Lithuania Box Office for Gyvulėlių kapinės (2019)
Theatrical Performance (US$) | ||
Lithuania Box Office | $66,261 | Details |
Worldwide Box Office | $111,809,732 | Details |
Home Market Performance | ||
North America DVD Sales | $2,798,459 | Details |
North America Blu-ray Sales | $4,058,839 | Details |
Total North America Video Sales | $6,857,298 | |
Further financial details... |
Synopsis
Dr. Louis Creed, who, after relocating with his wife Rachel and their two young children from Boston to rural Maine, discovers a mysterious burial ground hidden deep in the woods near the family’s new home. When tragedy strikes, Louis turns to his unusual neighbor, Jud Crandall, setting off a perilous chain reaction that unleashes an unfathomable evil with horrific consequences.
Metrics
Movie Details
Production Budget: | $21,000,000 |
Lithuania Releases: | April 5th, 2019 (Wide), released as Gyvulėlių kapinės |
Video Release: | June 25th, 2019 by Paramount Home Video |
MPAA Rating: | R for horror violence, bloody images, and some language. (Rating bulletin 2570 (Cert #51765), 3/20/2019) |
Running Time: | 100 minutes |
Franchise: | Pet Sematary |
Keywords: | Zombies, Animals Gone Bad, Non-Chronological, Scary Kids, Death of a Son or Daughter, Supernatural, Native American Folklore, Remake, Supernatural Horror |
Source: | Remake |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Paramount Pictures, di Bonaventura Pictures, Room 101 |
Production Countries: | United States |
Languages: | English |
Home Market Releases for July 9th, 2019
July 11th, 2019
It’s a very shallow week on the home market. There are two wide releases, but neither are worth picking up. There were several that are worth owning: Dead of Night, Mothra: SteelBook Edition, Silent Hill: Collectors Edition, and This Island Earth: Blu-ray. However, there was only one true contender for Pick of the Week, Alphaville: Special Edition.
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Home Market Releases for June 25th, 2019
June 26th, 2019
It is an absolute nightmare on the home market. There’s no monster hit to talk about, but there are a mountain of new releases that are selling well enough that they could have been featured in the main list and about twice as many that could have been included in the Secondary Blu-ray release. I had to trim some of them to keep the list manageable. Unfortunately, the list of Pick of the Week contenders is rather short with just Megalobox: Season One and Frankie Drake Mysteries: Season Two, both of which are worth owning. However, the biggest and best release of the week is Captain Marvel. The screener arrived late, but I finally got the review of the Blu-ray online. That said, I’m going to award Frankie Drake Mysteries with Puck of the Week for best Canadian release.
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Friday Estimates: Curses! Box Office is Foiled Again
April 20th, 2019
The Curse of La Llorona got off to a fantastic start on Friday with $11.8 million during its opening day. This is a stronger opening day than Pet Sematary managed, but not as strong as its preview numbers were in comparison to Pet Sematary, so it likely won’t have the same legs. This isn’t surprising, as its reviews are much worse and it is part of a long-running franchise. Both of those factors tend to shorten legs. On the positive side, it earned a B minus from CinemaScore, which is actually really good for a horror film. The Curse of La Llorona would have to have tragically short legs to not earn first place after a start like this. Look for an opening weekend of $26 million.
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Thursday Night Previews: Breaking the Curse
April 19th, 2019
The Curse of La Llorona opened with $2.75 million in previews. This is more than Pet Sematary managed a couple of weeks ago. However, this film is earning much weaker reviews and, since it is part of a franchise, it could have shorter legs. That said, even with short legs, it should still top our prediction and earn first place for the weekend with about $20 million.
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International Box Office: Shazam Flies Higher than Dumbo
April 17th, 2019
Shazam remained in first place on the international chart, despite not opening in any new markets, major or otherwise. This caused it to fall to $35.3 million on 24,633 screens in 79 markets lifting its totals to internationally and $258.4 million worldwide. The film fell 84% in China down to $4.79 million over the weekend for a two-week total of $40.30 million. It held on better in the U.K., down 47% to $2.83 million in 611 theaters for a two-week total of $11.65 million. The film’s last major market is Japan and it opens there this week. If it does well there, then it will have no trouble crossing $400 million worldwide, which is a great run for a film that cost $85 million to make.
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Weekend Wrap-Up: Shazam Shocks the New Releases
April 16th, 2019
Shazam easily topped the weekend box office chart with $24.45 million. This is significantly more than the best new release of the week, Little, which managed $15.41 million during its opening weekend. That film will break even sometime during its home market run. The same can’t be said of Hellboy, After, and Missing Link, all of which will lose money. This caused the overall box office to fall 24% from last weekend to just $110 million. This is also 25% lower than this weekend last year. Year-to-date, 2019 has fallen further behind 2018 and it now behind with $550 million or 17% at $2.68 billion to $3.23 billion. Avengers: Endgame will have to be unreasonably big at the box office for 2019 to turn things around any time soon.
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Weekend Estimates: Shazam Stops New Releases Cold
April 14th, 2019
Shazam really bounced back from a poor Friday performance. So much so that it almost match our prediction with an estimated $25.14 million over the weekend for a two-week total of $94.31 million. Internationally, the film is projected to earn $35.9 million on 23,752 screens in 79 markets to push its international total to $163.9 million. This means its worldwide total rose past $250 million after just two weeks of release. The film will have no trouble breaking even after a run like this, even with Avengers: Endgame looming large.
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Friday Estimates: Friday Results are More Little Than Needed
April 13th, 2019
It’s going to be a terrible weekend at the box office with almost no film living up to expectations. Shazam fell faster than anticipated, down 69% from its opening Friday to just $6.37 million yesterday. Because it’s a holdover, it will bounce back more than the new releases, but it will still likely fail to match our prediction and is on pace for between $23 million and $24 million for the weekend. It is still going to break even, but if it doesn’t bounce back before Avengers: Endgame debuts, it will merely be very profitable and not amazingly profitable.
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Thursday Night Previews: Going Through Hell
April 12th, 2019
Hellboy opened with $1.38 million in previews last night, which is not enough to be a hit. This would have only put the film in third place last Thursday, well behind both Shazam and Pet Sematary. Furthermore, due to the film’s terrible reviews, it will likely be more front-loaded. Fortunately, this wasn’t too far below expectations.
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Weekend Prediction: Will Hellboy have a Heavenly Start? Will Little open Large?
April 12th, 2019
There are four wide releases this week, but it seems Shazam will remain the top draw, potentially by a significant margin. Hellboy was supposed to challenge for top spot, but its reviews are going to kill its box office chances. Little is earning better reviews, but its reviews are not good enough to overcome its smaller stature. Missing Link is earning amazing reviews, but that hasn’t helped other stop-motion animated films succeed in the recent past. After has the quietest buzz of the week and almost no reviews. This weekend last year wasn’t a great weekend at the box office, but it will certainly be better than this weekend will be. Avengers: Endgame can’t come soon enough.
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International Box Office: Shazam Hits Century Mark During Opening Weekend
April 11th, 2019
Shazam stormed to the top of the international chart with an opening weekend haul of $102.3 million on over 40,000 screens in 79 markets. The film’s biggest market was unsurprisingly China, where it earned second place with $30.4 million on 20,939 screens. The film earned first place in a quartet of major markets. This includes Mexico ($5.8 million on 2,669 screens); the U.K. ($5.3 million on 1,533); Russia ($5.2 million on 3,072 screens); and Brazil ($5.1 million on 1,509 screens). This is a great start, especially for a film that “only” cost $85 million to make. However, there’s some bad news here. There’s almost no where left to open, as its only other major market debut is in Japan on the 19th of April.
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Weekend Wrap-Up: Shazam Can’t Keep 2019’s Streak Going
April 9th, 2019
Shazam topped expectations over the weekend, albeit by a small margin. However, it was the only new release to do this and the overall box office wasn’t particularly strong as a result. It did rise 6.2% from last weekend reaching $146 million. However, it wasn’t able to keep 2019’s winning streak alive in the year-over-year comparison, as this was 11% lower than the same weekend last year. 2018 extended its lead over 2019 and now has an advantage of $500 million at $3.03 billion to $2.53 billion. If you are looking for good news, then the percent difference actually closed by a fraction of one percent. To call that good news is stretching.
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Weekend Estimates: Shazam Flies to First Place with over $50 million
April 7th, 2019
Shazam is easily topping the weekend box office chart with an estimated $53.45 million for a total of $56.78 million, including its previous special engagement. This is marginally better than our prediction, but not as strong as I thought it would be after its surprising previews. The film should have strong legs with its amazing reviews, its A from CinemaScore, and its family-friendly target audience. On the other hand, Avengers: Endgame is on its way, and that film could practically end Shazam’s run at the box office. Internationally, Shazam is opening with an estimated $102 million in 79 markets. This includes $30.9 million in China, as well as $6.2 million in Mexico. On the other hand, it only managed $5.3 million in the U.K., which is far less impressive than its debut here.
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Friday Estimates: Shazam’s Shockingly Strong Start
April 6th, 2019
Shazam was able to take full advantage of its impressive previews, and its $20.5 million Friday debut should be enough to carry it above our initial prediction. Its reviews remain above 90% positive and it earned an A from CinemaScore. Furthermore, its a hit with families, so that should also help its legs over the rest of the weekend and beyond. As for the film’s international debut, it is almost as impressive, as the film earned $29.2 million on Friday for a three-day total of $44.0 million in 79 markets. It is not doing as well as it is here, at least relative to the sizes of the markets, but this is still a fantastic start for a film that cost $85 million to make. If there isn’t already a sequel in the works, there will be one shortly.
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Thursday Night Previews: Shazam Surprises with $5.9 million
April 5th, 2019
Shazam! got off to a fantastic start with $5.9 million during its previews last night, for a running tally of $9.2 million, including its special engagement run last month. That’s not too far behind Ant-Man, which earned $6.4 million during its previews. This is great news for Shazam! and means it should top our prediction. Not only are the film’s reviews a major asset, but since it is not opening during the summer holidays, it shouldn’t be as front-loaded during its opening weekend. It is still too early to tell where the film will end up, but we should know more when Friday’s estimates show up tomorrow.
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Weekend Prediction: Shazam Should have a Super Start
April 4th, 2019
Shazam is the biggest release of the weekend and will almost certainly be the second biggest hit of the month. It also has some of the best reviews of the year so far. Pet Sematary should be in a solid second place, both in terms of box office dollars and reviews. Finally there’s The Best of Enemies, which is not only the smallest release on this week’s list, but it is also earning the weakest reviews. However, the biggest box office hit of the weekend will very likely be Avengers: Endgame, as tickets went on sale during the week and I suspect advanced ticket sales for that film will top everything coming out this week. (Early tracking for that film is nearing $300 million just for its opening weekend.) This weekend last year, A Quiet Place opened with just over $50 million, a little more than the next two films combined earned. Fortunately for 2019, there was a huge drop-off from the top three to the rest of the releases, so if we have better depth this year, then 2019 could continue its winning ways.
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2019 Preview: April
April 1st, 2019
March was a good month at the box office with most films beating expectations. The biggest hit was Captain Marvel, which is still on pace for $400 million domestically and may have crossed $1 billion worldwide by the time you read this. The biggest “miss” was Dumbo, but it is still going to top $100 million domestically with ease. This month, it is a battle between Avengers: Endgame and last year’s Infinity War. To be fair, A Quiet Place got last April off to a very fast start and Shazam! should do the same this year, so there will be more than one potential box office hit to talk about. That said, Endgame will almost certainly open with more than any other April release earns in total and if 2019 is going to cut into its deficit with 2018, it will be on the back of that one film.
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Pet Sematary Trailer
February 11th, 2019
Horror movie based on the Stephen King novel opens April 5 ... Full Movie Details.
Dr. Louis Creed, who, after relocating with his wife Rachel and their two young children from Boston to rural Maine, discovers a mysterious burial ground hidden deep in the woods near the family’s new home. When tragedy strikes, Louis turns to his unusual neighbor, Jud Crandall, setting off a perilous chain reaction that unleashes an unfathomable evil with horrific consequences.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/04/05 | 3 | $21,226 | 101 | $210 | $21,781 | 1 | |
2019/04/12 | 8 | $16,175 | -24% | 45 | $359 | $51,409 | 2 |
2019/04/19 | 9 | $4,127 | -74% | 18 | $229 | $61,607 | 3 |
2019/04/26 | 20 | $269 | -93% | 1 | $269 | $64,428 | 4 |
2019/05/03 | 18 | $677 | +152% | 3 | $226 | $65,492 | 5 |
2019/05/10 | 23 | $126 | -81% | 2 | $63 | $66,261 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 4/5/2019 | $470,000 | 0 | 232 | 385 | $941,007 | 10/9/2019 |
Australia | 4/5/2019 | $795,324 | 224 | 224 | 774 | $2,186,861 | 5/16/2019 |
Belgium | 4/12/2019 | $232,000 | 0 | 0 | 0 | $232,000 | 4/15/2019 |
Brazil | 5/10/2019 | $904,000 | 0 | 246 | 460 | $2,010,954 | 5/31/2019 |
Bulgaria | 4/5/2019 | $77,510 | 0 | 0 | 0 | $259,000 | 5/21/2019 |
Czech Republic | 4/12/2019 | $200,265 | 118 | 118 | 327 | $526,668 | 5/28/2019 |
France | 4/12/2019 | $2,300,000 | 0 | 371 | 1201 | $6,707,839 | 5/24/2019 |
Germany | 4/5/2019 | $1,500,000 | 0 | 303 | 303 | $4,648,467 | 5/24/2019 |
Indonesia | 4/5/2019 | $517,000 | 0 | 0 | 0 | $517,000 | 4/12/2019 |
Italy | 5/9/2019 | $630,924 | 0 | 0 | 0 | $1,243,010 | 5/27/2019 |
Lithuania | 4/5/2019 | $21,226 | 101 | 101 | 170 | $66,261 | 5/14/2019 |
Mexico | 4/5/2019 | $2,002,779 | 0 | 0 | 0 | $4,462,691 | 4/22/2019 |
Netherlands | 4/5/2019 | $271,098 | 74 | 75 | 337 | $743,893 | 5/14/2019 |
North America | 4/5/2019 | $24,502,775 | 3,585 | 3,585 | 13,289 | $54,724,696 | 11/2/2020 |
Poland | 5/3/2019 | $316,522 | 149 | 149 | 447 | $709,918 | 5/24/2019 |
Portugal | 4/5/2019 | $79,776 | 48 | 48 | 121 | $207,926 | 5/7/2019 |
Romania | 8/23/2019 | $0 | 0 | 13 | 14 | $228,563 | 11/11/2020 |
Russia (CIS) | 4/5/2019 | $2,938,872 | 1571 | 1578 | 4536 | $6,043,737 | 6/8/2019 |
Slovakia | 4/12/2019 | $82,633 | 62 | 62 | 144 | $186,112 | 5/29/2019 |
South Korea | 4/12/2019 | $436,283 | 548 | 548 | 842 | $757,221 | 5/4/2019 |
Spain | 4/5/2019 | $907,386 | 300 | 311 | 1321 | $2,696,625 | 5/23/2019 |
Taiwan | 4/12/2019 | $301,000 | 0 | 0 | 0 | $301,000 | 4/15/2019 |
Turkey | 4/5/2019 | $191,052 | 295 | 295 | 1013 | $698,531 | 6/6/2019 |
Ukraine | 4/5/2019 | $313,000 | 0 | 0 | 0 | $313,000 | 4/12/2019 |
United Kingdom | 4/5/2019 | $2,023,004 | 549 | 549 | 1733 | $5,252,287 | 5/1/2019 |
Rest of World | $15,144,465 | ||||||
Worldwide Total | $111,809,732 | 11/11/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jason Clarke | Louis Creed |
Supporting Cast
John Lithgow | Jud Creed |
Amy Seimetz | Rachel Creed |
Jete Laurence | Ellie Creed |
Hugo Lavoie | Gage Creed |
Lucas Lavoie | Gage Creed |
Obssa Ahmed | Victor Pascow |
Alyssa Brooke Levine | Zelda |
Sonia Maria Chirila | Young Rachel |
Maria Herrera | Marcella |
Naomi Frenette | Upset Student |
Jacob Lemieux | Mouse Face |
Maverick Fortin | Dog Face |
Rosalie Drouin | Horse Face |
Lou Ferrando | Rabbit Face |
Najya Muipatayi | Cat Face |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Dennis Widmyer | Director |
Kevin Kolsch | Director |
Jeff Buhler | Screenwriter |
Stephen King | Story based on the novel by |
Lorenzo di Bonaventura | Producer |
Mark Vahradian | Producer |
Steven Schneider | Producer |
Mark Moran | Executive Producer |
Sarah Broshar | Editor |
Christopher Young | Composer |
Laurie Rose | Director of Photography |