Greg P. Russell
| Best known as a Re-recording Mixer based on credits in that role in 45 films, with $11,370,080,132 worldwide aggregate box office (rank #13) |
| Best-known technical roles: Skyfall (Re-recording Mixer), Transformers: Dark of the Moon (Re-recording Mixer), Transformers: Revenge of the Fallen (Re-recording Mixer), Transformers: Age of Extinction (Re-recording Mixer), Spider-Man 2 (Re-recording Mixer) |
| Most productive collaborators: Kevin O'Connell, Michael Bay, Tom Hanks, Ron Howard, Akiva Goldsman |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Re-recording Mixer | 45 | $4,390,596,647 | $6,979,483,485 | $11,370,080,132 |
| Sound Mixer | 5 | $746,446,631 | $1,278,609,375 | $2,025,056,006 | |
| Sound Effects Editor | 1 | $56,846,802 | $69,940,558 | $126,787,360 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Re-recording Mixer at the Domestic Box Office | 16 | $4,390,596,647 |
| Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 601-700) | 603 | $56,846,802 |
| Top Grossing Sound Mixer at the Domestic Box Office | 59 | $746,446,631 |
| Top Grossing Re-recording Mixer at the International Box Office | 13 | $6,979,483,485 |
| Top Grossing Sound Effects Editor at the International Box Office (Rank 501-600) | 515 | $69,940,558 |
| Top Grossing Sound Mixer at the International Box Office | 44 | $1,278,609,375 |
| Top Grossing Re-recording Mixer at the Worldwide Box Office | 13 | $11,370,080,132 |
| Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 501-600) | 552 | $126,787,360 |
| Top Grossing Sound Mixer at the Worldwide Box Office | 44 | $2,025,056,006 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2016 Awards Season: A Final Look at the Oscars
February 27th, 2017
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Oscar night turned out to be... interesting at the end. “Interesting” as in “May you live in interesting times.” The big winner of the night was chaos, as there was a mistake with the Best Picture category. (On a side note, I really hope this ends the conspiracy theory that Marisa Tomei didn’t earn her Oscar. Some think her name was announced by accident and they didn’t bother to correct the mistake. They would have obviously corrected the mistake.) On a serious note, Moonlight’s win is amazing. It has likely the lowest budget of the nine Best Picture Nominees and at the moment the lowest box office. That could change with its three wins last night. Additionally, all three wins came from high prestige categories, compared to just two for La La Land. However, La La Land won six Oscars overall, two high prestige, both music categories, and two technical awards, so it too could be seen as the big winner of the night.
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2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!
February 26th, 2017
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It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night.
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2016 - Awards Season: Oscars - Nominations - Final Look
February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Mar 18, 2022 | Alice | Re-recording Mixer | $373,037 | $373,037 | |
| Nov 8, 2019 | Midway | Re-recording Mixer Sound Effects Editor |
$56,846,802 | $69,940,558 | $126,787,360 |
| Oct 26, 2018 | Air Strike | Sound Mixer | $516,279 | $516,279 | |
| Jul 1, 2015 | Terminator: Genisys | Re-recording Mixer | $89,760,956 | $342,389,938 | $432,150,894 |
| Aug 1, 2014 | Get on Up | Re-recording Mixer | $30,569,935 | $2,769,933 | $33,339,868 |
| Jun 27, 2014 | Transformers: Age of Extinc… | Re-recording Mixer | $245,439,076 | $858,614,996 | $1,104,054,072 |
| Mar 14, 2014 | Need for Speed | Re-recording Mixer | $43,568,507 | $150,601,112 | $194,169,619 |
| Nov 22, 2013 | Delivery Man | Re-recording Mixer | $30,659,817 | $24,956,505 | $55,616,322 |
| Apr 26, 2013 | Pain & Gain | Re-recording Mixer | $49,875,291 | $31,400,000 | $81,275,291 |
| Mar 27, 2013 | G.I. Joe: Retaliation | Re-recording Mixer | $122,523,060 | $253,217,645 | $375,740,705 |
| Dec 19, 2012 | The Guilt Trip | Re-recording Mixer | $37,134,215 | $4,608,102 | $41,742,317 |
| Nov 8, 2012 | Skyfall | Re-recording Mixer | $304,360,277 | $806,166,704 | $1,110,526,981 |
| Jan 27, 2012 | Man on a Ledge | Re-recording Mixer | $18,620,000 | $31,001,440 | $49,621,440 |
| Jun 29, 2011 | Transformers: Dark of the Moon | Re-recording Mixer | $352,390,543 | $771,403,536 | $1,123,794,079 |
| Jan 14, 2011 | The Green Hornet | Re-recording Mixer | $98,780,042 | $130,375,461 | $229,155,503 |
| Sep 18, 2009 | Cloudy with a Chance of Mea… | Sound Mixer | $124,870,275 | $111,957,402 | $236,827,677 |
| Jun 24, 2009 | Transformers: Revenge of th… | Re-recording Mixer | $402,111,870 | $434,407,829 | $836,519,699 |
| May 15, 2009 | Angels & Demons | Supervising Sound Mixer | $133,375,846 | $357,500,000 | $490,875,846 |
| May 4, 2007 | Spider-Man 3 | Supervising Sound Mixer | $337,607,351 | $558,329,917 | $895,937,268 |
| Dec 8, 2006 | Apocalypto | Re-recording Mixer | $50,866,635 | $70,165,637 | $121,032,272 |
| May 19, 2006 | The Da Vinci Code | Sound Mixer | $217,536,138 | $550,284,321 | $767,820,459 |
| Apr 28, 2006 | R.V. | Re-recording Mixer | $71,724,497 | $15,748,527 | $87,473,024 |
| Dec 9, 2005 | Memoirs of a Geisha | Re-recording Mixer | $57,010,853 | $104,500,000 | $161,510,853 |
| Jul 22, 2005 | The Island | Re-recording Mixer | $35,818,913 | $127,200,000 | $163,018,913 |
| Jun 24, 2005 | Bewitched | Re-recording Mixer | $63,313,159 | $67,846,147 | $131,159,306 |
| Dec 17, 2004 | Spanglish | Re-recording Mixer | $42,044,321 | $12,300,000 | $54,344,321 |
| Jun 30, 2004 | Spider-Man 2 | Re-recording Mixer | $374,715,055 | $421,173,072 | $795,888,127 |
| Apr 23, 2004 | Man on Fire | Supervising Sound Mixer | $77,906,816 | $53,061,763 | $130,968,579 |
| Dec 10, 2003 | Big Fish | Supervising Sound Mixer | $66,432,867 | $57,521,456 | $123,954,323 |
| Jul 18, 2003 | Bad Boys II | Re-recording Mixer | $138,540,870 | $134,731,112 | $273,271,982 |
| Mar 21, 2003 | Dreamcatcher | Re-recording Mixer | $33,685,268 | $42,000,000 | $75,685,268 |
| Jul 3, 2002 | Men in Black 2 | Re-recording Mixer | $190,418,803 | $251,349,000 | $441,767,803 |
| Nov 21, 2001 | Spy Game | Re-recording Mixer | $62,362,560 | $80,687,000 | $143,049,560 |
| Aug 4, 2000 | Coyote Ugly | Re-recording Mixer | $60,786,269 | $53,130,205 | $113,916,474 |
| Jun 28, 2000 | The Patriot | Re-recording Mixer | $113,330,342 | $101,969,658 | $215,300,000 |
| Jun 9, 2000 | Gone in 60 Seconds | Re-recording Mixer | $101,643,008 | $131,000,000 | $232,643,008 |
| Apr 7, 2000 | Rules of Engagement | Re-recording Mixer | $61,322,858 | $10,397,073 | $71,719,931 |
| Jul 17, 1998 | The Mask of Zorro | Re-recording Mixer | $93,828,745 | $139,871,255 | $233,700,000 |
| May 19, 1998 | Godzilla | Re-recording Mixer | $136,314,294 | $239,685,706 | $376,000,000 |
| Jun 6, 1997 | Con Air | Re-recording Mixer | $101,117,573 | $123,000,000 | $224,117,573 |
| Aug 16, 1996 | The Fan | Re-recording Mixer | $18,582,965 | $18,582,965 | |
| Jun 7, 1996 | The Rock | Re-recording Mixer | $134,069,511 | $202,000,000 | $336,069,511 |
| Mar 17, 1995 | Losing Isaiah | Re-recording Mixer | $7,564,608 | $7,564,608 | |
| Oct 28, 1994 | Stargate | Re-recording Mixer | $71,565,669 | $125,000,000 | $196,565,669 |
| Oct 1, 1993 | Malice | Re-recording Mixer | $46,038,636 | $46,038,636 | |
| Sep 18, 1992 | Singles | Re-recording Mixer | $18,471,850 | $18,471,850 | |
| Jul 12, 1991 | Point Break | Re-recording Mixer | $43,218,387 | $40,313,571 | $83,531,958 |
| Jun 27, 1990 | Days of Thunder | Additional Re-Recording Mixer | $82,670,733 | $75,000,000 | $157,670,733 |
| Mar 9, 1990 | Joe Versus the Volcano | Re-recording Mixer | $39,381,963 | $39,381,963 | |
| Sep 22, 1989 | Black Rain | Re-recording Mixer | $45,892,212 | $88,000,000 | $133,892,212 |
| Averages | $104,837,618 | $187,683,929 | $267,902,723 | ||
| Totals | 50 | $5,137,043,278 | $8,258,092,860 | $13,395,136,138 | |
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Re-recording Mixer at the Domestic Box Office | 16 | $4,390,596,647 |
| Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 601-700) | 603 | $56,846,802 |
| Top Grossing Sound Mixer at the Domestic Box Office | 59 | $746,446,631 |
| Top Grossing Re-recording Mixer at the International Box Office | 13 | $6,979,483,485 |
| Top Grossing Sound Effects Editor at the International Box Office (Rank 501-600) | 515 | $69,940,558 |
| Top Grossing Sound Mixer at the International Box Office | 44 | $1,278,609,375 |
| Top Grossing Re-recording Mixer at the Worldwide Box Office | 13 | $11,370,080,132 |
| Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 501-600) | 552 | $126,787,360 |
| Top Grossing Sound Mixer at the Worldwide Box Office | 44 | $2,025,056,006 |