Czech Republic Box Office for Winchester: Sídlo démonů (2018)
Theatrical Performance (US$) | ||
Czech Republic Box Office | $351,192 | Details |
Worldwide Box Office | $45,960,255 | Details |
Home Market Performance | ||
North America DVD Sales | $2,535,541 | Details |
North America Blu-ray Sales | $1,807,117 | Details |
Total North America Video Sales | $4,342,658 | |
Further financial details... |
Synopsis
On an isolated stretch of land 50 miles outside of San Francisco sits the most haunted house in the world. Built by Sarah Winchester, heiress to the Winchester fortune, it is a house that knows no end. Constructed in an incessant twenty-four hour a day, seven day a week mania for decades, it stands seven stories tall and contains hundreds of rooms. To the outsider it looks like a monstrous monument to a disturbed woman’s madness. But Sarah is not building for herself, for her niece or for the brilliant Doctor Eric Price whom she has summoned to the house. She is building a prison, an asylum for hundreds of vengeful ghosts, and the most terrifying among them have a score to settle with the Winchesters…
Metrics
Movie Details
Production Budget: | $3,500,000 |
Czech Republic Releases: | March 2nd, 2018 (Wide), released as Winchester: Sídlo démonů |
Video Release: | April 17th, 2018 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for violence, disturbing images, drug content, some sexual material and thematic elements. (Rating bulletin 2507 (Cert #51318), 12/20/2017) |
Running Time: | 99 minutes |
Keywords: | Supernatural, Family Affair, 1800s, Haunted House, Widow/Widower, Set in California, Set in San Francisco, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Inspired by a True Story, Supernatural Horror, Friendly Ghost, Suicide, Addiction, Psychics |
Source: | Based on Real Life Events |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | CBS Films, Eclipse Films, Screen Australia, Screen Queensland, Film Victoria, Blacklab, Imagination Design Works |
Production Countries: | United States |
Languages: | English |
Home Market Releases for May 1st, 2018
May 2nd, 2018
It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead.
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Home Market Releases for April 17th, 2018
April 17th, 2018
It’s a slow week on the home market, which is common for this time of year. The biggest release of the week, The Post, is also one of the best and one of only three contenders for Pick of the Week. In the end, I went with MST3K: Season 11 and awarded it the honor.
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Weekend Wrap-Up: Freed Falls to $38.56 million
February 13th, 2018
Fifty Shades Freed topped our prediction by a tiny margin earning first place over the weekend with $38.56 million. Peter Rabbit also beat expectations with $25.01 million. Then there’s The 15:17 to Paris. Overall, the box office rocketed up 49% from last weekend to $140 million. Unfortunately, this wasn’t enough to compete with this weekend last year, as 2018 was 26% lower. That sounds devastating, but remember, there is a misalignment in holidays, so next weekend 2018 will bounce back. Likewise, because of the misalignment in holidays, the year-to-date comparison isn’t particularly useful. 2018 is behind 2017’s pace by 5.0% or $65 million at $1.22 billion to $1.28 billion. However, by this time next week, that entire deficit could be erased.
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Weekend Wrap-Up: Jumanji Rumbles Back to the Top with $10.93 million
February 6th, 2018
Jumanji: Welcome to the Jungle earned first place for the fourth time over the weekend with $10.93 million, while Maze Runner: The Death Cure was a close second with $10.47 million. This left Winchester in third place with $9.31 million, but it could have been much worse. Overall, the weekend fell 33% from last weekend with $95 million. More importantly, is 3.6% lower than the same weekend last year. 2018 lost its small lead over 2017 before the weekend and it is now 0.8% or $8 million below last year’s pace at $1.04 billion to $1.05 billion. It’s going to get a lot worse next weekend, due to the misalignment in holidays, but I think 2018 will quickly recover after that.
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Weekend Estimates: Jumanji and Greatest Showman in Record Territory
February 4th, 2018
In spite of a decent opening, Winchester is proving to be no match for Jumanji this weekend. The holiday holdover returns to top spot on the chart in its seventh weekend with $11 million, down 32% from last time out. That makes it four weekends at the top of the chart for Jumanji, after opening in second place back on December 20. One needs to go back the best part of 30 years to find a film that matches that performance.
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Friday Estimates: Winchester Earns First on Friday with $3.61 million, but Jumanji is Gunning For It
February 3rd, 2018
Winchester started out in first place on Friday with $3.61 million. That’s the good news. The bad news is, well, everything else. Its reviews have fallen to just 8% positive, while it earned a B minus from CinemaScore. To be fair, a lot of horror movies actually do worse than that with CinemaScore, as horror fans are notoriously hard to please. Since it is a new release and its word-of-mouth is likely going to be quite bad, it will have shorter legs than the rest of the films on this list and will very likely drop to third place by the end of the weekend with roughly $9 million. This is close enough to our prediction that I’m going to call it a victory.
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Thursday Night Previews: Winchester Misfires with $615,000
February 2nd, 2018
Winchester is the only wide release of the week, but it looks like having the weekend to itself won’t be enough to overcome the Super Bowl. It only managed $615,000 during previews, which is well below the $800,000 Rings managed this time last year. Worse still, the film has gone from no reviews to just 10% positive reviews, so its legs likely won’t be long either. We predicted between $8 million and $9 million during its opening weekend and I’m still relatively confident with that result. It may even get between $9 million and $10 million instead. We will have a better picture tomorrow when Friday's estimates are in.
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Weekend Predictions: Winchester Takes Aim at the Competition
February 1st, 2018
It’s Super Bowl weekend and the only film attempting to compete with the sporting event is Winchester. Unfortunately, its nearly noon on Thursday and there are still no reviews on Rotten Tomatoes. This means Maze Runner: The Death Cure and Jumanji: Welcome to the Jungle will be in a race for first place over the weekend, while Winchester will have to settle for third place. This weekend last year, Rings was the biggest new release of the week. It wasn’t a hit, but it was bigger than any film this week will be, preventing 2018 from winning the year-over-year competition.
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2018 Preview: February
February 1st, 2018
2018 got off to a good start and January more or less held its ground when compared to 2017. There were some misses, but surprise holdovers made up the difference. Looking forward, February will be dominated by Black Panther. In fact, it will very likely make more during its opening weekend than the second place film, Fifty Shades Freed, will likely make in total. Black Panther likely won’t break records, but it could come close, while Fifty Shade Freed and Peter Rabbit both have a 50/50 shot at $100 million. Last February, The Lego Batman Movie both earned $175 million, while Fifty Shades Darker earned over $100 million. Black Panther will easily beat any film from last February; in fact, it could earn more than the top two films earned combined. As long as the rest of the box office isn’t a complete disaster, February should help 2018 earn a significant edge over 2017 in the year-over-year comparisons.
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Winchester Trailer
January 5th, 2018
Supernatural thriller starring Helen Mirren opens February 2 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/03/02 | 4 | $107,055 | 86 | $1,245 | $107,055 | 1 | |
2018/03/09 | 4 | $70,411 | -34% | 48 | $1,467 | $209,409 | 2 |
2018/03/16 | 10 | $47,541 | -32% | 33 | $1,441 | $280,732 | 3 |
2018/03/23 | 10 | $25,779 | -46% | 30 | $859 | $320,454 | 4 |
2018/03/30 | 13 | $18,371 | -29% | 24 | $765 | $343,889 | 5 |
2018/04/06 | 15 | $5,950 | -68% | 16 | $372 | $351,192 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/2/2018 | $258,953 | 0 | 0 | 0 | $1,005,302 | 1/1/2019 |
Australia | 2/23/2018 | $309,541 | 206 | 206 | 524 | $663,000 | 3/26/2018 |
Brazil | 3/2/2018 | $1,169,253 | 0 | 0 | 0 | $2,971,319 | 6/14/2018 |
Czech Republic | 3/2/2018 | $107,055 | 86 | 86 | 237 | $351,192 | 1/1/2019 |
Italy | 2/24/2018 | $839,048 | 0 | 0 | 0 | $1,664,140 | 3/14/2018 |
Lithuania | 4/27/2018 | $11,017 | 70 | 70 | 100 | $21,912 | 5/18/2018 |
Mexico | 3/9/2018 | $1,421,878 | 0 | 0 | 0 | $4,122,724 | 4/2/2018 |
Netherlands | 2/9/2018 | $141,899 | 61 | 63 | 225 | $497,676 | 3/5/2018 |
New Zealand | 3/2/2018 | $44,035 | 50 | 52 | 130 | $98,581 | 4/9/2018 |
North America | 2/2/2018 | $9,307,626 | 2,480 | 2,480 | 8,309 | $25,091,816 | 7/25/2019 |
Poland | 2/9/2018 | $193,423 | 0 | 0 | 0 | $712,691 | 1/1/2019 |
Portugal | 4/13/2018 | $86,010 | 39 | 39 | 125 | $204,239 | 6/1/2018 |
Russia (CIS) | 4/5/2018 | $463,808 | 639 | 639 | 1346 | $923,827 | 2/26/2019 |
Slovakia | 3/2/2018 | $58,538 | 58 | 58 | 130 | $155,142 | 3/27/2018 |
South Korea | 9/19/2019 | $0 | 0 | 2 | 2 | $24,739 | 10/9/2019 |
Spain | 3/9/2018 | $725,499 | 250 | 250 | 1039 | $2,216,195 | 4/19/2018 |
Turkey | 4/20/2018 | $24,301 | 60 | 60 | 83 | $49,126 | 2/26/2019 |
United Kingdom | 2/2/2018 | $527,688 | 336 | 336 | 336 | $527,688 | 2/7/2018 |
Rest of World | $4,658,946 | ||||||
Worldwide Total | $45,960,255 | 10/9/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Helen Mirren | Sarah Winchester |
Supporting Cast
Jason Clarke | Dr. Eric Price |
Sarah Snook | Marion Marriott |
Finn Scicluna-O’Prey | Henry Marriott |
Emm Wiseman | Nancy |
Alana Fagan | Partially Dressed Lady #1 |
Rebecca Makar | Partially Dressed Lady #2 |
Tyler Coppin | Arthur Gates |
Michael Carman | Frank |
Angus Sampson | John Hansen |
Alice Chaston | Clara |
Eamon Farren | Ben Block |
Laura Brent | Ruby Price |
Adam Bowes | Farmer Amputee |
Bruce Spence | Augustine |
Phoenix Suhrou-DiMarco | Native American Child |
Jayden Irving | Carpenter #1 |
Rosco Campbell | Carpenter #2 |
Puven Pather | Carpenter #3 |
Tom Heath | Wiry Carpenter |
Curtis Bock | Harry Block |
Andy de Lore | James Block |
Graham Jahne | Innocent Man #1 |
Hayden Stewart | Innocent Man #2 |
Chris Anderson | Innocent Man #3 |
Laura Sutton | Innocent Woman |
Robert Shook | Police Officer #1 |
Richard Anastasios | Police Officer #2 |
Will Jones | Police Officer #3 |
Luke David Maizey | Police Officer #4 |
James Baldwin | Police Officer #5 |
Neil Solomano | Police Officer #6 |
Amos Ciza | Slave Ghost |
Red Horse Rivera | Chief Little Fawn |
Timothy Brown | Ghost #1 |
Kym Lannin | Ghost #2 - Union Soldier |
Christian Rhodes-Wolfe | Ghost #3-Union Soldier |
Albert Trajstman | Ghost #4-Sheriff |
Xavier Gerard Ludovic Gouault | Ghost #5-Police Officer |
Gawi Deng | Ghost #6-Confederate Soldier |
Ryuhei Tsukamoto | Ghost #7-Rail Worker |
Shane Holloway | Ghost #8-Cowboy |
Michael Boyd | Ghost #9-Sheriff |
Elisa Abascal | Ghost #10-Mexican Woman |
Akosua Sabet | Ghost #11-Cotton Picker |
Stephanie Beall | Ghost #12-1895 Wealthy Lady |
Clancy Fraser | Ghost #13-Prostitute |
Chris Homa | Ghost #14-Farmer’s Wife |
Rose Juan | Ghost #15-Maid |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Michael Spierig | Director |
Peter Spierig | Director |
Michael Spierig | Screenwriter |
Peter Spierig | Screenwriter |
Tom Vaughan | Screenwriter |
Tim McGahan | Producer |
Brett Tomberlin | Producer |
Benedict Carver | Executive Producer |
Daniel Diamond | Executive Producer |
Tobin Armbrust | Executive Producer |
Andrew Trapani | Executive Producer |
Brian Gilbert | Executive Producer |
Michael Burton | Executive Producer |
Bryce Menzies | Executive Producer |
Marc Schipper | Executive Producer |
Simon Oakes | Executive Producer |
Antonio Lianos | Executive Producer |
Ben Nott | Director of Photography |
Matthew Putland | Production Designer |
Matt Villa | Editor |
Wendy Cork | Costume Designer |
Steve Boyle | Special Make-up Effects |
Peter Spierig | Composer |
Maura Fay | Casting Director |
Leigh Pickford | Casting Director |
Chris Anderson | Stunt Coordinator |
Yvonne Collins | Line Producer |
Angelique Badenoch | Production Manager |
Jamie Leslie | First Assistant Director |
Janie Parker | Art Director |
Jeff Betancourt | Additional Editor |
Angella McPherson | Second Assistant Director |
Carmel Torcasio | Script Supervisor |
Stephen Brett | Location Manager |
Michael Bell | Set Designer |
Douglas Pierce | Set Designer |
Vanessa Cerne | Set Decorator |
Peter Stubbs | Special Effects Supervisor |
Rachel Nott | Costume Supervisor |
Michael Davies | Costume Supervisor |
Lynn Wheeler | Make-up and Hair Designer |
Henry Karjalainen | Post-Production Supervisor |
Courtney Lee Bowden | First Assistant Editor/VFX Editor |
Daniel Newfield | First Assistant Editor |
Shannon Longville | Assistant Editor |
Paul Pirola | Sound Supervisor |
Pete Smith | Re-recording Mixer |
Paul Pirola | Re-recording Mixer |
Hayden Collow | Sound Designer |
Andrew Neil | Sound Effects Editor |
Frank Lipson | Sound Effects Editor |
Tom Heuzenroeder | Sound Effects Editor |
Joe Dzuban | Sound Effects Editor |
Andrew Moore | Sound Effects Editor |
Peter Miller | Sound Effects Editor |
Rangi Sutton | Visual Effects Supervisor |
Kasia Rymar | Visual Effects Producer |
Flavia Riley | Visual Effects Producer |
Kristie Godden | Visual Effects Producer |
Christian Scallan* | Music Editor |
Laura Katz | Music Supervisor |
Tim Hegarty | Executive Music Producer |
Tara Finegan | Executive Music Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.