Winchester (2018)

Winchester
Theatrical Performance
Domestic Box Office $25,091,816Details
International Box Office $20,868,439Details
Worldwide Box Office $45,960,255
Home Market Performance
Est. Domestic DVD Sales $2,532,591 Details
Est. Domestic Blu-ray Sales $1,806,205 Details
Total Est. Domestic Video Sales $4,338,796
Further financial details...

Synopsis

On an isolated stretch of land 50 miles outside of San Francisco sits the most haunted house in the world. Built by Sarah Winchester, heiress to the Winchester fortune, it is a house that knows no end. Constructed in an incessant twenty-four hour a day, seven day a week mania for decades, it stands seven stories tall and contains hundreds of rooms. To the outsider it looks like a monstrous monument to a disturbed woman’s madness. But Sarah is not building for herself, for her niece or for the brilliant Doctor Eric Price whom she has summoned to the house. She is building a prison, an asylum for hundreds of vengeful ghosts, and the most terrifying among them have a score to settle with the Winchesters…

Metrics

Opening Weekend:$9,307,626 (37.1% of total gross)
Legs:2.70 (domestic box office/biggest weekend)
Domestic Share:54.6% (domestic box office/worldwide)
Production Budget:$3,500,000 (worldwide box office is 13.1 times production budget)
Theater counts:2,480 opening theaters/2,480 max. theaters, 3.4 weeks average run per theater
Infl. Adj. Dom. BO $29,691,526

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,301-3,400) 3,348 $25,091,816
All Time International Box Office (Rank 3,401-3,500) 3,441 $20,868,439
All Time Worldwide Box Office (Rank 3,201-3,300) 3,269 $45,960,255

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: February 2nd, 2018 (Wide) by CBS Films
International Releases: February 2nd, 2018 (Wide) (United Kingdom)
February 9th, 2018 (Wide) (Netherlands)
February 9th, 2018 (Wide) (Poland)
February 23rd, 2018 (Wide) (Australia)
February 24th, 2018 (Wide), released as La vedova Winchester (Italy)
... Show all releases
Video Release: April 17th, 2018 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for violence, disturbing images, drug content, some sexual material and thematic elements.
(Rating bulletin 2507 (Cert #51318), 12/20/2017)
Running Time: 99 minutes
Comparisons: vs. Insidious: The Last Key
Create your own comparison chart…
Keywords: Supernatural, Family Affair, 1800s, Haunted House, Widow/Widower, Set in California, Set in San Francisco, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Inspired by a True Story, Supernatural Horror, Friendly Ghost, Suicide, Addiction, Psychics
Source:Based on Real Life Events
Genre:Horror
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: CBS Films, Eclipse Films, Screen Australia, Screen Queensland, Film Victoria, Blacklab, Imagination Design Works
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Super Bowl (All Movies, 3-Day) 48 $9,307,626 Feb 2, 2018 3
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 118 $11,457,093 Feb 2, 2018 3
Super Bowl (Opening, 3-Day) 24 $9,307,626 Feb 2, 2018 3
Super Bowl (Opening, 3-Day, Inflation Adjusted) 32 $11,457,093 Feb 2, 2018 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 3,301-3,400) 3,348 $25,091,816
All Time Domestic Inflation Adjusted Box Office (Rank 4,201-4,300) 4,229 $29,691,526
All Time Domestic Non-Sequel Box Office (Rank 2,701-2,800) 2,753 $25,091,816
Top 2018 Movies at the Domestic Box Office 95 $25,091,816
All Time Domestic Box Office for Based on Real Life Events Movies (Rank 101-200) 173 $25,091,816
All Time Domestic Box Office for Live Action Movies (Rank 2,901-3,000) 2,902 $25,091,816
All Time Domestic Box Office for Dramatization Movies (Rank 201-300) 238 $25,091,816
All Time Domestic Box Office for Horror Movies (Rank 201-300) 257 $25,091,816
All Time Domestic Box Office for PG-13 Movies (Rank 1,201-1,300) 1,254 $25,091,816
All Time Domestic Box Office for CBS Films Movies 8 $25,091,816

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 2, 2018 3 $9,307,626   2,480 $3,753   $9,307,626 1
Feb 9, 2018 7 $5,211,217 -44% 2,480 $2,101   $17,338,575 2
Feb 16, 2018 9 $2,205,695 -58% 1,479 $1,491   $21,835,874 3
Feb 23, 2018 17 $929,450 -58% 852 $1,091   $23,735,224 4
Mar 2, 2018 19 $516,392 -44% 576 $897   $24,545,230 5
Mar 9, 2018 31 $167,629 -68% 261 $642   $24,871,652 6
Mar 16, 2018 42 $50,076 -70% 91 $550   $24,987,223 7
Mar 23, 2018 41 $56,273 +12% 90 $625   $25,060,919 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 2, 2018 1 $3,622,125     2,480 $1,461   $3,622,125 1
Feb 3, 2018 3 $4,136,849 +14%   2,480 $1,668   $7,758,974 2
Feb 4, 2018 3 $1,548,652 -63%   2,480 $624   $9,307,626 3
Feb 5, 2018 3 $696,786 -55%   2,480 $281   $10,004,412 4
Feb 6, 2018 3 $959,605 +38%   2,480 $387   $10,964,017 5
Feb 7, 2018 4 $603,399 -37%   2,480 $243   $11,567,416 6
Feb 8, 2018 4 $559,942 -7%   2,480 $226   $12,127,358 7
Feb 9, 2018 7 $1,386,162 +148% -62% 2,480 $559   $13,513,520 8
Feb 10, 2018 7 $2,369,286 +71% -43% 2,480 $955   $15,882,806 9
Feb 11, 2018 7 $1,455,769 -39% -6% 2,480 $587   $17,338,575 10
Feb 12, 2018 7 $424,855 -71% -39% 2,480 $171   $17,763,430 11
Feb 13, 2018 7 $528,030 +24% -45% 2,480 $213   $18,291,460 12
Feb 14, 2018 6 $1,021,253 +93% +69% 2,480 $412   $19,312,713 13
Feb 15, 2018 6 $317,466 -69% -43% 2,480 $128   $19,630,179 14
Feb 16, 2018 10 $572,403 +80% -59% 1,479 $387   $20,202,582 15
Feb 17, 2018 9 $927,932 +62% -61% 1,479 $627   $21,130,514 16
Feb 18, 2018 9 $705,360 -24% -52% 1,479 $477   $21,835,874 17
Feb 19, 2018 10 $413,461 -41% -3% 1,479 $280   $22,249,335 18
Feb 20, 2018 9 $235,553 -43% -55% 1,479 $159   $22,484,888 19
Feb 21, 2018 10 $176,980 -25% -83% 1,479 $120   $22,661,868 20
Feb 22, 2018 13 $143,906 -19% -55% 1,479 $97   $22,805,774 21
Feb 23, 2018 14 $262,233 +82% -54% 852 $308   $23,068,007 22
Feb 24, 2018 - $432,494 +65% -53% 852 $508   $23,500,501 23
Feb 25, 2018 - $234,723 -46% -67% 852 $275   $23,735,224 24
Feb 26, 2018 - $74,126 -68% -82% 852 $87   $23,809,350 25
Feb 27, 2018 - $93,609 +26% -60% 852 $110   $23,902,959 26
Feb 28, 2018 - $67,838 -28% -62% 852 $80   $23,970,797 27
Mar 1, 2018 - $58,041 -14% -60% 852 $68   $24,028,838 28
Mar 2, 2018 - $137,855 +138% -47% 576 $239   $24,166,693 29
Mar 3, 2018 - $245,115 +78% -43% 576 $426   $24,411,808 30
Mar 4, 2018 - $133,422 -46% -43% 576 $232   $24,545,230 31
Mar 5, 2018 - $38,531 -71% -48% 576 $67   $24,583,761 32
Mar 6, 2018 - $51,081 +33% -45% 576 $89   $24,634,842 33
Mar 7, 2018 - $40,144 -21% -41% 576 $70   $24,674,986 34
Mar 8, 2018 - $29,037 -28% -50% 576 $50   $24,704,023 35
Mar 9, 2018 - $47,071 +62% -66% 261 $180   $24,751,094 36
Mar 10, 2018 - $77,488 +65% -68% 261 $297   $24,828,582 37
Mar 11, 2018 - $43,070 -44% -68% 261 $165   $24,871,652 38
Mar 12, 2018 - $14,892 -65% -61% 261 $57   $24,886,544 39
Mar 13, 2018 - $20,586 +38% -60% 261 $79   $24,907,130 40
Mar 14, 2018 - $15,946 -23% -60% 261 $61   $24,923,076 41
Mar 15, 2018 - $14,071 -12% -52% 261 $54   $24,937,147 42
Mar 16, 2018 - $15,705 +12% -67% 91 $173   $24,952,852 43
Mar 17, 2018 - $23,631 +50% -70% 91 $260   $24,976,483 44
Mar 18, 2018 - $10,740 -55% -75% 91 $118   $24,987,223 45
Mar 19, 2018 - $4,024 -63% -73% 91 $44   $24,991,247 46
Mar 20, 2018 - $4,760 +18% -77% 91 $52   $24,996,007 47
Mar 21, 2018 - $4,034 -15% -75% 91 $44   $25,000,041 48
Mar 22, 2018 - $4,605 +14% -67% 91 $51   $25,004,646 49
Mar 23, 2018 - $14,918 +224% -5% 90 $166   $25,019,564 50
Mar 24, 2018 - $24,417 +64% +3% 90 $271   $25,043,981 51
Mar 25, 2018 - $16,938 -31% +58% 90 $188   $25,060,919 52
Mar 26, 2018 - $7,018 -59% +74% 90 $78   $25,067,937 53
Mar 27, 2018 - $8,054 +15% +69% 90 $89   $25,075,991 54
Mar 28, 2018 - $6,924 -14% +72% 90 $77   $25,082,915 55
Mar 29, 2018 - $8,901 +29% +93% 90 $99   $25,091,816 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 2, 2018 3 $12,127,358   2,480 $4,890   $12,127,358 1
Feb 9, 2018 7 $7,502,821 -38% 2,480 $3,025   $19,630,179 2
Feb 16, 2018 9 $3,175,595 -58% 1,479 $2,147   $22,805,774 3
Feb 23, 2018 17 $1,223,064 -61% 852 $1,436   $24,028,838 4
Mar 2, 2018 20 $675,185 -45% 576 $1,172   $24,704,023 5
Mar 9, 2018 33 $233,124 -65% 261 $893   $24,937,147 6
Mar 16, 2018 46 $67,499 -71% 91 $742   $25,004,646 7
Mar 23, 2018 42 $87,170 +29% 90 $969   $25,091,816 8

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 3/2/2018 $258,953 0 0 0 $1,005,302 1/1/2019
Australia 2/23/2018 $309,541 206 206 524 $663,000 3/26/2018
Brazil 3/2/2018 $1,169,253 0 0 0 $2,971,319 6/14/2018
Czech Republic 3/2/2018 $107,055 86 86 237 $351,192 1/1/2019
Italy 2/24/2018 $839,048 0 0 0 $1,664,140 3/14/2018
Lithuania 4/27/2018 $11,017 70 70 100 $21,912 5/18/2018
Mexico 3/9/2018 $1,421,878 0 0 0 $4,122,724 4/2/2018
Netherlands 2/9/2018 $141,899 61 63 225 $497,676 3/5/2018
New Zealand 3/2/2018 $44,035 50 52 130 $98,581 4/9/2018
Poland 2/9/2018 $193,423 0 0 0 $712,691 1/1/2019
Portugal 4/13/2018 $86,010 39 39 125 $204,239 6/1/2018
Russia (CIS) 4/5/2018 $463,808 639 639 1,346 $923,827 2/26/2019
Slovakia 3/2/2018 $58,538 58 58 130 $155,142 3/27/2018
South Korea 9/19/2019 $0 0 2 2 $24,739 10/9/2019
Spain 3/9/2018 $725,499 250 250 1,039 $2,216,195 4/19/2018
Turkey 4/20/2018 $24,301 60 60 83 $49,126 2/26/2019
United Kingdom 2/2/2018 $527,688 336 336 336 $527,688 2/7/2018
 
Rest of World $4,658,946
 
International Total$20,868,439 10/9/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 3,401-3,500) 3,441 $20,868,439
All Time International Non-Sequel Box Office (Rank 2,701-2,800) 2,792 $20,868,439
Top 2018 Movies at the International Box Office (Rank 101-200) 178 $20,868,439
All Time International Box Office for Based on Real Life Events Movies (Rank 201-300) 216 $20,868,439
All Time International Box Office for Live Action Movies (Rank 2,801-2,900) 2,833 $20,868,439
All Time International Box Office for Dramatization Movies (Rank 201-300) 232 $20,868,439
All Time International Box Office for Horror Movies (Rank 201-300) 212 $20,868,439
All Time International Box Office for PG-13 Movies (Rank 1,001-1,100) 1,053 $20,868,439
All Time International Box Office for CBS Films Movies 6 $20,868,439

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 3,201-3,300) 3,269 $45,960,255
All Time Worldwide Non-Sequel Box Office (Rank 2,601-2,700) 2,645 $45,960,255
Top 2018 Movies at the Worldwide Box Office (Rank 101-200) 133 $45,960,255
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 101-200) 183 $45,960,255
All Time Worldwide Box Office for Live Action Movies (Rank 2,701-2,800) 2,757 $45,960,255
All Time Worldwide Box Office for Dramatization Movies (Rank 201-300) 230 $45,960,255
All Time Worldwide Box Office for Horror Movies (Rank 201-300) 222 $45,960,255
All Time Worldwide Box Office for PG-13 Movies (Rank 1,101-1,200) 1,149 $45,960,255
All Time Worldwide Box Office for CBS Films Movies 5 $45,960,255

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
May 6, 2018456,419 56,419$844,028$844,0283
May 13, 2018727,008-52% 83,427$404,040$1,248,0684
May 20, 2018912,568-53% 95,995$188,017$1,436,0855

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
May 6, 2018742,508 42,508$848,468$848,4683
May 13, 20181118,178-57% 60,686$362,823$1,211,2914
May 20, 2018178,820-51% 69,506$176,043$1,387,3345

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Helen Mirren Sarah Winchester

Supporting Cast

Jason Clarke Dr. Eric Price
Sarah Snook Marion Marriott
Finn Scicluna-O’Prey Henry Marriott
Emm Wiseman Nancy
Alana Fagan Partially Dressed Lady #1
Rebecca Makar Partially Dressed Lady #2
Tyler Coppin Arthur Gates
Michael Carman Frank
Angus Sampson John Hansen
Alice Chaston Clara
Eamon Farren Ben Block
Laura Brent Ruby Price
Adam Bowes Farmer Amputee
Bruce Spence Augustine
Phoenix Suhrou-DiMarco Native American Child
Jayden Irving Carpenter #1
Rosco Campbell Carpenter #2
Puven Pather Carpenter #3
Tom Heath Wiry Carpenter
Curtis Bock Harry Block
Andy de Lore James Block
Graham Jahne Innocent Man #1
Hayden Stewart Innocent Man #2
Chris Anderson Innocent Man #3
Laura Sutton Innocent Woman
Robert Shook Police Officer #1
Richard Anastasios Police Officer #2
Will Jones Police Officer #3
Luke David Maizey Police Officer #4
James Baldwin Police Officer #5
Neil Solomano Police Officer #6
Amos Ciza Slave Ghost
Red Horse Rivera Chief Little Fawn
Timothy Brown Ghost #1
Kym Lannin Ghost #2 - Union Soldier
Christian Rhodes-Wolfe Ghost #3-Union Soldier
Albert Trajstman Ghost #4-Sheriff
Xavier Gerard Ludovic Gouault Ghost #5-Police Officer
Gawi Deng Ghost #6-Confederate Soldier
Ryuhei Tsukamoto Ghost #7-Rail Worker
Shane Holloway Ghost #8-Cowboy
Michael Boyd Ghost #9-Sheriff
Elisa Abascal Ghost #10-Mexican Woman
Akosua Sabet Ghost #11-Cotton Picker
Stephanie Beall Ghost #12-1895 Wealthy Lady
Clancy Fraser Ghost #13-Prostitute
Chris Homa Ghost #14-Farmer’s Wife
Rose Juan Ghost #15-Maid

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Michael Spierig Director
Peter Spierig Director
Michael Spierig Screenwriter
Peter Spierig Screenwriter
Tom Vaughan Screenwriter
Tim McGahan Producer
Brett Tomberlin Producer
Benedict Carver Executive Producer
Daniel Diamond Executive Producer
Tobin Armbrust Executive Producer
Andrew Trapani Executive Producer
Brian Gilbert Executive Producer
Michael Burton Executive Producer
Bryce Menzies Executive Producer
Marc Schipper Executive Producer
Simon Oakes Executive Producer
Antonio Lianos Executive Producer
Ben Nott Director of Photography
Matthew Putland Production Designer
Matt Villa Editor
Wendy Cork Costume Designer
Steve Boyle Special Make-up Effects
Peter Spierig Composer
Maura Fay Casting Director
Leigh Pickford Casting Director
Chris Anderson Stunt Coordinator
Yvonne Collins Line Producer
Angelique Badenoch Production Manager
Jamie Leslie First Assistant Director
Janie Parker Art Director
Jeff Betancourt Additional Editor
Angella McPherson Second Assistant Director
Carmel Torcasio Script Supervisor
Stephen Brett Location Manager
Michael Bell Set Designer
Douglas Pierce Set Designer
Vanessa Cerne Set Decorator
Peter Stubbs Special Effects Supervisor
Rachel Nott Costume Supervisor
Michael Davies Costume Supervisor
Lynn Wheeler Make-up and Hair Designer
Henry Karjalainen Post-Production Supervisor
Courtney Lee Bowden First Assistant Editor/VFX Editor
Daniel Newfield First Assistant Editor
Shannon Longville Assistant Editor
Paul Pirola Sound Supervisor
Pete Smith Re-recording Mixer
Paul Pirola Re-recording Mixer
Hayden Collow Sound Designer
Andrew Neil Sound Effects Editor
Frank Lipson Sound Effects Editor
Tom Heuzenroeder Sound Effects Editor
Joe Dzuban Sound Effects Editor
Andrew Moore Sound Effects Editor
Peter Miller Sound Effects Editor
Rangi Sutton Visual Effects Supervisor
Kasia Rymar Visual Effects Producer
Flavia Riley Visual Effects Producer
Kristie Godden Visual Effects Producer
Christian Scallan* Music Editor
Laura Katz Music Supervisor
Tim Hegarty Executive Music Producer
Tara Finegan Executive Music Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 1st, 2018

May 2nd, 2018

Miss Kobayashi's Dragon Maid

It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead. More...

Home Market Releases for April 17th, 2018

April 17th, 2018

MST3K

It’s a slow week on the home market, which is common for this time of year. The biggest release of the week, The Post, is also one of the best and one of only three contenders for Pick of the Week. In the end, I went with MST3K: Season 11 and awarded it the honor. More...

Weekend Wrap-Up: Freed Falls to $38.56 million

February 13th, 2018

Fifty Shades Freed

Fifty Shades Freed topped our prediction by a tiny margin earning first place over the weekend with $38.56 million. Peter Rabbit also beat expectations with $25.01 million. Then there’s The 15:17 to Paris. Overall, the box office rocketed up 49% from last weekend to $140 million. Unfortunately, this wasn’t enough to compete with this weekend last year, as 2018 was 26% lower. That sounds devastating, but remember, there is a misalignment in holidays, so next weekend 2018 will bounce back. Likewise, because of the misalignment in holidays, the year-to-date comparison isn’t particularly useful. 2018 is behind 2017’s pace by 5.0% or $65 million at $1.22 billion to $1.28 billion. However, by this time next week, that entire deficit could be erased. More...

Weekend Wrap-Up: Jumanji Rumbles Back to the Top with $10.93 million

February 6th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle earned first place for the fourth time over the weekend with $10.93 million, while Maze Runner: The Death Cure was a close second with $10.47 million. This left Winchester in third place with $9.31 million, but it could have been much worse. Overall, the weekend fell 33% from last weekend with $95 million. More importantly, is 3.6% lower than the same weekend last year. 2018 lost its small lead over 2017 before the weekend and it is now 0.8% or $8 million below last year’s pace at $1.04 billion to $1.05 billion. It’s going to get a lot worse next weekend, due to the misalignment in holidays, but I think 2018 will quickly recover after that. More...

Weekend Estimates: Jumanji and Greatest Showman in Record Territory

February 4th, 2018

Winchester

In spite of a decent opening, Winchester is proving to be no match for Jumanji this weekend. The holiday holdover returns to top spot on the chart in its seventh weekend with $11 million, down 32% from last time out. That makes it four weekends at the top of the chart for Jumanji, after opening in second place back on December 20. One needs to go back the best part of 30 years to find a film that matches that performance. More...

Friday Estimates: Winchester Earns First on Friday with $3.61 million, but Jumanji is Gunning For It

February 3rd, 2018

Winchester

Winchester started out in first place on Friday with $3.61 million. That’s the good news. The bad news is, well, everything else. Its reviews have fallen to just 8% positive, while it earned a B minus from CinemaScore. To be fair, a lot of horror movies actually do worse than that with CinemaScore, as horror fans are notoriously hard to please. Since it is a new release and its word-of-mouth is likely going to be quite bad, it will have shorter legs than the rest of the films on this list and will very likely drop to third place by the end of the weekend with roughly $9 million. This is close enough to our prediction that I’m going to call it a victory. More...

Thursday Night Previews: Winchester Misfires with $615,000

February 2nd, 2018

Winchester

Winchester is the only wide release of the week, but it looks like having the weekend to itself won’t be enough to overcome the Super Bowl. It only managed $615,000 during previews, which is well below the $800,000 Rings managed this time last year. Worse still, the film has gone from no reviews to just 10% positive reviews, so its legs likely won’t be long either. We predicted between $8 million and $9 million during its opening weekend and I’m still relatively confident with that result. It may even get between $9 million and $10 million instead. We will have a better picture tomorrow when Friday's estimates are in. More...

Weekend Predictions: Winchester Takes Aim at the Competition

February 1st, 2018

Winchester

It’s Super Bowl weekend and the only film attempting to compete with the sporting event is Winchester. Unfortunately, its nearly noon on Thursday and there are still no reviews on Rotten Tomatoes. This means Maze Runner: The Death Cure and Jumanji: Welcome to the Jungle will be in a race for first place over the weekend, while Winchester will have to settle for third place. This weekend last year, Rings was the biggest new release of the week. It wasn’t a hit, but it was bigger than any film this week will be, preventing 2018 from winning the year-over-year competition. More...

2018 Preview: February

February 1st, 2018

Black Panther

2018 got off to a good start and January more or less held its ground when compared to 2017. There were some misses, but surprise holdovers made up the difference. Looking forward, February will be dominated by Black Panther. In fact, it will very likely make more during its opening weekend than the second place film, Fifty Shades Freed, will likely make in total. Black Panther likely won’t break records, but it could come close, while Fifty Shade Freed and Peter Rabbit both have a 50/50 shot at $100 million. Last February, The Lego Batman Movie both earned $175 million, while Fifty Shades Darker earned over $100 million. Black Panther will easily beat any film from last February; in fact, it could earn more than the top two films earned combined. As long as the rest of the box office isn’t a complete disaster, February should help 2018 earn a significant edge over 2017 in the year-over-year comparisons. More...

Winchester Trailer

January 5th, 2018

Supernatural thriller starring Helen Mirren opens February 2 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

On an isolated stretch of land 50 miles outside of San Francisco sits the most haunted house in the world. Built by Sarah Winchester, heiress to the Winchester fortune, it is a house that knows no end. Constructed in an incessant twenty-four hour a day, seven day a week mania for decades, it stands seven stories tall and contains hundreds of rooms. To the outsider it looks like a monstrous monument to a disturbed woman’s madness. But Sarah is not building for herself, for her niece or for the brilliant Doctor Eric Price whom she has summoned to the house. She is building a prison, an asylum for hundreds of vengeful ghosts, and the most terrifying among them have a score to settle with the Winchesters…

Metrics

Opening Weekend:$9,307,626 (37.1% of total gross)
Legs:2.70 (domestic box office/biggest weekend)
Domestic Share:54.6% (domestic box office/worldwide)
Production Budget:$3,500,000 (worldwide box office is 13.1 times production budget)
Theater counts:2,480 opening theaters/2,480 max. theaters, 3.4 weeks average run per theater
Infl. Adj. Dom. BO $29,691,526

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,301-3,400) 3,348 $25,091,816
All Time International Box Office (Rank 3,401-3,500) 3,441 $20,868,439
All Time Worldwide Box Office (Rank 3,201-3,300) 3,269 $45,960,255

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play, Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: February 2nd, 2018 (Wide) by CBS Films
International Releases: February 2nd, 2018 (Wide) (United Kingdom)
February 9th, 2018 (Wide) (Netherlands)
February 9th, 2018 (Wide) (Poland)
February 23rd, 2018 (Wide) (Australia)
February 24th, 2018 (Wide), released as La vedova Winchester (Italy)
... Show all releases
Video Release: April 17th, 2018 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for violence, disturbing images, drug content, some sexual material and thematic elements.
(Rating bulletin 2507 (Cert #51318), 12/20/2017)
Running Time: 99 minutes
Comparisons: vs. Insidious: The Last Key
Create your own comparison chart…
Keywords: Supernatural, Family Affair, 1800s, Haunted House, Widow/Widower, Set in California, Set in San Francisco, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Inspired by a True Story, Supernatural Horror, Friendly Ghost, Suicide, Addiction, Psychics
Source:Based on Real Life Events
Genre:Horror
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: CBS Films, Eclipse Films, Screen Australia, Screen Queensland, Film Victoria, Blacklab, Imagination Design Works
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Super Bowl (All Movies, 3-Day) 48 $9,307,626 Feb 2, 2018 3
Super Bowl (All Movies, 3-Day, Inflation Adjusted) 118 $11,457,093 Feb 2, 2018 3
Super Bowl (Opening, 3-Day) 24 $9,307,626 Feb 2, 2018 3
Super Bowl (Opening, 3-Day, Inflation Adjusted) 32 $11,457,093 Feb 2, 2018 3

Leading Cast

Helen Mirren Sarah Winchester

Supporting Cast

Jason Clarke Dr. Eric Price
Sarah Snook Marion Marriott
Finn Scicluna-O’Prey Henry Marriott
Emm Wiseman Nancy
Alana Fagan Partially Dressed Lady #1
Rebecca Makar Partially Dressed Lady #2
Tyler Coppin Arthur Gates
Michael Carman Frank
Angus Sampson John Hansen
Alice Chaston Clara
Eamon Farren Ben Block
Laura Brent Ruby Price
Adam Bowes Farmer Amputee
Bruce Spence Augustine
Phoenix Suhrou-DiMarco Native American Child
Jayden Irving Carpenter #1
Rosco Campbell Carpenter #2
Puven Pather Carpenter #3
Tom Heath Wiry Carpenter
Curtis Bock Harry Block
Andy de Lore James Block
Graham Jahne Innocent Man #1
Hayden Stewart Innocent Man #2
Chris Anderson Innocent Man #3
Laura Sutton Innocent Woman
Robert Shook Police Officer #1
Richard Anastasios Police Officer #2
Will Jones Police Officer #3
Luke David Maizey Police Officer #4
James Baldwin Police Officer #5
Neil Solomano Police Officer #6
Amos Ciza Slave Ghost
Red Horse Rivera Chief Little Fawn
Timothy Brown Ghost #1
Kym Lannin Ghost #2 - Union Soldier
Christian Rhodes-Wolfe Ghost #3-Union Soldier
Albert Trajstman Ghost #4-Sheriff
Xavier Gerard Ludovic Gouault Ghost #5-Police Officer
Gawi Deng Ghost #6-Confederate Soldier
Ryuhei Tsukamoto Ghost #7-Rail Worker
Shane Holloway Ghost #8-Cowboy
Michael Boyd Ghost #9-Sheriff
Elisa Abascal Ghost #10-Mexican Woman
Akosua Sabet Ghost #11-Cotton Picker
Stephanie Beall Ghost #12-1895 Wealthy Lady
Clancy Fraser Ghost #13-Prostitute
Chris Homa Ghost #14-Farmer’s Wife
Rose Juan Ghost #15-Maid

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Michael Spierig Director
Peter Spierig Director
Michael Spierig Screenwriter
Peter Spierig Screenwriter
Tom Vaughan Screenwriter
Tim McGahan Producer
Brett Tomberlin Producer
Benedict Carver Executive Producer
Daniel Diamond Executive Producer
Tobin Armbrust Executive Producer
Andrew Trapani Executive Producer
Brian Gilbert Executive Producer
Michael Burton Executive Producer
Bryce Menzies Executive Producer
Marc Schipper Executive Producer
Simon Oakes Executive Producer
Antonio Lianos Executive Producer
Ben Nott Director of Photography
Matthew Putland Production Designer
Matt Villa Editor
Wendy Cork Costume Designer
Steve Boyle Special Make-up Effects
Peter Spierig Composer
Maura Fay Casting Director
Leigh Pickford Casting Director
Chris Anderson Stunt Coordinator
Yvonne Collins Line Producer
Angelique Badenoch Production Manager
Jamie Leslie First Assistant Director
Janie Parker Art Director
Jeff Betancourt Additional Editor
Angella McPherson Second Assistant Director
Carmel Torcasio Script Supervisor
Stephen Brett Location Manager
Michael Bell Set Designer
Douglas Pierce Set Designer
Vanessa Cerne Set Decorator
Peter Stubbs Special Effects Supervisor
Rachel Nott Costume Supervisor
Michael Davies Costume Supervisor
Lynn Wheeler Make-up and Hair Designer
Henry Karjalainen Post-Production Supervisor
Courtney Lee Bowden First Assistant Editor/VFX Editor
Daniel Newfield First Assistant Editor
Shannon Longville Assistant Editor
Paul Pirola Sound Supervisor
Pete Smith Re-recording Mixer
Paul Pirola Re-recording Mixer
Hayden Collow Sound Designer
Andrew Neil Sound Effects Editor
Frank Lipson Sound Effects Editor
Tom Heuzenroeder Sound Effects Editor
Joe Dzuban Sound Effects Editor
Andrew Moore Sound Effects Editor
Peter Miller Sound Effects Editor
Rangi Sutton Visual Effects Supervisor
Kasia Rymar Visual Effects Producer
Flavia Riley Visual Effects Producer
Kristie Godden Visual Effects Producer
Christian Scallan* Music Editor
Laura Katz Music Supervisor
Tim Hegarty Executive Music Producer
Tara Finegan Executive Music Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 1st, 2018

May 2nd, 2018

Miss Kobayashi's Dragon Maid

It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead. More...

Home Market Releases for April 17th, 2018

April 17th, 2018

MST3K

It’s a slow week on the home market, which is common for this time of year. The biggest release of the week, The Post, is also one of the best and one of only three contenders for Pick of the Week. In the end, I went with MST3K: Season 11 and awarded it the honor. More...

Weekend Wrap-Up: Freed Falls to $38.56 million

February 13th, 2018

Fifty Shades Freed

Fifty Shades Freed topped our prediction by a tiny margin earning first place over the weekend with $38.56 million. Peter Rabbit also beat expectations with $25.01 million. Then there’s The 15:17 to Paris. Overall, the box office rocketed up 49% from last weekend to $140 million. Unfortunately, this wasn’t enough to compete with this weekend last year, as 2018 was 26% lower. That sounds devastating, but remember, there is a misalignment in holidays, so next weekend 2018 will bounce back. Likewise, because of the misalignment in holidays, the year-to-date comparison isn’t particularly useful. 2018 is behind 2017’s pace by 5.0% or $65 million at $1.22 billion to $1.28 billion. However, by this time next week, that entire deficit could be erased. More...

Weekend Wrap-Up: Jumanji Rumbles Back to the Top with $10.93 million

February 6th, 2018

Jumanji: Welcome to the Jungle

Jumanji: Welcome to the Jungle earned first place for the fourth time over the weekend with $10.93 million, while Maze Runner: The Death Cure was a close second with $10.47 million. This left Winchester in third place with $9.31 million, but it could have been much worse. Overall, the weekend fell 33% from last weekend with $95 million. More importantly, is 3.6% lower than the same weekend last year. 2018 lost its small lead over 2017 before the weekend and it is now 0.8% or $8 million below last year’s pace at $1.04 billion to $1.05 billion. It’s going to get a lot worse next weekend, due to the misalignment in holidays, but I think 2018 will quickly recover after that. More...

Weekend Estimates: Jumanji and Greatest Showman in Record Territory

February 4th, 2018

Winchester

In spite of a decent opening, Winchester is proving to be no match for Jumanji this weekend. The holiday holdover returns to top spot on the chart in its seventh weekend with $11 million, down 32% from last time out. That makes it four weekends at the top of the chart for Jumanji, after opening in second place back on December 20. One needs to go back the best part of 30 years to find a film that matches that performance. More...

Friday Estimates: Winchester Earns First on Friday with $3.61 million, but Jumanji is Gunning For It

February 3rd, 2018

Winchester

Winchester started out in first place on Friday with $3.61 million. That’s the good news. The bad news is, well, everything else. Its reviews have fallen to just 8% positive, while it earned a B minus from CinemaScore. To be fair, a lot of horror movies actually do worse than that with CinemaScore, as horror fans are notoriously hard to please. Since it is a new release and its word-of-mouth is likely going to be quite bad, it will have shorter legs than the rest of the films on this list and will very likely drop to third place by the end of the weekend with roughly $9 million. This is close enough to our prediction that I’m going to call it a victory. More...

Thursday Night Previews: Winchester Misfires with $615,000

February 2nd, 2018

Winchester

Winchester is the only wide release of the week, but it looks like having the weekend to itself won’t be enough to overcome the Super Bowl. It only managed $615,000 during previews, which is well below the $800,000 Rings managed this time last year. Worse still, the film has gone from no reviews to just 10% positive reviews, so its legs likely won’t be long either. We predicted between $8 million and $9 million during its opening weekend and I’m still relatively confident with that result. It may even get between $9 million and $10 million instead. We will have a better picture tomorrow when Friday's estimates are in. More...

Weekend Predictions: Winchester Takes Aim at the Competition

February 1st, 2018

Winchester

It’s Super Bowl weekend and the only film attempting to compete with the sporting event is Winchester. Unfortunately, its nearly noon on Thursday and there are still no reviews on Rotten Tomatoes. This means Maze Runner: The Death Cure and Jumanji: Welcome to the Jungle will be in a race for first place over the weekend, while Winchester will have to settle for third place. This weekend last year, Rings was the biggest new release of the week. It wasn’t a hit, but it was bigger than any film this week will be, preventing 2018 from winning the year-over-year competition. More...

2018 Preview: February

February 1st, 2018

Black Panther

2018 got off to a good start and January more or less held its ground when compared to 2017. There were some misses, but surprise holdovers made up the difference. Looking forward, February will be dominated by Black Panther. In fact, it will very likely make more during its opening weekend than the second place film, Fifty Shades Freed, will likely make in total. Black Panther likely won’t break records, but it could come close, while Fifty Shade Freed and Peter Rabbit both have a 50/50 shot at $100 million. Last February, The Lego Batman Movie both earned $175 million, while Fifty Shades Darker earned over $100 million. Black Panther will easily beat any film from last February; in fact, it could earn more than the top two films earned combined. As long as the rest of the box office isn’t a complete disaster, February should help 2018 earn a significant edge over 2017 in the year-over-year comparisons. More...

Winchester Trailer

January 5th, 2018

Supernatural thriller starring Helen Mirren opens February 2 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 3,301-3,400) 3,348 $25,091,816
All Time Domestic Inflation Adjusted Box Office (Rank 4,201-4,300) 4,229 $29,691,526
All Time Domestic Non-Sequel Box Office (Rank 2,701-2,800) 2,753 $25,091,816
Top 2018 Movies at the Domestic Box Office 95 $25,091,816
All Time Domestic Box Office for Based on Real Life Events Movies (Rank 101-200) 173 $25,091,816
All Time Domestic Box Office for Live Action Movies (Rank 2,901-3,000) 2,902 $25,091,816
All Time Domestic Box Office for Dramatization Movies (Rank 201-300) 238 $25,091,816
All Time Domestic Box Office for Horror Movies (Rank 201-300) 257 $25,091,816
All Time Domestic Box Office for PG-13 Movies (Rank 1,201-1,300) 1,254 $25,091,816
All Time Domestic Box Office for CBS Films Movies 8 $25,091,816

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 2, 2018 3 $9,307,626   2,480 $3,753   $9,307,626 1
Feb 9, 2018 7 $5,211,217 -44% 2,480 $2,101   $17,338,575 2
Feb 16, 2018 9 $2,205,695 -58% 1,479 $1,491   $21,835,874 3
Feb 23, 2018 17 $929,450 -58% 852 $1,091   $23,735,224 4
Mar 2, 2018 19 $516,392 -44% 576 $897   $24,545,230 5
Mar 9, 2018 31 $167,629 -68% 261 $642   $24,871,652 6
Mar 16, 2018 42 $50,076 -70% 91 $550   $24,987,223 7
Mar 23, 2018 41 $56,273 +12% 90 $625   $25,060,919 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 2, 2018 1 $3,622,125     2,480 $1,461   $3,622,125 1
Feb 3, 2018 3 $4,136,849 +14%   2,480 $1,668   $7,758,974 2
Feb 4, 2018 3 $1,548,652 -63%   2,480 $624   $9,307,626 3
Feb 5, 2018 3 $696,786 -55%   2,480 $281   $10,004,412 4
Feb 6, 2018 3 $959,605 +38%   2,480 $387   $10,964,017 5
Feb 7, 2018 4 $603,399 -37%   2,480 $243   $11,567,416 6
Feb 8, 2018 4 $559,942 -7%   2,480 $226   $12,127,358 7
Feb 9, 2018 7 $1,386,162 +148% -62% 2,480 $559   $13,513,520 8
Feb 10, 2018 7 $2,369,286 +71% -43% 2,480 $955   $15,882,806 9
Feb 11, 2018 7 $1,455,769 -39% -6% 2,480 $587   $17,338,575 10
Feb 12, 2018 7 $424,855 -71% -39% 2,480 $171   $17,763,430 11
Feb 13, 2018 7 $528,030 +24% -45% 2,480 $213   $18,291,460 12
Feb 14, 2018 6 $1,021,253 +93% +69% 2,480 $412   $19,312,713 13
Feb 15, 2018 6 $317,466 -69% -43% 2,480 $128   $19,630,179 14
Feb 16, 2018 10 $572,403 +80% -59% 1,479 $387   $20,202,582 15
Feb 17, 2018 9 $927,932 +62% -61% 1,479 $627   $21,130,514 16
Feb 18, 2018 9 $705,360 -24% -52% 1,479 $477   $21,835,874 17
Feb 19, 2018 10 $413,461 -41% -3% 1,479 $280   $22,249,335 18
Feb 20, 2018 9 $235,553 -43% -55% 1,479 $159   $22,484,888 19
Feb 21, 2018 10 $176,980 -25% -83% 1,479 $120   $22,661,868 20
Feb 22, 2018 13 $143,906 -19% -55% 1,479 $97   $22,805,774 21
Feb 23, 2018 14 $262,233 +82% -54% 852 $308   $23,068,007 22
Feb 24, 2018 - $432,494 +65% -53% 852 $508   $23,500,501 23
Feb 25, 2018 - $234,723 -46% -67% 852 $275   $23,735,224 24
Feb 26, 2018 - $74,126 -68% -82% 852 $87   $23,809,350 25
Feb 27, 2018 - $93,609 +26% -60% 852 $110   $23,902,959 26
Feb 28, 2018 - $67,838 -28% -62% 852 $80   $23,970,797 27
Mar 1, 2018 - $58,041 -14% -60% 852 $68   $24,028,838 28
Mar 2, 2018 - $137,855 +138% -47% 576 $239   $24,166,693 29
Mar 3, 2018 - $245,115 +78% -43% 576 $426   $24,411,808 30
Mar 4, 2018 - $133,422 -46% -43% 576 $232   $24,545,230 31
Mar 5, 2018 - $38,531 -71% -48% 576 $67   $24,583,761 32
Mar 6, 2018 - $51,081 +33% -45% 576 $89   $24,634,842 33
Mar 7, 2018 - $40,144 -21% -41% 576 $70   $24,674,986 34
Mar 8, 2018 - $29,037 -28% -50% 576 $50   $24,704,023 35
Mar 9, 2018 - $47,071 +62% -66% 261 $180   $24,751,094 36
Mar 10, 2018 - $77,488 +65% -68% 261 $297   $24,828,582 37
Mar 11, 2018 - $43,070 -44% -68% 261 $165   $24,871,652 38
Mar 12, 2018 - $14,892 -65% -61% 261 $57   $24,886,544 39
Mar 13, 2018 - $20,586 +38% -60% 261 $79   $24,907,130 40
Mar 14, 2018 - $15,946 -23% -60% 261 $61   $24,923,076 41
Mar 15, 2018 - $14,071 -12% -52% 261 $54   $24,937,147 42
Mar 16, 2018 - $15,705 +12% -67% 91 $173   $24,952,852 43
Mar 17, 2018 - $23,631 +50% -70% 91 $260   $24,976,483 44
Mar 18, 2018 - $10,740 -55% -75% 91 $118   $24,987,223 45
Mar 19, 2018 - $4,024 -63% -73% 91 $44   $24,991,247 46
Mar 20, 2018 - $4,760 +18% -77% 91 $52   $24,996,007 47
Mar 21, 2018 - $4,034 -15% -75% 91 $44   $25,000,041 48
Mar 22, 2018 - $4,605 +14% -67% 91 $51   $25,004,646 49
Mar 23, 2018 - $14,918 +224% -5% 90 $166   $25,019,564 50
Mar 24, 2018 - $24,417 +64% +3% 90 $271   $25,043,981 51
Mar 25, 2018 - $16,938 -31% +58% 90 $188   $25,060,919 52
Mar 26, 2018 - $7,018 -59% +74% 90 $78   $25,067,937 53
Mar 27, 2018 - $8,054 +15% +69% 90 $89   $25,075,991 54
Mar 28, 2018 - $6,924 -14% +72% 90 $77   $25,082,915 55
Mar 29, 2018 - $8,901 +29% +93% 90 $99   $25,091,816 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 2, 2018 3 $12,127,358   2,480 $4,890   $12,127,358 1
Feb 9, 2018 7 $7,502,821 -38% 2,480 $3,025   $19,630,179 2
Feb 16, 2018 9 $3,175,595 -58% 1,479 $2,147   $22,805,774 3
Feb 23, 2018 17 $1,223,064 -61% 852 $1,436   $24,028,838 4
Mar 2, 2018 20 $675,185 -45% 576 $1,172   $24,704,023 5
Mar 9, 2018 33 $233,124 -65% 261 $893   $24,937,147 6
Mar 16, 2018 46 $67,499 -71% 91 $742   $25,004,646 7
Mar 23, 2018 42 $87,170 +29% 90 $969   $25,091,816 8

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 3/2/2018 $258,953 0 0 0 $1,005,302 1/1/2019
Australia 2/23/2018 $309,541 206 206 524 $663,000 3/26/2018
Brazil 3/2/2018 $1,169,253 0 0 0 $2,971,319 6/14/2018
Czech Republic 3/2/2018 $107,055 86 86 237 $351,192 1/1/2019
Italy 2/24/2018 $839,048 0 0 0 $1,664,140 3/14/2018
Lithuania 4/27/2018 $11,017 70 70 100 $21,912 5/18/2018
Mexico 3/9/2018 $1,421,878 0 0 0 $4,122,724 4/2/2018
Netherlands 2/9/2018 $141,899 61 63 225 $497,676 3/5/2018
New Zealand 3/2/2018 $44,035 50 52 130 $98,581 4/9/2018
Poland 2/9/2018 $193,423 0 0 0 $712,691 1/1/2019
Portugal 4/13/2018 $86,010 39 39 125 $204,239 6/1/2018
Russia (CIS) 4/5/2018 $463,808 639 639 1,346 $923,827 2/26/2019
Slovakia 3/2/2018 $58,538 58 58 130 $155,142 3/27/2018
South Korea 9/19/2019 $0 0 2 2 $24,739 10/9/2019
Spain 3/9/2018 $725,499 250 250 1,039 $2,216,195 4/19/2018
Turkey 4/20/2018 $24,301 60 60 83 $49,126 2/26/2019
United Kingdom 2/2/2018 $527,688 336 336 336 $527,688 2/7/2018
 
Rest of World $4,658,946
 
International Total$20,868,439 10/9/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 3,401-3,500) 3,441 $20,868,439
All Time International Non-Sequel Box Office (Rank 2,701-2,800) 2,792 $20,868,439
Top 2018 Movies at the International Box Office (Rank 101-200) 178 $20,868,439
All Time International Box Office for Based on Real Life Events Movies (Rank 201-300) 216 $20,868,439
All Time International Box Office for Live Action Movies (Rank 2,801-2,900) 2,833 $20,868,439
All Time International Box Office for Dramatization Movies (Rank 201-300) 232 $20,868,439
All Time International Box Office for Horror Movies (Rank 201-300) 212 $20,868,439
All Time International Box Office for PG-13 Movies (Rank 1,001-1,100) 1,053 $20,868,439
All Time International Box Office for CBS Films Movies 6 $20,868,439

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 3,201-3,300) 3,269 $45,960,255
All Time Worldwide Non-Sequel Box Office (Rank 2,601-2,700) 2,645 $45,960,255
Top 2018 Movies at the Worldwide Box Office (Rank 101-200) 133 $45,960,255
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 101-200) 183 $45,960,255
All Time Worldwide Box Office for Live Action Movies (Rank 2,701-2,800) 2,757 $45,960,255
All Time Worldwide Box Office for Dramatization Movies (Rank 201-300) 230 $45,960,255
All Time Worldwide Box Office for Horror Movies (Rank 201-300) 222 $45,960,255
All Time Worldwide Box Office for PG-13 Movies (Rank 1,101-1,200) 1,149 $45,960,255
All Time Worldwide Box Office for CBS Films Movies 5 $45,960,255

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
May 6, 2018456,419 56,419$844,028$844,0283
May 13, 2018727,008-52% 83,427$404,040$1,248,0684
May 20, 2018912,568-53% 95,995$188,017$1,436,0855

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
May 6, 2018742,508 42,508$848,468$848,4683
May 13, 20181118,178-57% 60,686$362,823$1,211,2914
May 20, 2018178,820-51% 69,506$176,043$1,387,3345

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.