Hellboy (2019)

Hellboy
Theatrical Performance
Domestic Box Office $21,903,748Details
International Box Office $32,052,732Details
Worldwide Box Office $53,956,480
Home Market Performance
Est. Domestic DVD Sales $3,499,140 Details
Est. Domestic Blu-ray Sales $8,637,714 Details
Total Est. Domestic Video Sales $12,136,854
Further financial details...

Synopsis

Hellboy is back, and he’s on fire. He is called to the English countryside to battle a trio of rampaging giants. There he discovers The Blood Queen, Nimue, a resurrected ancient sorceress thirsting to avenge a past betrayal. Suddenly caught in a clash between the supernatural and the human, Hellboy is now hell-bent on stopping Nimue without triggering the end of the world.

Metrics

Opening Weekend:$12,045,147 (55.0% of total gross)
Legs:1.82 (domestic box office/biggest weekend)
Domestic Share:40.6% (domestic box office/worldwide)
Production Budget:$50,000,000 (worldwide box office is 1.1 times production budget)
Theater counts:3,303 opening theaters/3,303 max. theaters, 2.4 weeks average run per theater
Infl. Adj. Dom. BO $25,777,546

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Movie Details

Domestic Releases: April 12th, 2019 (Wide) by Lionsgate
April 12th, 2019 (IMAX) by Lionsgate
International Releases: April 10th, 2019 (Wide) (South Korea)
April 11th, 2019 (Wide) (Italy)
April 11th, 2019 (Wide) (Mexico)
April 11th, 2019 (Wide), released as Хеллбой (Russia (CIS))
April 11th, 2019 (Wide) (United Kingdom)
... Show all releases
Video Release: July 23rd, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for strong bloody violence and gore throughout, and language
(Rating bulletin 2567 (Cert #52002), 2/27/2019)
Running Time: 120 minutes
Franchise: Hellboy
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Dark Horse Comics, Demons, Supernatural, Revenge, Shapeshifter, Witches, IMAX: DMR, Reboot, Action Horror
Source:Remake
Genre:Horror
Production Method:Live Action
Creative Type:Super Hero
Production/Financing Companies: Summit Entertainment, Millennium Films, Campbell Grobman Films, Dark Horse Entertainment, Applebox Entertainment, Lawrence Gordon, Lloyd Levin, Nu Boyana
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 12, 2019 3 $12,045,147   3,303 $3,647   $12,045,147 1
Apr 19, 2019 10 $3,951,098 -67% 3,303 $1,196   $19,747,369 2
Apr 26, 2019 14 $354,575 -91% 927 $382   $21,533,408 3
May 3, 2019 29 $68,593 -81% 179 $383   $21,796,087 4
May 10, 2019 30 $50,536 -26% 127 $398   $21,882,492 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Apr 12, 2019 3 $4,943,668     3,303 $1,497   $4,943,668 1
Apr 13, 2019 4 $4,251,822 -14%   3,303 $1,287   $9,195,490 2
Apr 14, 2019 4 $2,849,657 -33%   3,303 $863   $12,045,147 3
Apr 15, 2019 3 $920,945 -68%   3,303 $279   $12,966,092 4
Apr 16, 2019 4 $1,346,260 +46%   3,303 $408   $14,312,352 5
Apr 17, 2019 7 $750,687 -44%   3,303 $227   $15,063,039 6
Apr 18, 2019 7 $733,232 -2%   3,303 $222   $15,796,271 7
Apr 19, 2019 10 $1,344,324 +83% -73% 3,303 $407   $17,140,595 8
Apr 20, 2019 9 $1,563,100 +16% -63% 3,303 $473   $18,703,695 9
Apr 21, 2019 8 $1,043,674 -33% -63% 3,303 $316   $19,747,369 10
Apr 22, 2019 10 $439,916 -58% -52% 3,303 $133   $20,187,285 11
Apr 23, 2019 8 $532,221 +21% -60% 3,303 $161   $20,719,506 12
Apr 24, 2019 8 $323,879 -39% -57% 3,303 $98   $21,043,385 13
Apr 25, 2019 11 $135,448 -58% -82% 3,303 $41   $21,178,833 14
Apr 26, 2019 14 $94,136 -31% -93% 927 $102   $21,272,969 15
Apr 27, 2019 14 $154,818 +64% -90% 927 $167   $21,427,787 16
Apr 28, 2019 13 $105,621 -32% -90% 927 $114   $21,533,408 17
Apr 29, 2019 13 $47,475 -55% -89% 927 $51   $21,580,883 18
Apr 30, 2019 13 $62,224 +31% -88% 927 $67   $21,643,107 19
May 1, 2019 14 $51,009 -18% -84% 927 $55   $21,694,116 20
May 2, 2019 15 $33,378 -35% -75% 927 $36   $21,727,494 21
May 3, 2019 - $20,099 -40% -79% 179 $112   $21,747,593 22
May 4, 2019 - $27,873 +39% -82% 179 $156   $21,775,466 23
May 5, 2019 - $20,621 -26% -80% 179 $115   $21,796,087 24
May 6, 2019 - $9,597 -53% -80% 179 $54   $21,805,684 25
May 7, 2019 - $11,311 +18% -82% 179 $63   $21,816,995 26
May 8, 2019 - $8,718 -23% -83% 179 $49   $21,825,713 27
May 9, 2019 - $6,243 -28% -81% 179 $35   $21,831,956 28
May 10, 2019 - $12,559 +101% -38% 127 $99   $21,844,515 29
May 11, 2019 - $21,997 +75% -21% 127 $173   $21,866,512 30
May 12, 2019 - $15,980 -27% -23% 127 $126   $21,882,492 31
May 13, 2019 - $5,101 -68% -47% 127 $40   $21,887,593 32
May 14, 2019 - $5,883 +15% -48% 127 $46   $21,893,476 33
May 15, 2019 - $5,476 -7% -37% 127 $43   $21,898,952 34
May 16, 2019 - $4,796 -12% -23% 127 $38   $21,903,748 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 12, 2019 3 $15,796,271   3,303 $4,782   $15,796,271 1
Apr 19, 2019 10 $5,382,562 -66% 3,303 $1,630   $21,178,833 2
Apr 26, 2019 14 $548,661 -90% 927 $592   $21,727,494 3
May 3, 2019 28 $104,462 -81% 179 $584   $21,831,956 4
May 10, 2019 32 $71,792 -31% 127 $565   $21,903,748 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/12/2019 $57,719 139 139 172 $91,422 5/4/2019
Australia 4/12/2019 $553,564 287 287 748 $1,051,651 5/7/2019
Brazil 5/24/2019 $302,185 446 446 652 $627,494 6/8/2019
Bulgaria 4/12/2019 $26,672 0 0 0 $64,719 5/8/2019
China 11/7/2020 $130,000 409 55,998 76,483 $13,170,000 12/9/2020
Czech Republic 4/12/2019 $146,440 126 126 256 $268,625 5/6/2019
France 5/10/2019 $1,078,112 410 415 1,174 $1,779,290 5/31/2019
Germany 4/12/2019 $559,728 0 0 0 $559,728 4/19/2019
Italy 4/11/2019 $858,614 0 4 4 $1,566,487 5/10/2019
Lithuania 4/12/2019 $19,370 93 93 112 $27,268 4/23/2019
Mexico 4/11/2019 $702,545 0 0 0 $1,562,208 4/22/2019
Netherlands 4/12/2019 $207,077 90 90 238 $395,474 4/30/2019
Poland 4/12/2019 $218,076 194 194 388 $364,510 4/27/2019
Portugal 4/12/2019 $180,205 76 76 202 $361,564 5/14/2019
Russia (CIS) 4/11/2019 $2,243,529 1,578 1,578 4,389 $3,811,848 6/21/2019
Slovakia 4/12/2019 $76,756 67 67 123 $134,301 4/30/2019
South Korea 4/10/2019 $1,228,117 726 726 1,243 $2,309,424 4/25/2019
Spain 5/17/2019 $563,057 342 342 870 $1,057,555 6/7/2019
Turkey 4/12/2019 $155,643 332 332 819 $376,195 5/24/2019
United Kingdom 4/11/2019 $1,294,899 480 490 1,229 $2,472,969 5/23/2019
 
International Total$32,052,732 12/9/2020

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 28, 2019280,380 80,380$1,223,384$1,223,3841
Aug 4, 2019365,252-19% 145,632$993,135$2,216,5192
Aug 11, 20191323,085-65% 168,717$351,354$2,567,8733

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 28, 20192243,356 243,356$5,087,105$5,087,1051
Aug 4, 2019278,154-68% 321,510$1,601,374$6,688,4792
Aug 11, 2019734,196-56% 355,706$700,684$7,389,1633
Aug 18, 20191511,390-67% 367,096$233,372$7,622,5354
Aug 25, 20191110,339-9% 377,435$0$7,622,5355
Sep 1, 2019205,349-48% 382,784$98,502$7,721,0376

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

David Harbour Hellboy

Supporting Cast

Milla Jovovich Nimue/The Blood Queen
Ian McShane Professor Broom
Sasha Lane Alice Monaghan
Daniel Dae Kim Ben Daimio
Thomas Haden Church Lobster Johnson
Mark Stanley Arthur
Brian Gleeson Merlin
Nadya Keranova Sister
Mariya Tepavicharova Sister
Ana Tabakova Sister
Penelope Mitchell Ganeida
Terry Randal Priest
Mario De La Rosa Esteban Ruiz/Camazotz
Christopher Mata Referee
Atanas Srebrev Agent Madison
Dawn Sherrer Agent Strode
Michael Heath Butler
Alistair Petrie Lord Adam Glaren
Rick Warden Dr. Edwin Carp
Nitin Ganatra August Swain
Sophie Okonedo Lady Hatton
Markos Rounthwaite Grigori Rasputin
Ilko Iliev Professor Doctor Karl Ruprect Kroenen
Joel Harlow Von Krupt
Dimiter Banekin Leopold Kurtz
Vanessa Eichholz Ilsa Hepstein
Kristina Klebe Leni Riefenstahl
Charles Shannon Sgt. Whitman
Carl Hampe Sir Malcom Frost
Tony Van Silva Abbot
Josh Finan Novice
Stephen Graham Gruagach
Jonathan Steele Huntsman
Simon Feek M-11 Operative
Ava Brennan Alice’s Mother
Anthony Delaney Alice’s Father
Jasmine Audoux-Prevot Baby Alice
Meglena Karalambova Leprous Hag
Anna Bankina Leprous Hag
Ruth Rafailova Leprous Hag
Laila Morse Mrs. Harker
Peter Oxley Gunsmith
Nikolay Stanoev Monk
Troy James Baby Yaga
Emma Tate Baby Yaga
Manal El-Feitury Mother
Elizabeth Mehari Kahsai Child in Parking Lot
Said Barry Abdulai Child in Parking Lot
Katya Peneva Sarah Bethany Hughes
Natasha Kaplinsky Anchorman
Valentin Stoyanov Man 1
Viktor Rangelov Man 2
Vasil Tsvetkov Man 3
Joshua Samuel Hector Man 4

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Neil Marshall Director
Andrew Cosby Screenwriter
Mike Mignola Story based on the Dark Horse Comic Book Created by
Lawrence Gordon Producer
Lloyd Levin Producer
Mike Richardson Producer
Philip Westgren Producer
Carl Hampe Producer
John Thompson Producer
Matt O'Toole Producer
Les Weldon Producer
Yariv Lerner Producer
Mike Mignola Executive Producer
Marc Helwig Executive Producer
Avi Lerner Executive Producer
Trevor Short Executive Producer
John Thompson Executive Producer
Lati Grobman Executive Producer
Christa Campbell Executive Producer
Jeffrey Greenstein Executive Producer
Lorenzo Senatore Director of Photography
Martin Bernfeld Editor
Paul Kirby Production Designer
Stephanie Collie Costume Designer
Benjamin Wallfisch Composer
Steve Begg Visual Effects Supervisor
Joel Harlow Creature Designer
Joel Harlow Special Make-up Effects
Dan Hubbard Casting Director
Elena Melamed Line Producer
Elena Melamed Unit Production Manager
Neil Wallace First Assistant Director
Helen Fraser Second Assistant Director
Markos Rounthwaite Stunt Coordinator
Lonnie Ramati Co-Executive Producer
Martin Bernfeld Co-Producer
Danail Hadzhiyski Visual Effects Producer
Anna V. James* Visual Effects Producer
Janet Muswell Visual Effects Producer
Michael Solinger Post-Production Supervisor
Selena Arizanovic Music Supervisor
Tony Lewis Supervising Music Editor
Luke Clare First Assistant Editor
Gemma Bourne Assistant Editor
Amar Ingreji Assistant Editor
Matthew Collinge Sound Supervisor
Andrew Stirk Re-recording Mixer
Matthew Collinge Re-recording Mixer
Rob Prynne Sound Designer
Paul Carter Sound Designer
Martin Cantwell Sound Designer
Rob Turner Sound Effects Editor
Matt Davies Dialogue and ADR Supervisor
Lilly Blazewicz Foley Editor
Ivan Rangelov Supervising Art Director
Adriano Giombini Art Director
Alessandro Troso Art Director
Alexei Karaghiaur Art Director
Andrew Ackland-Snow Art Director
Vladimir Kaloyanov Sound Mixer
Stefania Velichkova Script Supervisor
Yosif Mladenov Set Designer
Stefan Manchev Set Designer
Valentina Mladenova* Set Decorator
Anna Gelinova Costume Supervisor
Ivo Jivkov Special Effects Supervisor
Diyan Hristov Second Unit Director
Benjamin Wallfisch Music Producer
Arabella Winter Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for July 23rd, 2019

July 24th, 2019

Nichijou: My Ordinary Life

We are still in the summer doldrums on the home market. The biggest first run release of the week is Alita: Battle Angel, which is much better than its box office numbers and one of the best releases on this week’s list. Other contenders for Pick of the Week include Do the Right Thing and Nichijou: My Ordinary Life: The Complete Series. In the end, I went with Nichijou: My Ordinary Life: The Complete Series. In part because it is an amazing series, but also in part in solidarity with the victims of the Kyoto Animation arson attack. More...

Weekend Wrap-Up: Curse Tops Chart, but 2019 Suffers Another Loss

April 23rd, 2019

The Curse of La Llorona

Easter weekend gave box office watchers a few reasons to celebrate. The Curse of La Llorona topped expectations and earned first place with $26.35 million over the weekend. That’s a very strong debut for this time of year. Additionally, both Shazam and Captain Marvel held on amazingly well, which bodes well for their chances against Avengers: Endgame. Overall, the box office rose 1% from last weekend to $108 million. This was 14% lower than the same weekend last year, and it wasn’t Easter weekend last year. On a side note, I’ve seen some stories call this past weekend the worst Easter weekend in over a decade. However, this is misleading, as it was the first time Easter weekend was one weekend before the start of the Summer Blockbuster season. Avengers: Endgame opening on Friday had more to do with the weak box office than any other factor and if Endgame is as big as some box office analysts expect, then by this time next week, we will be talking about how quickly 2019 will turn things around rather than how bad 2019 has been. In the meantime, we’ve hopefully sunk to the low point in the year-over-year comparison, as 2019 is now behind 2018 by a $570 million or 17% margin at $2.84 billion to $3.41 billion. More...

Weekend Wrap-Up: Shazam Shocks the New Releases

April 16th, 2019

Shazam

Shazam easily topped the weekend box office chart with $24.45 million. This is significantly more than the best new release of the week, Little, which managed $15.41 million during its opening weekend. That film will break even sometime during its home market run. The same can’t be said of Hellboy, After, and Missing Link, all of which will lose money. This caused the overall box office to fall 24% from last weekend to just $110 million. This is also 25% lower than this weekend last year. Year-to-date, 2019 has fallen further behind 2018 and it now behind with $550 million or 17% at $2.68 billion to $3.23 billion. Avengers: Endgame will have to be unreasonably big at the box office for 2019 to turn things around any time soon. More...

Weekend Estimates: Shazam Stops New Releases Cold

April 14th, 2019

Shazam

Shazam really bounced back from a poor Friday performance. So much so that it almost match our prediction with an estimated $25.14 million over the weekend for a two-week total of $94.31 million. Internationally, the film is projected to earn $35.9 million on 23,752 screens in 79 markets to push its international total to $163.9 million. This means its worldwide total rose past $250 million after just two weeks of release. The film will have no trouble breaking even after a run like this, even with Avengers: Endgame looming large. More...

Friday Estimates: Friday Results are More Little Than Needed

April 13th, 2019

Hellboy

It’s going to be a terrible weekend at the box office with almost no film living up to expectations. Shazam fell faster than anticipated, down 69% from its opening Friday to just $6.37 million yesterday. Because it’s a holdover, it will bounce back more than the new releases, but it will still likely fail to match our prediction and is on pace for between $23 million and $24 million for the weekend. It is still going to break even, but if it doesn’t bounce back before Avengers: Endgame debuts, it will merely be very profitable and not amazingly profitable. More...

Thursday Night Previews: Going Through Hell

April 12th, 2019

Hellboy

Hellboy opened with $1.38 million in previews last night, which is not enough to be a hit. This would have only put the film in third place last Thursday, well behind both Shazam and Pet Sematary. Furthermore, due to the film’s terrible reviews, it will likely be more front-loaded. Fortunately, this wasn’t too far below expectations. More...

Weekend Prediction: Will Hellboy have a Heavenly Start? Will Little open Large?

April 12th, 2019

Hellboy

There are four wide releases this week, but it seems Shazam will remain the top draw, potentially by a significant margin. Hellboy was supposed to challenge for top spot, but its reviews are going to kill its box office chances. Little is earning better reviews, but its reviews are not good enough to overcome its smaller stature. Missing Link is earning amazing reviews, but that hasn’t helped other stop-motion animated films succeed in the recent past. After has the quietest buzz of the week and almost no reviews. This weekend last year wasn’t a great weekend at the box office, but it will certainly be better than this weekend will be. Avengers: Endgame can’t come soon enough. More...

2019 Preview: April

April 1st, 2019

Avengers: Endgame

March was a good month at the box office with most films beating expectations. The biggest hit was Captain Marvel, which is still on pace for $400 million domestically and may have crossed $1 billion worldwide by the time you read this. The biggest “miss” was Dumbo, but it is still going to top $100 million domestically with ease. This month, it is a battle between Avengers: Endgame and last year’s Infinity War. To be fair, A Quiet Place got last April off to a very fast start and Shazam! should do the same this year, so there will be more than one potential box office hit to talk about. That said, Endgame will almost certainly open with more than any other April release earns in total and if 2019 is going to cut into its deficit with 2018, it will be on the back of that one film. More...

Hellboy Trailer

December 20th, 2018

Superhero action movie starring David Harbour opens April 12 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Hellboy is back, and he’s on fire. He is called to the English countryside to battle a trio of rampaging giants. There he discovers The Blood Queen, Nimue, a resurrected ancient sorceress thirsting to avenge a past betrayal. Suddenly caught in a clash between the supernatural and the human, Hellboy is now hell-bent on stopping Nimue without triggering the end of the world.

Metrics

Opening Weekend:$12,045,147 (55.0% of total gross)
Legs:1.82 (domestic box office/biggest weekend)
Domestic Share:40.6% (domestic box office/worldwide)
Production Budget:$50,000,000 (worldwide box office is 1.1 times production budget)
Theater counts:3,303 opening theaters/3,303 max. theaters, 2.4 weeks average run per theater
Infl. Adj. Dom. BO $25,777,546

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Movie Details

Domestic Releases: April 12th, 2019 (Wide) by Lionsgate
April 12th, 2019 (IMAX) by Lionsgate
International Releases: April 10th, 2019 (Wide) (South Korea)
April 11th, 2019 (Wide) (Italy)
April 11th, 2019 (Wide) (Mexico)
April 11th, 2019 (Wide), released as Хеллбой (Russia (CIS))
April 11th, 2019 (Wide) (United Kingdom)
... Show all releases
Video Release: July 23rd, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for strong bloody violence and gore throughout, and language
(Rating bulletin 2567 (Cert #52002), 2/27/2019)
Running Time: 120 minutes
Franchise: Hellboy
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Dark Horse Comics, Demons, Supernatural, Revenge, Shapeshifter, Witches, IMAX: DMR, Reboot, Action Horror
Source:Remake
Genre:Horror
Production Method:Live Action
Creative Type:Super Hero
Production/Financing Companies: Summit Entertainment, Millennium Films, Campbell Grobman Films, Dark Horse Entertainment, Applebox Entertainment, Lawrence Gordon, Lloyd Levin, Nu Boyana
Production Countries: United States
Languages: English

Leading Cast

David Harbour Hellboy

Supporting Cast

Milla Jovovich Nimue/The Blood Queen
Ian McShane Professor Broom
Sasha Lane Alice Monaghan
Daniel Dae Kim Ben Daimio
Thomas Haden Church Lobster Johnson
Mark Stanley Arthur
Brian Gleeson Merlin
Nadya Keranova Sister
Mariya Tepavicharova Sister
Ana Tabakova Sister
Penelope Mitchell Ganeida
Terry Randal Priest
Mario De La Rosa Esteban Ruiz/Camazotz
Christopher Mata Referee
Atanas Srebrev Agent Madison
Dawn Sherrer Agent Strode
Michael Heath Butler
Alistair Petrie Lord Adam Glaren
Rick Warden Dr. Edwin Carp
Nitin Ganatra August Swain
Sophie Okonedo Lady Hatton
Markos Rounthwaite Grigori Rasputin
Ilko Iliev Professor Doctor Karl Ruprect Kroenen
Joel Harlow Von Krupt
Dimiter Banekin Leopold Kurtz
Vanessa Eichholz Ilsa Hepstein
Kristina Klebe Leni Riefenstahl
Charles Shannon Sgt. Whitman
Carl Hampe Sir Malcom Frost
Tony Van Silva Abbot
Josh Finan Novice
Stephen Graham Gruagach
Jonathan Steele Huntsman
Simon Feek M-11 Operative
Ava Brennan Alice’s Mother
Anthony Delaney Alice’s Father
Jasmine Audoux-Prevot Baby Alice
Meglena Karalambova Leprous Hag
Anna Bankina Leprous Hag
Ruth Rafailova Leprous Hag
Laila Morse Mrs. Harker
Peter Oxley Gunsmith
Nikolay Stanoev Monk
Troy James Baby Yaga
Emma Tate Baby Yaga
Manal El-Feitury Mother
Elizabeth Mehari Kahsai Child in Parking Lot
Said Barry Abdulai Child in Parking Lot
Katya Peneva Sarah Bethany Hughes
Natasha Kaplinsky Anchorman
Valentin Stoyanov Man 1
Viktor Rangelov Man 2
Vasil Tsvetkov Man 3
Joshua Samuel Hector Man 4

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Neil Marshall Director
Andrew Cosby Screenwriter
Mike Mignola Story based on the Dark Horse Comic Book Created by
Lawrence Gordon Producer
Lloyd Levin Producer
Mike Richardson Producer
Philip Westgren Producer
Carl Hampe Producer
John Thompson Producer
Matt O'Toole Producer
Les Weldon Producer
Yariv Lerner Producer
Mike Mignola Executive Producer
Marc Helwig Executive Producer
Avi Lerner Executive Producer
Trevor Short Executive Producer
John Thompson Executive Producer
Lati Grobman Executive Producer
Christa Campbell Executive Producer
Jeffrey Greenstein Executive Producer
Lorenzo Senatore Director of Photography
Martin Bernfeld Editor
Paul Kirby Production Designer
Stephanie Collie Costume Designer
Benjamin Wallfisch Composer
Steve Begg Visual Effects Supervisor
Joel Harlow Creature Designer
Joel Harlow Special Make-up Effects
Dan Hubbard Casting Director
Elena Melamed Line Producer
Elena Melamed Unit Production Manager
Neil Wallace First Assistant Director
Helen Fraser Second Assistant Director
Markos Rounthwaite Stunt Coordinator
Lonnie Ramati Co-Executive Producer
Martin Bernfeld Co-Producer
Danail Hadzhiyski Visual Effects Producer
Anna V. James* Visual Effects Producer
Janet Muswell Visual Effects Producer
Michael Solinger Post-Production Supervisor
Selena Arizanovic Music Supervisor
Tony Lewis Supervising Music Editor
Luke Clare First Assistant Editor
Gemma Bourne Assistant Editor
Amar Ingreji Assistant Editor
Matthew Collinge Sound Supervisor
Andrew Stirk Re-recording Mixer
Matthew Collinge Re-recording Mixer
Rob Prynne Sound Designer
Paul Carter Sound Designer
Martin Cantwell Sound Designer
Rob Turner Sound Effects Editor
Matt Davies Dialogue and ADR Supervisor
Lilly Blazewicz Foley Editor
Ivan Rangelov Supervising Art Director
Adriano Giombini Art Director
Alessandro Troso Art Director
Alexei Karaghiaur Art Director
Andrew Ackland-Snow Art Director
Vladimir Kaloyanov Sound Mixer
Stefania Velichkova Script Supervisor
Yosif Mladenov Set Designer
Stefan Manchev Set Designer
Valentina Mladenova* Set Decorator
Anna Gelinova Costume Supervisor
Ivo Jivkov Special Effects Supervisor
Diyan Hristov Second Unit Director
Benjamin Wallfisch Music Producer
Arabella Winter Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for July 23rd, 2019

July 24th, 2019

Nichijou: My Ordinary Life

We are still in the summer doldrums on the home market. The biggest first run release of the week is Alita: Battle Angel, which is much better than its box office numbers and one of the best releases on this week’s list. Other contenders for Pick of the Week include Do the Right Thing and Nichijou: My Ordinary Life: The Complete Series. In the end, I went with Nichijou: My Ordinary Life: The Complete Series. In part because it is an amazing series, but also in part in solidarity with the victims of the Kyoto Animation arson attack. More...

Weekend Wrap-Up: Curse Tops Chart, but 2019 Suffers Another Loss

April 23rd, 2019

The Curse of La Llorona

Easter weekend gave box office watchers a few reasons to celebrate. The Curse of La Llorona topped expectations and earned first place with $26.35 million over the weekend. That’s a very strong debut for this time of year. Additionally, both Shazam and Captain Marvel held on amazingly well, which bodes well for their chances against Avengers: Endgame. Overall, the box office rose 1% from last weekend to $108 million. This was 14% lower than the same weekend last year, and it wasn’t Easter weekend last year. On a side note, I’ve seen some stories call this past weekend the worst Easter weekend in over a decade. However, this is misleading, as it was the first time Easter weekend was one weekend before the start of the Summer Blockbuster season. Avengers: Endgame opening on Friday had more to do with the weak box office than any other factor and if Endgame is as big as some box office analysts expect, then by this time next week, we will be talking about how quickly 2019 will turn things around rather than how bad 2019 has been. In the meantime, we’ve hopefully sunk to the low point in the year-over-year comparison, as 2019 is now behind 2018 by a $570 million or 17% margin at $2.84 billion to $3.41 billion. More...

Weekend Wrap-Up: Shazam Shocks the New Releases

April 16th, 2019

Shazam

Shazam easily topped the weekend box office chart with $24.45 million. This is significantly more than the best new release of the week, Little, which managed $15.41 million during its opening weekend. That film will break even sometime during its home market run. The same can’t be said of Hellboy, After, and Missing Link, all of which will lose money. This caused the overall box office to fall 24% from last weekend to just $110 million. This is also 25% lower than this weekend last year. Year-to-date, 2019 has fallen further behind 2018 and it now behind with $550 million or 17% at $2.68 billion to $3.23 billion. Avengers: Endgame will have to be unreasonably big at the box office for 2019 to turn things around any time soon. More...

Weekend Estimates: Shazam Stops New Releases Cold

April 14th, 2019

Shazam

Shazam really bounced back from a poor Friday performance. So much so that it almost match our prediction with an estimated $25.14 million over the weekend for a two-week total of $94.31 million. Internationally, the film is projected to earn $35.9 million on 23,752 screens in 79 markets to push its international total to $163.9 million. This means its worldwide total rose past $250 million after just two weeks of release. The film will have no trouble breaking even after a run like this, even with Avengers: Endgame looming large. More...

Friday Estimates: Friday Results are More Little Than Needed

April 13th, 2019

Hellboy

It’s going to be a terrible weekend at the box office with almost no film living up to expectations. Shazam fell faster than anticipated, down 69% from its opening Friday to just $6.37 million yesterday. Because it’s a holdover, it will bounce back more than the new releases, but it will still likely fail to match our prediction and is on pace for between $23 million and $24 million for the weekend. It is still going to break even, but if it doesn’t bounce back before Avengers: Endgame debuts, it will merely be very profitable and not amazingly profitable. More...

Thursday Night Previews: Going Through Hell

April 12th, 2019

Hellboy

Hellboy opened with $1.38 million in previews last night, which is not enough to be a hit. This would have only put the film in third place last Thursday, well behind both Shazam and Pet Sematary. Furthermore, due to the film’s terrible reviews, it will likely be more front-loaded. Fortunately, this wasn’t too far below expectations. More...

Weekend Prediction: Will Hellboy have a Heavenly Start? Will Little open Large?

April 12th, 2019

Hellboy

There are four wide releases this week, but it seems Shazam will remain the top draw, potentially by a significant margin. Hellboy was supposed to challenge for top spot, but its reviews are going to kill its box office chances. Little is earning better reviews, but its reviews are not good enough to overcome its smaller stature. Missing Link is earning amazing reviews, but that hasn’t helped other stop-motion animated films succeed in the recent past. After has the quietest buzz of the week and almost no reviews. This weekend last year wasn’t a great weekend at the box office, but it will certainly be better than this weekend will be. Avengers: Endgame can’t come soon enough. More...

2019 Preview: April

April 1st, 2019

Avengers: Endgame

March was a good month at the box office with most films beating expectations. The biggest hit was Captain Marvel, which is still on pace for $400 million domestically and may have crossed $1 billion worldwide by the time you read this. The biggest “miss” was Dumbo, but it is still going to top $100 million domestically with ease. This month, it is a battle between Avengers: Endgame and last year’s Infinity War. To be fair, A Quiet Place got last April off to a very fast start and Shazam! should do the same this year, so there will be more than one potential box office hit to talk about. That said, Endgame will almost certainly open with more than any other April release earns in total and if 2019 is going to cut into its deficit with 2018, it will be on the back of that one film. More...

Hellboy Trailer

December 20th, 2018

Superhero action movie starring David Harbour opens April 12 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 12, 2019 3 $12,045,147   3,303 $3,647   $12,045,147 1
Apr 19, 2019 10 $3,951,098 -67% 3,303 $1,196   $19,747,369 2
Apr 26, 2019 14 $354,575 -91% 927 $382   $21,533,408 3
May 3, 2019 29 $68,593 -81% 179 $383   $21,796,087 4
May 10, 2019 30 $50,536 -26% 127 $398   $21,882,492 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Apr 12, 2019 3 $4,943,668     3,303 $1,497   $4,943,668 1
Apr 13, 2019 4 $4,251,822 -14%   3,303 $1,287   $9,195,490 2
Apr 14, 2019 4 $2,849,657 -33%   3,303 $863   $12,045,147 3
Apr 15, 2019 3 $920,945 -68%   3,303 $279   $12,966,092 4
Apr 16, 2019 4 $1,346,260 +46%   3,303 $408   $14,312,352 5
Apr 17, 2019 7 $750,687 -44%   3,303 $227   $15,063,039 6
Apr 18, 2019 7 $733,232 -2%   3,303 $222   $15,796,271 7
Apr 19, 2019 10 $1,344,324 +83% -73% 3,303 $407   $17,140,595 8
Apr 20, 2019 9 $1,563,100 +16% -63% 3,303 $473   $18,703,695 9
Apr 21, 2019 8 $1,043,674 -33% -63% 3,303 $316   $19,747,369 10
Apr 22, 2019 10 $439,916 -58% -52% 3,303 $133   $20,187,285 11
Apr 23, 2019 8 $532,221 +21% -60% 3,303 $161   $20,719,506 12
Apr 24, 2019 8 $323,879 -39% -57% 3,303 $98   $21,043,385 13
Apr 25, 2019 11 $135,448 -58% -82% 3,303 $41   $21,178,833 14
Apr 26, 2019 14 $94,136 -31% -93% 927 $102   $21,272,969 15
Apr 27, 2019 14 $154,818 +64% -90% 927 $167   $21,427,787 16
Apr 28, 2019 13 $105,621 -32% -90% 927 $114   $21,533,408 17
Apr 29, 2019 13 $47,475 -55% -89% 927 $51   $21,580,883 18
Apr 30, 2019 13 $62,224 +31% -88% 927 $67   $21,643,107 19
May 1, 2019 14 $51,009 -18% -84% 927 $55   $21,694,116 20
May 2, 2019 15 $33,378 -35% -75% 927 $36   $21,727,494 21
May 3, 2019 - $20,099 -40% -79% 179 $112   $21,747,593 22
May 4, 2019 - $27,873 +39% -82% 179 $156   $21,775,466 23
May 5, 2019 - $20,621 -26% -80% 179 $115   $21,796,087 24
May 6, 2019 - $9,597 -53% -80% 179 $54   $21,805,684 25
May 7, 2019 - $11,311 +18% -82% 179 $63   $21,816,995 26
May 8, 2019 - $8,718 -23% -83% 179 $49   $21,825,713 27
May 9, 2019 - $6,243 -28% -81% 179 $35   $21,831,956 28
May 10, 2019 - $12,559 +101% -38% 127 $99   $21,844,515 29
May 11, 2019 - $21,997 +75% -21% 127 $173   $21,866,512 30
May 12, 2019 - $15,980 -27% -23% 127 $126   $21,882,492 31
May 13, 2019 - $5,101 -68% -47% 127 $40   $21,887,593 32
May 14, 2019 - $5,883 +15% -48% 127 $46   $21,893,476 33
May 15, 2019 - $5,476 -7% -37% 127 $43   $21,898,952 34
May 16, 2019 - $4,796 -12% -23% 127 $38   $21,903,748 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 12, 2019 3 $15,796,271   3,303 $4,782   $15,796,271 1
Apr 19, 2019 10 $5,382,562 -66% 3,303 $1,630   $21,178,833 2
Apr 26, 2019 14 $548,661 -90% 927 $592   $21,727,494 3
May 3, 2019 28 $104,462 -81% 179 $584   $21,831,956 4
May 10, 2019 32 $71,792 -31% 127 $565   $21,903,748 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/12/2019 $57,719 139 139 172 $91,422 5/4/2019
Australia 4/12/2019 $553,564 287 287 748 $1,051,651 5/7/2019
Brazil 5/24/2019 $302,185 446 446 652 $627,494 6/8/2019
Bulgaria 4/12/2019 $26,672 0 0 0 $64,719 5/8/2019
China 11/7/2020 $130,000 409 55,998 76,483 $13,170,000 12/9/2020
Czech Republic 4/12/2019 $146,440 126 126 256 $268,625 5/6/2019
France 5/10/2019 $1,078,112 410 415 1,174 $1,779,290 5/31/2019
Germany 4/12/2019 $559,728 0 0 0 $559,728 4/19/2019
Italy 4/11/2019 $858,614 0 4 4 $1,566,487 5/10/2019
Lithuania 4/12/2019 $19,370 93 93 112 $27,268 4/23/2019
Mexico 4/11/2019 $702,545 0 0 0 $1,562,208 4/22/2019
Netherlands 4/12/2019 $207,077 90 90 238 $395,474 4/30/2019
Poland 4/12/2019 $218,076 194 194 388 $364,510 4/27/2019
Portugal 4/12/2019 $180,205 76 76 202 $361,564 5/14/2019
Russia (CIS) 4/11/2019 $2,243,529 1,578 1,578 4,389 $3,811,848 6/21/2019
Slovakia 4/12/2019 $76,756 67 67 123 $134,301 4/30/2019
South Korea 4/10/2019 $1,228,117 726 726 1,243 $2,309,424 4/25/2019
Spain 5/17/2019 $563,057 342 342 870 $1,057,555 6/7/2019
Turkey 4/12/2019 $155,643 332 332 819 $376,195 5/24/2019
United Kingdom 4/11/2019 $1,294,899 480 490 1,229 $2,472,969 5/23/2019
 
International Total$32,052,732 12/9/2020

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 28, 2019280,380 80,380$1,223,384$1,223,3841
Aug 4, 2019365,252-19% 145,632$993,135$2,216,5192
Aug 11, 20191323,085-65% 168,717$351,354$2,567,8733

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 28, 20192243,356 243,356$5,087,105$5,087,1051
Aug 4, 2019278,154-68% 321,510$1,601,374$6,688,4792
Aug 11, 2019734,196-56% 355,706$700,684$7,389,1633
Aug 18, 20191511,390-67% 367,096$233,372$7,622,5354
Aug 25, 20191110,339-9% 377,435$0$7,622,5355
Sep 1, 2019205,349-48% 382,784$98,502$7,721,0376

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.