Film Stars Don’t Die in Liverpool (2017)

Film Stars Don’t Die in Liverpool
Theatrical Performance
Domestic Box Office $1,024,266Details
International Box Office $2,883,474Details
Worldwide Box Office $3,907,740
Home Market Performance
Est. Domestic DVD Sales $47,407 Details
Total Est. Domestic Video Sales $47,407
Further financial details...

Synopsis

A film that follows the relationship between Peter Turner and the eccentric Gloria Grahame in 1978 Liverpool. What starts as a vibrant affair between a legendary femme fatale and her young lover quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort. Their passion and lust for life is tested to the limits by events beyond their control.

Metrics

Opening Weekend:$45,192 (4.4% of total gross)
Legs:7.24 (domestic box office/biggest weekend)
Domestic Share:26.2% (domestic box office/worldwide)
Theater counts:4 opening theaters/107 max. theaters, 5.6 weeks average run per theater
Infl. Adj. Dom. BO $1,212,858

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon

Movie Details

Domestic Releases: December 29th, 2017 (Oscar Qualifying Run) by Sony Pictures Classics
International Releases: November 17th, 2017 (Wide), released as Film Stars Don't Die in Liverpool (United Kingdom)
February 9th, 2018 (Wide), released as Film Stars Don't Die In Liverpool (Australia)
February 9th, 2018 (Wide), released as As Estrelas Não Morrem em Liverpool (Portugal)
March 2nd, 2018 (Wide), released as Film Stars Don't Die in Liverpool (New Zealand)
March 9th, 2018 (Wide) (Netherlands)
... Show all releases
Video Release: April 24th, 2018 by Sony Pictures Home Entertainment
MPAA Rating: R for language, some sexual content and brief nudity.
(Rating bulletin 2499 (Cert #51290), 10/25/2017)
Running Time: 106 minutes
Comparisons: vs. The Rhythm Section
Create your own comparison chart…
Keywords: 1970s, Set in England, Film Actor, Romance, May / December Romance, Biography
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Eon Productions, IM Global, Lionsgate, Synchronistic Pictures
Production Countries: United Kingdom, United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 29, 2017 37 $45,192   4 $11,298   $45,192 1
Jan 5, 2018 42 $22,866 -49% 4 $5,717   $82,300 2
Jan 12, 2018 38 $42,120 +84% 9 $4,680   $139,236 3
Jan 19, 2018 41 $35,255 -16% 16 $2,203   $190,829 4
Jan 26, 2018 41 $34,229 -3% 19 $1,802   $246,262 5
Feb 2, 2018 37 $51,614 +51% 34 $1,518   $311,842 6
Feb 9, 2018 42 $56,956 +10% 39 $1,460   $392,690 7
Feb 16, 2018 37 $141,423 +148% 107 $1,322   $564,877 8
Feb 23, 2018 46 $74,979 -47% 102 $735   $700,851 9
Mar 2, 2018 50 $29,946 -60% 53 $565   $772,478 10
Mar 9, 2018 54 $21,061 -30% 41 $514   $810,406 11
Mar 16, 2018 58 $12,816 -39% 38 $337   $841,716 12
Mar 23, 2018 59 $17,721 +38% 29 $611   $870,309 13
Mar 30, 2018 53 $20,815 +17% 24 $867   $903,829 14
Apr 6, 2018 53 $21,151 +2% 25 $846   $937,288 15
Apr 13, 2018 50 $22,934 +8% 24 $956   $973,182 16
Apr 20, 2018 50 $24,062 +5% 25 $962   $1,013,833 17
Apr 27, 2018 60 $10,433 -57% 6 $1,739   $1,024,266 18

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 29, 2017 39 $59,434   4 $14,859   $59,434 1
Jan 5, 2018 42 $37,682 -37% 4 $9,421   $97,116 2
Jan 12, 2018 38 $58,458 +55% 9 $6,495   $155,574 3
Jan 19, 2018 40 $56,459 -3% 16 $3,529   $212,033 4
Jan 26, 2018 41 $48,195 -15% 19 $2,537   $260,228 5
Feb 2, 2018 38 $75,506 +57% 34 $2,221   $335,734 6
Feb 9, 2018 41 $87,720 +16% 39 $2,249   $423,454 7
Feb 16, 2018 37 $202,418 +131% 107 $1,892   $625,872 8
Feb 23, 2018 44 $116,660 -42% 102 $1,144   $742,532 9
Mar 2, 2018 50 $46,813 -60% 53 $883   $789,345 10
Mar 9, 2018 55 $39,555 -16% 41 $965   $828,900 11
Mar 16, 2018 58 $23,688 -40% 38 $623   $852,588 12
Mar 23, 2018 59 $30,426 +28% 29 $1,049   $883,014 13
Mar 30, 2018 52 $33,123 +9% 24 $1,380   $916,137 14
Apr 6, 2018 52 $34,111 +3% 24 $1,421   $950,248 15
Apr 13, 2018 47 $39,523 +16% 24 $1,647   $989,771 16
Apr 20, 2018 56 $24,062 -39% 25 $962   $1,013,833 17

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/27/2018 $41,791 0 0 0 $58,174 1/1/2019
Australia 2/9/2018 $26,400 1 111 561 $347,212 4/30/2018
Germany 4/5/2018 $0 0 59 85 $86,074 5/15/2018
Netherlands 3/9/2018 $30,907 31 33 96 $146,617 3/27/2018
New Zealand 3/2/2018 $30,501 47 47 229 $148,325 4/23/2018
Portugal 2/9/2018 $19,513 21 21 48 $54,316 6/20/2018
South Korea 10/25/2018 $4,816 3 33 59 $64,779 1/22/2019
Spain 5/18/2018 $141,500 117 118 328 $393,796 6/7/2018
Turkey 4/20/2018 $0 0 28 56 $17,083 1/1/2019
United Kingdom 11/17/2017 $312,465 150 151 585 $1,567,098 3/28/2018
 
International Total$2,883,474 1/22/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Annette Bening Gloria Grahame
Jamie Bell Peter Turner
Julie Walters Bella Turner

Supporting Cast

Kenneth Cranham Joe Snr
Jodie McNee Jessie
Stephen Graham Joe Jr.
Joanna Brookes Didi
Pete Lee Wilson Barman
Jay Villiers Georgie
Marina Bye PR Person
Vanessa Redgrave Jean
Frances Barber Joy
Pandora Colin Surgeon
Alexander Arnold Anaesthetist
Gemma Oaten Patient
Leanne Best Eileen
Bentley Kalu NY Cab Driver
Tim Ahern Doctor Grace
Peter Turner Jack
Tom Brittney Tim

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Paul McGuigan Director
Matt Greenhalgh Screenwriter
Peter Turner Based on the Book “Film Stars Don’t Die in Liverpool” by
Barbara Broccoli Producer
Colin Vaines Producer
Stuart Ford Executive Producer
Zygi Kamasa Executive Producer
Paul McGuigan Executive Producer
Michael G. Wilson Executive Producer
Andrew Noakes Associate Producer
David Pope Associate Producer
Gregg Wilson Associate Producer
Andrew Noble Co-Producer
Urszula Pontikos* Director of Photography
Eve Stewart Production Designer
Nick Emerson Editor
Jany Temime Costume Designer
J. Ralph Music By
Elvis Costello Original Song “You Shouldn’t Look At Me That Way” Written and Performed by
Paul Davies Supervising Sound Editor
Debbie McWilliams Casting Director

Home Market Releases for April 24th, 2018

April 25th, 2018

Paddington 2

Paddington 2 is the biggest release of the week and clearly at least one of the best. However, it isn’t the only film that’s a Pick of the Week contender. Bombshell: The Hedy Lamarr Story, Miss Kobayashi’s Dragon Maid, and others were all in contention for that honor. In the end, the Paddington 2 Blu-ray Combo Pack earned that title. More...

2017 Awards Season: BAFTA Nominations

January 11th, 2018

The Shape of Water

The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out. More...

Theater Averages: 2017 Ends on a Lucky Note, with Seven Members of the $10,000 Club

January 3rd, 2018

The Post

The Post remained the top film on the theater average chart for the second weekend is a row, earning an average of $62,342 in nine theaters and has earned nearly $2 million at the box office. It wasn’t the only film in the $10,000 club; in fact, there were seven such films. Second place went to Phantom Thread, with an average of $54,124 in four theaters. Jumanji: Welcome to the Jungle was the best of the wide releases earning an average of $13,294. I, Tonya earned an average of $12,461 in 49 theaters during its fourth weekend of release. The overall number one film, The Last Jedi, was right behind with $12,410. Along With the Gods: The Two Worlds earned an average of $11,370 in 17 theaters, while the final film in the $10,000 club was Film Stars Don’t Die in Liverpool, which earned an average of $11,298 in four theaters. More...

Limited and VOD Releases: Will 2017 Fade Away?

December 29th, 2017

In The Fade

This weekend is very literally the last chance for a film to qualify for the Oscars and for most Awards Season ceremonies, it is too late as voting has already begun. This explains why there are only three films on this week’s list, only two of which have any reviews. Film Stars Don’t Die in Liverpool is easily the best, but I’m still unsure if it will thrive in limited release. More...

Film Stars Don’t Die in Liverpool Trailer

December 8th, 2017

Historical drama starring Annette Bening and Jamie Bell opens December 29 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A film that follows the relationship between Peter Turner and the eccentric Gloria Grahame in 1978 Liverpool. What starts as a vibrant affair between a legendary femme fatale and her young lover quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort. Their passion and lust for life is tested to the limits by events beyond their control.

Metrics

Opening Weekend:$45,192 (4.4% of total gross)
Legs:7.24 (domestic box office/biggest weekend)
Domestic Share:26.2% (domestic box office/worldwide)
Theater counts:4 opening theaters/107 max. theaters, 5.6 weeks average run per theater
Infl. Adj. Dom. BO $1,212,858

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon

Movie Details

Domestic Releases: December 29th, 2017 (Oscar Qualifying Run) by Sony Pictures Classics
International Releases: November 17th, 2017 (Wide), released as Film Stars Don't Die in Liverpool (United Kingdom)
February 9th, 2018 (Wide), released as Film Stars Don't Die In Liverpool (Australia)
February 9th, 2018 (Wide), released as As Estrelas Não Morrem em Liverpool (Portugal)
March 2nd, 2018 (Wide), released as Film Stars Don't Die in Liverpool (New Zealand)
March 9th, 2018 (Wide) (Netherlands)
... Show all releases
Video Release: April 24th, 2018 by Sony Pictures Home Entertainment
MPAA Rating: R for language, some sexual content and brief nudity.
(Rating bulletin 2499 (Cert #51290), 10/25/2017)
Running Time: 106 minutes
Comparisons: vs. The Rhythm Section
Create your own comparison chart…
Keywords: 1970s, Set in England, Film Actor, Romance, May / December Romance, Biography
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Eon Productions, IM Global, Lionsgate, Synchronistic Pictures
Production Countries: United Kingdom, United States
Languages: English

Leading Cast

Annette Bening Gloria Grahame
Jamie Bell Peter Turner
Julie Walters Bella Turner

Supporting Cast

Kenneth Cranham Joe Snr
Jodie McNee Jessie
Stephen Graham Joe Jr.
Joanna Brookes Didi
Pete Lee Wilson Barman
Jay Villiers Georgie
Marina Bye PR Person
Vanessa Redgrave Jean
Frances Barber Joy
Pandora Colin Surgeon
Alexander Arnold Anaesthetist
Gemma Oaten Patient
Leanne Best Eileen
Bentley Kalu NY Cab Driver
Tim Ahern Doctor Grace
Peter Turner Jack
Tom Brittney Tim

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Paul McGuigan Director
Matt Greenhalgh Screenwriter
Peter Turner Based on the Book “Film Stars Don’t Die in Liverpool” by
Barbara Broccoli Producer
Colin Vaines Producer
Stuart Ford Executive Producer
Zygi Kamasa Executive Producer
Paul McGuigan Executive Producer
Michael G. Wilson Executive Producer
Andrew Noakes Associate Producer
David Pope Associate Producer
Gregg Wilson Associate Producer
Andrew Noble Co-Producer
Urszula Pontikos* Director of Photography
Eve Stewart Production Designer
Nick Emerson Editor
Jany Temime Costume Designer
J. Ralph Music By
Elvis Costello Original Song “You Shouldn’t Look At Me That Way” Written and Performed by
Paul Davies Supervising Sound Editor
Debbie McWilliams Casting Director

Home Market Releases for April 24th, 2018

April 25th, 2018

Paddington 2

Paddington 2 is the biggest release of the week and clearly at least one of the best. However, it isn’t the only film that’s a Pick of the Week contender. Bombshell: The Hedy Lamarr Story, Miss Kobayashi’s Dragon Maid, and others were all in contention for that honor. In the end, the Paddington 2 Blu-ray Combo Pack earned that title. More...

2017 Awards Season: BAFTA Nominations

January 11th, 2018

The Shape of Water

The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out. More...

Theater Averages: 2017 Ends on a Lucky Note, with Seven Members of the $10,000 Club

January 3rd, 2018

The Post

The Post remained the top film on the theater average chart for the second weekend is a row, earning an average of $62,342 in nine theaters and has earned nearly $2 million at the box office. It wasn’t the only film in the $10,000 club; in fact, there were seven such films. Second place went to Phantom Thread, with an average of $54,124 in four theaters. Jumanji: Welcome to the Jungle was the best of the wide releases earning an average of $13,294. I, Tonya earned an average of $12,461 in 49 theaters during its fourth weekend of release. The overall number one film, The Last Jedi, was right behind with $12,410. Along With the Gods: The Two Worlds earned an average of $11,370 in 17 theaters, while the final film in the $10,000 club was Film Stars Don’t Die in Liverpool, which earned an average of $11,298 in four theaters. More...

Limited and VOD Releases: Will 2017 Fade Away?

December 29th, 2017

In The Fade

This weekend is very literally the last chance for a film to qualify for the Oscars and for most Awards Season ceremonies, it is too late as voting has already begun. This explains why there are only three films on this week’s list, only two of which have any reviews. Film Stars Don’t Die in Liverpool is easily the best, but I’m still unsure if it will thrive in limited release. More...

Film Stars Don’t Die in Liverpool Trailer

December 8th, 2017

Historical drama starring Annette Bening and Jamie Bell opens December 29 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 29, 2017 37 $45,192   4 $11,298   $45,192 1
Jan 5, 2018 42 $22,866 -49% 4 $5,717   $82,300 2
Jan 12, 2018 38 $42,120 +84% 9 $4,680   $139,236 3
Jan 19, 2018 41 $35,255 -16% 16 $2,203   $190,829 4
Jan 26, 2018 41 $34,229 -3% 19 $1,802   $246,262 5
Feb 2, 2018 37 $51,614 +51% 34 $1,518   $311,842 6
Feb 9, 2018 42 $56,956 +10% 39 $1,460   $392,690 7
Feb 16, 2018 37 $141,423 +148% 107 $1,322   $564,877 8
Feb 23, 2018 46 $74,979 -47% 102 $735   $700,851 9
Mar 2, 2018 50 $29,946 -60% 53 $565   $772,478 10
Mar 9, 2018 54 $21,061 -30% 41 $514   $810,406 11
Mar 16, 2018 58 $12,816 -39% 38 $337   $841,716 12
Mar 23, 2018 59 $17,721 +38% 29 $611   $870,309 13
Mar 30, 2018 53 $20,815 +17% 24 $867   $903,829 14
Apr 6, 2018 53 $21,151 +2% 25 $846   $937,288 15
Apr 13, 2018 50 $22,934 +8% 24 $956   $973,182 16
Apr 20, 2018 50 $24,062 +5% 25 $962   $1,013,833 17
Apr 27, 2018 60 $10,433 -57% 6 $1,739   $1,024,266 18

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 29, 2017 39 $59,434   4 $14,859   $59,434 1
Jan 5, 2018 42 $37,682 -37% 4 $9,421   $97,116 2
Jan 12, 2018 38 $58,458 +55% 9 $6,495   $155,574 3
Jan 19, 2018 40 $56,459 -3% 16 $3,529   $212,033 4
Jan 26, 2018 41 $48,195 -15% 19 $2,537   $260,228 5
Feb 2, 2018 38 $75,506 +57% 34 $2,221   $335,734 6
Feb 9, 2018 41 $87,720 +16% 39 $2,249   $423,454 7
Feb 16, 2018 37 $202,418 +131% 107 $1,892   $625,872 8
Feb 23, 2018 44 $116,660 -42% 102 $1,144   $742,532 9
Mar 2, 2018 50 $46,813 -60% 53 $883   $789,345 10
Mar 9, 2018 55 $39,555 -16% 41 $965   $828,900 11
Mar 16, 2018 58 $23,688 -40% 38 $623   $852,588 12
Mar 23, 2018 59 $30,426 +28% 29 $1,049   $883,014 13
Mar 30, 2018 52 $33,123 +9% 24 $1,380   $916,137 14
Apr 6, 2018 52 $34,111 +3% 24 $1,421   $950,248 15
Apr 13, 2018 47 $39,523 +16% 24 $1,647   $989,771 16
Apr 20, 2018 56 $24,062 -39% 25 $962   $1,013,833 17

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/27/2018 $41,791 0 0 0 $58,174 1/1/2019
Australia 2/9/2018 $26,400 1 111 561 $347,212 4/30/2018
Germany 4/5/2018 $0 0 59 85 $86,074 5/15/2018
Netherlands 3/9/2018 $30,907 31 33 96 $146,617 3/27/2018
New Zealand 3/2/2018 $30,501 47 47 229 $148,325 4/23/2018
Portugal 2/9/2018 $19,513 21 21 48 $54,316 6/20/2018
South Korea 10/25/2018 $4,816 3 33 59 $64,779 1/22/2019
Spain 5/18/2018 $141,500 117 118 328 $393,796 6/7/2018
Turkey 4/20/2018 $0 0 28 56 $17,083 1/1/2019
United Kingdom 11/17/2017 $312,465 150 151 585 $1,567,098 3/28/2018
 
International Total$2,883,474 1/22/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.