Netherlands Box Office for Tomb Raider (2018)
Theatrical Performance (US$) | ||
Netherlands Box Office | $3,628,798 | Details |
Worldwide Box Office | $273,477,501 | Details |
Home Market Performance | ||
North America DVD Sales | $4,564,032 | Details |
North America Blu-ray Sales | $9,107,944 | Details |
Total North America Video Sales | $13,671,976 | |
Further financial details... |
Synopsis
Lara Croft is the fiercely independent daughter of an eccentric adventurer who vanished when she was scarcely a teen. Now a young woman of 21 without any real focus or purpose, Lara navigates the chaotic streets of trendy East London as a bike courier, barely making the rent, and takes college courses, rarely making it to class. Determined to forge her own path, she refuses to take the reins of her father’s global empire just as staunchly as she rejects the idea that he’s truly gone. Advised to face the facts and move forward after seven years without him, even Lara can’t understand what drives her to finally solve the puzzle of his mysterious death.
Metrics
Movie Details
Production Budget: | $90,000,000 |
Netherlands Releases: | March 16th, 2018 (Wide) |
Video Release: | June 12th, 2018 by Warner Home Video July 16th, 2018 by Warner Home Video |
MPAA Rating: | PG-13 for sequences of violence and action, and for some language. (Rating bulletin 2512 (Cert #51443), 1/31/2018) |
Running Time: | 118 minutes |
Franchise: | Lara Croft |
Keywords: | Non-Chronological, Archaeology, Marooned, Genocide, Secret Societies, 3-D, Missing Person, Presumed Dead, Inheritance, 3-D - Post-production Conversion, IMAX: DMR, Action Adventure, Treasure Hunters |
Source: | Based on Game |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Metro-Goldwyn-Mayer Pictures, Warner Bros., GK Films, Square Enix Business |
Production Countries: | United States |
Languages: | English |
Home Market Releases for June 12th, 2018
June 12th, 2018
There are not many big releases on this week’s list. Tomb Raider, Sherlock Gnomes, The Strangers: Prey at Night, and Love, Simon were, at best, midlevel hits domestically. Worse still, only the last one earned good reviews. Fortunately, the film is good enough that the DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack is worthy as Pick of the Week.
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International Box Office: Rampage Runs Roughshod over Competition topping Century Mark
April 18th, 2018
Rampage dominated the international box office earning more than the rest of the top ten combined with $115.7 million on 40,200 screens in 61 markets for a worldwide opening weekend of $151.5 million. The film’s biggest opening was in China, where it managed $54.88 million on 21,500 screens over the weekend for a total opening of $55.56 million. This is a good result, compared to recent results. It’s better than Tomb Raider managed, but not as good as Ready Player One, for example. The U.K. and South Korea were in a close race for second place with the former earning $5.8 million on 883 screens and the latter earning $4.99 million on 909 screens over the weekend for a total opening of $5.60 million.
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Weekend Estimates: Rampage Squeaks Out a Win
April 15th, 2018
Rampage isn’t exactly living up to its name this weekend, as it heads for a $34.5 million debut—just enough to keep A Quiet Place in second place, with $32.6 million in its second outing (down a very respectable 35% from its debut). As might be expected, international markets are proving friendlier to Rampage than the US and Canada, and it’s off to a healthy $114.1 million start in 61 territories, according to Warner Bros.’ Sunday morning estimate.
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Weekend Predictions: Will Rampage Shake Up the Box Office?
April 12th, 2018
Rampage is the biggest new release of the week and at one time it was widely assumed it would be the biggest hit of the month. Granted, this changed the second Infinity War moved up to an April release. However, now the film likely won’t even be the second biggest hit of the month, as A Quiet Place dominated last weekend. Truth or Dare has to deal with direct competition and that’s going to kill it. Finally, Isle of Dogs is expanding semi-wide. It likely won’t reach the top five, but it is already doing well for a limited release. This weekend last year, The Fate of the Furious opened with nearly $100 million. That’s about what the top four will earn this year. I can’t imagine 2018 coming ahead in the year-over-year comparison.
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International Box Office: Ready Starts Out Number One Internationally with $127.5 million
April 4th, 2018
Ready Player One opened in first place on the international chart with $127.5 million on 35,600 screens in 62 markets. Its biggest single market was China with $61.61 million on 18,200 screens over the weekend for a total opening of $62.06 million. This is Warner Bros.’ biggest opening ever in this market. The film’s second biggest international market of the weekend was South Korea, where it earned second place with $6.35 million on 1,079 screens for a total opening of $8.08 million. The film also had to settle for second place behind Peter Rabbit in the U.K. with $7.3 million on 1,251 screens. The film did open in first place in several other major markets, including France ($6.15 million on 719 screens) and Russia ($5.74 million on 1,461).
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International Box Office: Uprising Starts Out on Up with $122.4 million
March 28th, 2018
Pacific Rim: Uprising easily earned first place on the international chart with $122.4 million in 61 markets during its opening weekend. The film earned first place in China with $63.80 million over the weekend for a total opening of $65.19 million including previews. There were two markets who could claim second place: Russia and South Korea. In Russia, the film earned $6.76 million on 1,538 screens. Meanwhile in South Korea, it opened with $5.27 million on 1,143 screens over the weekend for a total opening of $6.80 million.
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Weekend Wrap-Up: Uprising Wins, but Falls Compared to Original
March 27th, 2018
Pacific Rim: Uprising opened in first place over the weekend. In fact, it opened better than expected with $28.12 million. Unfortunately, that’s nowhere near enough compared to its production budget, so it will need international numbers to thrive. Black Panther was finally removed from top spot, but it also held on better than expected with $17.10 million. As for the rest of the new releases, they ranged from serious disappointments like Sherlock Gnomes and Paul, Apostle of Christ, to complete bombs like Midnight Sun and Unsane. The overall box office slipped just 2.0% from last week earning $129 million. However, this is 36% lower than the same weekend last year. 2018’s lead has completely evaporated and it is now $60 million or $2.1% behind 2017’s pace at $2.64 billion to $2.69 billion. I don’t see that improving this coming weekend.
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Weekend Estimates: Pacific Rim Leads Weak Field of Openers
March 25th, 2018
Black Panther’s run at the top of the domestic chart will finally come to an end this weekend, with Pacific Rim: Uprising taking over as the most popular film in the US and Canada. The switch over is mostly due to Panther beginning to run out of steam, rather than Uprising showing any particular strength though. Universal’s sci-fi action movie will pick up $28.005 million over its opening weekend in North America, about in line with expectations, but disappointing for a film that cost $150 million to make. Overseas markets, particularly in Asia, are where the box office action is at for this one.
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Thursday Night Previews: Pacific Rim Rises with $2.35 million from Previews
March 23rd, 2018
Pacific Rim: Uprising got off to an okay start with $2.35 million from Thursday previews. Given its reviews and the recent results of films like Tomb Raider and last year’s Power Rangers that puts the film’s projected weekend haul at $26 million. That’s a little higher than we predicted, but close enough to call it a victory.
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Weekend Predictions: Kaiju vs. Panther
March 22nd, 2018
Black Panther will finally give up its hold on first place, that is unless something goes horribly wrong for Pacific Rim: Uprising. There are four other wide or semi-wide releases hitting theaters this weekend, which is at least two too many. Sherlock Gnomes and Paul, Apostle of Christ are the only two that have a legitimate shot at the top five. Meanwhile, Midnight Sun and Unsane are just hoping to not miss the top ten. This weekend last year, there were three wide releases that earned a combined $60 million. This is more than the five wide releases this year will earn. Also, Beauty and the Beast remained in second place with $90 million. 2018 has already lost its lead over 2017 and this weekend it is going to get crushed in the year-over-year comparison.
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International Box Office: Tomb Raider Steals Top Spot with $87.2 million
March 21st, 2018
Tomb Raider roared into first place on the international chart earning $87.2 million on 33,290 screens in 65 markets for an early total of $105.2 million. The film’s biggest single market was China, where it opened in first place with $40.79 million on 15,640 screens over the weekend for a total opening of $41.26 million. The film’s second best opening was in the U.K. at $4.29 million in 585 theaters. The only other market where the film opened with more than $4 million was Russia with $4.11 million on 1,457 screens. The film debuted in first place in all three markets and is in a good position to break even early in its home market run.
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Weekend Wrap-Up
March 20th, 2018
As predicted, Black Panther remained in first place on the weekend chart. Tomb Raider had an okay opening in second place, while I Can Only Imagine was the biggest positive surprise of the weekend. Love, Simon had a solid opening, especially compared to its production budget. The less said about 7 Days in Entebbe, the better. Overall, the weekend box office was down 4.8% from last weekend to just $132 million. This is 49% lower than this weekend last year. A 49% decline usually only happens when there is a misalignment in holidays, but in this case it’s due to Beauty and the Beast’s debut. 2018 is still ahead of 2017, albeit by a fraction of last week’s lead at just $66 million or 2.8%. In fact, with a margin of just $2.46 billion to $2.39 billion, it is very likely 2018 will lose its lead before the next weekend begins.
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Weekend Estimates: Black Panther Powers Past Tomb Raider
March 18th, 2018
A spirited opening by Tomb Raider won’t be quite enough to knock Black Panther off its perch at the top of the domestic box office chart this weekend. The final numbers will be close: Raider is predicted to earn $23.52 million by Warner Bros., while Disney has Panther coming in with $27.024 million. If the numbers hold (and it would be a huge surprise if they don’t), Black Panther will become the first film since Avatar to spend its first five weekends at the top of the chart.
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Friday Estimates: Raider Opens in First Place, For Now
March 17th, 2018
As expected, Tomb Raider opened in first place with $9.06 million on Friday. However, this won’t be enough to stay ahead of Black Panther for long. Its reviews are nearly 50% positive, while it earned just a B from CinemaScore. A $23 million to $24 million opening isn’t a bad start for this time of year, but it is far from impressive for a film that reportedly cost between $90 million and $106 million.
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Thursday Night Previews: Tomb Raider Steals $2.1 million during Midnight Shows
March 16th, 2018
Tomb Raider started its box office run with $2.1 million during its midnight showings. This is almost exactly what the film needed to earn to match our prediction. In fact, it might be a little on the high side. The film’s reviews are, according to Rotten Tomatoes, the best for a video game adaptation of all time, at least for films that got a theatrical release here. If the film can top $25 million over the weekend, then the studio will be mostly happy. They can’t be completely blown away, as the film reportedly cost $90 million to make and it likely won’t have great legs, due to the Fanboy Effect.
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Weekend Predictions: Can Raider Capture Top Spot?
March 15th, 2018
Another week and another film trying to dethrone Black Panther. This week, it’s Tomb Raider’s chance to finally remove Black Panther from first place on the weekend chart. I don’t like its chances. The only other truly wide release of the week is Love, Simon, which should have a solid, but not spectacular opening. There are two other films with a shot at earning a spot in the top ten: I Can Only Imagine and 7 Days in Entebbe. This weekend last year, Beauty and the Beast opened with nearly $175 million. That’s more than the entire box office is going to earn this weekend. 2018 is going to get crushed.
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International Box Office: Black Panther Final Earns Top Spot With $100.0 million
March 14th, 2018
For the first time, Black Panther earned first place on the international chart, adding $100.0 million in 57 markets to its totals, which now sit at $516,600,000 internationally and $1.078 billion worldwide. It became just the 33rd film to reach $1 billion worldwide and by Tuesday was in the top 20 of all time. Additionally, it is now in fifth place in the MCU and will be in a close fight for third place by the end of the weekend. I’m more bullish that I was last weekend, because the film was a hit in China earning $65.07 million. This is about on par with Thor: Ragnarok and Spider-Man: Homecoming, meaning the film is on pace to hit $1.3 billion worldwide
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2018 Preview: March
March 1st, 2018
February was an amazing month, thanks mainly to Black Panther, but Fifty Shades Freed and Peter Rabbit were also significant hits and overall the month was a massive improvement over last February. Looking forward, there’s nothing opening in March that will earn as much in total as Black Panther did during its opening weekend. That said, A Wrinkle in Time and Ready Player One should have no trouble getting to $100 million, while Tomb Raider has a 50/50 chance of getting there. Unfortunately, compared to last March, this is still a pittance. There’s a chance that no film opening this March will earn as much in total as Beauty and the Beast opened with last march. We will need Black Panther to have good legs to keep 2018 ahead of 2017 by the end of the month.
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Tomb Raider Trailer
January 19th, 2018
Action movie starring starring Alicia Vikander opens March 16 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/03/16 | 1 | $1,087,210 | 114 | $9,537 | $1,087,210 | 1 | |
2018/03/23 | 1 | $703,845 | -35% | 115 | $6,120 | $2,059,702 | 2 |
2018/03/30 | 3 | $522,246 | -26% | 115 | $4,541 | $2,760,822 | 3 |
2018/04/06 | 2 | $226,475 | -57% | 108 | $2,097 | $3,173,722 | 4 |
2018/04/13 | 6 | $161,066 | -29% | 109 | $1,478 | $3,413,452 | 5 |
2018/04/20 | 6 | $72,084 | -55% | 95 | $759 | $3,503,564 | 6 |
2018/04/27 | 12 | $83,885 | +16% | 70 | $1,198 | $3,574,198 | 7 |
2018/05/04 | 20 | $33,438 | -60% | 54 | $619 | $3,613,831 | 8 |
2018/05/11 | 26 | $34,798 | +4% | 41 | $849 | $3,663,652 | 9 |
2018/05/18 | 26 | $14,440 | -59% | 26 | $555 | $3,628,798 | 10 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/16/2018 | $465,927 | 0 | 0 | 0 | $933,612 | 1/1/2019 |
Australia | 3/16/2018 | $2,157,905 | 546 | 546 | 1450 | $5,100,000 | 5/1/2018 |
Brazil | 3/16/2018 | $2,050,000 | 954 | 954 | 1761 | $4,460,000 | 5/1/2018 |
Bulgaria | 3/16/2018 | $144,849 | 0 | 0 | 0 | $467,363 | 2/26/2019 |
China | 3/15/2018 | $41,060,000 | 94637 | 94637 | 152778 | $78,600,000 | 5/1/2018 |
Czech Republic | 3/16/2018 | $236,629 | 110 | 110 | 277 | $538,819 | 1/1/2019 |
France | 3/16/2018 | $3,700,000 | 553 | 553 | 1079 | $10,100,000 | 5/1/2018 |
Germany | 3/16/2018 | $2,153,575 | 573 | 573 | 1719 | $7,100,000 | 5/1/2018 |
Hong Kong | 3/9/2018 | $1,300,000 | 72 | 72 | 72 | $2,300,000 | 3/21/2018 |
India | 3/9/2018 | $660,000 | 383 | 383 | 383 | $660,000 | 3/13/2018 |
Indonesia | 3/9/2018 | $2,500,000 | 646 | 646 | 1104 | $4,900,000 | 1/1/2019 |
Italy | 3/15/2018 | $1,971,493 | 0 | 475 | 475 | $3,800,000 | 4/2/2018 |
Japan | 3/23/2018 | $2,300,000 | 517 | 517 | 517 | $4,540,000 | 5/1/2018 |
Lithuania | 3/16/2018 | $82,285 | 125 | 125 | 340 | $210,043 | 4/23/2018 |
Malaysia | 3/9/2018 | $1,700,000 | 411 | 411 | 411 | $3,400,000 | 3/30/2018 |
Mexico | 3/16/2018 | $2,162,306 | 0 | 1111 | 1111 | $4,750,000 | 5/1/2018 |
Netherlands | 3/16/2018 | $1,087,210 | 114 | 115 | 847 | $3,628,798 | 5/22/2018 |
New Zealand | 3/16/2018 | $406,061 | 82 | 82 | 369 | $1,020,540 | 4/23/2018 |
North America | 3/16/2018 | $23,633,317 | 3,854 | 3,854 | 13,692 | $58,250,803 | |
Philippines | 3/9/2018 | $1,100,000 | 306 | 306 | 306 | $1,100,000 | 1/1/2019 |
Poland | 4/6/2018 | $272,319 | 0 | 0 | 0 | $1,039,928 | 1/1/2019 |
Portugal | 3/16/2018 | $478,031 | 93 | 93 | 443 | $1,646,858 | 5/18/2018 |
Russia (CIS) | 3/16/2018 | $4,059,327 | 1457 | 1538 | 4667 | $7,500,000 | 2/26/2019 |
Singapore | 3/9/2018 | $886,000 | 86 | 86 | 86 | $886,000 | 3/13/2018 |
Slovakia | 3/16/2018 | $138,125 | 66 | 66 | 164 | $285,143 | 4/18/2018 |
South Korea | 3/6/2018 | $2,537,830 | 806 | 806 | 1436 | $4,179,129 | 4/26/2018 |
Spain | 3/16/2018 | $1,432,855 | 315 | 315 | 1544 | $4,450,000 | 5/7/2018 |
Taiwan | 3/9/2018 | $2,000,000 | 206 | 206 | 206 | $4,680,000 | 5/1/2018 |
Thailand | 3/9/2018 | $1,200,000 | 489 | 489 | 489 | $1,200,000 | 3/12/2018 |
Turkey | 3/16/2018 | $373,099 | 306 | 306 | 992 | $1,130,479 | 2/26/2019 |
United Arab Emirates | 3/16/2018 | $1,700,000 | 158 | 158 | 158 | $1,700,000 | 1/1/2019 |
United Kingdom | 3/16/2018 | $4,289,972 | 585 | 587 | 2144 | $10,428,991 | 5/23/2018 |
Rest of World | $38,490,995 | ||||||
Worldwide Total | $273,477,501 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Alicia Vikander | Lara Croft |
Supporting Cast
Dominic West | Richard Croft |
Walton Goggins | Mathias Vogel |
Daniel Wu | Lu Ren |
Kristin Scott Thomas | Ana Miller |
Derek Jacobi | Mr. Yaffe |
Alexandre Willaume | Lieutenant |
Tamer Burjaq | Mercenary |
Adrian Collins | Mercenary |
Keenan Arrison | Mercenary |
Andrian Mazive | Mercenary |
Milton Schorr | Mercenary |
Hannah John-Kamen | Sophie |
Peter Waison | Taxi Driver |
Samuel Mak | Chinese Kid |
Sky Yang | Chinese Kid |
Civic Chung | Chinese Kid |
Josef Altin | Bruce the Boss |
Billy Postlethwaite | Bill |
Roger Jean Nsengiyumva | Rog |
Jaime Winstone | Pamela |
Michael Obiora | Baxter |
Shekhar Varma | Mr. Ahuja |
Rekha John-Cheriyan | Mrs. Ahuja |
Antonio Aakeel | Nitin |
Maisy De Freitas | Young Lara (7 years old) |
Emily Carey | Young Lara (14 years old) |
Gordon Chow | Sickly Old Digger |
Duncan Airlie James | Terry the Trainer |
Jandre Le Roux | Heli Pilot |
Vere Tindale | Heli Co-Pilot |
Annabel Wood | Rose |
Kenneth Fok | Digger in Woods |
Maruwan Gasant | Digger in Camp |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Roar Uthaug | Director |
Geneva Robertson-Dworet* | Screenwriter |
Alastair Siddons | Screenwriter |
Evan Daugherty | Story by |
Geneva Robertson-Dworet* | Story by |
Graham King | Producer |
Patrick McCormick | Executive Producer |
Denis O'Sullivan | Executive Producer |
Noah Hughes | Executive Producer |
George Richmond | Director of Photography |
Gary Freeman | Production Designer |
Stuart Baird | Editor |
Michael Tronick | Editor |
Tom Holkenborg | Composer |
Colleen Atwood | Costume Designer |
Timothy A. Wonsik | Costume Designer |
Franklin Henson | Stunt Coordinator |
Paul Linden | Visual Effects Supervisor |
Susie Figgis | Casting Director |
Patrick McCormick | Unit Production Manager |
Lee Grumett | First Assistant Director |
G. A. Aguilar | Second Unit Director |
Raffaella Giovannetiti | Set Decorator |
Steven Wayne | Production Supervisor |
Janine van Assen | Unit Production Manager |
Paula Casarin | Script Supervisor |
Michael Solinger | Post-Production Supervisor |
Rebecca Adams | Post-Production Supervisor |
Scott Shapiro | Visual Effects Producer |
Christian Siebenherz | Additional Editor |
Dominic Gibbs | Supervising Sound Editor |
Mike Prestwood Smith | Re-recording Mixer |
Mark Taylor | Re-recording Mixer |
Jo Tew | Second Assistant Director |
Kle Savidge | Music Supervisor |
Tom Brown | Supervising Sound Editor |
Claire Fleming | Art Director |
Tamara Marini | Art Director |
Alessandro Troso | Art Director |
Mark Walker | Art Director |
Marika Weber-Collop | Make-up and Hair Designer |
Charlie Hounslow | Make-up and Hair Designer |
Nico Louw | Sound Mixer |
Max Poolman | Special Effects Supervisor |
Philip Stapelberg | Costume Supervisor |
Quimaine Fourie | Make-up and Hair Designer |
Deon Du Preez | Location Manager |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.