Jason Clarke
Best known as a Supporting Actor based on credits in that role in 15 films, with $2,837,581,945 worldwide aggregate box office (rank #491) |
Best-known acting roles: Roger Robb (Oppenheimer), Malcolm (Dawn of the Planet of the Apes), George Wilson (The Great Gatsby), John Connor (Terminator: Genisys), Dan (Zero Dark Thirty) |
Best-known technical roles: The Broken Hearts Gallery (Art Director) |
Most productive collaborators: Baltasar Kormakur, Cillian Murphy, Christopher Nolan, Emily Blunt, Robert Downey, Jr. |
Born: July 17, 1969 (54 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 15 | $1,065,676,566 | $1,771,905,379 | $2,837,581,945 |
Leading | 10 | $206,981,940 | $584,874,427 | $791,856,367 | |
Lead Ensemble Member | 4 | $37,397,291 | $17,049,955 | $54,447,246 | |
(Unclassified) | 4 | $6,294,540 | $14,799,391 | $21,093,931 | |
In Technical Roles | Art Director | 1 | $4,066,487 | $769,112 | $4,835,599 |
Producer | 1 | $0 | $69,609 | $69,609 |
Career Trend
This graph shows Jason Clarke’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top 100 Stars in Leading Roles at the Domestic Box Office (Rank 801-900) | 858 | $244,379,231 |
Top Stars at the Domestic Box Office (Rank 701-800) | 758 | $1,316,350,337 |
Top 100 Stars in Leading Roles at the International Box Office (Rank 501-600) | 539 | $601,924,382 |
Top Stars at the International Box Office (Rank 401-500) | 473 | $2,388,629,152 |
Top 100 Stars in Leading Roles at the Worldwide Box Office (Rank 601-700) | 651 | $846,303,613 |
Top Stars at the Worldwide Box Office (Rank 501-600) | 537 | $3,704,979,489 |
Top Grossing Art Director at the Domestic Box Office (Rank 1,501-1,600) | 1,597 | $4,066,487 |
Top Grossing Art Director at the International Box Office (Rank 1,501-1,600) | 1,542 | $769,112 |
Top Grossing Producer at the International Box Office (Rank 7,901-8,000) | 7,957 | $69,609 |
Top Grossing Art Director at the Worldwide Box Office (Rank 1,601-1,700) | 1,647 | $4,835,599 |
Top Grossing Producer at the Worldwide Box Office (Rank 10,201-10,300) | 10,265 | $69,609 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Chappaquiddick Trailer
March 9th, 2018
Historical drama starring Kate Mara, Jason Clarke, Ed Helms, and Bruce Dern opens April 6 ... Full Movie Details.
A recounting of the tragic events of the 1969 car accident involving U.S. Senator Ted Kennedy and a young, female campaign worker who died at the scene. Kennedy left the scene of the accident and didn’t alert authorities for ten hours. What happens over the ensuing days reveals how one of the most powerful and influential political family dynasties in U.S. history orchestrated the truth behind the death of Mary Jo Kopechne. Their efforts to control the story in the press, run damage control, and preserve the family’s legacy is a story of the powerful and the untouchable. This tension-filled war room became Kennedy’s savior and nemesis, ultimately revealing his vulnerabilities, his damaged relationship with his father, Joe Kennedy Sr., all while testing his integrity and political future. As his brother John’s presidential promise to land a man on the moon unfolds, Kennedy considers his own legacy. This infamous incident will become a defining moment in his career, as he wrestles with his own moral compass, and ultimately puts his future in the hands of the American People.
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Limited and VOD Releases: Get Hip to these Square Releases
October 27th, 2017
We don’t have a long list of limited releases this week, but there are a few that stand out as worth checking out and might actually do well in theaters. These include Bill Nye: Science Guy, God’s Own Country, The Square. The Square has the advantage, at least for the opening weekend, but I would be surprised if any of them expanded significantly over the coming weeks.
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2015 Preview: July
July 1st, 2015
June was a much better month than expected due to two films, Jurassic World and Inside Out. Had those two films merely matched expectations, then 2015 would have likely fallen behind 2014. As for this coming month, there are five weekends in July and each week there is at least one film with the potential to reach $100 million. Most weeks there are two films that at least have a shot at getting to the century mark. The biggest hit of the month will likely be Minions, which has already opened in several international markets and it's ahead of Despicable Me 2 at the same point. That film made more than $300 million and nearly $1 billion worldwide, so any growth would be fantastic. There are also a number of potential $200 million films, led by Ant-man. Ant-man is the latest release in the Marvel Cinematic Universe, a franchise that has averaged $300 million domestically over eleven films and all of the past six films have reached at least $200 million. I'm not saying this one is guaranteed to do the same, but you can't dismiss that possibility. Mission: Impossible - Rogue Nation and Pixels have smaller chances to get to $200 million, but you have to at least entertain the possibility. Additionally, last July was a lot weaker than this July looks to be, so 2015 should win in the year-over-year comparison most weeks. Or I might have let the box office success of June cloud my judgment. We will soon find out.
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2014 Preview: July
July 1st, 2014
Overall, June was not good. Most films matched expectations, or came close enough that there weren't major disappointments. However, it looks like How to Train Your Dragon 2 will miss expectations by more than $100 million. This was such a massive amount that 2014 lost its lead over 2013 and not even Transformers: Age of Extinction's $100 million opening was able to turn things around. Looking forward to July, there's not a lot of good news. Dawn of the Planet of the Apes might be the only film coming out during July that will reach the $100 million milestone, but on the high end, it might reach the $200 million mark. There are a few others that have a shot, but are not favored to reach the century mark. On the other hand, there are more films that may or may not open / expand wide and even if they do, they will likely have no real impact at the box office. By comparison, last July, Despicable Me 2 was the top draw and finished with more than $350 million. There were also four other films that surpassed $100 million at the box office. It seems practically impossible for 2014 to match those numbers and will likely finish the month behind last year's pace. Overall, 2014 isn't doing poorly, but the summer has been much weaker than the spring was, so we've gone from potential record breaking year to merely average.
2013 Preview: June
June 2nd, 2013
May ended on a mixed note, but there was still enough to celebrate. Of the seven films I thought had a legitimate shot at $100 million, four have already gotten there, one more is a sure thing, and another has a good shot as well. Only one, After Earth, will definitely fail to get to that milestone. (Although Now You See Me might get there instead.) Looking forward to June, there are four weekends, each with two wide releases, for a total of eight films. Of those eight, six have a legitimate shot at $100 million. One, Monsters University, should have no trouble getting to $200 million, and another, Man of Steel, should top $300 million. It is hard to compare this June with last June, because last June there were five weekends. Taking that into account and ignoring the first week, which lines up with the final week of May, there were eight wide releases. Of those eight, five hit $100 million, including three $200 million movies. There were no $300 million movies, so if the two big hits this month do as well as expected, 2013 could come out ahead.
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2013 Preview: May
May 1st, 2013
As April ends and summer begins, we see the 2013 box office on a losing streak. There is some good news, as May should be much, much, much better than April was. Much better. During the five weekends in May, there are nine films opening wide. Of those film, there are seven that at least have a shot at $100 million. And of those seven films, four at least have a shot at $200 million, two have a shot at $300 million, and we might even have a $400 million hit this month. Iron Man 3 should turn out to be the biggest hit of the month, while there are some who think Star Trek: Into Darkness could be a close competitor for that honor. There's also some bad news. The Avengers opened last May and earned more than $600 million. No film opening this month will come close to that figure. There's a chance the top two films opening this month won't match that combined. On the other hand, last year there was a huge drop-off from the biggest hit of the month to the second biggest hit of the month. There were so many high-profile failures last year, that 2013 might actually start winning some weekends in the year-over-year comparison.
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2013 Preview: January
January 1st, 2013
December ended on a positive note with 2012 topping 2011 with a week to spare. Hopefully this will translate into strong box office numbers going forward. There are several January releases that actually look very interesting, but you always have to ask, if the films are as good as they look, why are they opening in January? The biggest hit on this list will likely not be a January release, but a limited release from December that is expanding wide in January. Zero Dark Thirty opened in limited release the Wednesday before Christmas and right away it got off to an incredible start. If it can turn some of its Awards Season nominations into wins, which seems very likely at this point, it should be the biggest hit of January. If it can earn some major Oscars, then it might crack $100 million. Unfortunately, no other film on this release list is likely to come close to the $100 million mark. Last January was unseasonably strong with three films opening with $20 million or more and four films finishing with $50 million or more. It is possible that none of the new releases will reach those relatively weak standards.
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All Acting Credits
Announced (Undated)
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Oct 6, 2023 | The Caine Mutiny Court… | Barney Greenwald | |||
Jul 21, 2023 | Oppenheimer | Roger Robb | $329,862,540 | $643,773,786 | $973,636,326 |
Apr 29, 2022 | Black Site | $69,609 | $69,609 | ||
Feb 19, 2021 | Silk Road | Rick Bowden | $138,565 | $138,565 | |
Sep 16, 2020 | The Devil All the Time | ||||
Apr 5, 2019 | Pet Sematary | Louis Creed | $54,724,696 | $57,085,036 | $111,809,732 |
Mar 15, 2019 | The Aftermath | Lewis Morgan | $1,618,497 | $6,623,918 | $8,242,415 |
Jan 25, 2019 | Serenity | Frank Zariakas | $8,547,045 | $4,461,759 | $13,008,804 |
Oct 12, 2018 | First Man | Ed White | $44,936,545 | $60,587,192 | $105,523,737 |
Apr 6, 2018 | Chappaquiddick | Ted Kennedy | $17,395,521 | $752,570 | $18,148,091 |
Feb 2, 2018 | Winchester | Dr. Eric Price | $25,091,816 | $20,868,439 | $45,960,255 |
Nov 17, 2017 | Mudbound | Henry | $53,559 | $53,559 | |
Oct 27, 2017 | All I See is You | James | $217,644 | $429,302 | $646,946 |
Dec 31, 2016 | HHhH | Reinhard Heydrick | $4,132,063 | $4,132,063 | |
Sep 18, 2015 | Everest | Rob Hall | $43,482,270 | $177,814,791 | $221,297,061 |
Jul 1, 2015 | Terminator: Genisys | John Connor | $89,760,956 | $342,389,938 | $432,150,894 |
Apr 17, 2015 | Child 44 | Anatoly Tarasovic… | $1,224,330 | $6,779,891 | $8,004,221 |
Nov 7, 2014 | The Better Angels | Tom Lincoln | |||
Jul 11, 2014 | Dawn of the Planet of … | Malcolm | $208,545,589 | $502,098,977 | $710,644,566 |
Dec 6, 2013 | Swerve | Frank | |||
Jun 28, 2013 | White House Down | Emil Stenz | $73,103,784 | $132,336,603 | $205,440,387 |
May 10, 2013 | The Great Gatsby | George Wilson | $144,840,419 | $208,657,314 | $353,497,733 |
Dec 19, 2012 | Zero Dark Thirty | Dan | $95,720,716 | $38,891,719 | $134,612,435 |
Dec, 2012 | Yelling to the Sky | Gordon O'Hara | |||
Aug 29, 2012 | Lawless | Howard Bondurant | $37,397,291 | $16,996,396 | $54,393,687 |
Oct 14, 2011 | Texas Killing Fields | $45,470 | $1,641,521 | $1,686,991 | |
Apr 1, 2011 | Trust | Agent Doug Tate | $120,016 | $120,016 | |
Jul 1, 2009 | Public Enemies | "Red" Hamilton | $97,104,620 | $115,178,089 | $212,282,709 |
Jun 24, 2009 | The Human Contract | Julian Wright | |||
Aug 22, 2008 | Death Race | Ulrich | $36,316,032 | $36,200,787 | $72,516,819 |
Nov 29, 2002 | Rabbit-Proof Fence | $6,199,600 | $10,667,328 | $16,866,928 | |
Oct 26, 2001 | Better than Sex | Guy C | $94,940 | $94,940 | |
Averages | $59,834,106 | $99,526,215 | $142,499,211 | ||
Totals | 32 | $1,316,350,337 | $2,388,629,152 | $3,704,979,489 |
Leading or Lead Ensemble Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Oct 6, 2023 | The Caine Mutiny Court… | |||||
Apr 29, 2022 | Black Site | $69,609 | ||||
Feb 19, 2021 | Silk Road | $138,565 | ||||
Sep 16, 2020 | The Devil All the Time | |||||
Apr 5, 2019 | Pet Sematary | $24,502,775 | 3,585 | $54,724,696 | $111,809,732 | 48.9% |
Mar 15, 2019 | The Aftermath | $56,419 | 344 | $1,618,497 | $8,242,415 | 19.6% |
Apr 6, 2018 | Chappaquiddick | $5,765,854 | 1,645 | $17,395,521 | $18,148,091 | 95.9% |
Nov 17, 2017 | Mudbound | $53,559 | ||||
Sep 18, 2015 | Everest | $7,222,035 | 3,009 | $43,482,270 | $221,297,061 | 19.6% |
Jul 1, 2015 | Terminator: Genisys | $27,018,486 | 3,783 | $89,760,956 | $432,150,894 | 20.8% |
Nov 7, 2014 | The Better Angels | |||||
Dec 6, 2013 | Swerve | |||||
Aug 29, 2012 | Lawless | $10,001,982 | 3,138 | $37,397,291 | $54,393,687 | 68.8% |
Jun 24, 2009 | The Human Contract | |||||
Averages | $12,427,925 | 2,584 | $40,729,872 | $94,033,735 | 45.6% | |
Totals | 14 | $244,379,231 | $846,303,613 |
Supporting Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jul 21, 2023 | Oppenheimer | $82,455,420 | 3,761 | $329,862,540 | $973,636,326 | 33.9% |
Jan 25, 2019 | Serenity | $4,415,403 | 2,561 | $8,547,045 | $13,008,804 | 65.7% |
Oct 12, 2018 | First Man | $16,006,065 | 3,640 | $44,936,545 | $105,523,737 | 42.6% |
Feb 2, 2018 | Winchester | $9,307,626 | 2,480 | $25,091,816 | $45,960,255 | 54.6% |
Oct 27, 2017 | All I See is You | $144,076 | 283 | $217,644 | $646,946 | 33.6% |
Apr 17, 2015 | Child 44 | $621,812 | 510 | $1,224,330 | $8,004,221 | 15.3% |
Jul 11, 2014 | Dawn of the Planet of … | $72,611,427 | 3,969 | $208,545,589 | $710,644,566 | 29.3% |
Jun 28, 2013 | White House Down | $24,852,258 | 3,222 | $73,103,784 | $205,440,387 | 35.6% |
May 10, 2013 | The Great Gatsby | $50,085,184 | 3,550 | $144,840,419 | $353,497,733 | 41.0% |
Dec 19, 2012 | Zero Dark Thirty | $417,150 | 2,946 | $95,720,716 | $134,612,435 | 71.1% |
Dec, 2012 | Yelling to the Sky | |||||
Oct 14, 2011 | Texas Killing Fields | $8,772 | 10 | $45,470 | $1,686,991 | 2.7% |
Apr 1, 2011 | Trust | $58,214 | 28 | $120,016 | $120,016 | 100.0% |
Jul 1, 2009 | Public Enemies | $25,271,675 | 3,336 | $97,104,620 | $212,282,709 | 45.7% |
Aug 22, 2008 | Death Race | $12,621,090 | 2,586 | $36,316,032 | $72,516,819 | 50.1% |
Averages | $21,348,298 | 2,349 | $76,119,755 | $202,684,425 | 44.4% | |
Totals | 15 | $1,065,676,566 | $2,837,581,945 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Apr 29, 2022 | Black Site | Producer | $69,609 | $69,609 | |
Sep 11, 2020 | The Broken Hearts Gallery | Art Director | $4,066,487 | $769,112 | $4,835,599 |
Averages | $4,066,487 | $419,361 | $2,452,604 | ||
Totals | 2 | $4,066,487 | $838,721 | $4,905,208 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Apr 29, 2022 | Black Site | $69,609 | ||||
Averages | n/a | n/a | n/a | $69,609 | 0.0% | |
Totals | 1 | n/a | $69,609 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Art Director at the Domestic Box Office (Rank 1,501-1,600) | 1,597 | $4,066,487 |
Top Grossing Art Director at the International Box Office (Rank 1,501-1,600) | 1,542 | $769,112 |
Top Grossing Producer at the International Box Office (Rank 7,901-8,000) | 7,957 | $69,609 |
Top Grossing Art Director at the Worldwide Box Office (Rank 1,601-1,700) | 1,647 | $4,835,599 |
Top Grossing Producer at the Worldwide Box Office (Rank 10,201-10,300) | 10,265 | $69,609 |