Kelly Port
Best known as a Visual Effects Supervisor based on credits in that role in 16 films, with $10,532,245,055 worldwide aggregate box office (rank #2) |
Best-known technical roles: Spider-Man: No Way Home (Visual Effects Supervisor), Avengers: Endgame (Visual Effects Supervisor), Avengers: Infinity War (Visual Effects Supervisor), Beauty and the Beast (Visual Effects Supervisor), Maleficent (Visual Effects Supervisor) |
Most productive collaborators: Don Hahn, Emma Watson, Bill Condon, Dan Stevens, David Hoberman |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Visual Effects Supervisor | 16 | $3,997,989,404 | $6,534,255,651 | $10,532,245,055 |
Digital Artist | 2 | $181,691,329 | $162,029,504 | $343,720,833 | |
Digital Supervisor | 1 | $78,120,196 | $36,538,066 | $114,658,262 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Visual Effects Supervisor at the Domestic Box Office | 2 | $3,997,989,404 |
Top Grossing Visual Effects Supervisor at the International Box Office | 3 | $6,534,255,651 |
Top Grossing Visual Effects Supervisor at the Worldwide Box Office | 2 | $10,532,245,055 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Dec 17, 2021 | Spider-Man: No Way Home | Visual Effects Supervisor | $814,115,070 | $1,093,721,184 | $1,907,836,254 |
Apr 26, 2019 | Avengers: Endgame | Visual Effects Supervisor | $858,373,000 | $1,930,539,285 | $2,788,912,285 |
Apr 27, 2018 | Avengers: Infinity War | Visual Effects Supervisor | $678,815,482 | $1,369,544,272 | $2,048,359,754 |
Mar 17, 2017 | Beauty and the Beast | Visual Effects Supervisor | $504,014,165 | $764,683,318 | $1,268,697,483 |
Jun 24, 2016 | Free State of Jones | Visual Effects Supervisor | $20,810,036 | $2,427,216 | $23,237,252 |
May 30, 2014 | Maleficent | Visual Effects Supervisor | $241,407,328 | $517,129,407 | $758,536,735 |
Jul 27, 2012 | The Watch | Visual Effects Supervisor | $34,353,000 | $32,777,045 | $67,130,045 |
May 6, 2011 | Thor | Visual Effects Supervisor | $181,030,624 | $268,295,994 | $449,326,618 |
Jun 11, 2010 | The A-Team | Visual Effects Supervisor | $77,222,099 | $100,019,072 | $177,241,171 |
Feb 12, 2010 | Percy Jackson & the Olympia… | Visual Effects Supervisor | $88,768,303 | $134,282,571 | $223,050,874 |
May 8, 2009 | Star Trek | Visual Effects Supervisor | $257,730,019 | $129,109,595 | $386,839,614 |
Dec 12, 2008 | Gran Torino | Visual Effects Supervisor | $148,095,302 | $126,447,783 | $274,543,085 |
Oct 12, 2007 | We Own the Night | Visual Effects Supervisor | $28,563,179 | $26,744,678 | $55,307,857 |
Oct 5, 2007 | The Seeker: The Dark is Rising | Visual Effects Supervisor | $8,794,452 | $23,058,167 | $31,852,619 |
Jan 19, 2007 | The Hitcher | Visual Effects Supervisor | $16,379,582 | $4,476,064 | $20,855,646 |
Oct 6, 2006 | The Texas Chainsaw Massacre… | Visual Effects Supervisor | $39,517,763 | $11,000,000 | $50,517,763 |
Mar 1, 2002 | We Were Soldiers | Digital Supervisor | $78,120,196 | $36,538,066 | $114,658,262 |
Oct 6, 1995 | Strange Days | Digital Artist | $7,918,562 | $7,918,562 | |
Jun 30, 1995 | Apollo 13 | Digital Artist | $173,772,767 | $162,029,504 | $335,802,271 |
Averages | $224,094,786 | $374,045,735 | $578,453,903 | ||
Totals | 19 | $4,257,800,929 | $6,732,823,221 | $10,990,624,150 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Visual Effects Supervisor at the Domestic Box Office | 2 | $3,997,989,404 |
Top Grossing Visual Effects Supervisor at the International Box Office | 3 | $6,534,255,651 |
Top Grossing Visual Effects Supervisor at the Worldwide Box Office | 2 | $10,532,245,055 |