Deon Taylor
Best known as a Director based on credits in that role in 11 films, with $94,863,516 worldwide aggregate box office (rank #1,168) |
Best-known technical roles: The Intruder (Director), The Intruder (Producer), Black and Blue (Director), Traffik (Director), Traffik (Screenwriter) |
Most productive collaborators: Michael Ealy, Roxanne Avent, David Loughery, Meagan Good, Naomie Harris |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Director | 11 | $87,229,567 | $7,633,949 | $94,863,516 |
Producer | 6 | $60,184,943 | $6,916,534 | $67,101,477 | |
Screenwriter | 5 | $23,520,965 | $1,191,686 | $24,712,651 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 701-800) | 776 | $87,229,567 |
Top Grossing Producer at the Domestic Box Office (Rank 1,501-1,600) | 1,547 | $60,184,943 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 2,701-2,800) | 2,711 | $23,520,965 |
Top Grossing Director at the International Box Office (Rank 2,701-2,800) | 2,765 | $7,633,949 |
Top Grossing Producer at the International Box Office (Rank 3,501-3,600) | 3,595 | $6,916,534 |
Top Grossing Screenwriter at the International Box Office (Rank 4,701-4,800) | 4,788 | $1,191,686 |
Top Grossing Director at the Worldwide Box Office (Rank 1,101-1,200) | 1,168 | $94,863,516 |
Top Grossing Producer at the Worldwide Box Office (Rank 2,101-2,200) | 2,164 | $67,101,477 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,401-3,500) | 3,474 | $24,712,651 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Theater counts: A Man Called Otto holds on as widest release as two new films debut
January 26th, 2023
Our widest releases list this week is close to being a replay of last week with A Man Called Otto still occupying the top spot by playing in 3,957 cinemas. The Tom Hanks comedy-drama has scored just short of $60 million worldwide to date during its four-week run.
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Monthly preview: October will be a horror show
September 30th, 2020
A month ago, October’s line-up of new releases looked weak, but also suggested the movie industry was planning for a steady recovery. The last few weeks have blown that optimism out the water. Wonder Woman 1984, Death on the Nile, and Candyman have all moved from their planned October release dates, and Black Widow has retreated from the first week of November to May next year. 20th Century Studios (i.e., Disney) threw theaters a tiny bone in the form of The Empty Man, which moved up to October 23, but the message is clear: a recovery in the theatrical business is still a long way away, if it comes at all.
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2018 Preview: April
April 1st, 2018
Well, March has ended and it was a very disappointing month. Black Panther made more than any of the new releases did. The only potential big hit that didn’t miss expectations was Ready Player One. Because of this, 2018 lost its lead over 2017 and is now over $100 million behind last year’s pace. April is usually a terrible month, because it is a dumping ground, especially late in the month. No studio wants to compete with the first monster hit of the Summer. This year, the first monster hit of the summer, Avengers: Infinity War, opens in April. It will make more during its opening weekend than any other April release will make in total. It might make more opening day than any other April release will make in total. The only film that has a real chance to earn more than $100 million is Rampage, a video game adaptation. Last April, The Fate of the Furious earned more than $1.2 billion worldwide, but “only” earned $225.76 million of that domestically. Infinity War should earn more than that opening weekend. The second biggest hit of last April was Smurfs: The Lost Village and Going in Style, both of which earned $45.02 million. If 2018 doesn’t retake the lead by the end of the month, then 2018 is in trouble at the box office.
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jan 27, 2023 | Fear | Director Screenwriter |
$2,138,235 | $2,138,235 | |
Jun 11, 2021 | The House Next Door: Meet t… | Director Screenwriter |
$2,893,660 | $2,893,660 | |
Dec 18, 2020 | Fatale | Director Producer |
$6,306,897 | $516,423 | $6,823,320 |
Oct 25, 2019 | Black and Blue | Director | $22,012,729 | $717,415 | $22,730,144 |
May 3, 2019 | The Intruder | Director Producer |
$35,388,976 | $5,208,425 | $40,597,401 |
Jul 10, 2018 | A Swingers Weekend | Director | |||
Apr 20, 2018 | Traffik | Director Producer Screenwriter |
$9,186,156 | $375,075 | $9,561,231 |
Apr 1, 2016 | Meet the Blacks | Director Screenwriter Producer |
$9,097,072 | $9,097,072 | |
Jan 30, 2015 | Supremacy | Director | |||
Oct 1, 2010 | Chain Letter | Producer Director Screenwriter |
$205,842 | $816,611 | $1,022,453 |
Averages | $10,903,696 | $1,526,790 | $11,857,940 | ||
Totals | 10 | $87,229,567 | $7,633,949 | $94,863,516 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jan 27, 2023 | Fear | $1,227,794 | 974 | $2,138,235 | $2,138,235 | 100.0% |
Jun 11, 2021 | The House Next Door: M… | $1,011,756 | 539 | $2,893,660 | $2,893,660 | 100.0% |
Dec 18, 2020 | Fatale | $918,112 | 1,222 | $6,306,897 | $6,823,320 | 92.4% |
Oct 25, 2019 | Black and Blue | $8,376,846 | 2,062 | $22,012,729 | $22,730,144 | 96.8% |
May 3, 2019 | The Intruder | $10,855,054 | 2,231 | $35,388,976 | $40,597,401 | 87.2% |
Jul 10, 2018 | A Swingers Weekend | |||||
Apr 20, 2018 | Traffik | $3,941,338 | 1,046 | $9,186,156 | $9,561,231 | 96.1% |
Apr 1, 2016 | Meet the Blacks | $4,055,940 | 1,015 | $9,097,072 | $9,097,072 | 100.0% |
Jan 30, 2015 | Supremacy | |||||
Oct 1, 2010 | Chain Letter | $138,788 | 406 | $205,842 | $1,022,453 | 20.1% |
Averages | $3,815,704 | 1,187 | $10,903,696 | $11,857,940 | 86.6% | |
Totals | 10 | $87,229,567 | $94,863,516 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Dec 18, 2020 | Fatale | $918,112 | 1,222 | $6,306,897 | $6,823,320 | 92.4% |
May 3, 2019 | The Intruder | $10,855,054 | 2,231 | $35,388,976 | $40,597,401 | 87.2% |
Apr 20, 2018 | Traffik | $3,941,338 | 1,046 | $9,186,156 | $9,561,231 | 96.1% |
Apr 1, 2016 | Meet the Blacks | $4,055,940 | 1,015 | $9,097,072 | $9,097,072 | 100.0% |
Oct 1, 2010 | Chain Letter | $138,788 | 406 | $205,842 | $1,022,453 | 20.1% |
Averages | $3,981,846 | 1,184 | $12,036,989 | $13,420,295 | 79.2% | |
Totals | 5 | $60,184,943 | $67,101,477 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jan 27, 2023 | Fear | $1,227,794 | 974 | $2,138,235 | $2,138,235 | 100.0% |
Jun 11, 2021 | The House Next Door: M… | $1,011,756 | 539 | $2,893,660 | $2,893,660 | 100.0% |
Apr 20, 2018 | Traffik | $3,941,338 | 1,046 | $9,186,156 | $9,561,231 | 96.1% |
Apr 1, 2016 | Meet the Blacks | $4,055,940 | 1,015 | $9,097,072 | $9,097,072 | 100.0% |
Oct 1, 2010 | Chain Letter | $138,788 | 406 | $205,842 | $1,022,453 | 20.1% |
Averages | $2,075,123 | 796 | $4,704,193 | $4,942,530 | 83.2% | |
Totals | 5 | $23,520,965 | $24,712,651 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 701-800) | 776 | $87,229,567 |
Top Grossing Producer at the Domestic Box Office (Rank 1,501-1,600) | 1,547 | $60,184,943 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 2,701-2,800) | 2,711 | $23,520,965 |
Top Grossing Director at the International Box Office (Rank 2,701-2,800) | 2,765 | $7,633,949 |
Top Grossing Producer at the International Box Office (Rank 3,501-3,600) | 3,595 | $6,916,534 |
Top Grossing Screenwriter at the International Box Office (Rank 4,701-4,800) | 4,788 | $1,191,686 |
Top Grossing Director at the Worldwide Box Office (Rank 1,101-1,200) | 1,168 | $94,863,516 |
Top Grossing Producer at the Worldwide Box Office (Rank 2,101-2,200) | 2,164 | $67,101,477 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,401-3,500) | 3,474 | $24,712,651 |