Don Burgess
Best known as a Cinematographer based on credits in that role in 27 films, with $6,696,084,557 worldwide aggregate box office (rank #8) |
Best-known technical roles: Aquaman (Cinematographer), Spider-Man (Cinematographer), Aquaman and the Lost Kingdom (Cinematographer), Wonder (Cinematographer), Forrest Gump (Cinematographer) |
Most productive collaborators: Willem Dafoe, James Wan, Jason Momoa, Peter Safran, Amber Heard |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Cinematographer | 27 | $3,107,078,139 | $3,589,006,418 | $6,696,084,557 |
Second Unit Camera | 6 | $507,910,303 | $638,644,498 | $1,146,554,801 | |
Additional Photography | 2 | $261,933,624 | $301,888,411 | $563,822,035 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Cinematographer at the Domestic Box Office | 2 | $3,107,078,139 |
Top Grossing Cinematographer at the International Box Office | 13 | $3,589,006,418 |
Top Grossing Cinematographer at the Worldwide Box Office | 8 | $6,696,084,557 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Dec 22, 2023 | Aquaman and the Lost Kingdom | Director of Photography | $124,481,226 | $309,364,338 | $433,845,564 |
Dec 21, 2018 | Aquaman | Director of Photography | $335,061,807 | $796,787,895 | $1,131,849,702 |
Nov 17, 2017 | Wonder | Director of Photography | $132,422,809 | $178,401,787 | $310,824,596 |
Oct 20, 2017 | Same Kind of Different as Me | Director of Photography | $6,423,605 | $45,059 | $6,468,664 |
Jan 13, 2017 | Monster Trucks | Director of Photography | $33,370,166 | $28,272,632 | $61,642,798 |
Nov 23, 2016 | Allied | Director of Photography | $40,098,064 | $79,168,597 | $119,266,661 |
Jun 10, 2016 | The Conjuring 2: The Enfiel… | Director of Photography | $102,470,008 | $207,726,324 | $310,196,332 |
Mar 21, 2014 | Muppets Most Wanted | Director of Photography | $51,178,893 | $28,133,408 | $79,312,301 |
Apr 12, 2013 | 42 | Director of Photography | $95,020,213 | $2,450,488 | $97,470,701 |
Nov 2, 2012 | Flight | Director of Photography | $93,772,375 | $66,786,063 | $160,558,438 |
Nov 23, 2011 | The Muppets | Director of Photography | $88,625,922 | $72,346,000 | $160,971,922 |
May 13, 2011 | Priest | Cinematographer | $29,136,626 | $55,017,400 | $84,154,026 |
Apr 1, 2011 | Source Code | Cinematographer | $54,712,227 | $85,716,272 | $140,428,499 |
Jan 15, 2010 | The Book of Eli | Cinematographer | $94,835,059 | $63,915,758 | $158,750,817 |
Nov 21, 2007 | Enchanted | Director of Photography | $127,706,877 | $212,677,264 | $340,384,141 |
Jul 21, 2006 | My Super Ex-Girlfriend | Director of Photography | $22,530,295 | $38,242,561 | $60,772,856 |
Feb 17, 2006 | Eight Below | Director of Photography | $81,612,565 | $38,843,429 | $120,455,994 |
Nov 10, 2004 | The Polar Express | Cinematographer | $188,042,855 | $124,140,582 | $312,183,437 |
Apr 23, 2004 | 13 Going On 30 | Director of Photography | $57,139,723 | $40,518,989 | $97,658,712 |
Oct 24, 2003 | Radio | Director of Photography | $52,333,738 | $959,890 | $53,293,628 |
Jun 14, 2002 | The Bourne Identity | Additional Photography | $121,468,960 | $92,888,411 | $214,357,371 |
May 3, 2002 | Spider-Man | Cinematographer | $404,652,858 | $418,000,000 | $822,652,858 |
Dec 22, 2000 | Cast Away | Cinematographer | $233,632,142 | $193,598,374 | $427,230,516 |
Jul 21, 2000 | What Lies Beneath | Cinematographer | $155,464,351 | $133,229,638 | $288,693,989 |
May 8, 1998 | Deep Impact | Additional Photography | $140,464,664 | $209,000,000 | $349,464,664 |
Jul 11, 1997 | Contact | Director of Photography | $100,920,329 | $64,979,671 | $165,900,000 |
May 19, 1995 | Forget Paris | Cinematographer | $33,194,512 | $33,194,512 | |
Dec 21, 1994 | Ri¢hie Ri¢h | Cinematographer | $38,087,756 | $38,087,756 | |
Jul 6, 1994 | Forrest Gump | Director of Photography | $330,151,138 | $349,683,999 | $679,835,137 |
Jul 31, 1992 | Death Becomes Her | Second Unit Camera | $58,422,650 | $90,600,000 | $149,022,650 |
Jun 18, 1992 | Batman Returns | Second Unit Camera | $162,833,635 | $103,990,656 | $266,824,291 |
Mar 20, 1992 | Noises Off... | Second Unit Camera | $2,280,148 | $2,280,148 | |
May 24, 1991 | Backdraft | Second Unit Camera | $77,868,585 | $74,500,000 | $152,368,585 |
May 24, 1990 | Back to the Future Part III | Second Unit Camera | $88,055,283 | $156,031,976 | $244,087,259 |
Nov 22, 1989 | Back to the Future Part II | Second Unit Photography | $118,450,002 | $213,521,866 | $331,971,868 |
Averages | $110,769,202 | $141,548,104 | $240,184,611 | ||
Totals | 35 | $3,876,922,066 | $4,529,539,327 | $8,406,461,393 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Cinematographer at the Domestic Box Office | 2 | $3,107,078,139 |
Top Grossing Cinematographer at the International Box Office | 13 | $3,589,006,418 |
Top Grossing Cinematographer at the Worldwide Box Office | 8 | $6,696,084,557 |