UglyDolls (2019)

UglyDolls
Theatrical Performance
Domestic Box Office $20,150,241Details
International Box Office $12,480,358Details
Worldwide Box Office $32,630,599
Home Market Performance
Est. Domestic DVD Sales $1,783,350 Details
Est. Domestic Blu-ray Sales $1,673,962 Details
Total Est. Domestic Video Sales $3,457,312
Further financial details...

Synopsis

Moxy loves her square-peg life in this round-hole town, but her curiosity about all things leads her to wonder if there’s something— anything—on the other side of the mountain which nestles Uglyville. Moxy gathers a group of her closest friends and sets off to find what’s on the other side. They discover another world Perfection—a town where more conventional dolls are trained in protocols before they graduate and are sent to the “real” world to find the love of a child. In Perfection, Moxy and her crew are subject to the manipulations of Lou, the perfect doll in charge of training recruits. Here, the UglyDolls will confront what it means to be different, struggle with their desire to be loved, and ultimately discover that you don’t have to be perfect to be amazing because who you truly are is what matters most.

Metrics

Opening Weekend:$8,603,407 (42.7% of total gross)
Legs:2.34 (domestic box office/biggest weekend)
Domestic Share:61.8% (domestic box office/worldwide)
Production Budget:$45,000,000 (worldwide box office is 0.7 times production budget)
Theater counts:3,652 opening theaters/3,652 max. theaters, 3.1 weeks average run per theater
Infl. Adj. Dom. BO $23,713,919

Latest Ranking on Cumulative Box Office Lists


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Movie Details

Domestic Releases: May 3rd, 2019 (Wide) by STX Entertainment
International Releases: May 1st, 2019 (Wide) (South Korea)
May 3rd, 2019 (Wide) (Czech Republic)
May 3rd, 2019 (Wide), released as Ugly Dolls. Extraordinariamente feos (Spain)
May 17th, 2019 (Wide) (Argentina)
May 17th, 2019 (Wide) (Brazil)
... Show all releases
Video Release: July 16th, 2019 by STX Entertainment
MPAA Rating: PG for thematic elements and brief action.
(Rating bulletin 2572 (Cert #51965), 4/3/2019)
Running Time: 87 minutes
Comparisons: vs. Arctic Dogs
Create your own comparison chart…
Keywords: Living Toys, Underdog, Coming of Age, Bullies, Family Adventure
Source:Based on Toy
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Reel FX Animation Studios, STX Films, Huaxia Film & Distribution Coroporation
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 3, 2019 4 $8,603,407   3,652 $2,356   $8,603,407 1
May 10, 2019 7 $4,147,092 -52% 3,652 $1,136   $14,507,888 2
May 17, 2019 10 $1,779,617 -57% 2,030 $877   $17,433,285 3
May 24, 2019 14 $642,297 -64% 1,090 $589   $18,862,439 4
May 31, 2019 17 $221,608 -65% 296 $749   $19,588,805 5
Jun 7, 2019 29 $95,223 -57% 188 $507   $19,819,741 6
Jun 14, 2019 32 $62,370 -35% 139 $449   $19,957,034 7
Jun 21, 2019 34 $43,998 -29% 105 $419   $20,062,588 8
Jun 28, 2019 35 $24,986 -43% 82 $305   $20,126,147 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 2, 2019 P $300,000     2,250 $133   $300,000  
May 3, 2019 4 $2,496,875     3,652 $684   $2,496,875 1
May 4, 2019 4 $3,618,823 +45%   3,652 $991   $6,115,698 2
May 5, 2019 3 $2,487,709 -31%   3,652 $681   $8,603,407 3
May 6, 2019 4 $362,697 -85%   3,652 $99   $8,966,104 4
May 7, 2019 4 $708,798 +95%   3,652 $194   $9,674,902 5
May 8, 2019 4 $371,819 -48%   3,652 $102   $10,046,721 6
May 9, 2019 4 $314,075 -16%   3,652 $86   $10,360,796 7
May 10, 2019 7 $958,357 +205% -62% 3,652 $262   $11,319,153 8
May 11, 2019 6 $1,738,241 +81% -52% 3,652 $476   $13,057,394 9
May 12, 2019 7 $1,450,494 -17% -42% 3,652 $397   $14,507,888 10
May 13, 2019 7 $240,376 -83% -34% 3,652 $66   $14,748,264 11
May 14, 2019 7 $405,275 +69% -43% 3,652 $111   $15,153,539 12
May 15, 2019 7 $258,392 -36% -31% 3,652 $71   $15,411,931 13
May 16, 2019 7 $241,737 -6% -23% 3,652 $66   $15,653,668 14
May 17, 2019 10 $355,132 +47% -63% 2,030 $175   $16,008,800 15
May 18, 2019 10 $764,624 +115% -56% 2,030 $377   $16,773,424 16
May 19, 2019 9 $659,861 -14% -55% 2,030 $325   $17,433,285 17
May 20, 2019 9 $291,057 -56% +21% 2,030 $143   $17,724,342 18
May 21, 2019 10 $205,794 -29% -49% 2,030 $101   $17,930,136 19
May 22, 2019 10 $150,432 -27% -42% 2,030 $74   $18,080,568 20
May 23, 2019 10 $139,574 -7% -42% 2,030 $69   $18,220,142 21
May 24, 2019 15 $137,835 -1% -61% 1,090 $126   $18,357,977 22
May 25, 2019 13 $249,490 +81% -67% 1,090 $229   $18,607,467 23
May 26, 2019 13 $254,972 +2% -61% 1,090 $234   $18,862,439 24
May 27, 2019 11 $247,811 -3% -15% 1,090 $227   $19,110,250 25
May 28, 2019 13 $95,951 -61% -53% 1,090 $88   $19,206,201 26
May 29, 2019 13 $78,047 -19% -48% 1,090 $72   $19,284,248 27
May 30, 2019 12 $82,949 +6% -41% 1,090 $76   $19,367,197 28
May 31, 2019 - $59,134 -29% -57% 296 $200   $19,426,331 29
Jun 1, 2019 - $85,904 +45% -66% 296 $290   $19,512,235 30
Jun 2, 2019 - $76,570 -11% -70% 296 $259   $19,588,805 31
Jun 3, 2019 - $30,972 -60% -88% 296 $105   $19,619,777 32
Jun 4, 2019 - $40,522 +31% -58% 296 $137   $19,660,299 33
Jun 5, 2019 - $35,012 -14% -55% 296 $118   $19,695,311 34
Jun 6, 2019 - $29,207 -17% -65% 296 $99   $19,724,518 35
Jun 7, 2019 - $28,824 -1% -51% 188 $153   $19,753,342 36
Jun 8, 2019 - $35,901 +25% -58% 188 $191   $19,789,243 37
Jun 9, 2019 - $30,498 -15% -60% 188 $162   $19,819,741 38
Jun 10, 2019 - $14,997 -51% -52% 188 $80   $19,834,738 39
Jun 11, 2019 - $21,504 +43% -47% 188 $114   $19,856,242 40
Jun 12, 2019 - $17,964 -16% -49% 188 $96   $19,874,206 41
Jun 13, 2019 - $20,458 +14% -30% 188 $109   $19,894,664 42
Jun 14, 2019 - $20,319 -1% -30% 139 $146   $19,914,983 43
Jun 15, 2019 - $24,399 +20% -32% 139 $176   $19,939,382 44
Jun 16, 2019 - $17,652 -28% -42% 139 $127   $19,957,034 45
Jun 17, 2019 - $11,121 -37% -26% 139 $80   $19,968,155 46
Jun 18, 2019 - $18,354 +65% -15% 139 $132   $19,986,509 47
Jun 19, 2019 - $16,057 -13% -11% 139 $116   $20,002,566 48
Jun 20, 2019 - $16,024 n/c -22% 139 $115   $20,018,590 49
Jun 21, 2019 - $13,253 -17% -35% 105 $126   $20,031,843 50
Jun 22, 2019 - $16,873 +27% -31% 105 $161   $20,048,716 51
Jun 23, 2019 - $13,872 -18% -21% 105 $132   $20,062,588 52
Jun 24, 2019 - $7,981 -42% -28% 105 $76   $20,070,569 53
Jun 25, 2019 - $10,856 +36% -41% 105 $103   $20,081,425 54
Jun 26, 2019 - $9,485 -13% -41% 105 $90   $20,090,910 55
Jun 27, 2019 - $10,251 +8% -36% 105 $98   $20,101,161 56
Jun 28, 2019 - $7,412 -28% -44% 82 $90   $20,108,573 57
Jun 29, 2019 - $9,146 +23% -46% 82 $112   $20,117,719 58
Jun 30, 2019 - $8,428 -8% -39% 82 $103   $20,126,147 59
Jul 1, 2019 - $4,659 -45% -42% 82 $57   $20,130,806 60
Jul 2, 2019 - $7,430 +59% -32% 82 $91   $20,138,236 61
Jul 3, 2019 - $6,027 -19% -36% 82 $74   $20,144,263 62
Jul 4, 2019 - $5,978 -1% -42% 82 $73   $20,150,241 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 3, 2019 4 $10,360,796   3,652 $2,837   $10,360,796 1
May 10, 2019 7 $5,292,872 -49% 3,652 $1,449   $15,653,668 2
May 17, 2019 10 $2,566,474 -52% 2,030 $1,264   $18,220,142 3
May 24, 2019 14 $1,147,055 -55% 1,090 $1,052   $19,367,197 4
May 31, 2019 19 $357,321 -69% 296 $1,207   $19,724,518 5
Jun 7, 2019 - $170,146 -52% 188 $905   $19,894,664 6
Jun 14, 2019 - $123,926 -27% 139 $892   $20,018,590 7
Jun 21, 2019 28 $82,571 -33% 105 $786   $20,101,161 8
Jun 28, 2019 36 $49,080 -41% 82 $599   $20,150,241 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/17/2019 $114,684 195 195 312 $227,452 7/11/2019
Australia 9/27/2019 $117,190 250 250 757 $884,128 10/26/2020
Brazil 5/17/2019 $214,162 128 270 398 $321,978 5/31/2019
Bulgaria 5/17/2019 $9,072 0 0 0 $35,827 7/3/2019
China 10/4/2019 $0 0 0 0 $498,061 11/1/2019
Czech Republic 5/3/2019 $55,378 122 122 262 $105,825 5/28/2019
France 7/12/2019 $154,910 293 293 534 $398,631 8/4/2019
Italy 11/14/2019 $318,575 0 35 42 $629,472 1/20/2020
Lithuania 6/28/2019 $2,473 6 108 354 $137,187 9/4/2019
Mexico 5/17/2019 $726,285 0 0 0 $1,301,018 6/3/2019
Netherlands 8/2/2019 $57,776 95 95 392 $375,471 10/20/2019
New Zealand 9/26/2019 $18,996 80 80 271 $186,546 10/19/2022
Poland 5/31/2019 $318,099 206 206 824 $861,560 6/29/2019
Portugal 8/2/2019 $53,457 72 75 249 $220,983 10/19/2022
Russia (CIS) 8/22/2019 $131,372 1,109 1,109 2,329 $296,539 10/19/2022
Slovakia 5/17/2019 $26,555 72 72 172 $64,001 7/2/2019
South Korea 5/1/2019 $119,014 331 331 383 $318,275 5/23/2019
Spain 5/3/2019 $193,992 307 307 908 $532,943 5/30/2019
Turkey 5/17/2019 $34,956 251 251 421 $65,971 6/27/2019
United Kingdom 8/16/2019 $323,337 437 437 874 $753,069 8/28/2019
 
Rest of World $4,265,421
 
International Total$12,480,358 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Aug 4, 2019651,426 51,426$923,611$923,6113
Aug 11, 20193014,429-72% 65,855$259,145$1,182,7564

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Aug 4, 2019541,322 41,322$964,866$964,8663
Aug 11, 2019916,052-61% 57,374$368,544$1,333,4104

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Kelly Clarkson Moxy
Janelle Monáe Mandy
Blake Shelton Ox
Wanda Sykes Wage
Gabriel Iglesias Babo
Leehom Wang Lucky Bat
Bebe Rexha Spy Girl
Charli XCX Spy Girl
Lizzo Spy Girl
Nick Jonas Lou
Pitbull Ugly Dog

Supporting Cast

Emma Roberts Wedgehead
Kelly Asbury Gibberish Cat/Oliver/Chef/Buttons
Jane Lynch Scanner
Natalie Martinez Meghan
Stephen Zimpel Michael
Enrico C. Santos Nolan
Rob Riggle Exposition Robot
Steven Schweickart New Arrival
Afi Ekulona Tray
Jacques Colimon Sporko
Poonam Basu Various Voices
Carrin Baker Additional Voice
Rajia Baroudi Additional Voice
Elizabeth Bartley Additional Voice
Ranjani Brow Additional Voice
William Calvert Additional Voice
David Chen Additional Voice
David Cowgill Additional Voice
Brian T. Delaney Additional Voice
Lynn Evans Additional Voice
Chase Fein Additional Voice
Jeff Fischer Additional Voice
Jackie Gonneau Additional Voice
Jason Griffith Additional Voice
Wendy Hoffman Additional Voice
Terence Mathews Additional Voice
Janora McDuffie Additional Voice
Scott Menville Additional Voice
David Michie Additional Voice
Richard Mino Additional Voice
Andrew Morgado Additional Voice
Masasa Moyo Additional Voice
Richard Ortega Additional Voice
Devika Parikh Additional Voice
Constance Parng Additional Voice
Michael Pennington Additional Voice
Eliza Jane Schneider Additional Voice
Dennis Singletary Additional Voice
Kelly Stables Additional Voice
Jaquita Ta'le Additional Voice
Matt Wolf Additional Voice
Shelby Young Additional Voice

Uncategorized

Juan Pacheco Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kelly Asbury Director
Jane Hartwell Producer
Robert Rodriguez Producer
Oren Aviv Producer
Alison Peck Screenwriter
Robert Rodriguez Story by
David Horvath Character Creator
Kim Sun-min Character Creator
Robert Simonds Executive Producer
Adam Fogelson Executive Producer
Ruoging Fu Executive Producer
Mingyu Peng Executive Producer
Huixia Zhang Executive Producer
Fan Luyuan Executive Producer
Zhang Wei Executive Producer
Jerry Li Executive Producer
Shujin Lan-Shuster Executive Producer
Gabriel Bloch Executive Producer
Pitbull Executive Producer
Drew Matilsky Executive Producer
Julie Rogers Editor
Nolan Southerland Editor
Christopher Lennertz Song Writer
Glenn Slater Song Writer
Christopher Lennertz Composer
Jason Markey Music Supervisor
Paul McEvoy Head of Story
Andrew Woodhouse Production Designer
Shannon Jeffries Production Designer
Sébastien Bruneau Head of Animation
David Esneault Visual Effects Supervisor
Scott Peterson Character CG Supervisor
Andrea McCarthy Paul Associate Producer
Steven Schweickart Production Manager
Ruth Lambert Casting Director
Robert McGee Casting Director
Kevin Weaver Executive Music Producer
Liu Guoqing Associate Producer
Vivian Wang Associate Producer
David Trumble Story Artist
Robert Briggs Story Artist
Seema Virdi Story Artist
David Feiss Story Artist
Dirk Van Dulmen Story Artist
Sharon Bridgeman Story Artist
Ed Gombert Story Artist
Kevin Harkey Story Artist
Patrick Pakula Story Artist
Keith Baxter Story Artist
Peter Paul Bautista Story Artist
Daniel LaFrance Story Artist
Terry Michaud Story Artist
Sue Nichols Story Artist
Michael Wechsler First Assistant Editor
Ken Scribner Assistant Editor
Nik Siefke Assistant Editor
Lara Khachooni Assistant Editor
John Damien Ryan Assistant Editor
Magdiela Hermida Duhamel Production Supervisor
Luis Grane Lead Character Designer
Ovi Nedelcu Character Designer
Alison Donato Character Designer
Joel Dougherty Re-recording Mixer
Greg Orloff Re-recording Mixer
Branden Spencer Supervising Sound Editor
Sean McCormack Supervising Sound Editor
Shawn Montgomery Post-Production Supervisor
Paul Pirola Sound Designer
Jessica Arkoff Dialogue Editor
Duncan Campbell Sound Effects Editor
Hayden Collow Sound Effects Editor
Harvey James Sound Effects Editor
Andrew Neil Sound Effects Editor
Brendan Croxon Foley Editor
Sam Baker Foley Editor
Ryan Squires Foley Mixer
Dan DiPrima Music Editor
Christopher Brooks Music Editor
Dara Taylor Score Producer
Frank Wolf Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for July 30th, 2019

July 31st, 2019

The Thin Man

Avengers: Endgame is coming out on Video on Demand and it is scaring away all of the competition. It is a really shallow week, but there are several contenders for Pick of the Week. The biggest first run Blu-ray release of the week is Long Shot and it is among the contenders. As is Bojack Horseman and The Good Place. However, in the end I went with The Thin Man on Blu-ray, because I really want the full series to come out sooner rather than later. More...

Weekend Wrap-Up: Endgame Barely Tops Infinity War, Pickachu Solves Video Game Adaptations

May 14th, 2019

Pokémon: Detective Pikachu

The two biggest hits of the weekend were not as potent as predicted, but Avengers: Endgame and Pokémon: Detective Pikachu both have reasons to celebrate. Endgame became only the fourth film to reach $700 million domestically, while Detective Pikachu nearly entered the top ten video game adaptations of all time after just its opening weekend. As for the other wide releases, The Hustle did fine and the less said about Poms and Tolkien the better. The overall box office 16% from last weekend hitting $168 million. However, this was 21% higher than the same weekend last year, which is clearly the more important figure, as 2019 continues to try and climb out of the hole it dug for itself. It is now behind last year by 8.7% or $370 million at $3.83 billion to $4.20 billion. More...

Weekend Wrap-Up: Endgame Falls Just Short of The Force Awakens

May 7th, 2019

Avengers: Endgame

Avengers: Endgame didn’t do quite as well as expected over the The weekend, but it still managed the second best second weekend with $147.38 million. However, the number one film, The Force Awakens, was playing during the holidays, so Endgame has the record for best non-holiday second weekend. This wasn’t the only record Endgame set over the weekend. On the other hand, The Intruder was the only new release to top $10 million over the weekend, which resulted in a massive 50% box office decline from last weekend down to $199 million. A 50% week-over-week decline would be unusual most of the time, but this is what happens when you have a record-destroying weekend followed by a non-holiday weekend without any significant new releases. More importantly, this is still 17% more than the same weekend last year. 2019 is still way behind 2018, but the gap has dropped significantly over the past two weeks and is now 9.8% or $390 million at $3.61 billion to $4.00 billion. More...

Weekend Estimates: Endgame and Force Awakens in Real Fight

May 5th, 2019

Avengers: Endgame

The weekend isn’t going as well as I had hoped. Avengers: Endgame managed $145.80 million during its second weekend of release, which would leave it just behind The Force Awakens for biggest second weekend of all time. However, this is from Disney and they underestimated last week’s opening by such a large margin that I’m not sure The Force Awakens’ record is safe. On the other hand, there’s no ambiguity about Endgame setting the record for fastest to $600 topping The Force Awakens’s previous record by two full days. The film’s running tally sits at $619.70 million after just ten days of release and I don’t think it is hyperbolic to say it will top $900 million given its start so far. In fact, it could remove The Force Awakens from the top spot on the all-time Domestic title by the time its done, if it turns out Disney was being too conservative with its estimates again this week. More...

Friday Estimates: Endgame Nearly Matches The Force Awakens

May 4th, 2019

Avengers: Endgame

Avengers: Endgame dominated the Friday box office with $40.64 million for the day. By comparison, The Force Awakens earned $49.33 million during its second Friday of release; however that was Christmas Day, which is one of the best days of the year. Endgame should have better legs over the rest of the weekend and could close the gap by the end of Sunday. I’m not convinced that will happen, but it should still beat our $140 million prediction, so I’m sure Disney will be more than happy with this performance. Furthermore, the film topped $500 million in just its eighth day of release, beating The Force Awakens previous record of 10 days, and will get to $600 million by the end of the weekend, 2 days faster than Awakens reached that milestone. More...

Thursday Night Previews: Intruder Takes a Shot at the other Wide Releases

May 3rd, 2019

Long Shot

Despite earning the worst reviews, The Intruder had the best previews among the new releases last night. That said, it only managed $865,000. It will likely beat our prediction for the weekend as a whole, albeit by a small margin with just over $10 million. That would be a great start for a film that reportedly only cost $5 million to make. More...

Weekend Prediction: Endgame Takes Aim at The Force Awakens

May 2nd, 2019

Avengers: Endgame

Avengers: Endgame looks to break more records this weekend. It is specifically taking aim at The Force Awakens for the biggest second weekend of all time. If it can break this record, then The Force Awakens’s all-time Domestic title is in serious trouble. There are also a trio of wide releases opening this week, but I don’t think they will be a major factor at the box office. Long Shot is clearly the best and I think it will do well for a Romantic Comedy. UglyDollsreviews are not pretty, but they shouldn’t hurt this family film too much. Finally there's, The Intruder, which is not only the smallest release, but it is also earning the worst reviews. This weekend last year, Avengers: Infinity War dominated the chart, with Overboard earning second place with just under $15 million. More...

2019 Preview: May

May 1st, 2019

Detective Pikachu

April got off to a fast start with Shazam! opening the first weekend of the month. Meanwhile, Avengers: Endgame ended the month with a record-breaking debut. Unfortunately for 2019, last April had a very similar result leaving 2019 behind 2018’s pace by over $400 million. Will May be able to turn things around? Last May, there were only two films that reached $200 million, Deadpool 2 and Solo: A Star Wars Story. Meanwhile, this May there are three such films, Detective Pikachu, Aladdin, and Godzilla: King of the Monsters. There are two points we need to make. Firstly, the only reason there are more potential $200 million hits this year is because May has five Fridays this year. Secondly, this May also has a lot better depth with films like John Wick: Chapter 3 - Parabellum and Rocketman being potential $100 million hits. Even if we ignore the final weekend, May should do well enough to cut into 2018’s lead over 2019. It’s not going to be able to cut it in half, but it could do well enough to make box office analysts a little more positive about the year’s chances overall. More...

UglyDolls Trailer

February 8th, 2019

Animated musical adventure opens May 3 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Moxy loves her square-peg life in this round-hole town, but her curiosity about all things leads her to wonder if there’s something— anything—on the other side of the mountain which nestles Uglyville. Moxy gathers a group of her closest friends and sets off to find what’s on the other side. They discover another world Perfection—a town where more conventional dolls are trained in protocols before they graduate and are sent to the “real” world to find the love of a child. In Perfection, Moxy and her crew are subject to the manipulations of Lou, the perfect doll in charge of training recruits. Here, the UglyDolls will confront what it means to be different, struggle with their desire to be loved, and ultimately discover that you don’t have to be perfect to be amazing because who you truly are is what matters most.

Metrics

Opening Weekend:$8,603,407 (42.7% of total gross)
Legs:2.34 (domestic box office/biggest weekend)
Domestic Share:61.8% (domestic box office/worldwide)
Production Budget:$45,000,000 (worldwide box office is 0.7 times production budget)
Theater counts:3,652 opening theaters/3,652 max. theaters, 3.1 weeks average run per theater
Infl. Adj. Dom. BO $23,713,919

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Movie Details

Domestic Releases: May 3rd, 2019 (Wide) by STX Entertainment
International Releases: May 1st, 2019 (Wide) (South Korea)
May 3rd, 2019 (Wide) (Czech Republic)
May 3rd, 2019 (Wide), released as Ugly Dolls. Extraordinariamente feos (Spain)
May 17th, 2019 (Wide) (Argentina)
May 17th, 2019 (Wide) (Brazil)
... Show all releases
Video Release: July 16th, 2019 by STX Entertainment
MPAA Rating: PG for thematic elements and brief action.
(Rating bulletin 2572 (Cert #51965), 4/3/2019)
Running Time: 87 minutes
Comparisons: vs. Arctic Dogs
Create your own comparison chart…
Keywords: Living Toys, Underdog, Coming of Age, Bullies, Family Adventure
Source:Based on Toy
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Reel FX Animation Studios, STX Films, Huaxia Film & Distribution Coroporation
Production Countries: United States
Languages: English

Lead Ensemble Members

Kelly Clarkson Moxy
Janelle Monáe Mandy
Blake Shelton Ox
Wanda Sykes Wage
Gabriel Iglesias Babo
Leehom Wang Lucky Bat
Bebe Rexha Spy Girl
Charli XCX Spy Girl
Lizzo Spy Girl
Nick Jonas Lou
Pitbull Ugly Dog

Supporting Cast

Emma Roberts Wedgehead
Kelly Asbury Gibberish Cat/Oliver/Chef/Buttons
Jane Lynch Scanner
Natalie Martinez Meghan
Stephen Zimpel Michael
Enrico C. Santos Nolan
Rob Riggle Exposition Robot
Steven Schweickart New Arrival
Afi Ekulona Tray
Jacques Colimon Sporko
Poonam Basu Various Voices
Carrin Baker Additional Voice
Rajia Baroudi Additional Voice
Elizabeth Bartley Additional Voice
Ranjani Brow Additional Voice
William Calvert Additional Voice
David Chen Additional Voice
David Cowgill Additional Voice
Brian T. Delaney Additional Voice
Lynn Evans Additional Voice
Chase Fein Additional Voice
Jeff Fischer Additional Voice
Jackie Gonneau Additional Voice
Jason Griffith Additional Voice
Wendy Hoffman Additional Voice
Terence Mathews Additional Voice
Janora McDuffie Additional Voice
Scott Menville Additional Voice
David Michie Additional Voice
Richard Mino Additional Voice
Andrew Morgado Additional Voice
Masasa Moyo Additional Voice
Richard Ortega Additional Voice
Devika Parikh Additional Voice
Constance Parng Additional Voice
Michael Pennington Additional Voice
Eliza Jane Schneider Additional Voice
Dennis Singletary Additional Voice
Kelly Stables Additional Voice
Jaquita Ta'le Additional Voice
Matt Wolf Additional Voice
Shelby Young Additional Voice

Uncategorized

Juan Pacheco Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kelly Asbury Director
Jane Hartwell Producer
Robert Rodriguez Producer
Oren Aviv Producer
Alison Peck Screenwriter
Robert Rodriguez Story by
David Horvath Character Creator
Kim Sun-min Character Creator
Robert Simonds Executive Producer
Adam Fogelson Executive Producer
Ruoging Fu Executive Producer
Mingyu Peng Executive Producer
Huixia Zhang Executive Producer
Fan Luyuan Executive Producer
Zhang Wei Executive Producer
Jerry Li Executive Producer
Shujin Lan-Shuster Executive Producer
Gabriel Bloch Executive Producer
Pitbull Executive Producer
Drew Matilsky Executive Producer
Julie Rogers Editor
Nolan Southerland Editor
Christopher Lennertz Song Writer
Glenn Slater Song Writer
Christopher Lennertz Composer
Jason Markey Music Supervisor
Paul McEvoy Head of Story
Andrew Woodhouse Production Designer
Shannon Jeffries Production Designer
Sébastien Bruneau Head of Animation
David Esneault Visual Effects Supervisor
Scott Peterson Character CG Supervisor
Andrea McCarthy Paul Associate Producer
Steven Schweickart Production Manager
Ruth Lambert Casting Director
Robert McGee Casting Director
Kevin Weaver Executive Music Producer
Liu Guoqing Associate Producer
Vivian Wang Associate Producer
David Trumble Story Artist
Robert Briggs Story Artist
Seema Virdi Story Artist
David Feiss Story Artist
Dirk Van Dulmen Story Artist
Sharon Bridgeman Story Artist
Ed Gombert Story Artist
Kevin Harkey Story Artist
Patrick Pakula Story Artist
Keith Baxter Story Artist
Peter Paul Bautista Story Artist
Daniel LaFrance Story Artist
Terry Michaud Story Artist
Sue Nichols Story Artist
Michael Wechsler First Assistant Editor
Ken Scribner Assistant Editor
Nik Siefke Assistant Editor
Lara Khachooni Assistant Editor
John Damien Ryan Assistant Editor
Magdiela Hermida Duhamel Production Supervisor
Luis Grane Lead Character Designer
Ovi Nedelcu Character Designer
Alison Donato Character Designer
Joel Dougherty Re-recording Mixer
Greg Orloff Re-recording Mixer
Branden Spencer Supervising Sound Editor
Sean McCormack Supervising Sound Editor
Shawn Montgomery Post-Production Supervisor
Paul Pirola Sound Designer
Jessica Arkoff Dialogue Editor
Duncan Campbell Sound Effects Editor
Hayden Collow Sound Effects Editor
Harvey James Sound Effects Editor
Andrew Neil Sound Effects Editor
Brendan Croxon Foley Editor
Sam Baker Foley Editor
Ryan Squires Foley Mixer
Dan DiPrima Music Editor
Christopher Brooks Music Editor
Dara Taylor Score Producer
Frank Wolf Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for July 30th, 2019

July 31st, 2019

The Thin Man

Avengers: Endgame is coming out on Video on Demand and it is scaring away all of the competition. It is a really shallow week, but there are several contenders for Pick of the Week. The biggest first run Blu-ray release of the week is Long Shot and it is among the contenders. As is Bojack Horseman and The Good Place. However, in the end I went with The Thin Man on Blu-ray, because I really want the full series to come out sooner rather than later. More...

Weekend Wrap-Up: Endgame Barely Tops Infinity War, Pickachu Solves Video Game Adaptations

May 14th, 2019

Pokémon: Detective Pikachu

The two biggest hits of the weekend were not as potent as predicted, but Avengers: Endgame and Pokémon: Detective Pikachu both have reasons to celebrate. Endgame became only the fourth film to reach $700 million domestically, while Detective Pikachu nearly entered the top ten video game adaptations of all time after just its opening weekend. As for the other wide releases, The Hustle did fine and the less said about Poms and Tolkien the better. The overall box office 16% from last weekend hitting $168 million. However, this was 21% higher than the same weekend last year, which is clearly the more important figure, as 2019 continues to try and climb out of the hole it dug for itself. It is now behind last year by 8.7% or $370 million at $3.83 billion to $4.20 billion. More...

Weekend Wrap-Up: Endgame Falls Just Short of The Force Awakens

May 7th, 2019

Avengers: Endgame

Avengers: Endgame didn’t do quite as well as expected over the The weekend, but it still managed the second best second weekend with $147.38 million. However, the number one film, The Force Awakens, was playing during the holidays, so Endgame has the record for best non-holiday second weekend. This wasn’t the only record Endgame set over the weekend. On the other hand, The Intruder was the only new release to top $10 million over the weekend, which resulted in a massive 50% box office decline from last weekend down to $199 million. A 50% week-over-week decline would be unusual most of the time, but this is what happens when you have a record-destroying weekend followed by a non-holiday weekend without any significant new releases. More importantly, this is still 17% more than the same weekend last year. 2019 is still way behind 2018, but the gap has dropped significantly over the past two weeks and is now 9.8% or $390 million at $3.61 billion to $4.00 billion. More...

Weekend Estimates: Endgame and Force Awakens in Real Fight

May 5th, 2019

Avengers: Endgame

The weekend isn’t going as well as I had hoped. Avengers: Endgame managed $145.80 million during its second weekend of release, which would leave it just behind The Force Awakens for biggest second weekend of all time. However, this is from Disney and they underestimated last week’s opening by such a large margin that I’m not sure The Force Awakens’ record is safe. On the other hand, there’s no ambiguity about Endgame setting the record for fastest to $600 topping The Force Awakens’s previous record by two full days. The film’s running tally sits at $619.70 million after just ten days of release and I don’t think it is hyperbolic to say it will top $900 million given its start so far. In fact, it could remove The Force Awakens from the top spot on the all-time Domestic title by the time its done, if it turns out Disney was being too conservative with its estimates again this week. More...

Friday Estimates: Endgame Nearly Matches The Force Awakens

May 4th, 2019

Avengers: Endgame

Avengers: Endgame dominated the Friday box office with $40.64 million for the day. By comparison, The Force Awakens earned $49.33 million during its second Friday of release; however that was Christmas Day, which is one of the best days of the year. Endgame should have better legs over the rest of the weekend and could close the gap by the end of Sunday. I’m not convinced that will happen, but it should still beat our $140 million prediction, so I’m sure Disney will be more than happy with this performance. Furthermore, the film topped $500 million in just its eighth day of release, beating The Force Awakens previous record of 10 days, and will get to $600 million by the end of the weekend, 2 days faster than Awakens reached that milestone. More...

Thursday Night Previews: Intruder Takes a Shot at the other Wide Releases

May 3rd, 2019

Long Shot

Despite earning the worst reviews, The Intruder had the best previews among the new releases last night. That said, it only managed $865,000. It will likely beat our prediction for the weekend as a whole, albeit by a small margin with just over $10 million. That would be a great start for a film that reportedly only cost $5 million to make. More...

Weekend Prediction: Endgame Takes Aim at The Force Awakens

May 2nd, 2019

Avengers: Endgame

Avengers: Endgame looks to break more records this weekend. It is specifically taking aim at The Force Awakens for the biggest second weekend of all time. If it can break this record, then The Force Awakens’s all-time Domestic title is in serious trouble. There are also a trio of wide releases opening this week, but I don’t think they will be a major factor at the box office. Long Shot is clearly the best and I think it will do well for a Romantic Comedy. UglyDollsreviews are not pretty, but they shouldn’t hurt this family film too much. Finally there's, The Intruder, which is not only the smallest release, but it is also earning the worst reviews. This weekend last year, Avengers: Infinity War dominated the chart, with Overboard earning second place with just under $15 million. More...

2019 Preview: May

May 1st, 2019

Detective Pikachu

April got off to a fast start with Shazam! opening the first weekend of the month. Meanwhile, Avengers: Endgame ended the month with a record-breaking debut. Unfortunately for 2019, last April had a very similar result leaving 2019 behind 2018’s pace by over $400 million. Will May be able to turn things around? Last May, there were only two films that reached $200 million, Deadpool 2 and Solo: A Star Wars Story. Meanwhile, this May there are three such films, Detective Pikachu, Aladdin, and Godzilla: King of the Monsters. There are two points we need to make. Firstly, the only reason there are more potential $200 million hits this year is because May has five Fridays this year. Secondly, this May also has a lot better depth with films like John Wick: Chapter 3 - Parabellum and Rocketman being potential $100 million hits. Even if we ignore the final weekend, May should do well enough to cut into 2018’s lead over 2019. It’s not going to be able to cut it in half, but it could do well enough to make box office analysts a little more positive about the year’s chances overall. More...

UglyDolls Trailer

February 8th, 2019

Animated musical adventure opens May 3 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 3, 2019 4 $8,603,407   3,652 $2,356   $8,603,407 1
May 10, 2019 7 $4,147,092 -52% 3,652 $1,136   $14,507,888 2
May 17, 2019 10 $1,779,617 -57% 2,030 $877   $17,433,285 3
May 24, 2019 14 $642,297 -64% 1,090 $589   $18,862,439 4
May 31, 2019 17 $221,608 -65% 296 $749   $19,588,805 5
Jun 7, 2019 29 $95,223 -57% 188 $507   $19,819,741 6
Jun 14, 2019 32 $62,370 -35% 139 $449   $19,957,034 7
Jun 21, 2019 34 $43,998 -29% 105 $419   $20,062,588 8
Jun 28, 2019 35 $24,986 -43% 82 $305   $20,126,147 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 2, 2019 P $300,000     2,250 $133   $300,000  
May 3, 2019 4 $2,496,875     3,652 $684   $2,496,875 1
May 4, 2019 4 $3,618,823 +45%   3,652 $991   $6,115,698 2
May 5, 2019 3 $2,487,709 -31%   3,652 $681   $8,603,407 3
May 6, 2019 4 $362,697 -85%   3,652 $99   $8,966,104 4
May 7, 2019 4 $708,798 +95%   3,652 $194   $9,674,902 5
May 8, 2019 4 $371,819 -48%   3,652 $102   $10,046,721 6
May 9, 2019 4 $314,075 -16%   3,652 $86   $10,360,796 7
May 10, 2019 7 $958,357 +205% -62% 3,652 $262   $11,319,153 8
May 11, 2019 6 $1,738,241 +81% -52% 3,652 $476   $13,057,394 9
May 12, 2019 7 $1,450,494 -17% -42% 3,652 $397   $14,507,888 10
May 13, 2019 7 $240,376 -83% -34% 3,652 $66   $14,748,264 11
May 14, 2019 7 $405,275 +69% -43% 3,652 $111   $15,153,539 12
May 15, 2019 7 $258,392 -36% -31% 3,652 $71   $15,411,931 13
May 16, 2019 7 $241,737 -6% -23% 3,652 $66   $15,653,668 14
May 17, 2019 10 $355,132 +47% -63% 2,030 $175   $16,008,800 15
May 18, 2019 10 $764,624 +115% -56% 2,030 $377   $16,773,424 16
May 19, 2019 9 $659,861 -14% -55% 2,030 $325   $17,433,285 17
May 20, 2019 9 $291,057 -56% +21% 2,030 $143   $17,724,342 18
May 21, 2019 10 $205,794 -29% -49% 2,030 $101   $17,930,136 19
May 22, 2019 10 $150,432 -27% -42% 2,030 $74   $18,080,568 20
May 23, 2019 10 $139,574 -7% -42% 2,030 $69   $18,220,142 21
May 24, 2019 15 $137,835 -1% -61% 1,090 $126   $18,357,977 22
May 25, 2019 13 $249,490 +81% -67% 1,090 $229   $18,607,467 23
May 26, 2019 13 $254,972 +2% -61% 1,090 $234   $18,862,439 24
May 27, 2019 11 $247,811 -3% -15% 1,090 $227   $19,110,250 25
May 28, 2019 13 $95,951 -61% -53% 1,090 $88   $19,206,201 26
May 29, 2019 13 $78,047 -19% -48% 1,090 $72   $19,284,248 27
May 30, 2019 12 $82,949 +6% -41% 1,090 $76   $19,367,197 28
May 31, 2019 - $59,134 -29% -57% 296 $200   $19,426,331 29
Jun 1, 2019 - $85,904 +45% -66% 296 $290   $19,512,235 30
Jun 2, 2019 - $76,570 -11% -70% 296 $259   $19,588,805 31
Jun 3, 2019 - $30,972 -60% -88% 296 $105   $19,619,777 32
Jun 4, 2019 - $40,522 +31% -58% 296 $137   $19,660,299 33
Jun 5, 2019 - $35,012 -14% -55% 296 $118   $19,695,311 34
Jun 6, 2019 - $29,207 -17% -65% 296 $99   $19,724,518 35
Jun 7, 2019 - $28,824 -1% -51% 188 $153   $19,753,342 36
Jun 8, 2019 - $35,901 +25% -58% 188 $191   $19,789,243 37
Jun 9, 2019 - $30,498 -15% -60% 188 $162   $19,819,741 38
Jun 10, 2019 - $14,997 -51% -52% 188 $80   $19,834,738 39
Jun 11, 2019 - $21,504 +43% -47% 188 $114   $19,856,242 40
Jun 12, 2019 - $17,964 -16% -49% 188 $96   $19,874,206 41
Jun 13, 2019 - $20,458 +14% -30% 188 $109   $19,894,664 42
Jun 14, 2019 - $20,319 -1% -30% 139 $146   $19,914,983 43
Jun 15, 2019 - $24,399 +20% -32% 139 $176   $19,939,382 44
Jun 16, 2019 - $17,652 -28% -42% 139 $127   $19,957,034 45
Jun 17, 2019 - $11,121 -37% -26% 139 $80   $19,968,155 46
Jun 18, 2019 - $18,354 +65% -15% 139 $132   $19,986,509 47
Jun 19, 2019 - $16,057 -13% -11% 139 $116   $20,002,566 48
Jun 20, 2019 - $16,024 n/c -22% 139 $115   $20,018,590 49
Jun 21, 2019 - $13,253 -17% -35% 105 $126   $20,031,843 50
Jun 22, 2019 - $16,873 +27% -31% 105 $161   $20,048,716 51
Jun 23, 2019 - $13,872 -18% -21% 105 $132   $20,062,588 52
Jun 24, 2019 - $7,981 -42% -28% 105 $76   $20,070,569 53
Jun 25, 2019 - $10,856 +36% -41% 105 $103   $20,081,425 54
Jun 26, 2019 - $9,485 -13% -41% 105 $90   $20,090,910 55
Jun 27, 2019 - $10,251 +8% -36% 105 $98   $20,101,161 56
Jun 28, 2019 - $7,412 -28% -44% 82 $90   $20,108,573 57
Jun 29, 2019 - $9,146 +23% -46% 82 $112   $20,117,719 58
Jun 30, 2019 - $8,428 -8% -39% 82 $103   $20,126,147 59
Jul 1, 2019 - $4,659 -45% -42% 82 $57   $20,130,806 60
Jul 2, 2019 - $7,430 +59% -32% 82 $91   $20,138,236 61
Jul 3, 2019 - $6,027 -19% -36% 82 $74   $20,144,263 62
Jul 4, 2019 - $5,978 -1% -42% 82 $73   $20,150,241 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 3, 2019 4 $10,360,796   3,652 $2,837   $10,360,796 1
May 10, 2019 7 $5,292,872 -49% 3,652 $1,449   $15,653,668 2
May 17, 2019 10 $2,566,474 -52% 2,030 $1,264   $18,220,142 3
May 24, 2019 14 $1,147,055 -55% 1,090 $1,052   $19,367,197 4
May 31, 2019 19 $357,321 -69% 296 $1,207   $19,724,518 5
Jun 7, 2019 - $170,146 -52% 188 $905   $19,894,664 6
Jun 14, 2019 - $123,926 -27% 139 $892   $20,018,590 7
Jun 21, 2019 28 $82,571 -33% 105 $786   $20,101,161 8
Jun 28, 2019 36 $49,080 -41% 82 $599   $20,150,241 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/17/2019 $114,684 195 195 312 $227,452 7/11/2019
Australia 9/27/2019 $117,190 250 250 757 $884,128 10/26/2020
Brazil 5/17/2019 $214,162 128 270 398 $321,978 5/31/2019
Bulgaria 5/17/2019 $9,072 0 0 0 $35,827 7/3/2019
China 10/4/2019 $0 0 0 0 $498,061 11/1/2019
Czech Republic 5/3/2019 $55,378 122 122 262 $105,825 5/28/2019
France 7/12/2019 $154,910 293 293 534 $398,631 8/4/2019
Italy 11/14/2019 $318,575 0 35 42 $629,472 1/20/2020
Lithuania 6/28/2019 $2,473 6 108 354 $137,187 9/4/2019
Mexico 5/17/2019 $726,285 0 0 0 $1,301,018 6/3/2019
Netherlands 8/2/2019 $57,776 95 95 392 $375,471 10/20/2019
New Zealand 9/26/2019 $18,996 80 80 271 $186,546 10/19/2022
Poland 5/31/2019 $318,099 206 206 824 $861,560 6/29/2019
Portugal 8/2/2019 $53,457 72 75 249 $220,983 10/19/2022
Russia (CIS) 8/22/2019 $131,372 1,109 1,109 2,329 $296,539 10/19/2022
Slovakia 5/17/2019 $26,555 72 72 172 $64,001 7/2/2019
South Korea 5/1/2019 $119,014 331 331 383 $318,275 5/23/2019
Spain 5/3/2019 $193,992 307 307 908 $532,943 5/30/2019
Turkey 5/17/2019 $34,956 251 251 421 $65,971 6/27/2019
United Kingdom 8/16/2019 $323,337 437 437 874 $753,069 8/28/2019
 
Rest of World $4,265,421
 
International Total$12,480,358 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Aug 4, 2019651,426 51,426$923,611$923,6113
Aug 11, 20193014,429-72% 65,855$259,145$1,182,7564

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Aug 4, 2019541,322 41,322$964,866$964,8663
Aug 11, 2019916,052-61% 57,374$368,544$1,333,4104

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.