Jeff Buhler
| Best known as a Screenwriter based on credits in that role in 7 films, with $138,820,079 worldwide aggregate box office (rank #1,691) |
| Best-known technical roles: Pet Sematary (Screenwriter), The Grudge (Story Creator), The Prodigy (Screenwriter), The Prodigy (Executive Producer), Studio 666 (Screenwriter) |
| Most productive collaborators: Dennis Widmyer, Jason Clarke, John Lithgow, Kevin Kolsch, Amy Seimetz |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 7 | $72,168,498 | $66,651,581 | $138,820,079 |
| Story Creator | 1 | $21,216,148 | $28,286,969 | $49,503,117 | |
| Executive Producer | 1 | $14,856,291 | $7,556,854 | $22,413,145 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Executive Producer at the Domestic Box Office (Rank 3,701-3,800) | 3,779 | $14,856,291 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,501-1,600) | 1,547 | $72,168,498 |
| Top Grossing Story Creator at the Domestic Box Office (Rank 1,801-1,900) | 1,822 | $21,216,148 |
| Top Grossing Executive Producer at the International Box Office (Rank 4,101-4,200) | 4,170 | $7,556,854 |
| Top Grossing Screenwriter at the International Box Office (Rank 1,701-1,800) | 1,754 | $66,651,581 |
| Top Grossing Story Creator at the International Box Office (Rank 1,401-1,500) | 1,458 | $28,286,969 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 4,101-4,200) | 4,117 | $22,413,145 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,601-1,700) | 1,691 | $138,820,079 |
| Top Grossing Story Creator at the Worldwide Box Office (Rank 1,601-1,700) | 1,665 | $49,503,117 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2020 Preview: January
January 1st, 2020
-(2020)-1-News.jpg)
It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there.
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All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Oct 6, 2023 | Pet Sematary Bloodlines | Screenwriter | |||
| Feb 25, 2022 | Studio 666 | Screenwriter | $2,513,963 | $492,993 | $3,006,956 |
| Jan 3, 2020 | The Grudge | Story by | $21,216,148 | $28,286,969 | $49,503,117 |
| Aug 23, 2019 | Jacob’s Ladder | Screenwriter | |||
| Apr 5, 2019 | Pet Sematary | Screenwriter | $54,724,696 | $57,085,036 | $111,809,732 |
| Feb 8, 2019 | The Prodigy | Screenwriter Executive Producer |
$14,856,291 | $7,556,854 | $22,413,145 |
| Aug 1, 2008 | Midnight Meat Train | Screenwriter | $73,548 | $1,516,698 | $1,590,246 |
| Averages | $18,676,929 | $18,987,710 | $37,664,639 | ||
| Totals | 7 | $93,384,646 | $94,938,550 | $188,323,196 | |
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Oct 6, 2023 | Pet Sematary Bloodlines | |||||
| Feb 25, 2022 | Studio 666 | $1,540,543 | 2,306 | $2,513,963 | $3,006,956 | 83.6% |
| Jan 3, 2020 | The Grudge | $11,404,113 | 2,642 | $21,216,148 | $49,503,117 | 42.9% |
| Aug 23, 2019 | Jacob’s Ladder | |||||
| Apr 5, 2019 | Pet Sematary | $24,502,775 | 3,585 | $54,724,696 | $111,809,732 | 48.9% |
| Feb 8, 2019 | The Prodigy | $5,853,061 | 2,530 | $14,856,291 | $22,413,145 | 66.3% |
| Aug 1, 2008 | Midnight Meat Train | $34,394 | 102 | $73,548 | $1,590,246 | 4.6% |
| Averages | $8,666,977 | 2,233 | $18,676,929 | $37,664,639 | 49.3% | |
| Totals | 7 | $93,384,646 | $188,323,196 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Executive Producer at the Domestic Box Office (Rank 3,701-3,800) | 3,779 | $14,856,291 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,501-1,600) | 1,547 | $72,168,498 |
| Top Grossing Story Creator at the Domestic Box Office (Rank 1,801-1,900) | 1,822 | $21,216,148 |
| Top Grossing Executive Producer at the International Box Office (Rank 4,101-4,200) | 4,170 | $7,556,854 |
| Top Grossing Screenwriter at the International Box Office (Rank 1,701-1,800) | 1,754 | $66,651,581 |
| Top Grossing Story Creator at the International Box Office (Rank 1,401-1,500) | 1,458 | $28,286,969 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 4,101-4,200) | 4,117 | $22,413,145 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,601-1,700) | 1,691 | $138,820,079 |
| Top Grossing Story Creator at the Worldwide Box Office (Rank 1,601-1,700) | 1,665 | $49,503,117 |