Hail, Caesar! (2016)

Hail, Caesar! poster
Theatrical Performance
Domestic Box Office $30,080,225Details
International Box Office $34,139,971Details
Worldwide Box Office $64,220,196
Home Market Performance
Est. Domestic DVD Sales $997,083 Details
Est. Domestic Blu-ray Sales $1,426,117 Details
Total Est. Domestic Video Sales $2,423,200
Further financial details...

Synopsis

Hail, Caesar! follows a single day in the life of a studio fixer who is presented with plenty of problems to fix.

Metrics

Opening Weekend:$11,355,225 (37.7% of total gross)
Legs:2.65 (domestic box office/biggest weekend)
Domestic Share:46.8% (domestic box office/worldwide)
Production Budget:$22,000,000 (worldwide box office is 2.9 times production budget)
Theater counts:2,232 opening theaters/2,248 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $37,487,256

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix
Hulu:Hulu

Movie Details

Domestic Releases: February 5th, 2016 (Wide) by Universal
International Releases: February 12th, 2016 (Wide) (Australia)
February 17th, 2016 (Wide) (Belgium)
February 17th, 2016 (Wide) (France)
February 17th, 2016 (Wide) (Switzerland)
February 18th, 2016 (Wide) (Austria)
... Show all releases
Video Release: May 24th, 2016 by Universal Home Entertainment
MPAA Rating: PG-13 for some suggestive content and smoking.
(Rating bulletin 2401 (Cert #33030), 11/25/2015)
Running Time: 100 minutes
Comparisons: vs. True Grit
Create your own comparison chart…
Keywords: Movie Business, Film Actor, Kidnap, Ransom, Private Investigator, Investigative Journalist, Media Circus, 1950s, Ensemble, Satire, Satirical Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Mike Zoss, Working Title Films, Universal Pictures
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Washington's Birthday (All Movies, 3-Day) 191 $6,395,545 Feb 12, 2016 10
Washington's Birthday (All Movies, 3-Day, Inflation Adjusted) 296 $8,306,856 Feb 12, 2016 10
Washington's Birthday (All Movies, 4-Day, Fri-Mon) 161 $7,373,595 Feb 12, 2016 10
Washington's Birthday (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 182 $9,577,202 Feb 12, 2016 10
Super Bowl (All Movies, 3-Day) 29 $11,355,225 Feb 5, 2016 3
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 63 $14,748,737 Feb 5, 2016 3
Super Bowl (Opening, 3-Day) 19 $11,355,225 Feb 5, 2016 3
Super Bowl (Opening, 3-Day, Inflation Adjusted) 24 $14,748,737 Feb 5, 2016 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 5, 2016 2 $11,355,225   2,232 $5,087   $11,355,225 1
Feb 12, 2016 6 $6,395,545 -44% 2,248 $2,845   $21,160,515 2
Feb 19, 2016 10 $2,745,705 -57% 1,726 $1,591   $26,258,850 3
Feb 26, 2016 14 $1,208,080 -56% 959 $1,260   $28,380,890 4
Mar 4, 2016 22 $433,205 -64% 313 $1,384   $29,233,595 5
Mar 11, 2016 23 $306,880 -29% 255 $1,203   $29,702,775 6
Mar 18, 2016 32 $182,225 -41% 163 $1,118   $29,997,095 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 5, 2016 2 $4,321,680     2,232 $1,936   $4,321,680 1
Feb 6, 2016 2 $5,301,565 +23%   2,232 $2,375   $9,623,245 2
Feb 7, 2016 2 $1,731,980 -67%   2,232 $776   $11,355,225 3
Feb 8, 2016 2 $886,465 -49%   2,232 $397   $12,241,690 4
Feb 9, 2016 2 $1,083,775 +22%   2,232 $486   $13,325,465 5
Feb 10, 2016 2 $766,320 -29%   2,232 $343   $14,091,785 6
Feb 11, 2016 2 $673,185 -12%   2,232 $302   $14,764,970 7
Feb 12, 2016 5 $1,482,180 +120% -66% 2,248 $659   $16,247,150 8
Feb 13, 2016 6 $2,509,510 +69% -53% 2,248 $1,116   $18,756,660 9
Feb 14, 2016 7 $2,403,855 -4% +39% 2,248 $1,069   $21,160,515 10
Feb 15, 2016 7 $978,050 -59% +10% 2,248 $435   $22,138,565 11
Feb 16, 2016 7 $540,820 -45% -50% 2,248 $241   $22,679,385 12
Feb 17, 2016 7 $425,650 -21% -44% 2,248 $189   $23,105,035 13
Feb 18, 2016 7 $408,110 -4% -39% 2,248 $182   $23,513,145 14
Feb 19, 2016 10 $765,150 +87% -48% 1,726 $443   $24,278,295 15
Feb 20, 2016 10 $1,264,730 +65% -50% 1,726 $733   $25,543,025 16
Feb 21, 2016 10 $715,825 -43% -70% 1,726 $415   $26,258,850 17
Feb 22, 2016 10 $203,880 -72% -79% 1,726 $118   $26,462,730 18
Feb 23, 2016 10 $285,325 +40% -47% 1,726 $165   $26,748,055 19
Feb 24, 2016 10 $228,980 -20% -46% 1,726 $133   $26,977,035 20
Feb 25, 2016 10 $195,775 -15% -52% 1,726 $113   $27,172,810 21
Feb 26, 2016 14 $352,225 +80% -54% 959 $367   $27,525,035 22
Feb 27, 2016 14 $604,650 +72% -52% 959 $631   $28,129,685 23
Feb 28, 2016 14 $251,205 -58% -65% 959 $262   $28,380,890 24
Feb 29, 2016 14 $96,990 -61% -52% 959 $101   $28,477,880 25
Mar 1, 2016 14 $119,585 +23% -58% 959 $125   $28,597,465 26
Mar 2, 2016 14 $107,650 -10% -53% 959 $112   $28,705,115 27
Mar 3, 2016 14 $95,275 -11% -51% 959 $99   $28,800,390 28
Mar 4, 2016 - $109,725 +15% -69% 313 $351   $28,910,115 29
Mar 5, 2016 - $200,560 +83% -67% 313 $641   $29,110,675 30
Mar 6, 2016 - $122,920 -39% -51% 313 $393   $29,233,595 31
Mar 7, 2016 - $40,835 -67% -58% 313 $130   $29,274,430 32
Mar 8, 2016 - $44,385 +9% -63% 313 $142   $29,318,815 33
Mar 9, 2016 - $39,960 -10% -63% 313 $128   $29,358,775 34
Mar 10, 2016 - $37,120 -7% -61% 313 $119   $29,395,895 35
Mar 11, 2016 - $81,885 +121% -25% 255 $321   $29,477,780 36
Mar 12, 2016 - $141,235 +72% -30% 255 $554   $29,619,015 37
Mar 13, 2016 - $83,760 -41% -32% 255 $328   $29,702,775 38
Mar 14, 2016 - $28,650 -66% -30% 255 $112   $29,731,425 39
Mar 15, 2016 - $31,775 +11% -28% 255 $125   $29,763,200 40
Mar 16, 2016 - $28,695 -10% -28% 255 $113   $29,791,895 41
Mar 17, 2016 - $22,975 -20% -38% 255 $90   $29,814,870 42
Mar 18, 2016 - $46,550 +103% -43% 163 $286   $29,861,420 43
Mar 19, 2016 - $84,015 +80% -41% 163 $515   $29,945,435 44
Mar 20, 2016 - $51,660 -39% -38% 163 $317   $29,997,095 45
Mar 21, 2016 - $20,885 -60% -27% 163 $128   $30,017,980 46
Mar 22, 2016 - $21,120 +1% -34% 163 $130   $30,039,100 47
Mar 23, 2016 - $21,015 n/c -27% 163 $129   $30,060,115 48
Mar 24, 2016 - $20,110 -4% -12% 163 $123   $30,080,225 49

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 5, 2016 2 $14,764,970   2,232 $6,615   $14,764,970 1
Feb 12, 2016 7 $8,748,175 -41% 2,248 $3,892   $23,513,145 2
Feb 19, 2016 10 $3,659,665 -58% 1,726 $2,120   $27,172,810 3
Feb 26, 2016 15 $1,627,580 -56% 959 $1,697   $28,800,390 4
Mar 4, 2016 20 $595,505 -63% 313 $1,903   $29,395,895 5
Mar 11, 2016 24 $418,975 -30% 255 $1,643   $29,814,870 6
Mar 18, 2016 31 $265,355 -37% 163 $1,628   $30,080,225 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/28/2016 $91,021 31 231 281 $184,325 11/30/2018
Australia 2/12/2016 $46,175 1 260 1,040 $3,054,261 6/2/2021
Austria 2/18/2016 $58,567 19 22 170 $304,600 7/27/2016
Belgium 2/17/2016 $151,454 32 32 174 $412,178 6/9/2016
Brazil 4/14/2016 $146,723 72 72 207 $422,785 6/28/2016
Bulgaria 2/19/2016 $26,984 16 16 62 $65,983 2/26/2019
Croatia 2/18/2016 $9,858 14 14 54 $22,956 12/31/2018
Czech Republic 3/3/2016 $46,414 100 100 195 $113,114 12/31/2018
Denmark 2/18/2016 $87,715 59 59 164 $230,241 6/9/2016
Estonia 2/19/2016 $11,737 9 9 9 $11,737 6/9/2016
Finland 3/4/2016 $73,141 57 57 178 $244,973 6/9/2016
France 2/17/2016 $2,107,623 428 428 1,646 $5,033,249 6/9/2016
Germany 2/18/2016 $1,030,564 150 171 1,337 $3,993,008 9/13/2016
Greece 2/18/2016 $137,280 62 62 119 $269,106 6/9/2016
Hong Kong 3/10/2016 $81,227 12 12 23 $158,151 6/9/2016
Hungary 2/25/2016 $74,880 55 55 162 $199,888 12/31/2018
Iceland 2/19/2016 $5,619 4 4 4 $5,619 12/31/2018
Iraq 2/18/2016 $1,538 3 3 4 $1,871 12/31/2018
Israel 2/18/2016 $106,043 21 25 124 $411,998 12/31/2018
Italy 3/10/2016 $1,103,207 348 373 938 $2,778,417 6/9/2016
Japan 5/13/2016 $0 0 36 126 $540,958 7/5/2016
Kuwait 2/18/2016 $46,838 11 11 12 $66,796 12/31/2018
Lebanon 2/18/2016 $20,782 5 5 8 $35,612 12/31/2018
Malaysia 2/18/2016 $18,709 15 15 36 $38,540 6/9/2016
Mexico 4/22/2016 $206,869 192 192 348 $404,452 8/23/2016
Netherlands 2/18/2016 $199,359 52 52 297 $862,547 6/28/2016
New Zealand 3/4/2016 $76,517 56 64 250 $276,283 6/9/2016
Norway 3/4/2016 $52,850 54 54 111 $221,604 6/9/2016
Oman 2/18/2016 $2,325 6 6 6 $2,325 12/31/2018
Peru 3/24/2016 $12,990 5 5 7 $19,454 12/31/2018
Philippines 3/16/2016 $16,189 20 20 40 $27,237 12/31/2018
Poland 2/19/2016 $199,431 119 119 331 $511,768 11/18/2018
Portugal 2/25/2016 $71,112 41 41 115 $178,279 6/9/2016
Russia (CIS) 3/3/2016 $377,421 363 363 897 $972,805 12/31/2018
Serbia and Montenegro 3/3/2016 $4,667 23 23 38 $27,744 12/31/2018
Singapore 3/10/2016 $37,599 8 8 37 $108,622 7/19/2016
Slovakia 3/3/2016 $19,627 49 49 49 $19,627 6/9/2016
Slovenia 2/25/2016 $5,635 9 9 25 $16,598 6/9/2016
South Africa 2/19/2016 $13,443 11 11 41 $51,224 6/9/2016
South Korea 3/24/2016 $10,740 0 250 316 $237,152 9/10/2018
Spain 2/19/2016 $842,597 278 289 980 $2,266,707 6/9/2016
Sweden 2/19/2016 $127,072 82 82 203 $405,280 6/9/2016
Switzerland 2/17/2016 $304,589 51 53 276 $1,020,271 6/8/2016
Thailand 3/3/2016 $10,859 11 11 15 $19,092 6/9/2016
United Arab Emirates 2/18/2016 $104,613 23 23 34 $179,603 12/31/2018
United Kingdom 3/4/2016 $2,163,591 494 506 1,814 $7,166,713 6/9/2016
Uruguay 4/14/2016 $13,323 7 7 7 $13,323 12/31/2018
 
Rest of World $530,895
 
International Total$34,139,971 6/2/2021

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 12, 20161114,587 14,587$250,896$250,8963

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 12, 2016723,871 23,871$465,013$465,0133
Jun 19, 20161412,710-47% 36,581$372,666$837,6794

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

George Clooney Baird Whitlock
Scarlett Johansson DeeAnna Moran
Channing Tatum Burt Gurney
Josh Brolin Eddie Mannix
Ralph Fiennes Laurence Laurentz
Tilda Swinton Thora Thacker
Jonah Hill Joe Silverman

Supporting Cast

Alden Ehrenreich Hobie Doyle
Frances McDormand C.C. Calhoun
Veronica Osorio Carlotta Valdez
Heather Goldenhersh Natalie (Secretary)
Alison Pill Mrs. Mannix
Max Baker Head Communist Writer
Fisher Stevens Communist Writer
Patrick Fischler Communist Writer
Tom Musgrave Communist Writer
David Krumholtz Communist Writer
Greg Baldwin Communist Writer
Patrick Carroll Communist Writer
Fred Melamed Communist Writer
John Bluthal Professor Marcuse
Alex Karpovsky Mr. Smitrovich
Aramazd Stepanian Eastern Orthodox Clergyman
Allen Havey Protestant Clergyman
Robert Pike Daniel Catholic Clergyman
Robert Picardo Rabbi
Ian Blackman Cuddahy
Geoffrey Cantor Sid Siegelstein
Christopher Lambert Arne Seslum
Robert Trebor Producer of "Hail, Caesar!"
Michael Yama Chinese Restaurant Maitre'd
Ming Zhao Chinese Restaurant Waitress
Helen Siff Malibu Maid
Basil Hoffman Stu Schwartz, Accounting
Luke Spencer Roberts Peanut
Ralph P. Martin Director of Action Western
James Austin Johnson Studio Assistant at Action Western
Noah Baron Water Ballet P.A.
Timm Perry Stage 8 Man at the Door
Noel Conlon Scotty at the Gate
Natasha Bassett Gloria DeLamour
Richard Abraham French Postcard Photographer
Jon Daly Cops at French Postcard House
Dennis Cockrum Cops at French Postcard House
Clancy Brown Gracchus (In the Epic, "Hail, Caesar!")
Mather Zickel Chunk Mulligan (In the Epic, "Hail, Caesar!")
Tiffany Lonsdale Ursulina (In the Epic, "Hail, Caesar!")
Clement von Franckenstein Senator Sestimus Amydias (In the Epic, "Hail, Caesar!")
Wayne Knight Lurking Extra (In the Epic, "Hail, Caesar!")
Jeff Lewis Lurking Extra (In the Epic, "Hail, Caesar!")
Kyle Bornheimer Extra A.D. (In the Epic, "Hail, Caesar!")
Josh Cooke Box Breakfast A.D. (In the Epic, "Hail, Caesar!")
Peter Jason Director (In the Epic, "Hail, Caesar!")
Stephen Ellis Clapper Boy (In the Epic, "Hail, Caesar!")
Jillian Armenante Script Girl (In the Epic, "Hail, Caesar!")
Jacob Witkin Saul of Tarsus (In the Epic, "Hail, Caesar!")
Jack Huston Cad in Cab (In "Merrily We Dance")
Agyness Deyn Woman in Cab (In "Merrily We Dance")
Emily Beecham Deirdre (In "Merrily We Dance")
Benjamin Beatty Clapper Boy (In "Merrily We Dance")
J.R. Horne Curly (In "Lacy Ol' Moon")
Caitlin Muelder Cookhouse Woman (In "Lacy Ol' Moon")
E.E. Bell Bartender (In "No Dames!")
Kate Morgan Chadwick Departing Woman (In "No Dames!")
Brian Michael Jones Sailor (In "No Dames!")
Peter Banifaz Sailor (In "No Dames!")
Clifton Samuels Sailor (In "No Dames!")/Dancer
K C Reischerl Sailor (In "No Dames!")
Jeremy Daniel Davis Dancer
Marcos Ochoa Dancer
Colin Bradbury Dancer
Ryan Breslin Dancer
Tyler Hanes Dancer
Casey Garvin Dancer
Luke Hawkins Dancer
Evan Kasprzak Dancer
Patrick LaVallee Dancer
Adam Perry Dancer
Ryan Vandenboom Dancer
Alex Demkin Dancer
Dax Hock Dancer
Shesha Marvin Dancer
Mark Stuart Dancer
Forrest Walsh Dancer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ethan Coen Director
Joel Coen Director
Joel Coen Screenwriter
Ethan Coen Screenwriter
Ethan Coen Producer
Joel Coen Producer
Tim Bevan Producer
Eric Fellner Producer
Robert Graf Executive Producer
Jess Gonchor Production Designer
Roderick Jaynes Editor
Carter Burwell Composer
Roger Deakins Director of Photography
Mary Zophres Costume Designer
Skip Lievsay Supervising Sound Editor
Dan Schrecker Visual Effects Supervisor
Ellen Chenoweth Casting Director
Karen Ruth Getchell Unit Production Manager
Robert Graf Unit Production Manager
Betsy Magruder First Assistant Director
Bac DeLorme Second Assistant Director
Catherine Farrell Associate Producer
Nancy Haigh Set Decorator
Peter F. Kurland Sound Mixer
Katharine McQuerrey Additional Editor
Craig Berkey Co-Supervising Sound Editor
Colleen Bachman Teree* Visual Effects Producer
Tad Griffith Stunt Coordinator
Randy Beckman Stunt Co-Coordinator
Dawn Swiderski Supervising Art Director
Catherine Farrell Post-Production Supervisor
David A. Smith First Assistant Editor
Cara Brower Art Director
Greg Papalia Set Designer
Easton Smith Set Designer
Barbara Mesney Set Designer
Lyn Matsuda Norton Script Supervisor
Lynda Foote Costume Supervisor
Jean Black Make up
Cydney Cornell Hairstylist
Pauletta O Lewis-Irwin Hairstylist
Susanne Eleazer Casting Associate
Daniel Cabeza Casting Assistant
Eliza Paley Supervising Dialogue Editor
Todd Kasow Music Editor
Jim Bruening Music Editor
Jennifer Dunnington Music Editor
Larry Zipf Sound Effects Editor
Don White Foley Mixer
Jack Heeren Foley Mixer
George Lara Foley Mixer
Skip Lievsay Re-recording Mixer
Craig Berkey Re-recording Mixer
Greg Orloff Re-recording Mixer
Steve Cremin Special Effects Coordinator
Vanessa Galvez Visual Effects Producer
Pat Porter Animation
Carlos Sandoval Animation
Ryan Moran Animation
Michael Farrow Score Mixer
Timothy Marchiafava Score Recordist
Adam Michalak Score Recordist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

2016 Awards Season: Oscar Nominations

January 24th, 2017

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2016 - Awards Season: BAFTA - Nominations

January 11th, 2017

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June 8th, 2016

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Home Market Releases for May 24th, 2016

May 24th, 2016

Mustang

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Weekend Wrap-Up: Deadpool Assassinates the Competition

February 17th, 2016

Deadpool

Most people thought Deadpool would be a big hit over the weekend. I didn't see a single prediction that said it would be this big. It earned $132.43 million over the three-day weekend, which is more than enough to cover its entire production budget and a healthy chunk of its advertising budget. ... Or at least its initial advertising budget. Needless to say, there is already a sequel in the works. How to be Single had a very solid opening, while Zoolander 2 will need to become a hit on the home market in order to break even. The overall box office rose 150% from last weekend to $239 million over three days. Wow. This weekend last year, Fifty Shades of Grey debuted. Deadpool made almost as much in the four days it was in theaters than Fifty Shades of Grey made in total. It goes without saying that 2016 won the year-over-year comparison. Its 11% difference is impressive. Year-to-date, 2016 has earned $1.44 billion, which is 1.9% more than 2015's running tally at the same stage. More...

Weekend Predictions: Deadpool Looking for Dead Presidents

February 11th, 2016

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It's Valentine's Day weekend and Presidents Day long weekend, so the box office should be very robust, at least compared to last weekend. Deadpool has the best reviews and the best buzz and should have no trouble earning first place at the box office. Zoolander 2 is earning weak reviews, but nostalgia could help during its opening weekend. Finally there's How to be Single, which is a Romantic Comedy. Any romantic film should do well on Valentine's Day, even one earning mixed reviews. This weekend last year, Fifty Shades of Grey came out, which is a movie my mind keeps trying to forget happened. It earned just over $85 million during its opening weekend, but less than that during the rest of its run. Deadpool won't open as fast, but it very likely won't collapse next weekend either. 2016 will lose in the year-over-year comparison in the short run, but perhaps by Monday, the tide will turn. More...

Contest: Seize Your Prizes: Winning Announcement

February 9th, 2016

Hail, Caesar!

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Weekend Wrap-Up: Broncos Biggest Winners, but Pandas still earn $21.24 million

February 8th, 2016

Hail, Caesar!

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Weekend Estimates: Panda holds off Caesar on Super Bowl weekend

February 7th, 2016

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Friday Estimates: Panda Buries Caesar

February 6th, 2016

Kung Fu Panda 3

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February 5th, 2016

Hail, Caesar!

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Weekend Predictions: Hail, Holdovers!

February 4th, 2016

Hail, Caesar!

It's a new month and there are three wide releases trying to score and get February off to a fast start. That's probably not going to happen. Not only do the wide releases have to deal with Kung Fu Panda 3, but it is also Super Bowl Weekend with the Carolina Idontknows Playing the Dever Somethingabouthorses. ... Once the Seattle Seahawks were eliminated, I completely stopped caring about the NFL. The best new release of the week is Hail, Caesar!, which is the only film with a real shot at becoming a midlevel hit. Pride and Prejudice and Zombies started out with mixed reviews, but that might not be a dealbreaker for its target audience. Finally there's The Choice. There are still not enough reviews for a Tomatometer Score and the buzz appears to be getting worse. The SpongeBob Movie: Sponge Out of Water led the way this weekend last year, with more than all three new releases will earn this year. More...

Contest: Kung Fu Dino: Winning Announcement

February 3rd, 2016

Kung-Fu Panda 3

The winners of our Kung Fu Dino contest were determined and the entrants with the closest predictions for Kung Fu Panda 3 opening weekend were... More...

2016 Preview: February

February 1st, 2016

Deadpool

As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison. More...

Contest: Seize Your Prizes

January 29th, 2016

Hail, Caesar!

There are three wide releases coming out next week and I think Hail, Caesar! is the only one that will be even a midlevel hit. The Choice is the latest from Nicholas Sparks, who used to have a box office winning streak, but that ended a while ago. Meanwhile, Pride and Prejudice and Zombies is a relatively new addition to the wide release schedule, as it was expected to open in limited release not too long ago. It looks like Hail, Caesar! will be the biggest of the three wide releases and because of this, it is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Hail, Caesar!.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Hail, Caesar! follows a single day in the life of a studio fixer who is presented with plenty of problems to fix.

Metrics

Opening Weekend:$11,355,225 (37.7% of total gross)
Legs:2.65 (domestic box office/biggest weekend)
Domestic Share:46.8% (domestic box office/worldwide)
Production Budget:$22,000,000 (worldwide box office is 2.9 times production budget)
Theater counts:2,232 opening theaters/2,248 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $37,487,256

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix
Hulu:Hulu

Movie Details

Domestic Releases: February 5th, 2016 (Wide) by Universal
International Releases: February 12th, 2016 (Wide) (Australia)
February 17th, 2016 (Wide) (Belgium)
February 17th, 2016 (Wide) (France)
February 17th, 2016 (Wide) (Switzerland)
February 18th, 2016 (Wide) (Austria)
... Show all releases
Video Release: May 24th, 2016 by Universal Home Entertainment
MPAA Rating: PG-13 for some suggestive content and smoking.
(Rating bulletin 2401 (Cert #33030), 11/25/2015)
Running Time: 100 minutes
Comparisons: vs. True Grit
Create your own comparison chart…
Keywords: Movie Business, Film Actor, Kidnap, Ransom, Private Investigator, Investigative Journalist, Media Circus, 1950s, Ensemble, Satire, Satirical Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Mike Zoss, Working Title Films, Universal Pictures
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Washington's Birthday (All Movies, 3-Day) 191 $6,395,545 Feb 12, 2016 10
Washington's Birthday (All Movies, 3-Day, Inflation Adjusted) 296 $8,306,856 Feb 12, 2016 10
Washington's Birthday (All Movies, 4-Day, Fri-Mon) 161 $7,373,595 Feb 12, 2016 10
Washington's Birthday (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 182 $9,577,202 Feb 12, 2016 10
Super Bowl (All Movies, 3-Day) 29 $11,355,225 Feb 5, 2016 3
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 63 $14,748,737 Feb 5, 2016 3
Super Bowl (Opening, 3-Day) 19 $11,355,225 Feb 5, 2016 3
Super Bowl (Opening, 3-Day, Inflation Adjusted) 24 $14,748,737 Feb 5, 2016 3

Lead Ensemble Members

George Clooney Baird Whitlock
Scarlett Johansson DeeAnna Moran
Channing Tatum Burt Gurney
Josh Brolin Eddie Mannix
Ralph Fiennes Laurence Laurentz
Tilda Swinton Thora Thacker
Jonah Hill Joe Silverman

Supporting Cast

Alden Ehrenreich Hobie Doyle
Frances McDormand C.C. Calhoun
Veronica Osorio Carlotta Valdez
Heather Goldenhersh Natalie (Secretary)
Alison Pill Mrs. Mannix
Max Baker Head Communist Writer
Fisher Stevens Communist Writer
Patrick Fischler Communist Writer
Tom Musgrave Communist Writer
David Krumholtz Communist Writer
Greg Baldwin Communist Writer
Patrick Carroll Communist Writer
Fred Melamed Communist Writer
John Bluthal Professor Marcuse
Alex Karpovsky Mr. Smitrovich
Aramazd Stepanian Eastern Orthodox Clergyman
Allen Havey Protestant Clergyman
Robert Pike Daniel Catholic Clergyman
Robert Picardo Rabbi
Ian Blackman Cuddahy
Geoffrey Cantor Sid Siegelstein
Christopher Lambert Arne Seslum
Robert Trebor Producer of "Hail, Caesar!"
Michael Yama Chinese Restaurant Maitre'd
Ming Zhao Chinese Restaurant Waitress
Helen Siff Malibu Maid
Basil Hoffman Stu Schwartz, Accounting
Luke Spencer Roberts Peanut
Ralph P. Martin Director of Action Western
James Austin Johnson Studio Assistant at Action Western
Noah Baron Water Ballet P.A.
Timm Perry Stage 8 Man at the Door
Noel Conlon Scotty at the Gate
Natasha Bassett Gloria DeLamour
Richard Abraham French Postcard Photographer
Jon Daly Cops at French Postcard House
Dennis Cockrum Cops at French Postcard House
Clancy Brown Gracchus (In the Epic, "Hail, Caesar!")
Mather Zickel Chunk Mulligan (In the Epic, "Hail, Caesar!")
Tiffany Lonsdale Ursulina (In the Epic, "Hail, Caesar!")
Clement von Franckenstein Senator Sestimus Amydias (In the Epic, "Hail, Caesar!")
Wayne Knight Lurking Extra (In the Epic, "Hail, Caesar!")
Jeff Lewis Lurking Extra (In the Epic, "Hail, Caesar!")
Kyle Bornheimer Extra A.D. (In the Epic, "Hail, Caesar!")
Josh Cooke Box Breakfast A.D. (In the Epic, "Hail, Caesar!")
Peter Jason Director (In the Epic, "Hail, Caesar!")
Stephen Ellis Clapper Boy (In the Epic, "Hail, Caesar!")
Jillian Armenante Script Girl (In the Epic, "Hail, Caesar!")
Jacob Witkin Saul of Tarsus (In the Epic, "Hail, Caesar!")
Jack Huston Cad in Cab (In "Merrily We Dance")
Agyness Deyn Woman in Cab (In "Merrily We Dance")
Emily Beecham Deirdre (In "Merrily We Dance")
Benjamin Beatty Clapper Boy (In "Merrily We Dance")
J.R. Horne Curly (In "Lacy Ol' Moon")
Caitlin Muelder Cookhouse Woman (In "Lacy Ol' Moon")
E.E. Bell Bartender (In "No Dames!")
Kate Morgan Chadwick Departing Woman (In "No Dames!")
Brian Michael Jones Sailor (In "No Dames!")
Peter Banifaz Sailor (In "No Dames!")
Clifton Samuels Sailor (In "No Dames!")/Dancer
K C Reischerl Sailor (In "No Dames!")
Jeremy Daniel Davis Dancer
Marcos Ochoa Dancer
Colin Bradbury Dancer
Ryan Breslin Dancer
Tyler Hanes Dancer
Casey Garvin Dancer
Luke Hawkins Dancer
Evan Kasprzak Dancer
Patrick LaVallee Dancer
Adam Perry Dancer
Ryan Vandenboom Dancer
Alex Demkin Dancer
Dax Hock Dancer
Shesha Marvin Dancer
Mark Stuart Dancer
Forrest Walsh Dancer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ethan Coen Director
Joel Coen Director
Joel Coen Screenwriter
Ethan Coen Screenwriter
Ethan Coen Producer
Joel Coen Producer
Tim Bevan Producer
Eric Fellner Producer
Robert Graf Executive Producer
Jess Gonchor Production Designer
Roderick Jaynes Editor
Carter Burwell Composer
Roger Deakins Director of Photography
Mary Zophres Costume Designer
Skip Lievsay Supervising Sound Editor
Dan Schrecker Visual Effects Supervisor
Ellen Chenoweth Casting Director
Karen Ruth Getchell Unit Production Manager
Robert Graf Unit Production Manager
Betsy Magruder First Assistant Director
Bac DeLorme Second Assistant Director
Catherine Farrell Associate Producer
Nancy Haigh Set Decorator
Peter F. Kurland Sound Mixer
Katharine McQuerrey Additional Editor
Craig Berkey Co-Supervising Sound Editor
Colleen Bachman Teree* Visual Effects Producer
Tad Griffith Stunt Coordinator
Randy Beckman Stunt Co-Coordinator
Dawn Swiderski Supervising Art Director
Catherine Farrell Post-Production Supervisor
David A. Smith First Assistant Editor
Cara Brower Art Director
Greg Papalia Set Designer
Easton Smith Set Designer
Barbara Mesney Set Designer
Lyn Matsuda Norton Script Supervisor
Lynda Foote Costume Supervisor
Jean Black Make up
Cydney Cornell Hairstylist
Pauletta O Lewis-Irwin Hairstylist
Susanne Eleazer Casting Associate
Daniel Cabeza Casting Assistant
Eliza Paley Supervising Dialogue Editor
Todd Kasow Music Editor
Jim Bruening Music Editor
Jennifer Dunnington Music Editor
Larry Zipf Sound Effects Editor
Don White Foley Mixer
Jack Heeren Foley Mixer
George Lara Foley Mixer
Skip Lievsay Re-recording Mixer
Craig Berkey Re-recording Mixer
Greg Orloff Re-recording Mixer
Steve Cremin Special Effects Coordinator
Vanessa Galvez Visual Effects Producer
Pat Porter Animation
Carlos Sandoval Animation
Ryan Moran Animation
Michael Farrow Score Mixer
Timothy Marchiafava Score Recordist
Adam Michalak Score Recordist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

2016 Awards Season: Oscar Nominations

January 24th, 2017

La La Land

The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record. More...

2016 - Awards Season: BAFTA - Nominations

January 11th, 2017

La La Land

The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece. More...

Home Market Releases for June 7th, 2016

June 8th, 2016

Zootopia

The list of new home market releases isn't particularly long, but it includes Zootopia the best movie of the year, so it feels like an amazing week. It isn't the only contender for Pick of the Week this week, as Anomalisa, Star Trek II: The Wrath of Khan: Director's Cut, and others are also worth considering. The Martian: Extended Edition is also a must have, if you don't own it yet. More...

Home Market Releases for May 24th, 2016

May 24th, 2016

Mustang

There are not a lot of first-run releases on this week's list and none that are contenders for Pick of the Week. That's not to say there are no contenders, but they come from catalog releases, TV on DVD, etc. Buster Keaton: The Shorts Collection 1917-1923 on Blu-ray tops that list. However, I'm going with Mustang on DVD or Blu-ray Combo Pack as the Pick of the Week. The screener arrived late, but it was worth it. More...

Weekend Wrap-Up: Deadpool Assassinates the Competition

February 17th, 2016

Deadpool

Most people thought Deadpool would be a big hit over the weekend. I didn't see a single prediction that said it would be this big. It earned $132.43 million over the three-day weekend, which is more than enough to cover its entire production budget and a healthy chunk of its advertising budget. ... Or at least its initial advertising budget. Needless to say, there is already a sequel in the works. How to be Single had a very solid opening, while Zoolander 2 will need to become a hit on the home market in order to break even. The overall box office rose 150% from last weekend to $239 million over three days. Wow. This weekend last year, Fifty Shades of Grey debuted. Deadpool made almost as much in the four days it was in theaters than Fifty Shades of Grey made in total. It goes without saying that 2016 won the year-over-year comparison. Its 11% difference is impressive. Year-to-date, 2016 has earned $1.44 billion, which is 1.9% more than 2015's running tally at the same stage. More...

Weekend Predictions: Deadpool Looking for Dead Presidents

February 11th, 2016

Deadpool

It's Valentine's Day weekend and Presidents Day long weekend, so the box office should be very robust, at least compared to last weekend. Deadpool has the best reviews and the best buzz and should have no trouble earning first place at the box office. Zoolander 2 is earning weak reviews, but nostalgia could help during its opening weekend. Finally there's How to be Single, which is a Romantic Comedy. Any romantic film should do well on Valentine's Day, even one earning mixed reviews. This weekend last year, Fifty Shades of Grey came out, which is a movie my mind keeps trying to forget happened. It earned just over $85 million during its opening weekend, but less than that during the rest of its run. Deadpool won't open as fast, but it very likely won't collapse next weekend either. 2016 will lose in the year-over-year comparison in the short run, but perhaps by Monday, the tide will turn. More...

Contest: Seize Your Prizes: Winning Announcement

February 9th, 2016

Hail, Caesar!

The winners of our Seize Your Prizes contest were determined and the entrants with the closest predictions for Hail, Caesar! opening weekend were... More...

Weekend Wrap-Up: Broncos Biggest Winners, but Pandas still earn $21.24 million

February 8th, 2016

Hail, Caesar!

Super Bowl weekend was not a good weekend at the box office. The competition usually takes its toll at the box office, but this year it was particularly bad. Kung Fu Panda 3 led the way with just $21.24 million, while Hail, Caesar! was the only other film to earn more than $10 million. In fact, the weekend was so bad that Star Wars: The Force Awakens remained in third place during its eighth weekend of release. The overall box office took a massive hit, down 31% to just $95 million. This was 37% lower than the same weekend last year, but miraculously, 2016 maintained its lead over 2015, by the tiniest of margins, $1.34 billion to $1.33 billion. With a difference of 0.5% or $6 million, the lead will likely disappear during the week, but 2016 should get it back when Deadpool debuts this Friday. More...

Weekend Estimates: Panda holds off Caesar on Super Bowl weekend

February 7th, 2016

Kung Fu Panda 3

Super Bowl weekend isn’t exactly known for super-sized box office results, and this year will prove to be no exception, with Kung Fu Panda 3 comfortably winning the weekend with $21 million, down 49% from its debut. Hail, Caesar! will land in second place with $11.4 million or so, which is a decent performance from 2,232 theaters, although quite a bit softer than The Ladykillers’ $12.6 million first outing from 1,583 theaters back in 2004, and well behind the kind of numbers posted by True Grit. More...

Friday Estimates: Panda Buries Caesar

February 6th, 2016

Kung Fu Panda 3

Kung Fu Panda 3 will easily win the race for top spot at the weekend box office. Not only did it earn first place on Friday with $5.2 million, but of all of the wide releases, it will be among the least affected by Super Bowl Sunday. Unfortunately, this is still a little lower than predicted and it will likely only earn just over $20 million over the weekend. Its worldwide total is closing in on its production budget and it has barely started its international run, so there’s plenty of reason for DreamWorks to be happy, and there’s justification for another installment in the franchise. More...

Thursday Night Previews: Hail Storms into Theaters

February 5th, 2016

Hail, Caesar!

Hail, Caesar! got off to a relatively good start on Thursday earning $543,000 at 1,815 theaters. This puts it in between the previews for Dirty Grandpa and The 5th Wave, meaning it is on pace for close to $11 million over the weekend. Its positive reviews could help it over $11 million, which would match predictions perfectly. More...

Weekend Predictions: Hail, Holdovers!

February 4th, 2016

Hail, Caesar!

It's a new month and there are three wide releases trying to score and get February off to a fast start. That's probably not going to happen. Not only do the wide releases have to deal with Kung Fu Panda 3, but it is also Super Bowl Weekend with the Carolina Idontknows Playing the Dever Somethingabouthorses. ... Once the Seattle Seahawks were eliminated, I completely stopped caring about the NFL. The best new release of the week is Hail, Caesar!, which is the only film with a real shot at becoming a midlevel hit. Pride and Prejudice and Zombies started out with mixed reviews, but that might not be a dealbreaker for its target audience. Finally there's The Choice. There are still not enough reviews for a Tomatometer Score and the buzz appears to be getting worse. The SpongeBob Movie: Sponge Out of Water led the way this weekend last year, with more than all three new releases will earn this year. More...

Contest: Kung Fu Dino: Winning Announcement

February 3rd, 2016

Kung-Fu Panda 3

The winners of our Kung Fu Dino contest were determined and the entrants with the closest predictions for Kung Fu Panda 3 opening weekend were... More...

2016 Preview: February

February 1st, 2016

Deadpool

As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison. More...

Contest: Seize Your Prizes

January 29th, 2016

Hail, Caesar!

There are three wide releases coming out next week and I think Hail, Caesar! is the only one that will be even a midlevel hit. The Choice is the latest from Nicholas Sparks, who used to have a box office winning streak, but that ended a while ago. Meanwhile, Pride and Prejudice and Zombies is a relatively new addition to the wide release schedule, as it was expected to open in limited release not too long ago. It looks like Hail, Caesar! will be the biggest of the three wide releases and because of this, it is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Hail, Caesar!.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 5, 2016 2 $11,355,225   2,232 $5,087   $11,355,225 1
Feb 12, 2016 6 $6,395,545 -44% 2,248 $2,845   $21,160,515 2
Feb 19, 2016 10 $2,745,705 -57% 1,726 $1,591   $26,258,850 3
Feb 26, 2016 14 $1,208,080 -56% 959 $1,260   $28,380,890 4
Mar 4, 2016 22 $433,205 -64% 313 $1,384   $29,233,595 5
Mar 11, 2016 23 $306,880 -29% 255 $1,203   $29,702,775 6
Mar 18, 2016 32 $182,225 -41% 163 $1,118   $29,997,095 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 5, 2016 2 $4,321,680     2,232 $1,936   $4,321,680 1
Feb 6, 2016 2 $5,301,565 +23%   2,232 $2,375   $9,623,245 2
Feb 7, 2016 2 $1,731,980 -67%   2,232 $776   $11,355,225 3
Feb 8, 2016 2 $886,465 -49%   2,232 $397   $12,241,690 4
Feb 9, 2016 2 $1,083,775 +22%   2,232 $486   $13,325,465 5
Feb 10, 2016 2 $766,320 -29%   2,232 $343   $14,091,785 6
Feb 11, 2016 2 $673,185 -12%   2,232 $302   $14,764,970 7
Feb 12, 2016 5 $1,482,180 +120% -66% 2,248 $659   $16,247,150 8
Feb 13, 2016 6 $2,509,510 +69% -53% 2,248 $1,116   $18,756,660 9
Feb 14, 2016 7 $2,403,855 -4% +39% 2,248 $1,069   $21,160,515 10
Feb 15, 2016 7 $978,050 -59% +10% 2,248 $435   $22,138,565 11
Feb 16, 2016 7 $540,820 -45% -50% 2,248 $241   $22,679,385 12
Feb 17, 2016 7 $425,650 -21% -44% 2,248 $189   $23,105,035 13
Feb 18, 2016 7 $408,110 -4% -39% 2,248 $182   $23,513,145 14
Feb 19, 2016 10 $765,150 +87% -48% 1,726 $443   $24,278,295 15
Feb 20, 2016 10 $1,264,730 +65% -50% 1,726 $733   $25,543,025 16
Feb 21, 2016 10 $715,825 -43% -70% 1,726 $415   $26,258,850 17
Feb 22, 2016 10 $203,880 -72% -79% 1,726 $118   $26,462,730 18
Feb 23, 2016 10 $285,325 +40% -47% 1,726 $165   $26,748,055 19
Feb 24, 2016 10 $228,980 -20% -46% 1,726 $133   $26,977,035 20
Feb 25, 2016 10 $195,775 -15% -52% 1,726 $113   $27,172,810 21
Feb 26, 2016 14 $352,225 +80% -54% 959 $367   $27,525,035 22
Feb 27, 2016 14 $604,650 +72% -52% 959 $631   $28,129,685 23
Feb 28, 2016 14 $251,205 -58% -65% 959 $262   $28,380,890 24
Feb 29, 2016 14 $96,990 -61% -52% 959 $101   $28,477,880 25
Mar 1, 2016 14 $119,585 +23% -58% 959 $125   $28,597,465 26
Mar 2, 2016 14 $107,650 -10% -53% 959 $112   $28,705,115 27
Mar 3, 2016 14 $95,275 -11% -51% 959 $99   $28,800,390 28
Mar 4, 2016 - $109,725 +15% -69% 313 $351   $28,910,115 29
Mar 5, 2016 - $200,560 +83% -67% 313 $641   $29,110,675 30
Mar 6, 2016 - $122,920 -39% -51% 313 $393   $29,233,595 31
Mar 7, 2016 - $40,835 -67% -58% 313 $130   $29,274,430 32
Mar 8, 2016 - $44,385 +9% -63% 313 $142   $29,318,815 33
Mar 9, 2016 - $39,960 -10% -63% 313 $128   $29,358,775 34
Mar 10, 2016 - $37,120 -7% -61% 313 $119   $29,395,895 35
Mar 11, 2016 - $81,885 +121% -25% 255 $321   $29,477,780 36
Mar 12, 2016 - $141,235 +72% -30% 255 $554   $29,619,015 37
Mar 13, 2016 - $83,760 -41% -32% 255 $328   $29,702,775 38
Mar 14, 2016 - $28,650 -66% -30% 255 $112   $29,731,425 39
Mar 15, 2016 - $31,775 +11% -28% 255 $125   $29,763,200 40
Mar 16, 2016 - $28,695 -10% -28% 255 $113   $29,791,895 41
Mar 17, 2016 - $22,975 -20% -38% 255 $90   $29,814,870 42
Mar 18, 2016 - $46,550 +103% -43% 163 $286   $29,861,420 43
Mar 19, 2016 - $84,015 +80% -41% 163 $515   $29,945,435 44
Mar 20, 2016 - $51,660 -39% -38% 163 $317   $29,997,095 45
Mar 21, 2016 - $20,885 -60% -27% 163 $128   $30,017,980 46
Mar 22, 2016 - $21,120 +1% -34% 163 $130   $30,039,100 47
Mar 23, 2016 - $21,015 n/c -27% 163 $129   $30,060,115 48
Mar 24, 2016 - $20,110 -4% -12% 163 $123   $30,080,225 49

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 5, 2016 2 $14,764,970   2,232 $6,615   $14,764,970 1
Feb 12, 2016 7 $8,748,175 -41% 2,248 $3,892   $23,513,145 2
Feb 19, 2016 10 $3,659,665 -58% 1,726 $2,120   $27,172,810 3
Feb 26, 2016 15 $1,627,580 -56% 959 $1,697   $28,800,390 4
Mar 4, 2016 20 $595,505 -63% 313 $1,903   $29,395,895 5
Mar 11, 2016 24 $418,975 -30% 255 $1,643   $29,814,870 6
Mar 18, 2016 31 $265,355 -37% 163 $1,628   $30,080,225 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/28/2016 $91,021 31 231 281 $184,325 11/30/2018
Australia 2/12/2016 $46,175 1 260 1,040 $3,054,261 6/2/2021
Austria 2/18/2016 $58,567 19 22 170 $304,600 7/27/2016
Belgium 2/17/2016 $151,454 32 32 174 $412,178 6/9/2016
Brazil 4/14/2016 $146,723 72 72 207 $422,785 6/28/2016
Bulgaria 2/19/2016 $26,984 16 16 62 $65,983 2/26/2019
Croatia 2/18/2016 $9,858 14 14 54 $22,956 12/31/2018
Czech Republic 3/3/2016 $46,414 100 100 195 $113,114 12/31/2018
Denmark 2/18/2016 $87,715 59 59 164 $230,241 6/9/2016
Estonia 2/19/2016 $11,737 9 9 9 $11,737 6/9/2016
Finland 3/4/2016 $73,141 57 57 178 $244,973 6/9/2016
France 2/17/2016 $2,107,623 428 428 1,646 $5,033,249 6/9/2016
Germany 2/18/2016 $1,030,564 150 171 1,337 $3,993,008 9/13/2016
Greece 2/18/2016 $137,280 62 62 119 $269,106 6/9/2016
Hong Kong 3/10/2016 $81,227 12 12 23 $158,151 6/9/2016
Hungary 2/25/2016 $74,880 55 55 162 $199,888 12/31/2018
Iceland 2/19/2016 $5,619 4 4 4 $5,619 12/31/2018
Iraq 2/18/2016 $1,538 3 3 4 $1,871 12/31/2018
Israel 2/18/2016 $106,043 21 25 124 $411,998 12/31/2018
Italy 3/10/2016 $1,103,207 348 373 938 $2,778,417 6/9/2016
Japan 5/13/2016 $0 0 36 126 $540,958 7/5/2016
Kuwait 2/18/2016 $46,838 11 11 12 $66,796 12/31/2018
Lebanon 2/18/2016 $20,782 5 5 8 $35,612 12/31/2018
Malaysia 2/18/2016 $18,709 15 15 36 $38,540 6/9/2016
Mexico 4/22/2016 $206,869 192 192 348 $404,452 8/23/2016
Netherlands 2/18/2016 $199,359 52 52 297 $862,547 6/28/2016
New Zealand 3/4/2016 $76,517 56 64 250 $276,283 6/9/2016
Norway 3/4/2016 $52,850 54 54 111 $221,604 6/9/2016
Oman 2/18/2016 $2,325 6 6 6 $2,325 12/31/2018
Peru 3/24/2016 $12,990 5 5 7 $19,454 12/31/2018
Philippines 3/16/2016 $16,189 20 20 40 $27,237 12/31/2018
Poland 2/19/2016 $199,431 119 119 331 $511,768 11/18/2018
Portugal 2/25/2016 $71,112 41 41 115 $178,279 6/9/2016
Russia (CIS) 3/3/2016 $377,421 363 363 897 $972,805 12/31/2018
Serbia and Montenegro 3/3/2016 $4,667 23 23 38 $27,744 12/31/2018
Singapore 3/10/2016 $37,599 8 8 37 $108,622 7/19/2016
Slovakia 3/3/2016 $19,627 49 49 49 $19,627 6/9/2016
Slovenia 2/25/2016 $5,635 9 9 25 $16,598 6/9/2016
South Africa 2/19/2016 $13,443 11 11 41 $51,224 6/9/2016
South Korea 3/24/2016 $10,740 0 250 316 $237,152 9/10/2018
Spain 2/19/2016 $842,597 278 289 980 $2,266,707 6/9/2016
Sweden 2/19/2016 $127,072 82 82 203 $405,280 6/9/2016
Switzerland 2/17/2016 $304,589 51 53 276 $1,020,271 6/8/2016
Thailand 3/3/2016 $10,859 11 11 15 $19,092 6/9/2016
United Arab Emirates 2/18/2016 $104,613 23 23 34 $179,603 12/31/2018
United Kingdom 3/4/2016 $2,163,591 494 506 1,814 $7,166,713 6/9/2016
Uruguay 4/14/2016 $13,323 7 7 7 $13,323 12/31/2018
 
Rest of World $530,895
 
International Total$34,139,971 6/2/2021

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 12, 20161114,587 14,587$250,896$250,8963

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 12, 2016723,871 23,871$465,013$465,0133
Jun 19, 20161412,710-47% 36,581$372,666$837,6794

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.