curacao | 5/2/2019 | $7,264 | 3 | 3 | 13 | $31,979 | 6/4/2019 |
Egypt | 5/2/2019 | $5,202 | 12 | 12 | 33 | $8,033 | 5/29/2019 |
Ghana | 5/3/2019 | $1,118 | 3 | 3 | 12 | $5,279 | 5/29/2019 |
Hong Kong | 7/2/2020 | $0 | 0 | 0 | 0 | $123,418 | 7/24/2020 |
India | 5/10/2019 | $25,797 | 160 | 160 | 160 | $25,797 | 5/15/2019 |
Iraq | 5/2/2019 | $4,586 | 8 | 8 | 15 | $5,515 | 5/23/2019 |
Jamaica | 5/1/2019 | $23,610 | 5 | 5 | 12 | $54,959 | 5/23/2019 |
Jordan | 5/2/2019 | $8,340 | 5 | 5 | 10 | $9,505 | 5/23/2019 |
Kuwait | 5/2/2019 | $66,948 | 12 | 12 | 19 | $79,767 | 6/4/2019 |
Lebanon | 5/2/2019 | $10,119 | 14 | 14 | 18 | $12,645 | 5/15/2019 |
Middle East Region | 5/9/2019 | $9,818 | 1 | 1 | 4 | $45,508 | 6/4/2019 |
Nigeria | 5/3/2019 | $9,583 | 34 | 34 | 105 | $41,504 | 6/4/2019 |
North America | 5/3/2019 | $10,855,054 | 2,222 | 2,231 | 9,604 | $35,388,976 | |
Oman | 5/2/2019 | $14,019 | 15 | 15 | 16 | $14,901 | 5/15/2019 |
Peru | 9/19/2019 | $15,292 | 60 | 60 | 60 | $15,292 | 9/24/2019 |
Portugal | 5/10/2019 | $15,758 | 20 | 20 | 49 | $44,765 | 6/4/2019 |
Qatar | 5/2/2019 | $24,239 | 13 | 13 | 15 | $26,478 | 5/15/2019 |
Russia (CIS) | 8/7/2020 | $2,322 | 35 | 35 | 65 | $5,912 | 10/19/2022 |
Singapore | 5/23/2019 | $24,334 | 26 | 26 | 52 | $39,181 | 6/4/2019 |
South Africa | 5/10/2019 | $41,089 | 54 | 55 | 180 | $162,045 | 7/10/2019 |
South Korea | 6/12/2020 | $0 | 0 | 181 | 181 | $3,993,490 | 7/3/2020 |
Suriname | 5/2/2019 | $1,560 | 1 | 1 | 5 | $4,597 | 6/4/2019 |
Sweden | 5/3/2019 | $8,782 | 7 | 7 | 13 | $14,231 | 5/15/2019 |
Syria | 5/9/2019 | $350 | 1 | 1 | 4 | $1,425 | 6/4/2019 |
Trinidad | 5/1/2019 | $36,620 | 14 | 14 | 44 | $107,938 | 6/12/2019 |
United Arab Emirates | 5/2/2019 | $83,210 | 50 | 50 | 57 | $94,552 | 5/15/2019 |
United Kingdom | 7/26/2019 | $63,603 | 130 | 130 | 202 | $151,293 | 9/4/2019 |
Vietnam | 5/17/2019 | $24,409 | 165 | 165 | 237 | $43,906 | 5/29/2019 |
Worldwide Total | $40,597,401 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Michael Ealy | Scott |
Meagan Good | Annie |
Dennis Quaid | Charlie Peck |
Supporting Cast
Joseph Sikora | Mike |
Alvina August | Rachel |
Erica Cerra | Jillian Richards |
Kurt Evans | Grady Kramer |
Carolyn Anderson | Ellen |
Lili Sepe | Cassidy Peck Thompson |
Raylene Harewood | Ice Cream Girl |
Chris Shields | Doctor |
Sam Vincent | First Officer |
Caroline Muthoni Muita | Receptionist |
Connor Mackay | Man on Ladder |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Deon Taylor | Director |
David Loughery | Screenwriter |
Deon Taylor | Producer |
Roxanne Avent | Producer |
Mark Burg | Producer |
Brad Kaplan | Producer |
Jonathan Schwartz | Producer |
Robert F. Smith | Executive Producer |
David Loughery | Executive Producer |
David Guillod | Executive Producer |
Taseer A. Badar | Co-Executive Producer |
Ephriam Salaam | Co-Executive Producer |
Daniel Pearle | Director of Photography |
Melissa Kent | Editor |
Kim Taylor-Coleman | Casting Director |
Geoff Zanelli | Composer |
Andrew Neskorommy | Production Designer |
Roxanne Avent | Unit Production Manager |
Heather Kritzer | Unit Production Manager |
Larry Lerner | First Assistant Director |
Patricia Walden | First Assistant Director |
Stacy Fish | First Assistant Director |
Darren Robson | Second Assistant Director |
Andrew Pavel | Second Assistant Director |
Sina Nazarian | Second Assistant Director |
Heather Kritzer | Line Producer |
Victoria Bullock | Associate Producer |
Karicean Dick | Associate Producer |
Omar Joseph | Associate Producer |
Ed Anders | Stunt Coordinator |
Shannon Murphy | Set Decorator |
Ingrid Richardson | Set Decorator |
Ken O'Keefe | Additional Editor |
Susan E. Kim | Assistant Editor |
Karicean Dick | Hairstylist |
Brenda Turner | Hairstylist |
Cindy Lou Tache | Hairstylist |
Lisa Waddell | Make up |
Seth Chernoff | Costume Designer |
Paul Lougheed | Location Manager |
Corey Jones | Script Supervisor |
Rob Musnicki | Special Effects Coordinator |
Nancy Kirhoffer | Post-Production Supervisor |
Gregory King | Re-recording Mixer |
Jon Greasley | Re-recording Mixer |
Gregory King | Supervising Sound Editor |
Darren King | Supervising Sound Editor |
Jonathan Gomez | Assistant Editor |
Ron Mellegers | Foley Mixer |
Randy Wilson | Foley Mixer |
Brad Bakelmun | Foley Editor |
Jennifer Barak | Music Editor |
Shachar Boussani | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.