Portugal Box Office for Ready or Not (2019)
Theatrical Performance (US$) | ||
Portugal Box Office | $167,996 | Details |
Worldwide Box Office | $56,785,851 | Details |
Home Market Performance | ||
North America DVD Sales | $3,548,769 | Details |
North America Blu-ray Sales | $652,409 | Details |
Total North America Video Sales | $4,201,178 | |
Further financial details... |
Synopsis
A young bride joins her new husband’s rich, eccentric family in a time-honored tradition that turns into a lethal game with everyone fighting for their survival.
Metrics
Movie Details
Production Budget: | $6,000,000 |
Portugal Releases: | August 23rd, 2019 (Wide) |
Video Release: | November 26th, 2019 by Fox Home Entertainment |
MPAA Rating: | R for violence, bloody images, language throughout, and some drug use. (Rating bulletin 2581 (Cert #52099), 6/5/2019) |
Running Time: | 95 minutes |
Keywords: | Dysfunctional Family, Romance |
Source: | Original Screenplay |
Genre: | Black Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Vinson Pictures, Radio Silence, Mythology Entertainment, TSG Entertainment, Fox Searchlight Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Releases for December 3rd, 2019
December 4th, 2019
Tuesday is the day after Cyber Monday, also know as, “One of the worst days of the year to release something on the home market.” There’s not a lot to talk about, while the biggest release of the week is also one of the biggest disappointments of the year, but the less said about that, the better. As for Pick of the Week contenders, we have Big Trouble in Little China: Collector’s Edition and that’s it. There are a few other releases that are close to that level, but none that reach it.
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2019 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets
November 27th, 2019
It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This year, Thanksgiving is as late as it could have been, which means there’s no way to squeeze in four weeks of regular installments of the gift guide, as well as the December monthly preview, etc. So we are going to have a condensed list this year. That said, there weren’t a ton of first-run releases that would have made this list regardless.
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Weekend Wrap-Up: Almost Nothing Worked on Labor Day Long Weekend
September 4th, 2019
There were no new wide releases this past weekend and unfortunately, the holdovers weren’t able to take advantage. Angel Has Fallen remained on top, but it did so with only $11.80 million over the three-day weekend. This wasn’t enough to match expectations or last year’s number one film, Crazy Rich Asians. The overall box office fell 18% from last weekend, falling to $89 million. Worse still, this is 10% lower than this weekend last year, putting 2019 behind 2018 by a 6.2% or $510 million at $7.64 billion to $8.15 billion. On the positive note, this is likely the low point of the year and the Fall looks a lot stronger, starting with It: Chapter Two this coming weekend.
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Weekend Estimates: Everyone Takes it Easy on Labor Day
September 1st, 2019
There were no wide releases this weekend, so I really thought the holdovers would hold on a lot better than they did. According to estimates, Angel Has Fallen has fallen 46% during its second weekend of release to $11.58 million and is projected to earn $15 million over the four-day weekend. A 46% sophomore stint decline would have been great, if this weren’t a holiday weekend. As it is, it’s a little disappointing, but the film will still do well enough to earn a profit. ... “Profitable disappointment.” How many times can that phrase be used this year?
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Friday Estimates: Holdovers Also Go on Holiday
August 31st, 2019
There were no new wide releases on Friday, and sadly the holdovers didn’t thrive as a result. It’s going to be a brutal weekend at the box office. Angel Has Fallen topped the chart on Friday, but wasn’t able to match expectations with $2.9 million. That said, it is still on pace for $15 million over the full four-day weekend for a two-week total of $44 million, which is a good result for this time of year.
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Weekend Wrap-Up: Angel has a Divine Debut
August 27th, 2019
Angel Has Fallen led the way at the weekend with $21.38 million. There were some other pleasant surprises in the top ten and this helped the overall box office to a surprise win. It was down 9.6% from last weekend to $108 million; however, this was 5.6% higher than the same weekend last year and we haven’t had many reasons to celebrate in the year-over-year competition, so let’s focus on that. Year-to-date, 2019 is still behind 2018 and is so by nearly identical margins as last weekend at 6.3% or $500 million. This is still a deep hole to try and climb out of, especially since there are only four months left in the year, and I will be happy if we can just cut that gap in half by the end of the year.
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Weekend Estimates: Angel Doesn’t Fall, Overcome Can’t, Ready Was Ready
August 25th, 2019
There is some good news to talk about and that’s been depressingly rare this year. Angel Has Fallen is beating expectations with an estimated opening of $21.25 million. This opening is just behind London Has Fallen’s debut. Additionally, Angel has better reviews and matched the previous film’s A minus from CinemaScore, so it should have similar legs. It is too soon to tell how it will do internationally, but given the franchise’s performance so far, I remain optimistic.
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Friday Estimates: Angel Rises from London
August 24th, 2019
Angel Has Fallen earned an estimated $7.9 million on Friday. Amazingly, this is an improvement over the $7.51 million earned by London has Fallen during its opening day. Most people, myself included, assumed this film would suffer a deep decline. This film also earned better reviews, while both films earned an A minus from CinemaScore. On the other hand, the film did earn less during the 24-hour Friday period, so that suggests a slightly smaller opening weekend. Even so, it will beat our prediction with just over $21 million.
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Weekend Predictions: Summer Slows to a Crawl
August 22nd, 2019
There are three wide releases this week, but only one of them, Angel Has Fallen, is widely expected to do anything at the box office. Overcomer is a faith-based film and those are a risk at the box office, but the people behind this one do have a good track record. Finally there’s Ready or Not, the widest ever release for Fox Searchlight and its reviews are easily the best of the week, but the buzz suggests that won’t be enough to thrive. This weekend last year, Crazy Rich Asians dipped just 6% earning just over $24 million. No film is going to match that figure this week. There’s a chance all three wide releases won’t match that figure this week, combined.
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2019 Preview: August
August 1st, 2019
July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year.
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Ready or Not Trailer
June 19th, 2019
Horror movie starring Samara Weaving opens August 23 ... Full Movie Details.
A young bride joins her new husband’s rich, eccentric family in a time-honored tradition that turns into a lethal game with everyone fighting for their survival.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/08/23 | 9 | $54,885 | 36 | $1,525 | $54,885 | 1 | |
2019/08/30 | 10 | $39,500 | -28% | 36 | $1,097 | $129,162 | 2 |
2019/09/06 | 17 | $5,410 | -86% | 11 | $492 | $152,774 | 3 |
2019/09/13 | 21 | $4,013 | -26% | 8 | $502 | $161,437 | 4 |
2019/09/20 | 29 | $2,599 | -35% | 5 | $520 | $166,108 | 5 |
2019/09/27 | 33 | $625 | -76% | 1 | $625 | $166,286 | 6 |
2019/10/04 | 34 | $588 | -6% | 1 | $588 | $167,996 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 12/6/2019 | $53,029 | 0 | 70 | 132 | $216,417 | 1/20/2020 |
Australia | 10/25/2019 | $303,100 | 255 | 255 | 583 | $762,416 | 11/20/2020 |
Bulgaria | 8/23/2019 | $29,344 | 0 | 0 | 0 | $125,806 | 10/8/2019 |
Czech Republic | 8/23/2019 | $98,343 | 100 | 100 | 231 | $319,904 | 10/19/2022 |
France | 8/30/2019 | $1,483,921 | 0 | 88 | 88 | $3,721,893 | 11/24/2019 |
Germany | 9/27/2019 | $258,311 | 0 | 0 | 0 | $805,779 | 12/25/2019 |
Hong Kong | 9/27/2019 | $0 | 0 | 0 | 0 | $734,770 | 11/10/2019 |
Italy | 9/27/2019 | $0 | 0 | 0 | 0 | $428,767 | 12/1/2019 |
Lithuania | 8/23/2019 | $22,025 | 14 | 14 | 40 | $83,167 | 9/25/2019 |
Mexico | 9/27/2019 | $563,996 | 0 | 0 | 0 | $1,211,902 | 10/19/2022 |
Netherlands | 10/25/2019 | $205,511 | 62 | 62 | 275 | $767,580 | 10/19/2022 |
New Zealand | 11/21/2019 | $41,825 | 53 | 53 | 154 | $114,170 | 10/19/2022 |
North America | 8/21/2019 | $8,015,590 | 2,855 | 2,998 | 10,016 | $28,714,231 | |
Poland | 10/11/2019 | $80,897 | 0 | 0 | 0 | $221,213 | 10/19/2022 |
Portugal | 8/23/2019 | $54,885 | 36 | 36 | 98 | $167,996 | 10/8/2019 |
Romania | 10/11/2019 | $54,146 | 67 | 67 | 208 | $185,262 | 12/3/2019 |
Russia (CIS) | 8/29/2019 | $929,657 | 731 | 731 | 1948 | $2,105,492 | 10/19/2022 |
Slovakia | 8/23/2019 | $47,304 | 63 | 63 | 145 | $143,490 | 11/5/2019 |
Spain | 10/11/2019 | $244,880 | 193 | 193 | 595 | $733,615 | 12/7/2019 |
Taiwan | 10/11/2019 | $293,622 | 0 | 0 | 0 | $863,099 | 1/5/2020 |
Turkey | 10/11/2019 | $11,494 | 50 | 50 | 52 | $20,192 | 10/19/2022 |
United Kingdom | 9/27/2019 | $1,167,148 | 425 | 425 | 826 | $2,448,086 | 11/17/2019 |
Rest of World | $11,890,604 | ||||||
Worldwide Total | $56,785,851 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Samara Weaving | Grace |
Adam Brody | Daniel Le Domas |
Mark O'Brien | Alex Le Domas |
Henry Czerny | Tony Le Domas |
Andie MacDowell | Becky Le Domas |
Melanie Scrofano | Emilie Le Domas |
Kristian Bruun | Fitch Bradley |
Elyse Levesque | Charity Le Domas |
Nicky Guadagni | Helene Le Domas |
John Ralston | Stevens |
Liam MacDonald | Georgie |
Ethan Tavares | Gabe |
Supporting Cast
Hanneke Talbot | Clara |
Celine Tsai | Tina |
Daniela Barbosa | Dora |
Chase Churchill | Young Alex |
Etienne Kellici | Young Daniel |
Andrew Anthony | Charles |
Elana Dunkelman | Young Helene |
Kate Ziegler | Young Becky |
James Eddy | Masked Family Member #1 |
Adam Winlove-Smith | Masked Family Member #2 |
Alicia Richardson | Police Officer |
Nat Faxon | Justin |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Tyler Gillett | Director |
Matt Bettinelli-Olpin | Director |
Guy Busick | Screenwriter |
Ryan Murphy | Screenwriter |
Tripp Vinson | Producer |
James Vanderbilt | Producer |
Bradley J. Fischer | Producer |
William Sherak | Producer |
Tara Farney | Executive Producer |
Tracey Nyberg | Executive Producer |
Chad Villella | Executive Producer |
Daniel Bekerman | Executive Producer |
Brett Jutkiewicz | Director of Photography |
Terel Gibson | Editor |
Avery Plewes | Costume Designer |
Andrew Stearn | Production Designer |
Brian Tyler | Composer |
Ashley Shields-Muir | Unit Production Manager |
Joanna Moore | First Assistant Director |
Elliott Kathryn Whittaker | Second Assistant Director |
Bradley Greaves | Art Director |
Mike Leandro | Set Decorator |
Zoe Bigio | Script Supervisor |
Trevor Goulet | Sound Mixer |
Gregor Hutchison | Post-Production Supervisor |
Kathryn Prescott | First Assistant Editor |
Mike Twin Jones | Assistant Editor |
T.K. Knowles | Associate Producer |
John O'Grady | Associate Producer |
Adam Stein | Sound Designer |
Christian T. Cooke | Re-recording Mixer |
Colin McLellan | Re-recording Mixer |
Julia Valente | Make up |
Claudia Gedge | Make up |
Jenny Arbour | Hairstylist |
Nathan Rival | Hairstylist |
Mark Alleyne | Location Manager |
Stephen Van Allen | Special Effects Coordinator |
Christa Tazzeo Morson | Visual Effects Executive Producer |
Rickey Verma | Visual Effects Supervisor |
Davis Saunders | Visual Effects Supervisor |
Joe Bracciale | Dialogue/ADR Editor |
Kyle Clausen | Music Editor |
Kevin Banks | Music Editor |
Brian Tyler | Score Producer |
Joe Lisanti | Score Producer |
Greg Hayes | Score Mixer |
Brian Tyler | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.