Portugal Box Office for Linha Fantasma (2017)
Theatrical Performance (US$) | ||
Portugal Box Office | $246,504 | Details |
Worldwide Box Office | $47,505,098 | Details |
Home Market Performance | ||
North America DVD Sales | $596,599 | Details |
North America Blu-ray Sales | $1,227,355 | Details |
Total North America Video Sales | $1,823,954 | |
Further financial details... |
Synopsis
Set in the glamour of 1950’s post-war London, renowned dressmaker Reynolds Woodcock and his sister Cyril are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma, who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.
Metrics
Movie Details
Production Budget: | $35,000,000 |
Portugal Releases: | February 2nd, 2018 (Wide), released as Linha Fantasma |
Video Release: | February 2nd, 2018 by Focus Features |
MPAA Rating: | R for language. (Rating bulletin 2499 (Cert #51134), 10/25/2017) |
Running Time: | 130 minutes |
Keywords: | 1950s, Fashion, Relationships Gone Wrong, Medical and Hospitals, Cross-Class Romance, May / December Romance, Domestic Abuse, Non-Chronological, Set in London, Set in England, 2018 Oscars Best Picture Nominee, Historical Drama |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Annapurna Pictures, Ghoulardi Film Company, Focus Features, Perfect World Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Releases for April 10th, 2018
April 10th, 2018
The last box office hit of 2017, The Greatest Showman, hits the home market this week. There are also a couple of Awards Season contenders, but for the most part, it is another slow week. Phantom Thread on Blu-ray is the clear Pick of the Week winner. Meanwhile, Molly’s Game on Blu-ray Combo Pack is the only real competition.
More...
Theater Averages: Black Panther Can’t be Stopped from Taking Top Spot
March 6th, 2018
Black Panther was again the top film on the theater average chart earning $16,236. The only other film in the $10,000 club was Death House with $10,295 in its lone theater.
More...
2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture
March 4th, 2018
It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes.
More...
2017 Awards Season: Oscars Nominations: Final Look
March 4th, 2018
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning.
More...
2017 Awards Season: Oscar Highlight: Best Picture
March 1st, 2018
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We end with the biggest award of the night: Best Picture. It is actually competitive this year with two films in a tight race, while there is a long shot with a shot.
More...
2017 Awards Season: Oscar Highlight: Best Director
March 1st, 2018
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and who should just feel honored to be nominated. Today we look at Best Director, which I think is a more competitive category than most people think it will be.
More...
2017 Awards Season: Oscar Highlight: Best Leading Actor
February 22nd, 2018
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and who should just feel honored to be nominated. This week we look at the four acting categories, continuing with Best Lead Actor. As with every other acting category, there is an overwhelming favorite.
More...
2017 Awards Season: Oscar Highlight: Best Supporting Actress
February 20th, 2018
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and who should just feel honored to be nominated. This week we look at the four acting categories, starting with Best Supporting Actress. In this category, there is an overwhelming favorite. And here’s a spoiler for the rest of the week, every single acting category has an overwhelming favorite.
More...
2017 Awards Season: BAFTA Winners
February 18th, 2018
The BAFTAs were handed out on Sunday night, with Three Billboards Outside Ebbing, Missouri winning the most awards at five. This is not too surprising, as it was technically a British film, despite its setting, and that gave it a leg up on the competition.
More...
Theater Averages: Exits is Golden with $11,719, Fifty Shades Freed Settles for Silver
February 13th, 2018
Golden Exits earned first place with $11,719 in its lone theater. The only other film in the $10,000 club was Fifty Shades Freed with an average of $10,234.
More...
Theater Averages: Padmaavat Spices Up the Theater Average Chart
January 31st, 2018
Padmaavat was the only film to hit the $10,000 club earning an average of $13,179 in 324 theaters.
More...
Home Market Releases for January 30th, 2018
January 31st, 2018
This is one of the worse times of year for the home market. Until we start getting the holiday blockbusters landing on DVD / Blu-ray, there’s not much to talk about. That’s not to say there are no good releases, as God’s Own Country, The Square, and Steven Universe: Season One are all easily worth picking up. There are just no big releases. For example, the Pick of the Week goes to Professor Marston & The Wonder Women on Blu-ray, which was sadly ignored by moviegoers when it first hit theaters.
More...
2017 Awards Season: Oscars Nominations
January 23rd, 2018
The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations.
More...
Weekend Estimates: Jumanji Holds Off 12 Strong, Den of Thieves
January 21st, 2018
Jumanji will win at the box office for a third straight weekend, according to studio estimates released on Sunday morning. Its weekend total of about $20.04 million is down just 29% from its MLK Holiday numbers, in spite of losing over 100 theaters (its theater average is off just 26%). With $317 million to date, it is now Sony’s most successful non-Spider-Man movie at the domestic box office, not accounting for ticket price inflation. Inflation-adjusted, it’s at number 8 for the studio, and should end up their fifth-best ticket seller ever.
Jumanji’s strength is far from the only good news this weekend.
More...
Theater Averages: Phantom Hangs on by a Thread with $18,513
January 17th, 2018
Phantom Thread was the only film in the $10,000 club this past weekend, earning an average of $18,513 in 62 theaters.
More...
Weekend Estimates: Jumanji Rules MLK Weekend
January 14th, 2018
Jumanji: Welcome to the Jungle will come out an easy winner at the box office this MLK weekend. Over three days, the family adventure is headed for an estimated $27 million, for $283 million to date. With another $8 million or so on Monday, the film will finish the holiday on the threshold of $300 million domestically. Partly helped by the long weekend, it will record the 10th-best fourth weekend of all time—remarkable strength for a movie that ran the risk of being over-shadowed by The Last Jedi when it came out at Christmas.
More...
2017 Awards Season: BAFTA Nominations
January 11th, 2018
The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out.
More...
Theater Averages: Post Haunts the Theater Average Chart
January 10th, 2018
None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493.
More...
Weekend Estimates: Jumanji, Insidious Beat Star Wars
January 7th, 2018
The Last Jedi’s run at the top of the chart came to an abrupt end this weekend, according to studio estimates released on Sunday morning. Disney’s big Christmas hit doesn’t seem to have much by way of legs going into January, as it falls by 55% from New Year’s weekend, the worst performance in the top 10. It will still pick up another $23.551 million or so, according to the studio, for a total of $572.5 million to date domestically. Its global total now stands at $1.2 billion, the 13th-best performance of all time.
More...
Theater Averages: 2017 Ends on a Lucky Note, with Seven Members of the $10,000 Club
January 3rd, 2018
The Post remained the top film on the theater average chart for the second weekend is a row, earning an average of $62,342 in nine theaters and has earned nearly $2 million at the box office. It wasn’t the only film in the $10,000 club; in fact, there were seven such films. Second place went to Phantom Thread, with an average of $54,124 in four theaters. Jumanji: Welcome to the Jungle was the best of the wide releases earning an average of $13,294. I, Tonya earned an average of $12,461 in 49 theaters during its fourth weekend of release. The overall number one film, The Last Jedi, was right behind with $12,410. Along With the Gods: The Two Worlds earned an average of $11,370 in 17 theaters, while the final film in the $10,000 club was Film Stars Don’t Die in Liverpool, which earned an average of $11,298 in four theaters.
More...
Theater Averages: The Post Posts Top Marks with average of $58,446 / $84,673
December 27th, 2017
The Post dominated the Christmas weekend, earning an average of $58,446 in nine theaters, $84,673 if you include Christmas Day. The second best result of the four-day weekend was Phantom Thread, which earned an average of $31,818 in four theaters on Christmas Day alone. Last week’s winner, The Last Jedi, earned an average of $16,911 during its second weekend of release. The final two films in the $10,000 club were I, Tonya and Along With The Gods: The Two Worlds with averages of $11,169 and $10,914 respectively.
More...
Limited and VOD Releases: Mr. Postman, Deliver Me a Hit
December 22nd, 2017
It’s Christmas weekend, and, while there are a large number of wide releases, there are not that many limited ones. Some of them, like The Post, are going for Oscar glory. Others just feel like they are being dumped into theaters to disappear.
More...
2017 - Awards Season: Golden Globes - Nominations
December 11th, 2017
The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece.
More...
Phantom Thread Trailer
October 24th, 2017
Paul Thomas Anderson drama starring Daniel Day-Lewis opens Christmas Day ... Full Movie Details.
Set in the glamour of 1950’s post-war London, renowned dressmaker Reynolds Woodcock and his sister Cyril are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma, who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/02/02 | 6 | $60,184 | 33 | $1,824 | $60,184 | 1 | |
2018/02/09 | 8 | $35,081 | -42% | 37 | $948 | $123,262 | 2 |
2018/02/16 | 9 | $19,668 | -44% | 24 | $820 | $179,028 | 3 |
2018/02/23 | 14 | $12,792 | -35% | 11 | $1,163 | $204,115 | 4 |
2018/03/02 | 15 | $14,300 | +12% | 13 | $1,100 | $224,868 | 5 |
2018/03/09 | 20 | $8,112 | -43% | 11 | $737 | $240,643 | 6 |
2018/03/16 | 18 | $6,452 | -20% | 7 | $922 | $251,364 | 7 |
2018/03/23 | - | $2,715 | -58% | 3 | $905 | $257,674 | 8 |
2018/03/30 | 28 | $2,124 | -22% | 2 | $1,062 | $259,906 | 9 |
2018/04/06 | - | $1,884 | -11% | 2 | $942 | $261,957 | 10 |
2018/04/13 | - | $1,260 | -33% | 2 | $630 | $264,818 | 11 |
2018/04/20 | - | $823 | -35% | 1 | $823 | $265,081 | 12 |
2022/01/07 | - | $217 | 1 | $217 | $246,504 | 206 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/15/2018 | $136,339 | 40 | 43 | 134 | $384,518 | 1/1/2019 |
Australia | 2/2/2018 | $237,947 | 67 | 67 | 489 | $912,767 | 1/2/2023 |
Austria | 2/2/2018 | $41,991 | 19 | 22 | 126 | $169,976 | 4/11/2018 |
Belgium | 2/14/2018 | $89,323 | 22 | 76 | 238 | $346,403 | 4/18/2018 |
Bolivia | 2/22/2018 | $5,148 | 7 | 7 | 10 | $7,643 | 1/1/2019 |
Brazil | 2/22/2018 | $263,499 | 63 | 94 | 257 | $670,794 | 6/14/2018 |
Central America | 3/1/2018 | $37,456 | 34 | 34 | 65 | $87,041 | 4/18/2018 |
Chile | 2/22/2018 | $28,917 | 13 | 13 | 32 | $72,613 | 12/20/2018 |
Colombia | 2/22/2018 | $35,823 | 31 | 31 | 75 | $92,550 | 12/20/2018 |
Croatia | 3/8/2018 | $4,938 | 11 | 11 | 28 | $14,578 | 1/1/2019 |
Cyprus | 2/1/2018 | $6,217 | 6 | 6 | 12 | $12,927 | 2/15/2018 |
Czech Republic | 2/2/2018 | $21,059 | 50 | 50 | 106 | $69,018 | 1/1/2019 |
Denmark | 2/15/2018 | $65,299 | 37 | 37 | 136 | $234,062 | 4/18/2018 |
Ecuador | 2/23/2018 | $10,127 | 22 | 22 | 50 | $29,212 | 1/1/2019 |
Egypt | 1/31/2018 | $10,774 | 13 | 13 | 28 | $20,953 | 1/1/2019 |
Estonia | 3/2/2018 | $13,177 | 15 | 15 | 40 | $50,370 | 4/11/2018 |
Finland | 2/23/2018 | $34,430 | 39 | 39 | 146 | $127,980 | 6/21/2018 |
France | 2/14/2018 | $860,537 | 0 | 280 | 1168 | $3,118,222 | 1/23/2019 |
Germany | 2/2/2018 | $379,229 | 92 | 127 | 1022 | $1,896,517 | 9/12/2018 |
Greece | 2/2/2018 | $325,675 | 0 | 20 | 39 | $947,516 | 4/18/2018 |
Hong Kong | 3/8/2018 | $1,729 | 1 | 11 | 31 | $119,023 | 4/11/2018 |
Hungary | 2/1/2018 | $38,538 | 35 | 42 | 123 | $117,964 | 1/1/2019 |
India | 2/2/2018 | $63,821 | 99 | 99 | 138 | $129,326 | 3/7/2018 |
Israel | 2/2/2018 | $84,076 | 19 | 28 | 142 | $505,825 | 1/1/2019 |
Italy | 2/24/2018 | $1,328,934 | 0 | 38 | 38 | $4,625,958 | 4/9/2018 |
Japan | 5/26/2018 | $86,945 | 0 | 4 | 15 | $801,954 | 11/14/2018 |
Latvia | 3/2/2018 | $6,114 | 11 | 11 | 25 | $26,383 | 1/1/2019 |
Lebanon | 2/1/2018 | $20,238 | 13 | 13 | 18 | $48,827 | 1/1/2019 |
Lithuania | 3/9/2018 | $13,438 | 61 | 61 | 94 | $35,508 | 10/19/2022 |
Mexico | 2/23/2018 | $98,153 | 55 | 56 | 271 | $386,151 | 6/28/2018 |
Middle East Region | 2/1/2018 | $44,229 | 32 | 32 | 41 | $74,082 | 2/15/2018 |
Netherlands | 3/2/2018 | $144,986 | 49 | 49 | 309 | $722,800 | 1/3/2024 |
New Zealand | 2/2/2018 | $45,649 | 25 | 35 | 184 | $201,751 | 4/18/2018 |
North America | 12/25/2017 | $216,495 | 4 | 1,186 | 5,798 | $21,198,205 | |
Norway | 4/13/2018 | $37,125 | 22 | 36 | 99 | $210,901 | 7/6/2018 |
Paraguay | 3/15/2018 | $2,358 | 9 | 9 | 12 | $4,571 | 1/1/2019 |
Peru | 3/1/2018 | $23,591 | 8 | 8 | 13 | $46,539 | 1/1/2019 |
Poland | 2/23/2018 | $56,423 | 49 | 50 | 164 | $211,472 | 1/1/2019 |
Portugal | 2/2/2018 | $60,184 | 33 | 37 | 147 | $246,504 | 1/11/2022 |
Romania | 2/16/2018 | $36,392 | 49 | 49 | 141 | $93,410 | 1/1/2019 |
Russia (CIS) | 2/15/2018 | $29,531 | 91 | 267 | 644 | $310,322 | 1/1/2019 |
Singapore | 1/25/2018 | $0 | 0 | 5 | 17 | $46,048 | 4/4/2018 |
Slovakia | 2/2/2018 | $10,520 | 44 | 44 | 68 | $24,414 | 3/15/2018 |
Slovenia | 2/22/2018 | $2,839 | 2 | 15 | 40 | $24,240 | 10/21/2022 |
South Africa | 3/2/2018 | $5,833 | 5 | 5 | 28 | $35,115 | 5/16/2018 |
South Korea | 3/8/2018 | $9,947 | 15 | 39 | 165 | $232,584 | 12/28/2018 |
Spain | 2/2/2018 | $551,373 | 145 | 154 | 821 | $2,133,420 | 9/12/2018 |
Sweden | 2/23/2018 | $72,411 | 64 | 64 | 208 | $332,748 | 5/2/2018 |
Switzerland | 2/1/2018 | $10,564 | 20 | 25 | 150 | $442,813 | 4/11/2018 |
Switzerland (German Speaking) | 2/2/2018 | $76,000 | 19 | 19 | 19 | $76,000 | 2/5/2018 |
Switzerland (Italian Speaking) | 2/22/2018 | $9,421 | 4 | 4 | 12 | $26,742 | 3/15/2018 |
Taiwan | 2/2/2018 | $24,310 | 21 | 21 | 59 | $76,852 | 3/22/2018 |
Thailand | 2/22/2018 | $16,018 | 16 | 16 | 43 | $43,404 | 4/18/2018 |
Turkey | 3/9/2018 | $23,397 | 28 | 28 | 61 | $72,960 | 2/26/2019 |
United Arab Emirates | 2/2/2018 | $53,561 | 22 | 22 | 31 | $85,110 | 1/1/2019 |
United Kingdom | 2/2/2018 | $1,027,128 | 196 | 196 | 864 | $3,546,148 | 1/3/2024 |
Uruguay | 2/22/2018 | $14,735 | 6 | 7 | 28 | $43,546 | 1/1/2019 |
Venezuela | 2/23/2018 | $46,456 | 13 | 13 | 36 | $81,366 | 4/4/2018 |
Rest of World | $798,452 | ||||||
Worldwide Total | $47,505,098 | 1/3/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Daniel Day-Lewis | Reynolds Woodcock |
Vicky Krieps | Alma |
Supporting Cast
Lesley Manville | Cyril Woodcock |
Richard Graham | George Riley |
Camilla Rutherford | Johanna |
Gina McKee | Countess Henrietta Harding |
Brian Gleeson | Dr Robert Hardy |
Harriet Sansom Harris | Barbara Rose |
Lujza Richter | Princess Mona Braganza |
Julia Davis | Lady Baltimore |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Paul Thomas Anderson | Director |
Paul Thomas Anderson | Screenwriter |
Joanne Sellar | Producer |
Megan Ellison | Producer |
Daniel Lupi | Producer |
Adam Somner | Executive Producer |
Peter Heslop | Executive Producer |
Chelsea Barnard | Executive Producer |
Jonny Greenwood | Composer |
Mark Tildesley | Production Designer |
Dylan Tichenor | Editor |
Mark Bridges | Costume Designer |
Cassandra Kulukundis | Casting Director |