Ethan Coen
| Best known as a Screenwriter based on credits in that role in 25 films, with $1,259,912,252 worldwide aggregate box office (rank #206) |
| Best-known technical roles: True Grit (Producer), True Grit (Executive Producer), True Grit (Editor), Unbroken (Screenwriter), Bridge of Spies (Screenwriter) |
| Most productive collaborators: Joel Coen, George Clooney, Josh Brolin, Steven Spielberg, Tom Hanks |
| Born: September 21, 1957 (67 years old) |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 25 | $599,886,048 | $660,026,204 | $1,259,912,252 |
| Producer | 19 | $572,539,751 | $592,921,459 | $1,165,461,210 | |
| Director | 10 | $231,906,428 | $313,141,432 | $545,047,860 | |
| Executive Producer | 2 | $231,303,333 | $98,120,626 | $329,423,959 | |
| Editor | 2 | $176,271,220 | $83,933,865 | $260,205,085 | |
| Story Creator | 1 | $190,946 | $120,000 | $310,946 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Weekend projections: Bob Marley holds on at top of chart
February 25th, 2024
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A lack of new releases with mass-market appeal will allow Bob Marley: One Love to stay top of the chart at the box office this weekend. The biopic is projected to decline a respectable 53% from the Friday-to-Sunday portion of its opening weekend to earn another $13.5 million on this outing. That’ll take it to around $71 million in total after 12 days in release. Its closest challenger will be Demon Slayer: Kimetsu no Yaiba—To the Hashira Training, which will come in with an impressive $11.575 million debut. Ordinary Angels is doing good business in third place with a projected $6.5 million opening weekend.
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Weekend predictions: One Love likely to stay number one on a busy weekend
February 23rd, 2024
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Bob Marley: One Love looks like a clear favorite to top the box office chart going into the weekend, although it has quite a bit of competition, with three new wide releases vying for spots at least in the top five. Demon Slayer: To the Hashira Training looks like its biggest threat from the numbers we’ve seen so far.
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Theater counts: Madame Web holds off a flurry of newcomers to remain widest release
February 22nd, 2024
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Despite taking a backseat at the box office to Bob Marley: One Love during its opening frame, Madame Web once again finds itself as the widest release in North America this weekend, as it retains (mostly by contractual obligation) its opening count of 4,013 theaters. The superhero film starring Dakota Johnson has earned over $28 million in its first eight days, a figure that has been doubled by One Love, which opened alongside Madame Web on Valentine’s Day. This week witnesses three new wide releases, accompanied by a pandemic era film making its way back into cinemas.
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Drive-Away Dolls trailer
February 16th, 2024
Action comedy starring Margaret Qualley and Geraldine Viswanathan, directed by Ethan Coen rolls into theaters February 23 ... Full Movie Details.
Jamie is an uninhibited free spirit bemoaning yet another breakup with a girlfriend. Her demure friend Marian desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.
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2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture
February 24th, 2019
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It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes.
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2018 Awards Season: Oscars Nominations: Final Look
February 24th, 2019
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It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning.
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2018 Awards Season: Oscar Highlight: Best Adapted Screenplay
February 19th, 2019
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two Screenwriting Categories, starting with Best Adapted Screenplay, which is not among the most competitive categories, but it isn’t inconceivable that there will be an upset.
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2018 Awards Season: Oscar Nominations
January 23rd, 2019
The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each.
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Weekend Predictions: Can Jigsaw Still Fit at the Box Office?
October 26th, 2017
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There are three wide releases coming out this week, although only Jigsaw is expected to make any real impact at the box office. The other two, Suburbicon and Thank You for Your Service, are opening in barely more than 2,000 theaters and neither of them are expected to do well at the box office. Meanwhile, Tyler Perry’s Boo 2: A Madea Halloween, has an actual shot at repeating in first place, mostly because of the weak competition. This is terrible news for the overall box office, as it means we are going to have a hard time matching last year’s box office, even though last year there was only one wide release, Inferno.
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2017 Preview: October
October 1st, 2017
September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic.
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Home Market Releases for August 22nd, 2017
August 23rd, 2017
Guardians of the Galaxy Vol 2 comes out this week and it is such a big release that is scared away nearly all of the competition. Fortunately, it is also a great film and a serious contender for Pick of the Week. The main competition are Ash vs Evil Dead: Season 2 and Supergirl: Season 2. In the end. I went with Ash vs Evil Dead, but it was a close race.
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Suburbicon Trailer
July 27th, 2017
Black comedy starring Matt Damon and Julianne Moore, directed by George Clooney, written by Joel and Ethan Coen, opens October 27 ... Full Movie Details.
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2015 Awards Season: Oscar Preview
February 28th, 2016
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It’s Oscar day and, if all goes to plan, I will be live-blogging the ceremony tonight. Here is the list of nominees marked according to predictions from our readers, and my personal wishes. Nominees in Bold are the ones predicted to win by our readers (we’ll have a full rundown of the predictions at noon, after the contest ends). If I am predicting a different film, those are in Italics. Meanwhile, the nominees I want to win, but don’t think will win, are Underlined. There are a few categories where the film I really think deserves the award was not even nominated, plus a few I don’t have a real opinion on.
If you haven’t done so already, it’s not too late to enter our Oscar competition, and win all Best Picture nominees on Blu-ray or DVD.
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2015 Awards Season: Oscar Highlight: Best Original Screenplay
February 20th, 2016
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. The Best Original Screenplay category isn't the most lop-sided category we will highlight, but it is also not very competitive.
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Weekend Predictions: Hail, Holdovers!
February 4th, 2016
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It's a new month and there are three wide releases trying to score and get February off to a fast start. That's probably not going to happen. Not only do the wide releases have to deal with Kung Fu Panda 3, but it is also Super Bowl Weekend with the Carolina Idontknows Playing the Dever Somethingabouthorses. ... Once the Seattle Seahawks were eliminated, I completely stopped caring about the NFL. The best new release of the week is Hail, Caesar!, which is the only film with a real shot at becoming a midlevel hit. Pride and Prejudice and Zombies started out with mixed reviews, but that might not be a dealbreaker for its target audience. Finally there's The Choice. There are still not enough reviews for a Tomatometer Score and the buzz appears to be getting worse. The SpongeBob Movie: Sponge Out of Water led the way this weekend last year, with more than all three new releases will earn this year.
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2016 Preview: February
February 1st, 2016
As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison.
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2015 Awards Season: Oscars - Nominations
January 15th, 2016
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The Oscar nominations were announced at 5:30 am Pacific time. Nothing is good that early in the morning. Worse still, this was a terrible year for snubs, especially when it comes to diversity of the nominees. The voters for the Oscars are 94% white and 77% male... but that's still more diverse than the list of nominees. The Revenant led the way with 12 nominations and it is expected to win a few of those, while it is a serious contender in most of the categories it was nominated in.
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2015 - Awards Season: BAFTA - Nominations
January 9th, 2016
The BAFTA nominations were announced and you can read them on their site... in alphabetical order. Alphabetical order is very useful in most circumstances, but not here. On the other hand, the nominees within each category are not presented in alphabetical order. ... Are the BAFTAs trolling us? As for the actual nominees, the big winners here are Bridge of Spies and Carol, both of which earned nine nominations. For Carol, this is just another impressive score, but this was a pleasant surprise for Bridge of Spies.
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2015 - Awards Season: WGA - Nominations
January 6th, 2016
The Writers Guild of America nominees were announced and there are only a few surprises here. Additionally, one of these three races seems too close to call at this point.
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Weekend Estimates: Goosebumps Set to Win Tight Race
October 18th, 2015
A slightly-softer-than-expected (but still good) opening for Goosebumps will be enough to take the film to the top of the box office chart this weekend, according to studio projections released on Sunday morning. Sony expects the family horror adventure to come in with $23.5 million on opening weekend, which is a solid enough start, and sets the film up for a good run, helped by strong reviews and Halloween coming up in a couple of weeks. The Martian will land in second with a projected $21.5 million as of this morning, a slightly steeper-than-expected 42% decline from last weekend, and a total to date around $144 million. In general, we’re looking at quite a few steep drops from last weekend thanks to an unfavorable comparison with the Columbus Day long weekend and a batch of new releases.
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2015 Preview: October
October 1st, 2015
September ended on a record note with the debut of Hotel Transylvania 2. Additionally, there was great depth and 2015's lead over 2014 grew to nearly $500 million. How do things look going forward? The month starts out with The Martian, which should have no trouble becoming the biggest hit of the month and might even top $200 million. On the other hand, no other film is expected to get to $100 million. There's only one or two that will even come close. Fortunately, last October was very similar with one $100 million hit, Gone Girl, while two other films came close, Annabelle and Fury. It looks like it will be up to the depth films from both years to determine which year comes out on top.
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2014 Preview: December
December 1st, 2014
November is over and there are not a lot of positive things to say about what happened during the month. There were a couple of films that matched expectations, but there were no breakout hits and a few that missed expectations by wide margins. Granted, The Hunger Games: Mockingjay, Part 1 will top $300 million with relative ease, but that's still nearly $100 million lower than some people were predicting. The month ends with 2014 about $300 million behind 2013's pace and there's really no chance to catch up in December. That doesn't mean there are no films that will be worth watching in December. The Hobbit: The Battle of the Five Armies should at least earn $200 million, while $300 million is not out of the question. Additionally, there are several films that at least have a shot at $100 million at the box office, but not all will get there. At least this December and last December are on par with each other. The Hobbit: The Desolation of Smaug topped $250 million while there were three others that topped $100 million. I think we will get the same result this month. Last year there were a lot more wide releases, but many of them bombed. I think this year the lack of competition will help more films reach their potential.
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DVD and Blu-ray Releases for March 11th, 2014
March 10th, 2014
If you look over at Amazon.com, the best-selling new release of the week is The Book Thief. This film made just over $20 million at the box office, which is amazing for a limited release. However, it is still a limited release on top of the new releases. That tells you how slow this week is on the home market. Fortunately, last Friday The Hunger Games: Catching Fire came out on DVD or Blu-ray Combo Pack and I'm including it on this week's list as well. There are a number of other releases that are worth picking up, including The Patience Stone on DVD, In Fear on DVD, and Inside Llewyn Davis on Blu-ray. However, while there is some competition, The Hunger Games: Catching Fire on Blu-ray Combo Pack is the Pick of the Week.
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Limited Releases: Inside Track to the Oscars
December 6th, 2013
Like last week, it's not a good week on the limited release front. It's busier, but there are almost no films earning overwhelmingly positive reviews. Inside Llewyn Davis is the biggest exception and it is earning Oscar-worthy reviews. Not only are its reviews stunning, but the buzz suggests it should be a major hit as well. White Reindeer is also earning Award-worthy reviews, but it might not have the buzz to escape art house cinemas.
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All Acting Credits
All Technical Credits
Announced (Undated)
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Feb 23, 2024 | Drive-Away Dolls | Director Screenwriter Producer Editor |
$5,028,215 | $2,899,942 | $7,928,157 |
| Jan 1, 2024 | Jerry Lee Lewis: Trouble in… | Director | |||
| Nov 8, 2018 | The Ballad of Buster Scruggs | Director Screenwriter Producer |
|||
| Oct 27, 2017 | Suburbicon | Screenwriter | $5,775,178 | $9,746,441 | $15,521,619 |
| Feb 5, 2016 | Hail, Caesar! | Director Screenwriter Producer |
$30,080,225 | $34,139,971 | $64,220,196 |
| Oct 16, 2015 | Bridge of Spies | Screenwriter | $72,313,754 | $90,184,584 | $162,498,338 |
| Dec 25, 2014 | Unbroken | Screenwriter | $115,637,895 | $47,889,929 | $163,527,824 |
| Dec 6, 2013 | Inside Llewyn Davis | Director Screenwriter Producer |
$13,248,209 | $19,695,038 | $32,943,247 |
| Dec 22, 2010 | True Grit | Producer Executive Producer Editor |
$171,243,005 | $81,033,923 | $252,276,928 |
| Sep 3, 2010 | San qiang pai an jing qi | Story Creator | $190,946 | $120,000 | $310,946 |
| Oct 2, 2009 | A Serious Man | Director Producer Screenwriter |
$9,228,788 | $21,131,782 | $30,360,570 |
| Sep 12, 2008 | Burn After Reading | Director Screenwriter Producer |
$60,355,347 | $107,812,451 | $168,167,798 |
| Nov 9, 2007 | No Country for Old Men | Director Screenwriter Producer |
$74,273,505 | $89,762,248 | $164,035,753 |
| May 4, 2007 | Paris, je t'aime | Screenwriter | $4,857,374 | $317,714 | $5,175,088 |
| Mar 26, 2004 | The Ladykillers | Director Screenwriter Producer |
$39,692,139 | $37,700,000 | $77,392,139 |
| Nov 26, 2003 | Bad Santa | Executive Producer | $60,060,328 | $17,086,703 | $77,147,031 |
| Oct 10, 2003 | Intolerable Cruelty | Screenwriter Producer |
$35,327,628 | $86,000,000 | $121,327,628 |
| Oct 31, 2001 | The Man Who Wasn't There | Producer Screenwriter |
$7,494,849 | $14,000,000 | $21,494,849 |
| Dec 22, 2000 | O Brother, Where Art Thou? | Screenwriter Producer |
$45,506,619 | $30,257,195 | $75,763,814 |
| Mar 6, 1998 | The Big Lebowski | Producer Screenwriter |
$18,718,818 | $28,690,764 | $47,409,582 |
| Mar 8, 1996 | Fargo | Producer Screenwriter |
$24,567,751 | $26,635,756 | $51,203,507 |
| Mar 11, 1994 | The Hudsucker Proxy | Producer Screenwriter |
$2,816,518 | $12,121,631 | $14,938,149 |
| Aug 21, 1991 | Barton Fink | Producer Screenwriter |
$5,726,463 | $5,726,463 | |
| Sep 22, 1990 | Miller's Crossing | Producer Screenwriter |
$4,693,759 | $27 | $4,693,786 |
| Mar 13, 1987 | Raising Arizona | Producer Screenwriter |
$22,847,000 | $767 | $22,847,767 |
| Apr 25, 1986 | Crimewave | Screenwriter | $5,101 | $5,101 | |
| Jan 18, 1985 | Blood Simple | Producer Screenwriter |
$1,690,913 | $1,039,964 | $2,730,877 |
| Averages | $33,255,213 | $32,968,123 | $63,585,886 | ||
| Totals | 27 | $831,380,327 | $758,266,830 | $1,589,647,157 | |
Director Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Feb 23, 2024 | Drive-Away Dolls | $2,404,330 | 2,280 | $5,028,215 | $7,928,157 | 63.4% |
| Jan 1, 2024 | Jerry Lee Lewis: Troub… | |||||
| Nov 8, 2018 | The Ballad of Buster S… | |||||
| Feb 5, 2016 | Hail, Caesar! | $11,355,225 | 2,248 | $30,080,225 | $64,220,196 | 46.8% |
| Dec 6, 2013 | Inside Llewyn Davis | $405,411 | 729 | $13,248,209 | $32,943,247 | 40.2% |
| Oct 2, 2009 | A Serious Man | $251,337 | 262 | $9,228,788 | $30,360,570 | 30.4% |
| Sep 12, 2008 | Burn After Reading | $19,128,001 | 2,657 | $60,355,347 | $168,167,798 | 35.9% |
| Nov 9, 2007 | No Country for Old Men | $1,226,333 | 2,037 | $74,273,505 | $164,035,753 | 45.3% |
| Mar 26, 2004 | The Ladykillers | $12,634,563 | 1,589 | $39,692,139 | $77,392,139 | 51.3% |
| Averages | $6,772,171 | 1,686 | $33,129,490 | $77,863,980 | 44.8% | |
| Totals | 9 | $231,906,428 | $545,047,860 | |||
Producer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Feb 23, 2024 | Drive-Away Dolls | $2,404,330 | 2,280 | $5,028,215 | $7,928,157 | 63.4% |
| Nov 8, 2018 | The Ballad of Buster S… | |||||
| Feb 5, 2016 | Hail, Caesar! | $11,355,225 | 2,248 | $30,080,225 | $64,220,196 | 46.8% |
| Dec 6, 2013 | Inside Llewyn Davis | $405,411 | 729 | $13,248,209 | $32,943,247 | 40.2% |
| Dec 22, 2010 | True Grit | $24,830,443 | 3,464 | $171,243,005 | $252,276,928 | 67.9% |
| Oct 2, 2009 | A Serious Man | $251,337 | 262 | $9,228,788 | $30,360,570 | 30.4% |
| Sep 12, 2008 | Burn After Reading | $19,128,001 | 2,657 | $60,355,347 | $168,167,798 | 35.9% |
| Nov 9, 2007 | No Country for Old Men | $1,226,333 | 2,037 | $74,273,505 | $164,035,753 | 45.3% |
| Mar 26, 2004 | The Ladykillers | $12,634,563 | 1,589 | $39,692,139 | $77,392,139 | 51.3% |
| Oct 10, 2003 | Intolerable Cruelty | $12,525,075 | 2,570 | $35,327,628 | $121,327,628 | 29.1% |
| Oct 31, 2001 | The Man Who Wasn't There | $664,404 | 259 | $7,494,849 | $21,494,849 | 34.9% |
| Dec 22, 2000 | O Brother, Where Art T… | $195,104 | 847 | $45,506,619 | $75,763,814 | 60.1% |
| Mar 6, 1998 | The Big Lebowski | $5,533,844 | 1,235 | $18,718,818 | $47,409,582 | 39.5% |
| Mar 8, 1996 | Fargo | $730,265 | 716 | $24,567,751 | $51,203,507 | 48.0% |
| Mar 11, 1994 | The Hudsucker Proxy | $2,816,518 | $14,938,149 | 18.9% | ||
| Aug 21, 1991 | Barton Fink | $5,726,463 | $5,726,463 | 100.0% | ||
| Sep 22, 1990 | Miller's Crossing | 244 | $4,693,759 | $4,693,786 | 100.0% | |
| Mar 13, 1987 | Raising Arizona | $36,240 | 697 | $22,847,000 | $22,847,767 | 100.0% |
| Jan 18, 1985 | Blood Simple | 68 | $1,690,913 | $2,730,877 | 61.9% | |
| Averages | $6,565,755 | 1,369 | $31,807,764 | $64,747,845 | 54.1% | |
| Totals | 19 | $572,539,751 | $1,165,461,210 | |||
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Feb 23, 2024 | Drive-Away Dolls | $2,404,330 | 2,280 | $5,028,215 | $7,928,157 | 63.4% |
| Nov 8, 2018 | The Ballad of Buster S… | |||||
| Oct 27, 2017 | Suburbicon | $2,840,246 | 2,046 | $5,775,178 | $15,521,619 | 37.2% |
| Feb 5, 2016 | Hail, Caesar! | $11,355,225 | 2,248 | $30,080,225 | $64,220,196 | 46.8% |
| Oct 16, 2015 | Bridge of Spies | $15,371,203 | 2,873 | $72,313,754 | $162,498,338 | 44.5% |
| Dec 25, 2014 | Unbroken | $30,621,445 | 3,301 | $115,637,895 | $163,527,824 | 70.7% |
| Dec 6, 2013 | Inside Llewyn Davis | $405,411 | 729 | $13,248,209 | $32,943,247 | 40.2% |
| Sep 3, 2010 | San qiang pai an jing qi | $27,330 | 43 | $190,946 | $310,946 | 61.4% |
| Oct 2, 2009 | A Serious Man | $251,337 | 262 | $9,228,788 | $30,360,570 | 30.4% |
| Sep 12, 2008 | Burn After Reading | $19,128,001 | 2,657 | $60,355,347 | $168,167,798 | 35.9% |
| Nov 9, 2007 | No Country for Old Men | $1,226,333 | 2,037 | $74,273,505 | $164,035,753 | 45.3% |
| May 4, 2007 | Paris, je t'aime | $39,242 | 200 | $4,857,374 | $5,175,088 | 93.9% |
| Mar 26, 2004 | The Ladykillers | $12,634,563 | 1,589 | $39,692,139 | $77,392,139 | 51.3% |
| Oct 10, 2003 | Intolerable Cruelty | $12,525,075 | 2,570 | $35,327,628 | $121,327,628 | 29.1% |
| Oct 31, 2001 | The Man Who Wasn't There | $664,404 | 259 | $7,494,849 | $21,494,849 | 34.9% |
| Dec 22, 2000 | O Brother, Where Art T… | $195,104 | 847 | $45,506,619 | $75,763,814 | 60.1% |
| Mar 6, 1998 | The Big Lebowski | $5,533,844 | 1,235 | $18,718,818 | $47,409,582 | 39.5% |
| Mar 8, 1996 | Fargo | $730,265 | 716 | $24,567,751 | $51,203,507 | 48.0% |
| Mar 11, 1994 | The Hudsucker Proxy | $2,816,518 | $14,938,149 | 18.9% | ||
| Aug 21, 1991 | Barton Fink | $5,726,463 | $5,726,463 | 100.0% | ||
| Sep 22, 1990 | Miller's Crossing | 244 | $4,693,759 | $4,693,786 | 100.0% | |
| Mar 13, 1987 | Raising Arizona | $36,240 | 697 | $22,847,000 | $22,847,767 | 100.0% |
| Apr 25, 1986 | Crimewave | $3,571 | 7 | $5,101 | $5,101 | 100.0% |
| Jan 18, 1985 | Blood Simple | 68 | $1,690,913 | $2,730,877 | 61.9% | |
| Averages | $6,104,904 | 1,281 | $26,090,304 | $54,792,313 | 57.1% | |
| Totals | 24 | $600,076,994 | $1,260,223,198 | |||