Box Office Star Records > Domestic > Lifetime All Technical Roles > Top Domestic Technical Roles
Top People in Technical Roles at the Domestic Box Office (Rank 101-200)BETA
See also: Top International Technical Roles - Top Worldwide Technical Roles
This list shows the highest grossing technical roles of all people based on the domestic box office of the movies they worked on.
Since we are still actively researching technical roles, we consider this chart to be in beta mode. The table includes data for movies in The Numbers database. While we make every effort to collect all available data, there are inevitably omissions and errors. Please help us by sending corrections to corrections@the-numbers.com.
| Rank | Name | Domestic Box Office |
Movies | Average | Role |
|---|---|---|---|---|---|
| 101 | Dan Hegeman | $4,138,815,433 | 68 | $60,864,933 | Sound Effects Editor |
| 102 | Deborah L. Scott | $4,116,885,305 | 22 | $187,131,150 | Costume Designer |
| 103 | Harry Gregson-Williams | $4,112,141,969 | 53 | $77,587,584 | Composer |
| 104 | Robert Taylor | $4,104,153,400 | 14 | $293,153,814 | Associate Producer |
| 105 | Scott Millan | $4,089,841,634 | 47 | $87,017,907 | Re-recording Mixer |
| 106 | Simon Chase | $4,078,466,178 | 30 | $135,948,873 | Dialogue Editor |
| 107 | Gregg Landaker | $4,074,399,654 | 36 | $113,177,768 | Re-recording Mixer |
| 108 | Ethan Van der Ryn | $4,071,098,592 | 29 | $140,382,710 | Supervising Sound Editor |
| 109 | Henry Jackman | $4,063,942,930 | 35 | $116,112,655 | Composer |
| 110 | Ron Bartlett | $4,042,148,980 | 50 | $80,842,980 | Re-recording Mixer |
| 111 | Bria Kinter | $4,025,023,968 | 15 | $268,334,931 | Set Designer |
| 112 | Ronna Kress | $4,024,241,429 | 53 | $75,929,084 | Casting Director |
| 113 | Avi Arad | $4,021,839,850 | 24 | $167,576,660 | Producer |
| 114 | Lauren Shuler Donner | $4,021,763,894 | 34 | $118,287,173 | Producer |
| 115 | Kelly Port | $3,998,685,869 | 16 | $249,917,867 | Visual Effects Supervisor |
| 116 | Jacob Riehle | $3,981,841,498 | 18 | $221,213,417 | Dialogue Editor |
| 117 | Brian Stultz | $3,973,496,092 | 11 | $361,226,917 | Art Director |
| 118 | Gwendolyn Yates Whittle | $3,950,756,431 | 18 | $219,486,468 | Supervising Sound Editor |
| 119 | Gary Tomkins | $3,919,612,111 | 14 | $279,972,294 | Art Director |
| 120 | Gary Rydstrom | $3,906,302,338 | 22 | $177,559,197 | Re-recording Mixer |
| 121 | Mike Stenson | $3,881,770,159 | 23 | $168,772,616 | Executive Producer |
| 122 | Richard King | $3,867,741,564 | 32 | $120,866,924 | Supervising Sound Editor |
| 123 | Ken Wannberg | $3,852,237,474 | 26 | $148,162,980 | Music Editor |
| 124 | Jerry Goldsmith | $3,844,804,660 | 103 | $37,328,201 | Composer |
| 125 | Stuart Wilson | $3,837,011,011 | 14 | $274,072,215 | Sound Mixer |
| 126 | Alexandre Desplat | $3,784,300,798 | 57 | $66,391,242 | Composer |
| 127 | Dennis Leonard | $3,781,455,605 | 18 | $210,080,867 | Supervising Sound Editor |
| 128 | Natalie Lyon | $3,774,217,668 | 14 | $269,586,976 | Casting Director |
| 129 | Brian Smrz | $3,747,556,173 | 27 | $138,798,377 | Second Unit Director |
| 130 | Mark Mothersbaugh | $3,743,941,635 | 70 | $53,484,881 | Composer |
| 131 | Charles Wood | $3,724,006,415 | 13 | $286,462,032 | Production Designer |
| 132 | Will Dodds | $3,721,530,345 | 40 | $93,038,259 | Assistant Director |
| 133 | Linda Matthews | $3,713,117,810 | 42 | $88,407,567 | Costume Supervisor |
| 134 | Peter J. Devlin | $3,707,191,490 | 22 | $168,508,704 | Sound Mixer |
| 135 | Jeanne McCarthy | $3,682,171,055 | 65 | $56,648,785 | Casting Director |
| 136 | Brett Robinson | $3,670,723,112 | 23 | $159,596,657 | Assistant Director |
| 137 | Shannon Mills | $3,663,222,121 | 20 | $183,161,106 | Sound Designer |
| 138 | Sallie Hard | $3,658,111,492 | 42 | $87,097,893 | Assistant Director |
| 139 | Gabe Hilfer | $3,642,374,993 | 57 | $63,901,316 | Music Supervisor |
| 140 | Lee Orloff | $3,640,652,636 | 32 | $113,770,395 | Sound Mixer |
| 141 | Deborah Aquila | $3,636,743,097 | 68 | $53,481,516 | Casting Director |
| 142 | Spiro Razatos | $3,618,815,933 | 27 | $134,030,220 | Second Unit Director |
| 143 | John Knoll | $3,599,165,147 | 12 | $299,930,429 | Visual Effects Supervisor |
| 144 | Dana Goldberg | $3,592,174,733 | 28 | $128,291,955 | Executive Producer |
| 145 | Michael Keller | $3,585,608,740 | 26 | $137,908,028 | Re-recording Mixer |
| 146 | Richard King | $3,581,442,125 | 26 | $137,747,774 | Sound Designer |
| 147 | Ernie Avila | $3,569,496,986 | 21 | $169,976,047 | Set Designer |
| 148 | Steve Orlando | $3,562,622,473 | 12 | $296,885,206 | Sound Effects Editor |
| 149 | Joanna Johnston | $3,539,168,510 | 29 | $122,040,293 | Costume Designer |
| 150 | Steve Ditko | $3,535,309,437 | 9 | $392,812,160 | Story Creator |
| 151 | Jeanette Surga | $3,517,609,476 | 48 | $73,283,531 | Music Editor |
| 152 | Colleen Atwood | $3,415,761,577 | 41 | $83,311,258 | Costume Designer |
| 153 | Michael E. Uslan | $3,410,905,522 | 16 | $213,181,595 | Executive Producer |
| 154 | David Newman | $3,403,786,129 | 74 | $45,997,110 | Composer |
| 155 | Steven Mnuchin | $3,394,240,340 | 32 | $106,070,011 | Executive Producer |
| 156 | Marco Beltrami | $3,368,103,780 | 67 | $50,270,206 | Composer |
| 157 | Alexander Witt | $3,361,679,791 | 25 | $134,467,192 | Second Unit Director |
| 158 | Randy Newman | $3,353,192,090 | 23 | $145,790,960 | Composer |
| 159 | Mary Hidalgo | $3,339,410,220 | 21 | $159,019,534 | Casting Director |
| 160 | Wylie Stateman | $3,327,131,718 | 39 | $85,311,070 | Supervising Sound Editor |
| 161 | Terry Porter | $3,324,606,676 | 45 | $73,880,148 | Re-recording Mixer |
| 162 | Chris Lebenzon | $3,318,269,151 | 30 | $110,608,972 | Editor |
| 163 | Teresa Eckton | $3,314,805,481 | 17 | $194,988,558 | Sound Effects Editor |
| 164 | Michael Kaplan | $3,310,992,993 | 23 | $143,956,217 | Costume Designer |
| 165 | Tim Chau | $3,306,944,809 | 52 | $63,595,092 | Sound Designer |
| 166 | Jason Blum | $3,301,882,457 | 73 | $45,231,267 | Producer |
| 167 | Lindy Hemming | $3,296,556,452 | 18 | $183,142,025 | Costume Designer |
| 168 | Skip Lievsay | $3,287,172,430 | 41 | $80,174,937 | Re-recording Mixer |
| 169 | Lee Smith | $3,267,992,590 | 22 | $148,545,118 | Editor |
| 170 | Lorne Balfe | $3,255,408,141 | 35 | $93,011,661 | Composer |
| 171 | Tim Chau | $3,250,176,742 | 51 | $63,728,956 | Supervising Sound Editor |
| 172 | Stuart Craig | $3,249,797,964 | 16 | $203,112,373 | Production Designer |
| 173 | Brian Grazer | $3,242,089,839 | 48 | $67,543,538 | Producer |
| 174 | George Drakoulias | $3,232,175,792 | 32 | $101,005,494 | Music Supervisor |
| 175 | Lorenzo di Bonaventura | $3,227,445,151 | 34 | $94,924,857 | Producer |
| 176 | Misha Bukowski | $3,225,179,740 | 28 | $115,184,991 | Assistant Director |
| 177 | Mitchell Kenney | $3,210,706,865 | 32 | $100,334,590 | Costume Supervisor |
| 178 | Jose Antonio Garcia | $3,208,204,340 | 28 | $114,578,726 | Sound Mixer |
| 179 | Janet Healy | $3,201,995,985 | 12 | $266,832,999 | Producer |
| 180 | Louise Mingenbach | $3,201,581,182 | 24 | $133,399,216 | Costume Designer |
| 181 | Chris Munro | $3,192,380,158 | 27 | $118,236,302 | Sound Mixer |
| 182 | Walter Hamada | $3,184,647,965 | 27 | $117,949,925 | Executive Producer |
| 183 | K.C. Hodenfield | $3,183,302,491 | 22 | $144,695,568 | Assistant Director |
| 184 | Erik Aadahl | $3,179,009,153 | 23 | $138,217,789 | Supervising Sound Editor |
| 185 | Rosemary Brandenberg | $3,175,756,449 | 38 | $83,572,538 | Set Decorator |
| 186 | Christopher Markus | $3,175,631,122 | 10 | $317,563,112 | Screenwriter |
| 187 | Stephen McFeely | $3,175,631,122 | 10 | $317,563,112 | Screenwriter |
| 188 | Maryann Brandon | $3,145,190,427 | 13 | $241,937,725 | Editor |
| 189 | Jon Favreau | $3,136,592,639 | 7 | $448,084,663 | Executive Producer |
| 190 | Michael Minkler | $3,132,456,522 | 50 | $62,649,130 | Re-recording Mixer |
| 191 | Heitor Pereira | $3,128,700,060 | 30 | $104,290,002 | Composer |
| 192 | John Schwartzman | $3,128,579,662 | 26 | $120,329,987 | Cinematographer |
| 193 | Don Burgess | $3,127,970,597 | 28 | $111,713,236 | Cinematographer |
| 194 | George Lucas | $3,127,868,481 | 17 | $183,992,264 | Executive Producer |
| 195 | Jany Temime | $3,127,282,765 | 19 | $164,593,830 | Costume Designer |
| 196 | Dan Mindel | $3,113,950,601 | 16 | $194,621,913 | Cinematographer |
| 197 | Tony Lamberti | $3,105,316,877 | 31 | $100,171,512 | Re-recording Mixer |
| 198 | Daniel Laurie | $3,095,202,793 | 10 | $309,520,279 | Supervising Sound Editor |
| 199 | Amy Pascal | $3,091,418,302 | 14 | $220,815,593 | Producer |
| 200 | William B. Kaplan | $3,082,004,113 | 25 | $123,280,165 | Sound Mixer |
The Domestic Market is defined as the North American movie territory (consisting of the United States, Canada, Puerto Rico and Guam).
This table is updated daily to reflect the latest studio reports.
Note: This chart is not adjusted for inflation.