Power Rangers (2017)

Power Rangers
Theatrical Performance
Domestic Box Office $85,364,450Details
International Box Office $57,167,102Details
Worldwide Box Office $142,531,552
Home Market Performance
Est. Domestic DVD Sales $5,990,353 Details
Est. Domestic Blu-ray Sales $9,352,373 Details
Total Est. Domestic Video Sales $15,342,726
Further financial details...

Synopsis

A group of ordinary high school kids find themselves infused with extraterrestrial powers and must harness those powers as a team to save the world.

Metrics

Opening Weekend:$40,300,288 (47.2% of total gross)
Legs:2.12 (domestic box office/biggest weekend)
Domestic Share:59.9% (domestic box office/worldwide)
Production Budget:$120,000,000 (worldwide box office is 1.2 times production budget)
Theater counts:3,693 opening theaters/3,693 max. theaters, 4.3 weeks average run per theater
Infl. Adj. Dom. BO $102,589,606

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: March 24th, 2017 (Wide) by Lionsgate
International Releases: March 24th, 2017 (Wide) (Australia)
March 24th, 2017 (Wide) (Brazil)
March 24th, 2017 (Wide) (Germany)
March 24th, 2017 (Wide) (Hong Kong)
March 24th, 2017 (Wide) (Indonesia)
... Show all releases
Video Release: June 13th, 2017 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for sequences of sci-fi violence, action and destruction, language, and for some crude humor.
(Rating bulletin 2463 (Cert #50875), 2/15/2017)
Running Time: 124 minutes
Franchise: Power Rangers
Comparisons: vs. Ghost in the Shell
Create your own comparison chart…
Keywords: Reboot, Mecha, Alien Encounters, Bullies, House Arrest, Car Accident, Robot, Prank Gone Wrong, Football, High School Sports, Intertitle, Training Montage, Betrayal, Slow Motion Scene, Origin Story, Medical and Hospitals, LGBTQ+, Young Child Dealing with the Death of a Parent
Source:Based on TV
Genre:Action
Production Method:Animation/Live Action
Creative Type:Kids Fiction
Production/Financing Companies: Lionsgate, Temple Hill Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest Domestic March Weekend 50 $40,300,288 Mar 24, 2017 3
Top Based on TV Weekend Domestic 29 $40,300,288 Mar 24, 2017 3
Top Lionsgate Weekend Domestic 17 $40,300,288 Mar 24, 2017 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 24, 2017 2 $40,300,288   3,693 $10,913   $40,300,288 1
Mar 31, 2017 4 $14,200,307 -65% 3,693 $3,845   $64,762,477 2
Apr 7, 2017 6 $6,199,403 -56% 2,978 $2,082   $75,095,645 3
Apr 14, 2017 8 $2,814,175 -55% 2,171 $1,296   $80,527,923 4
Apr 21, 2017 16 $1,365,550 -51% 1,292 $1,057   $83,052,602 5
Apr 28, 2017 19 $855,661 -37% 889 $962   $84,234,169 6
May 5, 2017 25 $227,436 -73% 512 $444   $84,654,539 7
May 12, 2017 34 $105,828 -53% 197 $537   $84,834,455 8
May 19, 2017 - $204,916 +94% 221 $927   $85,067,486 9
May 26, 2017 23 $151,698 -26% 157 $966   $85,282,186 10

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Mar 23, 2017 P $3,600,000     0     $3,600,000  
Mar 24, 2017 2 $14,921,144     3,693 $4,040   $14,921,144 1
Mar 25, 2017 2 $14,594,162 -2%   3,693 $3,952   $29,515,306 2
Mar 26, 2017 2 $10,784,982 -26%   3,693 $2,920   $40,300,288 3
Mar 27, 2017 2 $2,778,423 -74%   3,693 $752   $43,078,711 4
Mar 28, 2017 2 $3,548,649 +28%   3,693 $961   $46,627,360 5
Mar 29, 2017 2 $2,090,139 -41%   3,693 $566   $48,717,499 6
Mar 30, 2017 2 $1,844,671 -12%   3,693 $500   $50,562,170 7
Mar 31, 2017 4 $3,999,264 +117% -73% 3,693 $1,083   $54,561,434 8
Apr 1, 2017 4 $6,141,635 +54% -58% 3,693 $1,663   $60,703,069 9
Apr 2, 2017 4 $4,059,408 -34% -62% 3,693 $1,099   $64,762,477 10
Apr 3, 2017 4 $969,664 -76% -65% 3,693 $263   $65,732,141 11
Apr 4, 2017 4 $1,433,515 +48% -60% 3,693 $388   $67,165,656 12
Apr 5, 2017 4 $869,748 -39% -58% 3,693 $236   $68,035,404 13
Apr 6, 2017 4 $860,838 -1% -53% 3,693 $233   $68,896,242 14
Apr 7, 2017 6 $1,692,126 +97% -58% 2,978 $568   $70,588,368 15
Apr 8, 2017 6 $2,724,710 +61% -56% 2,978 $915   $73,313,078 16
Apr 9, 2017 6 $1,782,567 -35% -56% 2,978 $599   $75,095,645 17
Apr 10, 2017 6 $577,559 -68% -40% 2,978 $194   $75,673,204 18
Apr 11, 2017 6 $868,556 +50% -39% 2,978 $292   $76,541,760 19
Apr 12, 2017 6 $584,190 -33% -33% 2,978 $196   $77,125,950 20
Apr 13, 2017 6 $587,798 +1% -32% 2,978 $197   $77,713,748 21
Apr 14, 2017 8 $1,049,477 +79% -38% 2,171 $483   $78,763,225 22
Apr 15, 2017 8 $1,083,720 +3% -60% 2,171 $499   $79,846,945 23
Apr 16, 2017 9 $680,978 -37% -62% 2,171 $314   $80,527,923 24
Apr 17, 2017 7 $382,208 -44% -34% 2,171 $176   $80,910,131 25
Apr 18, 2017 10 $327,028 -14% -62% 2,171 $151   $81,237,159 26
Apr 19, 2017 11 $227,528 -30% -61% 2,171 $105   $81,464,687 27
Apr 20, 2017 12 $222,365 -2% -62% 2,171 $102   $81,687,052 28
Apr 21, 2017 - $340,210 +53% -68% 1,292 $263   $82,027,262 29
Apr 22, 2017 - $626,477 +84% -42% 1,292 $485   $82,653,739 30
Apr 23, 2017 13 $398,863 -36% -41% 1,292 $309   $83,052,602 31
Apr 24, 2017 - $86,485 -78% -77% 1,292 $67   $83,139,087 32
Apr 25, 2017 - $102,691 +19% -69% 1,292 $79   $83,241,778 33
Apr 26, 2017 - $72,316 -30% -68% 1,292 $56   $83,314,094 34
Apr 27, 2017 - $64,414 -11% -71% 1,292 $50   $83,378,508 35
Apr 28, 2017 - $195,603 +204% -43% 889 $220   $83,574,111 36
Apr 29, 2017 - $401,818 +105% -36% 889 $452   $83,975,929 37
Apr 30, 2017 - $258,240 -36% -35% 889 $290   $84,234,169 38
May 1, 2017 - $51,241 -80% -41% 889 $58   $84,285,410 39
May 2, 2017 - $65,393 +28% -36% 889 $74   $84,350,803 40
May 3, 2017 - $46,535 -29% -36% 889 $52   $84,397,338 41
May 4, 2017 - $29,765 -36% -54% 889 $33   $84,427,103 42
May 5, 2017 - $48,120 +62% -75% 512 $94   $84,475,223 43
May 6, 2017 - $107,851 +124% -73% 512 $211   $84,583,074 44
May 7, 2017 - $71,465 -34% -72% 512 $140   $84,654,539 45
May 8, 2017 - $18,065 -75% -65% 512 $35   $84,672,604 46
May 9, 2017 - $22,952 +27% -65% 512 $45   $84,695,556 47
May 10, 2017 - $17,159 -25% -63% 512 $34   $84,712,715 48
May 11, 2017 - $15,912 -7% -47% 512 $31   $84,728,627 49
May 12, 2017 - $35,793 +125% -26% 197 $182   $84,764,420 50
May 13, 2017 - $44,787 +25% -58% 197 $227   $84,809,207 51
May 14, 2017 - $25,248 -44% -65% 197 $128   $84,834,455 52
May 15, 2017 - $6,954 -72% -62% 197 $35   $84,841,409 53
May 16, 2017 - $8,677 +25% -62% 197 $44   $84,850,086 54
May 17, 2017 - $6,544 -25% -62% 197 $33   $84,856,630 55
May 18, 2017 - $5,940 -9% -63% 197 $30   $84,862,570 56
May 19, 2017 - $53,640 +803% +50% 221 $243   $84,916,210 57
May 20, 2017 - $95,442 +78% +113% 221 $432   $85,011,652 58
May 21, 2017 - $55,834 -41% +121% 221 $253   $85,067,486 59
May 22, 2017 - $13,494 -76% +94% 221 $61   $85,080,980 60
May 23, 2017 - $17,002 +26% +96% 221 $77   $85,097,982 61
May 24, 2017 - $17,139 +1% +162% 221 $78   $85,115,121 62
May 25, 2017 - $15,367 -10% +159% 221 $70   $85,130,488 63
May 26, 2017 - $35,441 +131% -34% 157 $226   $85,165,929 64
May 27, 2017 - $64,379 +82% -33% 157 $410   $85,230,308 65
May 28, 2017 - $51,878 -19% -7% 157 $330   $85,282,186 66
May 29, 2017 - $38,341 -26% +184% 157 $244   $85,320,527 67
May 30, 2017 - $14,264 -63% -16% 157 $91   $85,334,791 68
May 31, 2017 - $13,929 -2% -19% 157 $89   $85,348,720 69
Jun 1, 2017 - $15,730 +13% +2% 157 $100   $85,364,450 70

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 24, 2017 2 $50,562,170   3,693 $13,691   $50,562,170 1
Mar 31, 2017 4 $18,334,072 -64% 3,693 $4,965   $68,896,242 2
Apr 7, 2017 6 $8,817,506 -52% 2,978 $2,961   $77,713,748 3
Apr 14, 2017 9 $3,973,304 -55% 2,171 $1,830   $81,687,052 4
Apr 21, 2017 16 $1,691,456 -57% 1,292 $1,309   $83,378,508 5
Apr 28, 2017 19 $1,048,595 -38% 889 $1,180   $84,427,103 6
May 5, 2017 26 $301,524 -71% 512 $589   $84,728,627 7
May 12, 2017 34 $133,943 -56% 197 $680   $84,862,570 8
May 19, 2017 25 $267,918 +100% 221 $1,212   $85,130,488 9
May 26, 2017 24 $233,962 -13% 157 $1,490   $85,364,450 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/31/2017 $301,364 0 0 0 $533,435 1/1/2019
Australia 3/24/2017 $1,031,671 233 233 908 $2,900,769 10/13/2018
Brazil 3/24/2017 $2,100,000 0 0 0 $5,100,824 6/26/2018
Bulgaria 4/7/2017 $13,200 0 0 0 $37,811 2/26/2019
China 5/11/2017 $3,550,000 44,735 44,735 44,735 $4,246,955 8/13/2018
Czech Republic 4/7/2017 $82,258 121 121 226 $189,394 1/1/2019
France 4/7/2017 $1,300,000 0 0 0 $3,766,394 6/27/2018
Germany 3/24/2017 $769,470 0 0 0 $1,830,779 6/29/2018
Hong Kong 3/24/2017 $366,070 40 40 81 $617,635 10/27/2018
India 3/31/2017 $71,569 0 0 0 $162,065 10/3/2018
Indonesia 3/24/2017 $0 0 0 0 $1,251,179 1/1/2019
Italy 4/6/2017 $418,705 0 0 0 $856,648 10/22/2018
Japan 7/14/2017 $621,756 0 0 0 $1,912,288 7/4/2018
Lithuania 3/31/2017 $6,645 81 81 101 $10,963 4/14/2017
Malaysia 3/31/2017 $0 0 0 0 $2,800,000 4/17/2017
Mexico 3/24/2017 $3,000,000 0 0 0 $5,801,428 10/12/2018
Netherlands 3/24/2017 $149,433 95 95 300 $335,425 11/2/2018
New Zealand 3/24/2017 $197,808 77 77 219 $379,132 4/10/2017
Poland 3/24/2017 $144,940 0 0 0 $468,433 1/1/2019
Portugal 3/28/2017 $54,604 55 55 160 $155,370 5/18/2017
Russia (CIS) 3/24/2017 $831,578 1,132 1,132 2,580 $1,406,645 1/1/2019
Slovakia 4/7/2017 $44,006 68 68 110 $79,281 5/5/2017
South Korea 4/13/2017 $0 0 479 510 $505,141 10/13/2018
Spain 4/7/2017 $354,911 422 422 1,046 $826,546 10/29/2018
Taiwan 3/24/2017 $233,495 76 76 76 $743,630 10/28/2018
Turkey 3/24/2017 $89,391 221 221 321 $160,507 2/26/2019
United Kingdom 3/24/2017 $1,966,805 478 493 1,787 $6,058,693 9/23/2018
 
Rest of World $14,029,732
 
International Total$57,167,102 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 2, 20171130,635 130,635$1,954,300$1,954,3003
Jul 9, 2017190,578-31% 221,213$1,355,047$3,309,3474
Jul 16, 2017329,096-68% 250,309$435,276$3,744,6235
Jul 23, 2017629,024n/c279,333$434,199$4,178,8226
Jul 30, 2017912,785-56% 292,118$189,857$4,368,6797
Aug 6, 20171113,066+2% 305,184$195,206$4,563,8858
Aug 13, 2017199,252-29% 314,436$137,392$4,701,2779
Aug 20, 2017297,889-15% 322,325$110,367$4,811,64410

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 2, 20171242,764 242,764$4,985,605$4,985,6053
Jul 9, 2017288,853-63% 331,617$1,803,594$6,789,1994
Jul 16, 2017528,635-68% 360,252$528,457$7,317,6565
Jul 23, 2017717,963-37% 378,215$325,032$7,642,6886
Jul 30, 20171111,300-37% 389,515$206,530$7,849,2187
Aug 6, 20171310,216-10% 399,731$185,397$8,034,6158
Aug 13, 2017188,264-19% 407,995$149,671$8,184,2869

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Dacre Montgomery Jason Scott/Red Ranger
Naomi Scott Kimberly Hart/Pink Ranger
RJ Cyler Billy Cranston/Blue Ranger
Becky G Trini/Yellow Ranger
Ludi Lin Zack/Black Ranger

Supporting Cast

Bill Hader Alpha 5
Bryan Cranston Zordon
Elizabeth Banks Rita Repulsa
David Denman Sam Scott
Sarah Grey Amanda Clark
Anjali Jay Maddy Hart
Patrick Sabongui Mr. Kwan
Emily Maddison Rebecca
Kayden Magnuson Pearl Scott
Ranjit Samra Security Guard
Jaime Callica Officer Bebe
Matt Shively Damo
Cody Kearsley Hawkeye
Robert Moloney Ted Hart
Morgan Taylor Campbell Harper
Caroline Cave Beverly Scott
Lisa Berry Candace Cranston
Wesley MacInnes Bully
John Stewart Detention Teacher
Fiona Fu Zack’s Mom
Clayton Chitty Young Cop
Austin Obiajunwa Random Kid
Kenneth Tynan Freak
Amitai Marmorstein Geek
Garry Chalk Captain Bowen
Donald Adams Homeless Man
Erica Cerra Trini’s Mom
Enrique Lopez Twin #1
Jackson Mitchell Croom Twin #2
Keenan Cicero Reynolds Twin #2
Drew Tanner Young Lover #2
Sharon Simms Green Ranger (Prologue) Saleswoman/Yellow Ranger (Prologue)
Sophie Lui Television Anchor
Phillip Reed Heavy Equipment Operator
Quinton Vick Detention Student #1
Lea Matina Detention Student #2
Kayanna Jacobsen Detention Student #3
Art Peter Detention Student #4
Mykel Jay Barcera Detention Student #5
Deb Swain Group Singer Nun #1
Janice Caravan Group Singer Nun #2
Maureen Smart Group Singer Nun #3
Sue Elder Group Singer Nun #4
Cole Holmes Kid on Street
Tristan Rehwald Ty
Jason Tremblay Cop
Fred Tatasciore Goldar/Putties

Cameos

Jason D. Frank Cameo Role #1
Amy Jo Johnson Cameo Role #2

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Dean Israelite Director
John Gatins Screenwriter
Matt Sazama Story by
Burk Sharpless Story by
Michele Mulroney Story by
Kieran Mulroney Story by
Haim Saban Based upon Power Rangers created by
Haim Saban Producer
Brian Casentini Producer
Marty Bowen Producer
Wyck Godfrey Producer
Allison Shearmur Executive Producer
Brent O’Connor Executive Producer
John Gatins Executive Producer
Joel Andryc Executive Producer
Matthew J. Lloyd Director of Photography
Andrew Menzies Production Designer
Martin Bernfeld Editor
Dody Dorn Editor
Kelli Jones Costume Designer
Brian Tyler Composer
Season Kent Music Supervisor
John Papsidera Casting Director
Sean Faden Visual Effects Supervisor
Aldric La'auli Porter Co-Producer
Stephen Meinen Co-Producer
Brent O’Connor Unit Production Manager
Cecil O’Connor Production Manager
Aldric La'auli Porter First Assistant Director
Katie Carroll Key Second Assistant Director
Paul Jennings Second Unit Director
Paul Jennings Stunt Coordinator
Donna Sloan Executive in Charge of Production
Tom Boland Visual Effects Producer
Sandy Cochrane Supervising Art Director
Andrew Li Art Director
Margot Ready Art Director
Gwendolyn Margetson Art Director
Hamish Purdy Set Decorator
Stewart Whelan Additional Director of Photography
Bryan H. Carroll Post-Production Supervisor
Jon Poll Additional Editor
Bob Allen First Assistant Editor
Monty Bass Assistant Editor
Asim Matin Assistant Editor
Kheireddine El-Helou Assistant Editor
Thom M. Kyle Assistant Editor
Shae Salmon Assistant Editor
Ana Sebal Script Supervisor
Eric Batut Sound Mixer
Kris Bergthorson Set Designer
Siri Hermanski Set Designer
Roxanne Nesbitt Set Designer
Stephen Hamilton Special Effects Coordinator
Jana Rayne MacDonald Costume Supervisor
Susan O'hara Sets Supervisor
Monica Huppert Make up
Anne Carroll Hairstylist
Monty Bannister Location Manager
Gordie Piper Second Assistant Director
Ashley Bell Second Assistant Director
Joe Dzuban Supervising Sound Editor
Marc Fishman Re-recording Mixer
Tony Lamberti Re-recording Mixer
Eliot Connors Sound Designer
Daniel S. Irwin Supervising Dialogue Editor
Michael Hertlein Dialogue Editor
Christopher W. Hogan Dialogue Editor
Michael Mitchell Sound Effects Editor
D. Chris Smith Sound Effects Editor
Luis Galdames Sound Effects Editor
Ron Mellegers Foley Mixer
Randy Wilson Foley Mixer
Kevin Schultz Foley Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Contest: Go Go Power Prizes: Winning Announcement

June 28th, 2017

Power Rangers

The winners of our Go Go Power Prizes contest were determined and the entrants with the closest predictions for Transformers: The Last Knight’s opening weekend were... More...

Home Market Releases for June 27th, 2017

June 27th, 2017

T2 Trainspotting

It’s a really slow week on the home market. (Next week is even worse. ) The Fate of the Furious is the biggest release of the week, but it is only coming out on Video on Demand, so I would wait. The biggest release of the week is Power Rangers, but it feels like a pilot to a TV show and not a self-contained movie. The best new release of the week is T2: Trainspotting and the Blu-ray Combo Pack. That said, if you don’t have Home Movies yet, then buy the Complete Series right now. More...

Featured Blu-ray and DVD Review: Power Rangers

June 25th, 2017

Power Rangers

Power Rangers, the TV show, has been around for more than 20 years and it is still going strong. Power Rangers, the movie, was supposed to setup a six-part franchise, but its box office numbers probably killed any chance of that happening. Were moviegoers spared five more of these? Or was there enough here that fans would have been looking forward to more? More...

Contest: Go Go Power Prizes

June 16th, 2017

Power Rangers

There’s only one wide release coming out next week, Transformers: The Last Knight. However, it is coming out on the Wednesday, so that complicates our weekend Box Office Prediction Contest, because we will have at least one full day of numbers before the contest ends. Since it is the only wide wide release next week, it is the only choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for Transformers: The Last Knight.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Power Rangers on Blu-ray Combo Pack. The movie is already out on Video on Demand, but doesn’t come out on DVD, Blu-ray, 4K Ultra HD till the 27th. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Power Rangers on Blu-ray Combo Pack. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win a random prize from our prize pack.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Contest: Wrap It Up: Winning Announcement

June 14th, 2017

The Mummy

The winners of our Wrap It Up contest were determined and the entrants with the closest predictions for The Mummy’s opening weekend were... More...

Weekend Wrap-Up: Boss Blasts Off while Ghost Cracks

April 4th, 2017

The Boss Baby

The Boss Baby beat expectations and earned first place with $50.20 million over the weekend. The strong competition pushed Beauty and the Beast into second place, but it nearly hit $400 million and it is on pace for $500 million, so I wouldn’t feel too bad for the film. On the other hand, you can feel bad for Ghost in the Shell, because an opening of just $18.68 million on a $110 million production budget is a disaster. Overall, the box office rose 16% from last week reaching $169 million. Compared to last year, the box office rose 28%, which is very impressive. Year-to-date, 2017 has pulled in $2.98 billion, putting it 6.1% or $170 million ahead of 2016’s pace. We are far enough into the year that a lead this big is significant. That doesn’t mean 2017 is guaranteed to come out ahead, but this is certainly reason to be optimistic. More...

Friday Estimates: Baby Bosses Beast with $15.5 Million

April 1st, 2017

The Boss Baby

The Boss Baby opened in first place on Friday with $15.5 million. This is higher than our original prediction and the adjusted prediction based on Thursday previews. Some are expecting an opening weekend of over $50 million, but that seems a tad high. The reviews have continued to improve and are now 49% positive, and the film earned an A minus from CinemaScore, which is bog standard for a family film. I think the direct competition from Beauty and the Beast will prevent it from getting to $50 million, meaning there will be a virtual tie on top of the charts over the weekend. More...

Weekend Predictions: Will New Releases be the Boss of the Beast?

March 30th, 2017

The Boss Baby

Two new wide releases attempt to dethrone Beauty and the Beast this weekend, but I wouldn’t bet on either of them doing it. Earlier this week, it looked like Ghost in the Shell was a potential $100 million hit. Then its reviews collapsed. The Boss Baby, on the other hand, started with terrible reviews, but its buzz is growing despite this. This weekend last year, the best new release was God’s Not Dead 2, which opened with $7.6 million, and 2017 is in an excellent position to gain ground as a result. Granted, the top film that weekend was Batman v Superman: Dawn of Justice with over $50 million and no film this week will match that, but the top three films last year earned just over $80 million, while the top three films this year should earn more than $100 million. More...

International Box Office: Beauty Holds Off King Kong with $119.2 million

March 30th, 2017

Beauty and the Beast

Beauty and the Beast remained in first place on the international chart with $119.2 million in 50 markets for totals of $373.3 million internationally and $692.3 million worldwide. The film had two major market openings this past weekend scoring first place in Australia with $10.02 million on 706 screens, including previews. It also topped the chart in France with $7.9 million over the weekend, $8.4 million including previews. Its biggest market overall was the U.K., where it added $15.41 million in 636 theaters over the weekend for a two-week total of $49.82 million. At the end of the weekend, Disney’s share of the worldwide box office was just over $300 million, so unless the movie cost more to advertise than it did to make, it has broken even. Furthermore, even if the film had no more major markets left to open in, it would be on pace to reach $1 billion to $1.1 billion worldwide. With Japan and a few more smaller markets left, it could top $1.2 billion. More...

Contest: Power On: Winning Announcement

March 30th, 2017

Power Rangers

The winners of our Power On contest were determined and the entrants with the closest predictions for Power Rangers’s opening weekend were... More...

Theater Averages: Beast’s Reign Continues with $21,479

March 29th, 2017

Beauty and the Beast

It was a bad week for limited releases, as the only two films to top $10,000 on the per theater chart were also the two biggest hits on the weekend chart. Beauty and the Beast remained in first place with an average of $21,479, while Power Rangers were well back with an average of $10,913. More...

Weekend Wrap-Up: Beast Blows Past $300 million with $90.43 million Weekend

March 27th, 2017

Beauty and the Beast

Our predictions for Beauty and the Beast was higher than average, but even we underestimated the film’s weekend box office numbers. It fell just 48% to $90.43 million, which was more than double the second place film, Power Rangers. This one-two punch helped the overall box office earn $202 million, but this was 23% lower than last weekend. It was also 20% lower than the same weekend last year. Granted, this weekend last year was the weekend Batman v Superman: Dawn of Justice debuted, so a decline like this was expected. Year-to-date, 2017 has earned $2.75 billion, putting it 6.7% or $170 million ahead of last year’s pace. More...

Weekend Estimates: Beauty and the Beast Beats Strong Power Rangers Start

March 26th, 2017

Beauty and the Beast

An impressive 49% second-weekend drop for Beauty and the Beast will be more than enough to secure its place at the top of the box office chart once more, but that doesn’t diminish the achievement of Power Rangers in debuting with an estimated $40.5 million. With two strong movies powering box office receipts, a weekend that was expected to be down substantially from the comparable weekend last year, when Batman v Superman: Dawn of Justice launched with $166 million, will actually be off just 20%, and 2017 remains 5% ahead of 2016 year-to-date. More...

Friday Estimates: Rangers, $14.96 million, Can’t Overpower the Beast, $23.56 million

March 25th, 2017

Power Rangers

Most people were expecting Beauty and the Beast to retain first place on Friday with around $20 million. The consensus appeared to be $19 million, but my prediction was based on a little more than $21 million. In reality, it earned $23.56 million. This will help it to just over $90 million during the weekend and the film’s box office will blow past $300 million by Sunday. On the other hand, Batman v Superman: Dawn of Justice earned $81.58 million on its opening Friday alone, so 2017 is still likely going to lose in the year-over-year comparison. More...

Thursday Night Previews: Rangers Power Up with $3.6 million

March 24th, 2017

Power Rangers

Power Rangers easily dominated the other two new releases during Thursday previews earning $3.6 million. In fact, this is barely lower than the $3.7 million Kong: Skull Island earned just a couple of weeks ago. Does this mean Power Rangers will open with a similar amount, say $60 million? No. The film’s reviews are much weaker and the film has a much stronger Fanboy Effect. It does have a real shot at $40 million over the weekend, but our $37 million prediction seems like a safe bet at the moment. If the film is earning better legs, we will adjust this figure tomorrow. More...

Weekend Predictions: Can the Rangers Power Their Way to the Top?

March 23rd, 2017

Power Rangers

There are three wide releases this week, but none of them have a shot at topping Beauty and the Beast at the box office. In fact, all three films combined won’t make as much as Beauty and the Beast does this weekend. Of the three wide releases, Power Rangers has the best chance of box office success and it does have a shot at $100 million domestically. Life could become a midlevel hit and since it likely cost a lot less to make, it could be a bigger financial success. Finally there’s CHiPs, which has gained no traction with audiences. It will likely miss the top five. This weekend last year, Batman v Superman: Dawn of Justice opened with a then March record of $166.01 million. Nothing playing this weekend will match that. Beauty and the Beast might not make half that. Fortunately, 2017 has a $100 million lead on 2016, so one bad weekend in the year-over-year comparison won’t do too much damage. More...

Contest: Beauty and the Best: Winning Announcement

March 22nd, 2017

Beauty and the Beast

The winners of our Beauty and the Best contest were determined and the entrants with the closest predictions for Beauty and the Beast’s opening weekend were... More...

Contest: Power On

March 17th, 2017

Power Rangers

There are three wide releases next weekend: Power Rangers, Life, and CHiPs. However, none of them are expected to match Beauty and the Beast’s second weekend of release. That said, Power Rangers is widely expected to be the biggest of the three films and it is the best choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Power Rangers.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: March

March 1st, 2017

Beauty and the Beast

February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A group of ordinary high school kids find themselves infused with extraterrestrial powers and must harness those powers as a team to save the world.

Metrics

Opening Weekend:$40,300,288 (47.2% of total gross)
Legs:2.12 (domestic box office/biggest weekend)
Domestic Share:59.9% (domestic box office/worldwide)
Production Budget:$120,000,000 (worldwide box office is 1.2 times production budget)
Theater counts:3,693 opening theaters/3,693 max. theaters, 4.3 weeks average run per theater
Infl. Adj. Dom. BO $102,589,606

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: March 24th, 2017 (Wide) by Lionsgate
International Releases: March 24th, 2017 (Wide) (Australia)
March 24th, 2017 (Wide) (Brazil)
March 24th, 2017 (Wide) (Germany)
March 24th, 2017 (Wide) (Hong Kong)
March 24th, 2017 (Wide) (Indonesia)
... Show all releases
Video Release: June 13th, 2017 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for sequences of sci-fi violence, action and destruction, language, and for some crude humor.
(Rating bulletin 2463 (Cert #50875), 2/15/2017)
Running Time: 124 minutes
Franchise: Power Rangers
Comparisons: vs. Ghost in the Shell
Create your own comparison chart…
Keywords: Reboot, Mecha, Alien Encounters, Bullies, House Arrest, Car Accident, Robot, Prank Gone Wrong, Football, High School Sports, Intertitle, Training Montage, Betrayal, Slow Motion Scene, Origin Story, Medical and Hospitals, LGBTQ+, Young Child Dealing with the Death of a Parent
Source:Based on TV
Genre:Action
Production Method:Animation/Live Action
Creative Type:Kids Fiction
Production/Financing Companies: Lionsgate, Temple Hill Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest Domestic March Weekend 50 $40,300,288 Mar 24, 2017 3
Top Based on TV Weekend Domestic 29 $40,300,288 Mar 24, 2017 3
Top Lionsgate Weekend Domestic 17 $40,300,288 Mar 24, 2017 3

Lead Ensemble Members

Dacre Montgomery Jason Scott/Red Ranger
Naomi Scott Kimberly Hart/Pink Ranger
RJ Cyler Billy Cranston/Blue Ranger
Becky G Trini/Yellow Ranger
Ludi Lin Zack/Black Ranger

Supporting Cast

Bill Hader Alpha 5
Bryan Cranston Zordon
Elizabeth Banks Rita Repulsa
David Denman Sam Scott
Sarah Grey Amanda Clark
Anjali Jay Maddy Hart
Patrick Sabongui Mr. Kwan
Emily Maddison Rebecca
Kayden Magnuson Pearl Scott
Ranjit Samra Security Guard
Jaime Callica Officer Bebe
Matt Shively Damo
Cody Kearsley Hawkeye
Robert Moloney Ted Hart
Morgan Taylor Campbell Harper
Caroline Cave Beverly Scott
Lisa Berry Candace Cranston
Wesley MacInnes Bully
John Stewart Detention Teacher
Fiona Fu Zack’s Mom
Clayton Chitty Young Cop
Austin Obiajunwa Random Kid
Kenneth Tynan Freak
Amitai Marmorstein Geek
Garry Chalk Captain Bowen
Donald Adams Homeless Man
Erica Cerra Trini’s Mom
Enrique Lopez Twin #1
Jackson Mitchell Croom Twin #2
Keenan Cicero Reynolds Twin #2
Drew Tanner Young Lover #2
Sharon Simms Green Ranger (Prologue) Saleswoman/Yellow Ranger (Prologue)
Sophie Lui Television Anchor
Phillip Reed Heavy Equipment Operator
Quinton Vick Detention Student #1
Lea Matina Detention Student #2
Kayanna Jacobsen Detention Student #3
Art Peter Detention Student #4
Mykel Jay Barcera Detention Student #5
Deb Swain Group Singer Nun #1
Janice Caravan Group Singer Nun #2
Maureen Smart Group Singer Nun #3
Sue Elder Group Singer Nun #4
Cole Holmes Kid on Street
Tristan Rehwald Ty
Jason Tremblay Cop
Fred Tatasciore Goldar/Putties

Cameos

Jason D. Frank Cameo Role #1
Amy Jo Johnson Cameo Role #2

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Dean Israelite Director
John Gatins Screenwriter
Matt Sazama Story by
Burk Sharpless Story by
Michele Mulroney Story by
Kieran Mulroney Story by
Haim Saban Based upon Power Rangers created by
Haim Saban Producer
Brian Casentini Producer
Marty Bowen Producer
Wyck Godfrey Producer
Allison Shearmur Executive Producer
Brent O’Connor Executive Producer
John Gatins Executive Producer
Joel Andryc Executive Producer
Matthew J. Lloyd Director of Photography
Andrew Menzies Production Designer
Martin Bernfeld Editor
Dody Dorn Editor
Kelli Jones Costume Designer
Brian Tyler Composer
Season Kent Music Supervisor
John Papsidera Casting Director
Sean Faden Visual Effects Supervisor
Aldric La'auli Porter Co-Producer
Stephen Meinen Co-Producer
Brent O’Connor Unit Production Manager
Cecil O’Connor Production Manager
Aldric La'auli Porter First Assistant Director
Katie Carroll Key Second Assistant Director
Paul Jennings Second Unit Director
Paul Jennings Stunt Coordinator
Donna Sloan Executive in Charge of Production
Tom Boland Visual Effects Producer
Sandy Cochrane Supervising Art Director
Andrew Li Art Director
Margot Ready Art Director
Gwendolyn Margetson Art Director
Hamish Purdy Set Decorator
Stewart Whelan Additional Director of Photography
Bryan H. Carroll Post-Production Supervisor
Jon Poll Additional Editor
Bob Allen First Assistant Editor
Monty Bass Assistant Editor
Asim Matin Assistant Editor
Kheireddine El-Helou Assistant Editor
Thom M. Kyle Assistant Editor
Shae Salmon Assistant Editor
Ana Sebal Script Supervisor
Eric Batut Sound Mixer
Kris Bergthorson Set Designer
Siri Hermanski Set Designer
Roxanne Nesbitt Set Designer
Stephen Hamilton Special Effects Coordinator
Jana Rayne MacDonald Costume Supervisor
Susan O'hara Sets Supervisor
Monica Huppert Make up
Anne Carroll Hairstylist
Monty Bannister Location Manager
Gordie Piper Second Assistant Director
Ashley Bell Second Assistant Director
Joe Dzuban Supervising Sound Editor
Marc Fishman Re-recording Mixer
Tony Lamberti Re-recording Mixer
Eliot Connors Sound Designer
Daniel S. Irwin Supervising Dialogue Editor
Michael Hertlein Dialogue Editor
Christopher W. Hogan Dialogue Editor
Michael Mitchell Sound Effects Editor
D. Chris Smith Sound Effects Editor
Luis Galdames Sound Effects Editor
Ron Mellegers Foley Mixer
Randy Wilson Foley Mixer
Kevin Schultz Foley Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Contest: Go Go Power Prizes: Winning Announcement

June 28th, 2017

Power Rangers

The winners of our Go Go Power Prizes contest were determined and the entrants with the closest predictions for Transformers: The Last Knight’s opening weekend were... More...

Home Market Releases for June 27th, 2017

June 27th, 2017

T2 Trainspotting

It’s a really slow week on the home market. (Next week is even worse. ) The Fate of the Furious is the biggest release of the week, but it is only coming out on Video on Demand, so I would wait. The biggest release of the week is Power Rangers, but it feels like a pilot to a TV show and not a self-contained movie. The best new release of the week is T2: Trainspotting and the Blu-ray Combo Pack. That said, if you don’t have Home Movies yet, then buy the Complete Series right now. More...

Featured Blu-ray and DVD Review: Power Rangers

June 25th, 2017

Power Rangers

Power Rangers, the TV show, has been around for more than 20 years and it is still going strong. Power Rangers, the movie, was supposed to setup a six-part franchise, but its box office numbers probably killed any chance of that happening. Were moviegoers spared five more of these? Or was there enough here that fans would have been looking forward to more? More...

Contest: Go Go Power Prizes

June 16th, 2017

Power Rangers

There’s only one wide release coming out next week, Transformers: The Last Knight. However, it is coming out on the Wednesday, so that complicates our weekend Box Office Prediction Contest, because we will have at least one full day of numbers before the contest ends. Since it is the only wide wide release next week, it is the only choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for Transformers: The Last Knight.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Power Rangers on Blu-ray Combo Pack. The movie is already out on Video on Demand, but doesn’t come out on DVD, Blu-ray, 4K Ultra HD till the 27th. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Power Rangers on Blu-ray Combo Pack. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win a random prize from our prize pack.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Contest: Wrap It Up: Winning Announcement

June 14th, 2017

The Mummy

The winners of our Wrap It Up contest were determined and the entrants with the closest predictions for The Mummy’s opening weekend were... More...

Weekend Wrap-Up: Boss Blasts Off while Ghost Cracks

April 4th, 2017

The Boss Baby

The Boss Baby beat expectations and earned first place with $50.20 million over the weekend. The strong competition pushed Beauty and the Beast into second place, but it nearly hit $400 million and it is on pace for $500 million, so I wouldn’t feel too bad for the film. On the other hand, you can feel bad for Ghost in the Shell, because an opening of just $18.68 million on a $110 million production budget is a disaster. Overall, the box office rose 16% from last week reaching $169 million. Compared to last year, the box office rose 28%, which is very impressive. Year-to-date, 2017 has pulled in $2.98 billion, putting it 6.1% or $170 million ahead of 2016’s pace. We are far enough into the year that a lead this big is significant. That doesn’t mean 2017 is guaranteed to come out ahead, but this is certainly reason to be optimistic. More...

Friday Estimates: Baby Bosses Beast with $15.5 Million

April 1st, 2017

The Boss Baby

The Boss Baby opened in first place on Friday with $15.5 million. This is higher than our original prediction and the adjusted prediction based on Thursday previews. Some are expecting an opening weekend of over $50 million, but that seems a tad high. The reviews have continued to improve and are now 49% positive, and the film earned an A minus from CinemaScore, which is bog standard for a family film. I think the direct competition from Beauty and the Beast will prevent it from getting to $50 million, meaning there will be a virtual tie on top of the charts over the weekend. More...

Weekend Predictions: Will New Releases be the Boss of the Beast?

March 30th, 2017

The Boss Baby

Two new wide releases attempt to dethrone Beauty and the Beast this weekend, but I wouldn’t bet on either of them doing it. Earlier this week, it looked like Ghost in the Shell was a potential $100 million hit. Then its reviews collapsed. The Boss Baby, on the other hand, started with terrible reviews, but its buzz is growing despite this. This weekend last year, the best new release was God’s Not Dead 2, which opened with $7.6 million, and 2017 is in an excellent position to gain ground as a result. Granted, the top film that weekend was Batman v Superman: Dawn of Justice with over $50 million and no film this week will match that, but the top three films last year earned just over $80 million, while the top three films this year should earn more than $100 million. More...

International Box Office: Beauty Holds Off King Kong with $119.2 million

March 30th, 2017

Beauty and the Beast

Beauty and the Beast remained in first place on the international chart with $119.2 million in 50 markets for totals of $373.3 million internationally and $692.3 million worldwide. The film had two major market openings this past weekend scoring first place in Australia with $10.02 million on 706 screens, including previews. It also topped the chart in France with $7.9 million over the weekend, $8.4 million including previews. Its biggest market overall was the U.K., where it added $15.41 million in 636 theaters over the weekend for a two-week total of $49.82 million. At the end of the weekend, Disney’s share of the worldwide box office was just over $300 million, so unless the movie cost more to advertise than it did to make, it has broken even. Furthermore, even if the film had no more major markets left to open in, it would be on pace to reach $1 billion to $1.1 billion worldwide. With Japan and a few more smaller markets left, it could top $1.2 billion. More...

Contest: Power On: Winning Announcement

March 30th, 2017

Power Rangers

The winners of our Power On contest were determined and the entrants with the closest predictions for Power Rangers’s opening weekend were... More...

Theater Averages: Beast’s Reign Continues with $21,479

March 29th, 2017

Beauty and the Beast

It was a bad week for limited releases, as the only two films to top $10,000 on the per theater chart were also the two biggest hits on the weekend chart. Beauty and the Beast remained in first place with an average of $21,479, while Power Rangers were well back with an average of $10,913. More...

Weekend Wrap-Up: Beast Blows Past $300 million with $90.43 million Weekend

March 27th, 2017

Beauty and the Beast

Our predictions for Beauty and the Beast was higher than average, but even we underestimated the film’s weekend box office numbers. It fell just 48% to $90.43 million, which was more than double the second place film, Power Rangers. This one-two punch helped the overall box office earn $202 million, but this was 23% lower than last weekend. It was also 20% lower than the same weekend last year. Granted, this weekend last year was the weekend Batman v Superman: Dawn of Justice debuted, so a decline like this was expected. Year-to-date, 2017 has earned $2.75 billion, putting it 6.7% or $170 million ahead of last year’s pace. More...

Weekend Estimates: Beauty and the Beast Beats Strong Power Rangers Start

March 26th, 2017

Beauty and the Beast

An impressive 49% second-weekend drop for Beauty and the Beast will be more than enough to secure its place at the top of the box office chart once more, but that doesn’t diminish the achievement of Power Rangers in debuting with an estimated $40.5 million. With two strong movies powering box office receipts, a weekend that was expected to be down substantially from the comparable weekend last year, when Batman v Superman: Dawn of Justice launched with $166 million, will actually be off just 20%, and 2017 remains 5% ahead of 2016 year-to-date. More...

Friday Estimates: Rangers, $14.96 million, Can’t Overpower the Beast, $23.56 million

March 25th, 2017

Power Rangers

Most people were expecting Beauty and the Beast to retain first place on Friday with around $20 million. The consensus appeared to be $19 million, but my prediction was based on a little more than $21 million. In reality, it earned $23.56 million. This will help it to just over $90 million during the weekend and the film’s box office will blow past $300 million by Sunday. On the other hand, Batman v Superman: Dawn of Justice earned $81.58 million on its opening Friday alone, so 2017 is still likely going to lose in the year-over-year comparison. More...

Thursday Night Previews: Rangers Power Up with $3.6 million

March 24th, 2017

Power Rangers

Power Rangers easily dominated the other two new releases during Thursday previews earning $3.6 million. In fact, this is barely lower than the $3.7 million Kong: Skull Island earned just a couple of weeks ago. Does this mean Power Rangers will open with a similar amount, say $60 million? No. The film’s reviews are much weaker and the film has a much stronger Fanboy Effect. It does have a real shot at $40 million over the weekend, but our $37 million prediction seems like a safe bet at the moment. If the film is earning better legs, we will adjust this figure tomorrow. More...

Weekend Predictions: Can the Rangers Power Their Way to the Top?

March 23rd, 2017

Power Rangers

There are three wide releases this week, but none of them have a shot at topping Beauty and the Beast at the box office. In fact, all three films combined won’t make as much as Beauty and the Beast does this weekend. Of the three wide releases, Power Rangers has the best chance of box office success and it does have a shot at $100 million domestically. Life could become a midlevel hit and since it likely cost a lot less to make, it could be a bigger financial success. Finally there’s CHiPs, which has gained no traction with audiences. It will likely miss the top five. This weekend last year, Batman v Superman: Dawn of Justice opened with a then March record of $166.01 million. Nothing playing this weekend will match that. Beauty and the Beast might not make half that. Fortunately, 2017 has a $100 million lead on 2016, so one bad weekend in the year-over-year comparison won’t do too much damage. More...

Contest: Beauty and the Best: Winning Announcement

March 22nd, 2017

Beauty and the Beast

The winners of our Beauty and the Best contest were determined and the entrants with the closest predictions for Beauty and the Beast’s opening weekend were... More...

Contest: Power On

March 17th, 2017

Power Rangers

There are three wide releases next weekend: Power Rangers, Life, and CHiPs. However, none of them are expected to match Beauty and the Beast’s second weekend of release. That said, Power Rangers is widely expected to be the biggest of the three films and it is the best choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Power Rangers.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: March

March 1st, 2017

Beauty and the Beast

February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 24, 2017 2 $40,300,288   3,693 $10,913   $40,300,288 1
Mar 31, 2017 4 $14,200,307 -65% 3,693 $3,845   $64,762,477 2
Apr 7, 2017 6 $6,199,403 -56% 2,978 $2,082   $75,095,645 3
Apr 14, 2017 8 $2,814,175 -55% 2,171 $1,296   $80,527,923 4
Apr 21, 2017 16 $1,365,550 -51% 1,292 $1,057   $83,052,602 5
Apr 28, 2017 19 $855,661 -37% 889 $962   $84,234,169 6
May 5, 2017 25 $227,436 -73% 512 $444   $84,654,539 7
May 12, 2017 34 $105,828 -53% 197 $537   $84,834,455 8
May 19, 2017 - $204,916 +94% 221 $927   $85,067,486 9
May 26, 2017 23 $151,698 -26% 157 $966   $85,282,186 10

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Mar 23, 2017 P $3,600,000     0     $3,600,000  
Mar 24, 2017 2 $14,921,144     3,693 $4,040   $14,921,144 1
Mar 25, 2017 2 $14,594,162 -2%   3,693 $3,952   $29,515,306 2
Mar 26, 2017 2 $10,784,982 -26%   3,693 $2,920   $40,300,288 3
Mar 27, 2017 2 $2,778,423 -74%   3,693 $752   $43,078,711 4
Mar 28, 2017 2 $3,548,649 +28%   3,693 $961   $46,627,360 5
Mar 29, 2017 2 $2,090,139 -41%   3,693 $566   $48,717,499 6
Mar 30, 2017 2 $1,844,671 -12%   3,693 $500   $50,562,170 7
Mar 31, 2017 4 $3,999,264 +117% -73% 3,693 $1,083   $54,561,434 8
Apr 1, 2017 4 $6,141,635 +54% -58% 3,693 $1,663   $60,703,069 9
Apr 2, 2017 4 $4,059,408 -34% -62% 3,693 $1,099   $64,762,477 10
Apr 3, 2017 4 $969,664 -76% -65% 3,693 $263   $65,732,141 11
Apr 4, 2017 4 $1,433,515 +48% -60% 3,693 $388   $67,165,656 12
Apr 5, 2017 4 $869,748 -39% -58% 3,693 $236   $68,035,404 13
Apr 6, 2017 4 $860,838 -1% -53% 3,693 $233   $68,896,242 14
Apr 7, 2017 6 $1,692,126 +97% -58% 2,978 $568   $70,588,368 15
Apr 8, 2017 6 $2,724,710 +61% -56% 2,978 $915   $73,313,078 16
Apr 9, 2017 6 $1,782,567 -35% -56% 2,978 $599   $75,095,645 17
Apr 10, 2017 6 $577,559 -68% -40% 2,978 $194   $75,673,204 18
Apr 11, 2017 6 $868,556 +50% -39% 2,978 $292   $76,541,760 19
Apr 12, 2017 6 $584,190 -33% -33% 2,978 $196   $77,125,950 20
Apr 13, 2017 6 $587,798 +1% -32% 2,978 $197   $77,713,748 21
Apr 14, 2017 8 $1,049,477 +79% -38% 2,171 $483   $78,763,225 22
Apr 15, 2017 8 $1,083,720 +3% -60% 2,171 $499   $79,846,945 23
Apr 16, 2017 9 $680,978 -37% -62% 2,171 $314   $80,527,923 24
Apr 17, 2017 7 $382,208 -44% -34% 2,171 $176   $80,910,131 25
Apr 18, 2017 10 $327,028 -14% -62% 2,171 $151   $81,237,159 26
Apr 19, 2017 11 $227,528 -30% -61% 2,171 $105   $81,464,687 27
Apr 20, 2017 12 $222,365 -2% -62% 2,171 $102   $81,687,052 28
Apr 21, 2017 - $340,210 +53% -68% 1,292 $263   $82,027,262 29
Apr 22, 2017 - $626,477 +84% -42% 1,292 $485   $82,653,739 30
Apr 23, 2017 13 $398,863 -36% -41% 1,292 $309   $83,052,602 31
Apr 24, 2017 - $86,485 -78% -77% 1,292 $67   $83,139,087 32
Apr 25, 2017 - $102,691 +19% -69% 1,292 $79   $83,241,778 33
Apr 26, 2017 - $72,316 -30% -68% 1,292 $56   $83,314,094 34
Apr 27, 2017 - $64,414 -11% -71% 1,292 $50   $83,378,508 35
Apr 28, 2017 - $195,603 +204% -43% 889 $220   $83,574,111 36
Apr 29, 2017 - $401,818 +105% -36% 889 $452   $83,975,929 37
Apr 30, 2017 - $258,240 -36% -35% 889 $290   $84,234,169 38
May 1, 2017 - $51,241 -80% -41% 889 $58   $84,285,410 39
May 2, 2017 - $65,393 +28% -36% 889 $74   $84,350,803 40
May 3, 2017 - $46,535 -29% -36% 889 $52   $84,397,338 41
May 4, 2017 - $29,765 -36% -54% 889 $33   $84,427,103 42
May 5, 2017 - $48,120 +62% -75% 512 $94   $84,475,223 43
May 6, 2017 - $107,851 +124% -73% 512 $211   $84,583,074 44
May 7, 2017 - $71,465 -34% -72% 512 $140   $84,654,539 45
May 8, 2017 - $18,065 -75% -65% 512 $35   $84,672,604 46
May 9, 2017 - $22,952 +27% -65% 512 $45   $84,695,556 47
May 10, 2017 - $17,159 -25% -63% 512 $34   $84,712,715 48
May 11, 2017 - $15,912 -7% -47% 512 $31   $84,728,627 49
May 12, 2017 - $35,793 +125% -26% 197 $182   $84,764,420 50
May 13, 2017 - $44,787 +25% -58% 197 $227   $84,809,207 51
May 14, 2017 - $25,248 -44% -65% 197 $128   $84,834,455 52
May 15, 2017 - $6,954 -72% -62% 197 $35   $84,841,409 53
May 16, 2017 - $8,677 +25% -62% 197 $44   $84,850,086 54
May 17, 2017 - $6,544 -25% -62% 197 $33   $84,856,630 55
May 18, 2017 - $5,940 -9% -63% 197 $30   $84,862,570 56
May 19, 2017 - $53,640 +803% +50% 221 $243   $84,916,210 57
May 20, 2017 - $95,442 +78% +113% 221 $432   $85,011,652 58
May 21, 2017 - $55,834 -41% +121% 221 $253   $85,067,486 59
May 22, 2017 - $13,494 -76% +94% 221 $61   $85,080,980 60
May 23, 2017 - $17,002 +26% +96% 221 $77   $85,097,982 61
May 24, 2017 - $17,139 +1% +162% 221 $78   $85,115,121 62
May 25, 2017 - $15,367 -10% +159% 221 $70   $85,130,488 63
May 26, 2017 - $35,441 +131% -34% 157 $226   $85,165,929 64
May 27, 2017 - $64,379 +82% -33% 157 $410   $85,230,308 65
May 28, 2017 - $51,878 -19% -7% 157 $330   $85,282,186 66
May 29, 2017 - $38,341 -26% +184% 157 $244   $85,320,527 67
May 30, 2017 - $14,264 -63% -16% 157 $91   $85,334,791 68
May 31, 2017 - $13,929 -2% -19% 157 $89   $85,348,720 69
Jun 1, 2017 - $15,730 +13% +2% 157 $100   $85,364,450 70

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 24, 2017 2 $50,562,170   3,693 $13,691   $50,562,170 1
Mar 31, 2017 4 $18,334,072 -64% 3,693 $4,965   $68,896,242 2
Apr 7, 2017 6 $8,817,506 -52% 2,978 $2,961   $77,713,748 3
Apr 14, 2017 9 $3,973,304 -55% 2,171 $1,830   $81,687,052 4
Apr 21, 2017 16 $1,691,456 -57% 1,292 $1,309   $83,378,508 5
Apr 28, 2017 19 $1,048,595 -38% 889 $1,180   $84,427,103 6
May 5, 2017 26 $301,524 -71% 512 $589   $84,728,627 7
May 12, 2017 34 $133,943 -56% 197 $680   $84,862,570 8
May 19, 2017 25 $267,918 +100% 221 $1,212   $85,130,488 9
May 26, 2017 24 $233,962 -13% 157 $1,490   $85,364,450 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/31/2017 $301,364 0 0 0 $533,435 1/1/2019
Australia 3/24/2017 $1,031,671 233 233 908 $2,900,769 10/13/2018
Brazil 3/24/2017 $2,100,000 0 0 0 $5,100,824 6/26/2018
Bulgaria 4/7/2017 $13,200 0 0 0 $37,811 2/26/2019
China 5/11/2017 $3,550,000 44,735 44,735 44,735 $4,246,955 8/13/2018
Czech Republic 4/7/2017 $82,258 121 121 226 $189,394 1/1/2019
France 4/7/2017 $1,300,000 0 0 0 $3,766,394 6/27/2018
Germany 3/24/2017 $769,470 0 0 0 $1,830,779 6/29/2018
Hong Kong 3/24/2017 $366,070 40 40 81 $617,635 10/27/2018
India 3/31/2017 $71,569 0 0 0 $162,065 10/3/2018
Indonesia 3/24/2017 $0 0 0 0 $1,251,179 1/1/2019
Italy 4/6/2017 $418,705 0 0 0 $856,648 10/22/2018
Japan 7/14/2017 $621,756 0 0 0 $1,912,288 7/4/2018
Lithuania 3/31/2017 $6,645 81 81 101 $10,963 4/14/2017
Malaysia 3/31/2017 $0 0 0 0 $2,800,000 4/17/2017
Mexico 3/24/2017 $3,000,000 0 0 0 $5,801,428 10/12/2018
Netherlands 3/24/2017 $149,433 95 95 300 $335,425 11/2/2018
New Zealand 3/24/2017 $197,808 77 77 219 $379,132 4/10/2017
Poland 3/24/2017 $144,940 0 0 0 $468,433 1/1/2019
Portugal 3/28/2017 $54,604 55 55 160 $155,370 5/18/2017
Russia (CIS) 3/24/2017 $831,578 1,132 1,132 2,580 $1,406,645 1/1/2019
Slovakia 4/7/2017 $44,006 68 68 110 $79,281 5/5/2017
South Korea 4/13/2017 $0 0 479 510 $505,141 10/13/2018
Spain 4/7/2017 $354,911 422 422 1,046 $826,546 10/29/2018
Taiwan 3/24/2017 $233,495 76 76 76 $743,630 10/28/2018
Turkey 3/24/2017 $89,391 221 221 321 $160,507 2/26/2019
United Kingdom 3/24/2017 $1,966,805 478 493 1,787 $6,058,693 9/23/2018
 
Rest of World $14,029,732
 
International Total$57,167,102 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 2, 20171130,635 130,635$1,954,300$1,954,3003
Jul 9, 2017190,578-31% 221,213$1,355,047$3,309,3474
Jul 16, 2017329,096-68% 250,309$435,276$3,744,6235
Jul 23, 2017629,024n/c279,333$434,199$4,178,8226
Jul 30, 2017912,785-56% 292,118$189,857$4,368,6797
Aug 6, 20171113,066+2% 305,184$195,206$4,563,8858
Aug 13, 2017199,252-29% 314,436$137,392$4,701,2779
Aug 20, 2017297,889-15% 322,325$110,367$4,811,64410

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 2, 20171242,764 242,764$4,985,605$4,985,6053
Jul 9, 2017288,853-63% 331,617$1,803,594$6,789,1994
Jul 16, 2017528,635-68% 360,252$528,457$7,317,6565
Jul 23, 2017717,963-37% 378,215$325,032$7,642,6886
Jul 30, 20171111,300-37% 389,515$206,530$7,849,2187
Aug 6, 20171310,216-10% 399,731$185,397$8,034,6158
Aug 13, 2017188,264-19% 407,995$149,671$8,184,2869

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.